I heartily agree with the majority of others who find the 300/2.8 to be a stellar piece of gear. The primary subject of my work is racing sailboats and this is THE "go to" lens for most all situations. I'll often pair it with a 1.4x when I need a bit more reach.
The most affordable option, of course, is picking up an early version, whether it's the original IS or the even older non-IS. I've had two of the latter over the last 20-plus years and they have served me very well. The sharpness is incredible; the "look", perhaps even better. Note, though, that Canon US won't service the non-IS. If something goes wrong, you may be out of luck.
Not only are these lenses exceptional by themselves, they're very good when matched with Canon's converters. Other than slower autofocusing, I've found little loss with the 1.4x, and used with the 2x, while not in the same league, is not so far behind.
As for stacking both the 1.4 and 2x, they're more than acceptable for those times when you must have the shot, though be forewarned that focus will be slow. So, you might need a captive subject. Attached a 100% crop of a lunar landscape I shot this way.
The most affordable option, of course, is picking up an early version, whether it's the original IS or the even older non-IS. I've had two of the latter over the last 20-plus years and they have served me very well. The sharpness is incredible; the "look", perhaps even better. Note, though, that Canon US won't service the non-IS. If something goes wrong, you may be out of luck.
Not only are these lenses exceptional by themselves, they're very good when matched with Canon's converters. Other than slower autofocusing, I've found little loss with the 1.4x, and used with the 2x, while not in the same league, is not so far behind.
As for stacking both the 1.4 and 2x, they're more than acceptable for those times when you must have the shot, though be forewarned that focus will be slow. So, you might need a captive subject. Attached a 100% crop of a lunar landscape I shot this way.
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