jimjamesjimmy said:
Rienzphotoz said:
jimjamesjimmy said:
how can a 7d be professional, and a 6d be semi professional? the numbers literally dont add up! surely a FF camera has to be better than an aps-c in terms of spec. 9 af points vs 61 is just crazy!!
Why not?
APS-H is not full frame, but it was considered a professional camera compared to a full frame like a 5D ... so it is possible to make an APS-C camera that can be considered a professional camera, especially for budget conscious sports photographers
if the 7D II has 10 fps and all the other goodies that were mentioned.
there has to be something wrong with the cheaper camera having better af and a better housing to protect it, whatever the size of the sensor.
Don't underestimate the cost of an FF sensor. They are still almost 4x the area of an APS-C. Also, the 7D has classically had a higher frame rate, and if the "trend" holds true, it will be 2fps less than the FF 1D series flagship. At 24mp, no matter how good the sensor is (unless its got about 80-90% Q.E., which I HIGHLY doubt), it will most certainly be noiser than the 5D III. The much larger pixel area of the 5D III will always give it the edge in terms of IQ. The 5D III will also have other benefits, such as thinner DOF thanks to the larger FoV (allowing closer focus), etc.
The two cameras are designed for different audiences. The 5D III is still going to be the king of general purpose cameras, hands down. The 7D II will fill more of a niche market of wildlife photographers who want extra reach in a lighter package, but I wouldn't call it a real "general purpose" camera like the 5D III. I'd look to a 5D III for portraiture, landscapes, pretty much everything outside of wildlife and birds, and even then...if I have the opportunity to get closer, such as when photographing songbirds in my yard, I'll grab the 5D III and telephoto lens like the 600 f/4 without a TC. Better boke, closer focus, and frame-filling such that the 7D would clip the subjects.