bestimage said:what about sensor quality
Indeed. Personally I'd be more excited by a 24MP high DR sensor than the same old, same old 50MP sensor.
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bestimage said:what about sensor quality
Maui5150 said:The 5D MK IV will have high 20s MP (maybe around 28 MP) , 5 FPS, Low Light close to the 1 DX MK II and AF around what the 7d MK II is
rrcphoto said:Canon Rumors said:<p>The world continues to wait for Canon to jump back into the resolution race,
i kind of doubt the world is
it's possible - the 7DII sensor scaled up would be 51.2Mp - close enough to 50Mp to call it spades.
the noise and response on a per pixel basis would be at the same as the 7DII with the obvious increase of image quality.
the 7DII going by sensorgen is a quantum leap up for canon - and well, is pretty top notch overall for QE. they still need to tame the low ISO beast so that people stop whining.
the 18Mp sensors were rolling around 40% QE, the latest with the 7DII - an impressive 59%.
racebit said:rrcphoto said:you know, a quick google would have told you how silly your post is. 5D was replaced in 3 years, 5dII in 3.5 years...
sept 2015 (next year) would be .. what? 3.5 years.
Silly is thinking 5D4 will be 2015.
The 50MP is just a scaled dual pixel 7D2 sensor.
So 2015 is 1D2 and 50MP.
5D4 is 2016 if all goes well, but it may slip to 2017.
Canon took 5 years to replace the 7D, when it was completely obsolete, even the 70D was better.
5D3 is still the king, so I don't see it being replaced any time soon.
neuroanatomist said:dilbert said:That may be, but people that own Canon aren't going to wait another 2 years for a 5D Mark III replacement. Instead, next year they'll be buying Sony's latest thing and selling off Canon.
YAPODFC. Yawn.
dilbert said:If the 7D Mark II's sensor is the best demonstration of where Canon's sensor technology is at then I'm not going to wait for a full frame version of that sensor because Canon haven't fixed the read noise problem at low ISO.
Wow, that sucks for all those people using Canon sensors and shooting at low ISO. How do they ever manage to take a good picture, get images accepted by clients or published in magazines, win prestigious awards, or anything like that?
Marsu42 said:rrcphoto said:that statement makes no sense.Marsu42 said:Odds are they will run their older production lines as soon as they can sell these sensors.
I admire the skillfull argumentation on your side. Would you care to elaborate further?
If you'd be the Canon CEO, you'd close down every older production line as soon as a new tech is available that cannot be implemented as an in-place upgrade? Well, you're company wouldn't be in business for long
Btw: Is it just me, or are fewer and fewer people actually attempting to have a civilized conversation around here? If it continues this way, I hope Canon won't release anything new for the next years as any new release seems to legitimize rudeness.
Marsu42 said:My point is: popular lenses like 24-70L1/2.8, 100mm macros/2.8 aren't group A - other popular budget choices like the 400/5.6 have a lot less cross-points which is about on par with the d750. Thus general statements are difficult with the Canon system while Nikon really just depends on the max. aperture up to 11 cross points at f8 (5d3: 1 (one)).
LetTheRightLensIn said:neuroanatomist said:dilbert said:If the 7D Mark II's sensor is the best demonstration of where Canon's sensor technology is at then I'm not going to wait for a full frame version of that sensor because Canon haven't fixed the read noise problem at low ISO.
Wow, that sucks for all those people using Canon sensors and shooting at low ISO. How do they ever manage to take a good picture, get images accepted by clients or published in magazines, win prestigious awards, or anything like that?
Hey why don't you jsut sell all your current gear and go get a 1960s camera. People won prestigious awards and got images accepted back then too.
LetTheRightLensIn said:Hey why don't you jsut sell all your current gear and go get a 1960s camera. People won prestigious awards and got images accepted back then too.
NancyP said:Don, they still are making film........ maybe not the abundant variety as in the distant past, but still, there are good 4 x 5 films around, and if you want 8 x 10 or larger, you join a buyer's club organized by Badger (a LF equipment store) or an individual.
PVS said:If people don't see any room for improvement in certain areas than there won't be any.
Marsu42 said:neuroanatomist said:Yeah, new and expensive lenses like the EF 50mm f/1.8 II and the EF 35mm f/2, both from 1990 and one of them costing just over $100. I guess you didn't look into the 5DIII/1D X specs much, either. :Marsu42 said:I didn't look into the d750 specs and I'm not in the market for one, but you do notice that the full-fledged 5d3/1dx af array is only available with some select new and expensive lenses?![]()
LOL, you've made your point - I can use the full 1dx af array with a 50/1.8 ;-)
My point is: popular lenses like 24-70L1/2.8, 100mm macros/2.8 aren't group A - other popular budget choices like the 400/5.6 have a lot less cross-points which is about on par with the d750. Thus general statements are difficult with the Canon system while Nikon really just depends on the max. aperture up to 11 cross points at f8 (5d3: 1 (one)).
dilbert said:Thank you for pointing outside of in certain select situations, such as sports and wildlife photography, there's no reason to buy Canon.
dilbert said:Well consider that reviewers everywhere are now generally panning Canon when it comes to their DSLRs and especially the sensor.
dilbert said:I'd prefer a system which gave me the same AF performance with every lens because then I'm not faced with having to make any compromises.
dilbert said:And I'd prefer my AF to work at -3EV rather than to have a select few AF sensors work better with f/2.8 or faster lenses.
dilbert said:But that's just me.
dilbert said:Nikon's is more rewarding if you're using teleconverters with your lens or you're focusing in very low light situations (-3EV on the D750.)
InterMurph said:I got an a7s for video (mostly school plays), and had my first chance to use it last week.PureClassA said:And even if I went with a Sony body (looking at A7S for video) I'm not ditching Canon glass. No way. God Bless Metabones.
It is literally unbelievable how good it is. I recorded some auditions at ISO 1000, F/4.0, 1/50th, and the image quality is outstanding. I used the Metabones adapter version IV, the Canon 70-200mm II IS, and the Canon 1.4x extender.
Simultaneously, I had my new 7D2 going at similar settings. The constant auto-focus is great, but the picture is mushier.
I love the a7s for video.
dilbert said:Thank you for pointing outside of in certain select situations, such as sports and wildlife photography, there's no reason to buy Canon.
dilbert said:Whereas Canon currently makes it better for you if you've bought expensive (large aperture) lenses, Nikon's is more rewarding if you're using teleconverters with your lens or you're focusing in very low light situations (-3EV on the D750.)