external focusing in a 600$ lens, but it is F1.2, just ok.
I reached out to someone that may be able to clarify this query. However, that's one of those things some people wouldn't notice during an intro.
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external focusing in a 600$ lens, but it is F1.2, just ok.
What first party $600 lens has a 1.2 aperture and internal focus? Plus you do realize internal focus is just external focus with a bigger shell right lol.external focusing in a 600$ lens, but it is F1.2, just ok.
When people do these kinds of superficial spreadsheet analyses of cameras, I wonder if they actually use cameras or just read about them on the internet. A ~40% increase in resolution is a big enough upgrade to not warrant much else, and for me personally addresses one of the R6's biggest flaws.
ThanksI reached out to someone that may be able to clarify this query. However, that's one of those things some people wouldn't notice during an intro.
Of course it is, and that's exactly the point: they could have made all these lenses with internal focus.What first party $600 lens has a 1.2 aperture and internal focus? Plus you do realize internal focus is just external focus with a bigger shell right lol.
If you want to put it that way, you should probably make the same comparison between the original R6 and the Mark II.
Anyway...
All cameras are rated at 6.5 stops of IBIS, it's just a few lenses that are rated at 8 stops when paired with the cameras, not the cameras on their own.
There's just two versions of dual pixel AF, the original is on the R100, EOS R, RP, and older cameras. Dual Pixel AF II is on everything else. Are you asking for what doesn't exist?
We don't know that. The R6 Mark II depends on Canon DPP for using pre capture.
Hope so.
Blame your president.
You quoted it, yet you really missed the meaning of this sentence:
That's why previous models are often discontinued.Except when the price increases this much for so few added features, the primary audience may just buy the previous model.
S&F mode would be really interesting to me - especially if it includes 360 deg shutter up to 1 fps recording speed (R50 V is limited to 1/8 second).
If they add the autolevel feature included in the R7 (keeping the horizon straight by sensor rotation) than it might be the 2nd FF body alongside the R6 ii!
Interesting, expensive and a little bit weird time. Would be easier for me to buy a software upgrade to get both in the firmware which should be possible easily.
That's the thing, they're fallacious.I like to do these comparison spreadsheets for myself and thought it could be helpful to others
And a new camera model is usually much more than the sum of the individual feature upgrades.You just can't put numbers against numbers on what is not quantifiable, that's exactly the problem with online comparison websites.
I think this should be considered a successor to the EF 50mm f/1.4 USM. It is about the same price point (after inflation) and a third of a stop faster and a bit wider in terms of field of view. It won't have any of the L lens build or weather sealing or USM, but that's fine given the price point.If the double gauss design is confirmed, this could be a successor to the EF50mm f/1.2 L, this time aimed at enthusiasts. A very interesting proposition.
Thanks for clarification. Maybe this is one "gene" they keep for their C50 to have some differences. If the price of R6 iii is 3200 € in Europe the C50 at 3800 € is in the same ballpark and the better choice.The person I was talking to appologizes for explaining it incorrectly.
"This let's you select framerates based on a multiplication factor more efficiently. If you're shooting at 24fps, you can easily switch to 12fps by selecting 0.5x or double the frame rate by selecting 2x."
I am not sure if that are all of the multiplication factors.
OK, that's a fair concern, though I don't know if a camera in a padded bag is enough to ruin the AF mechanism. Hopefully Canon took that into consideration; I'd wager the focusing elements retract on shutdown.Of course it is, and that's exactly the point: they could have made all these lenses with internal focus.
With internal focus at least I can put my camera face down in my shoulder bag, or put the lens face down with an attached hood in the right position, knowing I won't find the lens fully extended when I take it out, like with the RF 35mm f/1.8, neither it will damage the motor if I turn my camera on/off/wake it from sleep/change SD card when it's facing down, gets knocked, neither will water enter the lens barrel as easily.
How is this any less stills focused than the Mk II? Same 40fps with 40% more stills resolution. It's not like the Mk II was some pure stills camera to begin with.No longer a stills-focused camera and Canon wants me to get a refurbed Mk II. Got it.
Plus its worth considering that generation updates rarely warrant upgrades. I.e. the MkII wasn't a "must buy" from the MkI and that didn't make it a failure or bad camera. And IMO the step up from Mk2 to Mk3 is much bigger than the step up from Mk1 to Mk2. I had an EOS R and currently have an a7C II. R6's 20-24MP was a non-starter. Now the R6 is interesting to me.Good points here. It is interesting that some feature improvements, perhaps even just one (the right one for that person) may be sufficient to upgrade (such as the improved EVF). I suppose across a fairly large target market a lot of improvements will make it easier for a lot of people to upgrade. Even if individually, there may have been just a couple of key features that they wanted. For me, the video features are key. And price.
It could be on top of your desk, for instance...OK, that's a fair concern, though I don't know if a camera in a padded bag is enough to ruin the AF mechanism. Hopefully Canon took that into consideration;
It could be on top of your desk, for instance...
You know how the lenses react when you open and close the battery or memory card door, while your camera is off, right? They extend and retract a little.
Last week I went for a stroll with a camera, something I haven't done in years. Usually I don't shoot 35, so I decided to take it as main lens, that day.
I didn't put the JJC lens hood on. I barely use this lens, might as well try making it simpler. Plus, the hood is weird anyway.
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5 minutes on, I take the RP out of my shoulder bag, and the lens is like this.
It would have extended completely, with a little more time. This is the worst lens I have regarding lens creep.
Later, I get home, put the camera on my desk, remove the SD card, close the battery door, hear a weird noise, and then I realise the lens is trying to extend while the camera is on top of it. I had put the camera face down, without lens hood.
I just said in my language "I had forgotten why I hate this lens...".
Yes, I have other external focusing lenses, the 16, the 28 and the 50, but the 28 is too small to put the camera face down, and I always use lens hoods on the others - they're too small to put face down without hoods anyway.
With the exception of the 16mm, that I actually use for work, I own the 28, 35 and 50 for personal stuff.
I work mainly with the 28-70 and 70-200, two somewhat big lenses, so I usually put my cameras vertically on the table, it's not on purpose.
Seriously, I'm fed up with these weird designs...