transpo1 said:Does Canon want to lose that 10% of video buyers? I don't think so- then their 5D sales go down 10%.
4K isn't a fad like 3D was- it's here for the long run. Canon needs to take a lesson from Apple and cannibalize themselves (their Cinema EOS line) before someone else does it for them.
Putting 4K and 1080p RAW in the next 5D is essential- otherwise, video shooters will be buying something else.
And how many Cinema EOS buyers started out with a 5DII? A lot. Then they graduated to a C300.
If the next generation of shooters starts out with a GH4 or A7S, they'll be much more inclined to graduate to a higher end Panasonic or Sony cinema camera. And whoops, then those C300 sales will start to drop, too.
I'm not being a pessimist here, and I'm not a Canon hater- I LOVE their products- the quality is just incredible. But they have to stop protecting Cinema EOS market share and start giving people what they want.
A reason why big glass like the 800, 600, 500, 400/2.8, 300/2.8, 200/2.0 and 200-400/4.0 are expensive is because their production run are far far far fewer than say a 16-35/2.8, 24-70/2.8 or 70-200/2.8 IS.9VIII said:rowlandw said:I might buy a 5D-4 "lite" - with no video! (if priced much less than the video version.)
Remember how much of a discount people got for having no video on the Nikon Df?
3D is a fad(gimic). I dont know anyone who buys a tv or projector bc its 3D. Now 3D just comes with it as a spec perk to one up or have that text on the box of their product to match another. You dont see anyone crying for 3D in their next DSLR or eos cinema do you or at least not enough to notice. 3D is something you take your kids to see at the movies just bc they think it is cool. 4k isnt a fad but it is a gimic when its something I wouldnt want to use bc of how bad it will look in low light at price points we are talking about. If I video a wedding in 4K(despite how terrible it will look bc we all know weddings have terrible lighting) how many people can watch it even if they have a 4K tv. I did a dance recital in May. Sold 40 videos. 1 Blu-RAY.....ONE!!!!! 39 DVDs. these people have a 1080p capable TV but nothing to play a blu-ray on(I bet their children do but they dont know it). Blue-ray was same price as DVD. Yes I can crop the 4K but Im still left with lower quality 1080P bc the low light is worse. more pixels on same size sensor=worse low light as compared to 1080P wouldnt it? I think in the next 2 years there will be a sharp increase in 4K tv sales simply because it will be at that 1,000-1,500 price point. but what about 4K media...4k media players. Im still waiting on people to adopt 1080P and thats why I want better 1080P NOW. I admit I dont know if current blu-ray players will play 4K. If so then that will speed up its adoption into mainstream. Im fine with 4K staying at a professional pricepoint(good quality 4K) because thats where it belongs. canon needs to focus on improving something that I can use to improve the quality of what I use to make a living with. I wont make more money bc my camera will do poor or semi decent 4K.transpo1 said:Does Canon want to lose that 10% of video buyers? I don't think so- then their 5D sales go down 10%.
4K isn't a fad like 3D was- it's here for the long run. Canon needs to take a lesson from Apple and cannibalize themselves (their Cinema EOS line) before someone else does it for them.
Putting 4K and 1080p RAW in the next 5D is essential- otherwise, video shooters will be buying something else.
And how many Cinema EOS buyers started out with a 5DII? A lot. Then they graduated to a C300.
If the next generation of shooters starts out with a GH4 or A7S, they'll be much more inclined to graduate to a higher end Panasonic or Sony cinema camera. And whoops, then those C300 sales will start to drop, too.
I'm not being a pessimist here, and I'm not a Canon hater- I LOVE their products- the quality is just incredible. But they have to stop protecting Cinema EOS market share and start giving people what they want.
LetTheRightLensIn said:They really need:
4k that is real 4k and not like 1080P
forget all the stupid DNR where they turn even ISO 100 to wax unless it's extreme contrast edges, we want natural 'grain' and detail and we don't want fine surface detail to be turned to mush from plasticky fake looking DNR!
we need 10bits not bits recorded internally, 10bits 4:4:4, compressed, detailed, 4k recorded internally would be great (4:2:2 at worst). (and it should allow 1080p RAW like ML)
and how about just building the zebras and focus 100% box and focus peaking in? basic stuff!
LetTheRightLensIn said:They really need:
4k that is real 4k and not like 1080P
forget all the stupid DNR where they turn even ISO 100 to wax unless it's extreme contrast edges, we want natural 'grain' and detail and we don't want fine surface detail to be turned to mush from plasticky fake looking DNR!
we need 10bits not bits recorded internally, 10bits 4:4:4, compressed, detailed, 4k recorded internally would be great (4:2:2 at worst). (and it should allow 1080p RAW like ML)
and how about just building the zebras and focus 100% box and focus peaking in? basic stuff!
brianftpc said:I did a dance recital in May. Sold 40 videos. 1 Blu-RAY.....ONE!!!!! 39 DVDs. these people have a 1080p capable TV but nothing to play a blu-ray on
LetTheRightLensIn said:They will be lucky to get Betamax quality.
This is the reason I am not too excited about the specs of the 7D II. Everything is great in it, except 4K.gjones5252 said:I am sorry but 4k is not a gimic. 4k is great for image stabilization and getting a far better downsampled 1080p image. I believe that 4k will be released into a smaller camera-ie below the 1dc. I am not saying there wont be a compromise but i dont think they can wait forever to release the 4k into a smaller camera body.
I could see 4k in a 5d body and 2.5k in a smaller (7d) body.