Doubles up as an awesome portrait lens.F2 for a macro lens seems a bit over the top. What’s the point?
(Sorry if you’ve already got this reply. Haven’t read all comments yet!)
Doubles up as an awesome portrait lens.F2 for a macro lens seems a bit over the top. What’s the point?
I have no experience with that 90mm, but both the 100mm non-L and 100mm L have severe focus breathing and are more like 70-80mm at MFD. So a true 90mm macro would indeed give more room.
Because I knew that it'd annoy someone.Then why are you commenting in an RF lens thread!?!?
F2 for a macro lens seems a bit over the top. What’s the point?
I'm the same way. The reason I would consider it would be for portraits because of f/2. The fact that it is also macro (if it does 1:1) just gives more bang for the buck. f/4 macro would be an instant no from me.A lot more derisable for portraits as a second use, at least, IMOI never feel specially atracted by macro lenses, but if it is an f2, it changes a lot.
I do a lot of macro with small critters, particularly insects, and I've been pushing this on the forum for years. Others who do critter macro work have suggested similar things. So apparently Canon continues to listen to their customer base.F2 for a macro lens seems a bit over the top. What’s the point?
The EF 100 2.8 IS Macro is the most used lens on my EOS R, mostly used wide open.F2 for a macro lens seems a bit over the top. What’s the point?
Sorry, DOF in Macro is not influenced by focal length at all! DOF is only defined by aperture and magnification.Makes sense, but for venomous snakes I like the bit of extra reach. However, more than 100mm is too much because the DOF becomes thinner.
I prefer a Canon RF version of the Laowa 100mm 2:1 macro. That means with Canon weather sealing, autofocus, auto-aperture, IS, coatings and sharpness. For macro photographers having a 2x magnification is way more useful than a F2 aperture. Besides that I don’t want the extra weight that comes with F2.
Additionally a RF 50mm/60mm macro L would be perfect for situations where more work room and DOF is needed.
WOW Thanks Canon for the chance to sell my perfectly good 100 Macro L that I paid 900 for and works with an adapter just to replace it with a ~$2,000. 100 Macro 2.0. NOT IN MY LIFETIME
I do a lot of macro with small critters, particularly insects, and I've been pushing this on the forum for years. Others who do critter macro work have suggested similar things. So apparently Canon continues to listen to their customer base.
With insects, more light is a huge help as I typically work handheld. The difference in DOF from f/2.8 is less of a problem than one might think, and you still have the option of stopping down. But the chief difficulty is that magnification makes motion and vibration much, much worse. Obtaining twice the light means halving the shutter speed, and that is often the difference between a keeper and a tosser in this work. [See attached example, 1/250s @ f/6.3 w/ 180mm L Macro handheld while near the ground cantilevered over mud. This won't work at 1/125s.]
View attachment 190680
The main difficulty with such a lens design is weight. Most people who don't do macro seriously won't lift weights, something I generally recommend to folks who want to use a 180mm+ macro lenses as holding one steadily enough on a pro body in awkward cantilevered body positions for ten hours straight is close to impossible without the proper power ratios. My guess is that the redesigned big whites might have led to designs with elements pushed rearward on the lens to improve handheld shooting. If so, this lens will not be much harder to hold and position despite the added weight and it is a design I would be interested in if I were moving to the R series cameras, which I don't currently plan on. If I used it more, perhaps I would consider that but the 180mm L Macro is my most-used lens these days by an order of magnitude.
I suspect Canon has held off on development of a few "goodies" of interest to advanced amateurs in order to dangle carrots to migrate them to the new base, and the percentage sold to advanced amateurs is the majority of sales of macro lenses. Hence why Canon thinks of macro lenses as amateur lenses: it's not that pros don't buy them, it's that since pros aren't the primary market they can't do "sky's the limit" designs because the costs would exceed most buyers' means. If you've wondered why the 100mm f/2.8 L is not all much better than the 100mm f/2.8 USM, well, there ya go. So don't expect this lens to be massively sharper, or have over-the-top bokeh, or be too much more expensive, it likely isn't in the cards. I would guess ~$1400 upon release, similar to a 180mm Macro, and for largely the same reasons (size and number of glass elements)--the 100mm f/2.8 L started around $800 before coming down a bit over time, while the previous two versions were $400-500 to start, ignoring inflation calculations.
In any case, I am all for value-added lens designs like this. It's why I am sticking with Canon. They may not always make the very best of X, where X is a particular desirable, but they're a smartly-run company that produces high value, well-integrated products and plans strategically to stay in the photography business for the long haul. That's worth considering in a post-COVID world where travel and tourism drop and the camera business is likely to take another big hit.
The EF 100 Macro IS version has f=77mm @1:1, the EF 180 Macro has f=119mm @ 1:1.I have no experience with that 90mm, but both the 100mm non-L and 100mm L have severe focus breathing and are more like 70-80mm at MFD. So a true 90mm macro would indeed give more room.
This would be particularly good for those who take portraits of nose hair.I have seen so many people use the EF 2.8L as their primary portrait lens. It's stabilized, super sharp, great focal length for portraits, and it's affordable. It's an amazing all around lens and people buy it that wouldn't otherwise spend that much on a dedicated macro lens. If Canon makes a 100mm F/2 macro that takes amazing portraits for much less than the 85mm f/1.2 and it happens to also be an amazing macro lens, its going to appeal to so many more buyers than just macro photographers.
This is disappointing for me. F/2 means that the potentially most useful and versatile macro lens - a spiritual successor to the EF 100L for the RF mount - will now be *much* more expensive, for little if any actual benefit. An f/2.8 lens with all the attributes of the EF 100L plus 2:1 magnification, now that would have me a lot more interested. A longer RF macro lens, 150 mm or 180 mm, would also be difficult to resist. But f/2? Wrong feature on the wrong lens.
This is disappointing for me. F/2 means that the potentially most useful and versatile macro lens - a spiritual successor to the EF 100L for the RF mount - will now be *much* more expensive, for little if any actual benefit. An f/2.8 lens with all the attributes of the EF 100L plus 2:1 magnification, now that would have me a lot more interested. A longer RF macro lens, 150 mm or 180 mm, would also be difficult to resist. But f/2? Wrong feature on the wrong lens.
I do not expect a 100 Macro to be shorter on an R mount at all.Agreed!
RF mount means that this lens could possibly be shorter as well. I really think this will sell very well.
I'd actually prefer a 90mm rather than a 100mm. It may seem a small difference, but 90mm would give me slightly more room to work with than 100mm does, but not too much (60mm or less).
I also don't see the need to replicate existing EF lenses which work well [edit - I managed to miss the f/2.0 part!]. There's nothing wrong with the current EF 100mm f/2.8L IS , so why not complement it with an RF 90mm macro.
The only advantage of F2 for serious macro photographers is focus stacking at extreme magnifications.I do a lot of macro with small critters, particularly insects, and I've been pushing this on the forum for years. Others who do critter macro work have suggested similar things. So apparently Canon continues to listen to their customer base.
With insects, more light is a huge help as I typically work handheld. The difference in DOF from f/2.8 is less of a problem than one might think, and you still have the option of stopping down. But the chief difficulty is that magnification makes motion and vibration much, much worse. Obtaining twice the light means halving the shutter speed, and that is often the difference between a keeper and a tosser in this work. [See attached example, 1/250s @ f/6.3 w/ 180mm L Macro handheld while near the ground cantilevered over mud. This won't work at 1/125s.]
View attachment 190680
The main difficulty with such a lens design is weight. Most people who don't do macro seriously won't lift weights, something I generally recommend to folks who want to use a 180mm+ macro lenses as holding one steadily enough on a pro body in awkward cantilevered body positions for ten hours straight is close to impossible without the proper power ratios. My guess is that the redesigned big whites might have led to designs with elements pushed rearward on the lens to improve handheld shooting. If so, this lens will not be much harder to hold and position despite the added weight and it is a design I would be interested in if I were moving to the R series cameras, which I don't currently plan on. If I used it more, perhaps I would consider that but the 180mm L Macro is my most-used lens these days by an order of magnitude.
I suspect Canon has held off on development of a few "goodies" of interest to advanced amateurs in order to dangle carrots to migrate them to the new base, and the percentage sold to advanced amateurs is the majority of sales of macro lenses. Hence why Canon thinks of macro lenses as amateur lenses: it's not that pros don't buy them, it's that since pros aren't the primary market they can't do "sky's the limit" designs because the costs would exceed most buyers' means. If you've wondered why the 100mm f/2.8 L is not all much better than the 100mm f/2.8 USM, well, there ya go. So don't expect this lens to be massively sharper, or have over-the-top bokeh, or be too much more expensive, it likely isn't in the cards. I would guess ~$1400 upon release, similar to a 180mm Macro, and for largely the same reasons (size and number of glass elements)--the 100mm f/2.8 L started around $800 before coming down a bit over time, while the previous two versions were $400-500 to start, ignoring inflation calculations.
In any case, I am all for value-added lens designs like this. It's why I am sticking with Canon. They may not always make the very best of X, where X is a particular desirable, but they're a smartly-run company that produces high value, well-integrated products and plans strategically to stay in the photography business for the long haul. That's worth considering in a post-COVID world where travel and tourism drop and the camera business is likely to take another big hit.
If you're going to 2:1, you can't get additional sharpness between F8 and F16, as you are diffraction-limited. Even at 0.5x magnification, diffraction is going to start becoming an issue (depending on sensor).I prefer a RF 100mm F2.8 Macro IS USM Macro L. If Canon wants to offer something better than the EF version I want them to add 2:1, the balance more towards the rear element, less weight and sharpest between F8 and F16. A tripod collar is nice, but the third party one for the EF version is good enough.