daniela said:My question is: Why cheaper? I have seldom seen an product that gets cheaper and is higher in quality and has more features, than its predecessor. ???
5DII was a huge step up from the 5D - and cheaper.
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daniela said:My question is: Why cheaper? I have seldom seen an product that gets cheaper and is higher in quality and has more features, than its predecessor. ???
Maiaibing said:daniela said:My question is: Why cheaper? I have seldom seen an product that gets cheaper and is higher in quality and has more features, than its predecessor. ???
5DII was a huge step up from the 5D - and cheaper.
daniela said:I like Canon, but the D500 is - all in one seen - an step better than the 7DII. The Af is incredible. My husband owns one. And combined with an fast prime, it beats the 7DII.
Maybe Canon will make the 7Ds AF system better
Cthulhu said:kevl said:I needed a second body for this wedding season. I had expected the 5D4 to come in the Spring so I ended needing something quick. I picked the 7DII to pair with my 5D3 workhorse. This has turned out to be a fantastic decision. The camera is brilliant.
There is less room for error with the 7DII than the 5D3 but if you get your exposure right your images are going to be great. It has gone from being my backup to being used just as often as the 5D3. Frankly it is a joy to use.
If anyone is having image quality issues with their 7DII I would suggest investing in a good focus target and spending some time dialling in your AF micro adjustments and being careful with your exposure. The camera's image quality and noise performance suffers greatly if your AF is off just a bit. The softer your images are the more the noise affects them.
Hope this helps.
It is indeed a joy to use, the AF is great, it's light, quiet and very feature rich. I don't think I'd have much trouble with it shooting weddings, though an 80D seems like a better choice, but I shoot extremely fast action where light changes dramatically on a panning shot, so the exposure can't always be where you want to. I don't want to ever shoot above iso 1600 with it as it falls apart.
I've since moved on to a 1dx and couldn't be happier. They're fairly cheap second hand these days and absolute beasts if you need to keep your shutter above 1/1000 all the time.
kevl said:Hopefully the next 7D will be even better because of how good the D500 is.
PureClassA said:On a separate wish list note:
DPAF (Don't think this is likely)
Video Specs same as 1DX2 (fairly likely)
24MP - 28MP is just fine (almost definite)
Keep 99% the same 5D3 ergonomics (certainty)
pwp said:Yawn. Wake me up when there is genuine information.
This is a content-free piece, not even minor drip-feed ranking.
-pw
LoL. That Sidekick is coming back, just you see...neuroanatomist said:dilbert said:The 5D Mark IV faces increased competition from the likes of the Pentax K1
Sure, just like Toyota is facing increased competition from Suzuki. :
noms78 said:The camera has already been confirmed to have internal 4k so DPAF is a given.
I agree because I actually bought a new Pentax K1. It lives comfortably among all my Canon gear.PhotographyFirst said:LoL. That Sidekick is coming back, just you see...neuroanatomist said:dilbert said:The 5D Mark IV faces increased competition from the likes of the Pentax K1
Sure, just like Toyota is facing increased competition from Suzuki. :
PureClassA said:Precisely. In 2012, the Yen was around 80:1 USD. Today it is 100:1 USD. If we were to drop the price of the new 5D4 accordingly from the 5D3 initial release, that would result in a drop of 20% (same as Yen fall against the dollar) That would make the new 5D4 about $2800. At a rumored price of $3299 given the current exchange rate, the 5D4 is actually a MORE expensive camera than the 5D3 if you reverse the exchange rates back to 2012 levels.
Based on exchange:
2012 5D3- $3500 x 80 yen = 280,000 yen
2016 5D4- $3300 x 100yen = 330,000 yen
I really want to see a photo of that (It's OK if one lens is missing because you need it to take the photo).jmoya said:I have all the prime L lenses and L zoom lenses.
JP said:Oh great... a 3K 5DMk4... That means 1/200ths top sync speed... sloooooow shutter lag making it useless for action photography... and a slow processor.... along with two or so stops of lower ISO performance than a camera that is only 1/3 more in value... but the 7D MK2 is a camera that has all the features I want, minus the FF sensor.. that costs just 1/2 of what the "5" body is going to cost me... Thank you in advance Canon for producing another annoying camera... one that does not need a built in VG... I's going to suck..... I just know it..
As per 24-70 F4 IS, I do not see the point when Canon is releasing the brand new 24-105 IS Mk2. Why would anyone sacrifice the focal length and gain nothing except for the lower cost of the 24-70 combo.
Lurker said:As per 24-70 F4 IS, I do not see the point when Canon is releasing the brand new 24-105 IS Mk2. Why would anyone sacrifice the focal length and gain nothing except for the lower cost of the 24-70 combo.
To save the money. Those who already own the 70-200 or similar lens and don't need 70-105 covered again. We don't know how much the new lens will weigh, so there may be weight savings. We don't know about image quality of the new lens, there could be distortions or vignetting not present in the 24-70.
kevl said:Cthulhu said:kevl said:I needed a second body for this wedding season. I had expected the 5D4 to come in the Spring so I ended needing something quick. I picked the 7DII to pair with my 5D3 workhorse. This has turned out to be a fantastic decision. The camera is brilliant.
There is less room for error with the 7DII than the 5D3 but if you get your exposure right your images are going to be great. It has gone from being my backup to being used just as often as the 5D3. Frankly it is a joy to use.
If anyone is having image quality issues with their 7DII I would suggest investing in a good focus target and spending some time dialling in your AF micro adjustments and being careful with your exposure. The camera's image quality and noise performance suffers greatly if your AF is off just a bit. The softer your images are the more the noise affects them.
Hope this helps.
It is indeed a joy to use, the AF is great, it's light, quiet and very feature rich. I don't think I'd have much trouble with it shooting weddings, though an 80D seems like a better choice, but I shoot extremely fast action where light changes dramatically on a panning shot, so the exposure can't always be where you want to. I don't want to ever shoot above iso 1600 with it as it falls apart.
I've since moved on to a 1dx and couldn't be happier. They're fairly cheap second hand these days and absolute beasts if you need to keep your shutter above 1/1000 all the time.
Yes at this point I'm torn between a used 1DX or a new 5DIV next year sometime. It will really depend on what the new body offers.
Agreed on 1600. Mind you I try to keep my 5D3 at or below that as well. I will deliver shots at 3200 but only when I have to. I struggled for about a month trying to figure out if I should get the 80D or the 7DII. In the end the pro body won out, and I wouldn't trade it for the slightly better sensor in the 80D at all. In the end I'd rather not miss shots.
EDIT: Re above discussion on the D500 - the D500 is brilliant. It is better than the 7DII with the exception of DPAF. It's a generation newer... of course it is better. I'm a Canon shooter. It is not enough better to justify the cost of switching including giving up my beloved Canon glass. The 7DII exceeds my needs so it really doesn't matter to me personally that the D500 is better. I'm glad it is is better. Hopefully the next 7D will be even better because of how good the D500 is.