BobHope said:Wow so much hate for DXO Mark.
I have run my own tests Nikon vs Canon as myself and my family own both types of gear, and I can replicate every result that DXO produce.
I even managed to replicate an interesting flaw in their testing, one lens showed better sharpness at f16 than all others, I replicated this and discovered that this lens did not actually stop down to F16 but was still at F11 giving the erroneous result.
I have found them to be extremely reliable, and these new figures they have posted pretty much match exactly what everyone else is saying.
For example, they say that the low light score, ie the ISO performance is behind that of the D810, but very similar to that of a 5DMKIII
DP Review example pics show exactly this.
http://www.dpreview.com/previews/canon-eos-5ds-sr/5
They say the dynamic range is behind that of the D810, but improved from previous Canon cameras.
DP Review examples show the same thing.
http://www.dpreview.com/previews/canon-eos-5ds-sr/7
What all these results show is that unlike Sony and Nikon, who have managed the feat of giving you more pixels and better iso and better DR all in the same full frame package, Canon have simply scaled up the 7D MK II's crop sensor with all its compromises. It is not a great leap forward in technology, and the upcoming Sony 42Mpix backlit sensor is probably going to destroy it.
An interesting point, I tested Nikon D810 with 24-70 vs Canon 5DMK II with 24-105 lens, I found that the Nikon at 70mm resolved the same as the Canon at 105mm. As a *system* this is what matters when producing a file. And that is what DXO Mark scores showed this. They also showed that the Nikon 24-70 would suffer CA in the corners, and that is what I found.
So I expect that now there is a system that has 50mpix and some great lenses, you will see Canon lenses up top with some of the best performing sharpness scores, and I think we will see the big white telephotos finally showing just how sharp they are on a sensor that can resolve all they can give.
Then if you have so much experience with these different systems how do you explain the DxO scoring of APS sensors against FF ?
On many of the Sony or now Toshiba crop sensors DxO has them equal to, or even higher than, FF sensors. Yet if you use a 'higher rated' crop sensor alongside an 'inferior' FF sensor the FF is significantly better in terms of colour definition, tonal graduation, overall definition, practical resolution......the list goes on.
Likewise the extra DR of the Exmor sensor (and I guess Toshiba from what I have seen of the D4 data) is of little practical value outside of artificially raising shadow data, so the 'scores' are biased to this end result - which is of little use to the majority.
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