J.R. said:Chuck Alaimo said:and another, again using the points to the edge - this time
ISO 1600
85mm 1.8 at 1.8
1/160th
Very nice ... how did you focus? Did you use flash assist?
no flash, just ambient light. That was at about 8:15 PM... sunset, but of course, taken under a canopy of trees.
J.R. said:Only 1 x type AF point ... c'mon. They could have done it a wee bit better with the than what they have without impacting the sales of the 5D3 - a few more x type AF points couldn't have seriously impacted the sales of the 5D3?
I do have the 5D3 and the 6D is only a backup / second body. I feel shortchanged by Canon with the AF performance of the 6D, which otherwise is a very good camera with excellent IQ.
I guess it all depends on what one's definition of "good" AF is - the center point in low light might be "impressive" but the overall AF performance makes me cringe sometimes (as mentioned in my earlier posts).
Regarding your comment of High ISO performance making up for the lacking AF, it all depends on perspective. For me, high ISO performance is useless if the shot is out of focus. The only reason I bought the 6D over a second 5D3 was because I didn't want to put in too much money on a second body. Did I compromise - Yes, and with full knowledge of what I was getting into.
It's not that you can't get good sharp shots with the 6D, its only that it's damn difficult at wide open apertures.
Just tossing it out there ---but --- it isn't easy getting good sharp shots at wide apertures in general, you have to be very careful and pick and choose your battles.
Like you, i struggled with the idea of pouring that much dough into a second mk3. I rented the 6d to see for myself just how good/bad it is. And I was pleasantly surprised. Is the mk3 the better camera? Hell yes. But as a backup body, the 6d fits in quite nicely. So far, it has handled every situation I have put it in admirably! The little things I miss aren't even in the AF -- sync port for remote flashes! Now that I do miss - at Weddings I will often have off camera lights, and one on cam set low to give a little fill on the faces - no sync port means i can't do that. No worries though, I can let the mk3 take that roll on (I may actually grab a video light anyways, that could sit atop the trigger and issue solved).
I have yet to shoot in a situation where I have hit the 1/4000th limit, and if i do, well ,the then mk3 can jump in.
Back to the point, so far I have not felt too limited by the AF on the 6d. in lower light, if i want the far ppoints for specific, precise framing, there's the mk3. the wide angle can go on the 6d and center point is just fine for that kind of stuff.
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