I think that with the R6 III refocused on multi-media hybrid of moderate convenience it makes sense for the R3 II to also refocus on multi-media in a robust yet still moderately convenient manner.
R5 = general competent all-around stills / video
camera
R1 = robust competent all-around stills / video
camera
-----
No sacrifice, best of ability within body and all of the creature comforts
R6 = general hybrid stills / video
camera
R3 = robust hybrid stills / video
camera
-----
Limited convenience, capable ability within body but one works harder for the same effects as top-tier
Cinema - when stills just don't matter
Whether that means the R3 should have more or fewer pixels than the R6 probably doesn't matter, so long as it can record equal or higher resolution video. In which case, more pixels would either be higher quality video (reduced from read for apparent sharpness) or marketing fluff (higher resolution video for ooh ahh).
But what I really want, not that it matters, is an R6 II or R3 with more pixels and no degradation in other stills oriented specs. If I want video of a serious nature I'll just go get a video rig... guess that makes me old.
