Infinitely more important, IMO, to update the camera as follows:
Do you really believe there aren't many commercial photographers (and even some artist one) that wouldn't like this kind of hi-res images? Among those probably using Hasselblad today? Not everybody does wildlife or sports. For example Canon does make T/S lenses - and their users are far form being obsessed by fps or AF. and most of the time the camera will be on a tripod. It would be interesting to know if the user will be able to select among different final resolutions or not.he addition of 400MP pixel-shift might appeal to perhaps one buyer in every million?
Wouldn’t downsampling a 400mp in post essentially do that though? Agree that in camera would be nice thoughI guess the feature of added resolution is nice, but I hope there will also be an option that is keeping the original 45MP but with better color accuracy and noise performance.
And what I would be really happy to see is (finally) the addition of C-Log 2, at least in the R5 C, but it would be a welcomed addition on the R5 too (or all cameras if we are at it).
I think you’re way off base. The addition of 400 MP pixel-shift will appeal to broad swath of buyers. Granted, most of them don’t need it and likely won’t even use it after trying it out once or twice. But it will have strong appeal.The addition of 400MP pixel-shift might appeal to perhaps one buyer in every million?
Yeah, I don’t get the hate here. Pixel shift is kinda niche but it’s still a headline feature that can be implemented with the current hardware. Even with a very “v1” implementation (no AI/ML magic) there are plenty of times you’re on a tripod with a static subject.I think you’re way off base. The addition of 400 MP pixel-shift will appeal to broad swath of buyers. Granted, most of them don’t need it and likely won’t even use it after trying it out once or twice. But it will have strong appeal.
possibly copyright/patent related. They may have had to achieve similar results with different methods due to patents.. never knowYeah, I don’t get the hate here. Pixel shift is kinda niche but it’s still a headline feature that can be implemented with the current hardware. Even with a very “v1” implementation (no AI/ML magic) there are plenty of times you’re on a tripod with a static subject.
Canon lens reviewers will love it that’s for sure. Get those focus targets setup!
(Unrelated: ”IBIS HIGH Resolution” seems like a weird name for Canon to use for this feature. Wonder if that’s a placeholder name or something)
And you can do a nine shots in a row of lightning to add them up for a 400 MP pic?Go shoot an object like lightning where you don't know if it will be a mile away or 10 miles away and tell me the extra MP isn't needed Being able to crop in is extremely useful.
I presume people are asking for the additional AF features implemented on the R7 and R6 II, as opposed to ‘better AF’.scratching my head on a couple of posts about autofocus improvements.. the autofocus on the R5 is miles ahead of my previous SLRs.
It's just one example of why some people want more MP. I specifically tweeted this morning that it likely wouldn't work for lightning but it would be nice if it did. I have no idea how fast it will shoot the 9 frames. If they can do it within something like half a second, it absolutely would work. Bolts often hang around longer than you would think.And you can do a nine shots in a row of lightning to add them up for a 400 MP pic?
If the R5 is that "fast as lightning", it's good for you if that feature comes to the R5.
TBH that wouldn't be my approach to take photos of lightning but if that works for you ...
Firstly, consider the ratio of amateurs : professionals who buy the R5. It's widely accepted that the vast majority of purchasers of high-end gear are amateur enthusiasts. Neither of us know the exact figure, but my guess is that pros make up less than 2% of R5 buyers.Do you really believe there aren't many commercial photographers (and even some artist one) that wouldn't like this kind of hi-res images? Among those probably using Hasselblad today? Not everybody does wildlife or sports. For example Canon does make T/S lenses - and their users are far form being obsessed by fps or AF. and most of the time the camera will be on a tripod. It would be interesting to know if the user will be able to select among different final resolutions or not.
and would need a huge buffer ( or a VERY long busy" time).
I think from the standpoint of creating works of art that truly need that size the use case can be pretty narrow, but cameras are used for more than just creating works of art or capturing action. There may be some scientific uses or documentation uses. For instance, I’d assume some of the more well-positioned uses would be reproduction of art such as capturing paintings with extreme detail for archival purposes, recording high detail images of biological specimens like new insect species discovery, maybe even crime scene capturing of images that may be needed for evidence at a later date? I’d guess that there may well be more industrial applications as well. But yes, as someone who does want more than 45mp, 400 is far more than I’d need or want.What would this feature be used for? Is it for printing large billboards of static subjects? I wonder how many Mega Bytes the RAW files will be. Since Canon are adding new features the R5 II must be quite some time away yet.
What fraction of those driving big pickup trucks with powerful engines actually need them for work or tow a trailer or boat? Likely a minority, but having all that engine power appeals to some buyers.Firstly, consider the ratio of amateurs : professionals who buy the R5. It's widely accepted that the vast majority of purchasers of high-end gear are amateur enthusiasts. Neither of us know the exact figure, but my guess is that pros make up less than 2% of R5 buyers.