Canon Says Higher Resolution Sensors Are Coming Soon

xps said:
Marsu42 said:
lo lite said:
Well, look what I saw this morning

Weasel words like "soon" remind me of the current "year of the lens", only to just hear that new L primes have been moved far into 2015. I do believe Canon will sell a very expensive studio high-mp 1dxs soon, but I don't see them replacing their whole current lineup with 6d and 5d3 anytime "soon" with high-mp updates.

The 6D and the 5DIII are still sold well. The pricedrop phushed both cams again. Maybe there is an near replacement, but i do not think so too. Another reason why Canon will hold such a replacement back, is the 7DII. I think, they will wait until the 7DII hype is over (let us say 1 year), then maybe they announce an successor of the 6D or 5DIII. An near announcement of an very high priced 1DXY will not depress 7DII sales.

Remember he difference between being announced and being release. In the year of the 1dx, the 1dx was announced in November, and the 5d3 wasn't announced until March - but the 5d3 was released and available within a month of announcement while the 1dx wasn't avaialble fort he general public to buy until summer of that year. If they follow their own history, yeah, we may very well see the official announcement for the studio soon, that is of course if this thing is gonna be around by the summer of 2015.

Also, I am kind of hopeful that they will split the line - have the 5d series be about event work, low light work, and then have a big mp body in a 5d style shell. This won't interfere with either because this would hopefully be a totally different beast --- I would be real happy with a 40 MP canon that only has a burst rate of 2 fps. If i were to ever buy such a camera, maximum burst rate would not be a big concern to me (do you really need 10 fps to shoot a landscape image, or a model in a studio shoot (would your strobes ever have a chance in hell of keeping up with 10 fps?????). the 1 series big mp would get a larger buffer and thus greater fps, but even there i don't see the point ---splitt he lines I say...I would love to have the extra bump for about 20% of my work - the remaining 80% though will never see print, or if it does, it's a 4x6 or in an album...so all that extra mp just means extra HD space is needed....
 
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Chuck Alaimo said:
xps said:
Marsu42 said:
lo lite said:
Well, look what I saw this morning

Weasel words like "soon" remind me of the current "year of the lens", only to just hear that new L primes have been moved far into 2015. I do believe Canon will sell a very expensive studio high-mp 1dxs soon, but I don't see them replacing their whole current lineup with 6d and 5d3 anytime "soon" with high-mp updates.

The 6D and the 5DIII are still sold well. The pricedrop phushed both cams again. Maybe there is an near replacement, but i do not think so too. Another reason why Canon will hold such a replacement back, is the 7DII. I think, they will wait until the 7DII hype is over (let us say 1 year), then maybe they announce an successor of the 6D or 5DIII. An near announcement of an very high priced 1DXY will not depress 7DII sales.

Remember he difference between being announced and being release. In the year of the 1dx, the 1dx was announced in November, and the 5d3 wasn't announced until March - but the 5d3 was released and available within a month of announcement while the 1dx wasn't avaialble fort he general public to buy until summer of that year. If they follow their own history, yeah, we may very well see the official announcement for the studio soon, that is of course if this thing is gonna be around by the summer of 2015.

Also, I am kind of hopeful that they will split the line - have the 5d series be about event work, low light work, and then have a big mp body in a 5d style shell. This won't interfere with either because this would hopefully be a totally different beast --- I would be real happy with a 40 MP canon that only has a burst rate of 2 fps. If i were to ever buy such a camera, maximum burst rate would not be a big concern to me (do you really need 10 fps to shoot a landscape image, or a model in a studio shoot (would your strobes ever have a chance in hell of keeping up with 10 fps?????). the 1 series big mp would get a larger buffer and thus greater fps, but even there i don't see the point ---splitt he lines I say...I would love to have the extra bump for about 20% of my work - the remaining 80% though will never see print, or if it does, it's a 4x6 or in an album...so all that extra mp just means extra HD space is needed....

Yesssss, this would be a senseful decision, if Canon does so. Agree and hope that it comes true...
I would like to see an "low Fps" camera with an superb IQ and some more MP. And for sports the 7DII, as I do not want to spend 6000€ for an body....
 
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jrista said:
jonjt said:
Could you expound on what "so far ahead" means? I'm curious why Canon's sensors are dead last in terms of performance and innovation.

See below.

zlatko said:
What is a fact and what is relevant is not always the same. It depends on the individual and the situation. It is a fact that the Sony sensor is better in certain situations. But that fact is not relevant for all photographers. Obviously it is relevant to some such as yourself — I am not disputing that.

You are still missing the point. :P You keep going back to perceptual factors...subjective factors...things that change from person to person. Some people may only use ISO 400-1600 for their photography, and the DR they get from a Canon sensor is more than enough for their needs. Great. But that has nothing to do with what I'm usually talking about.

You keep injecting these external subjective factors, when they simply don't matter when it comes down to the technology. You get annoyed that I say Canon sensors are far behind everyone else. Why? This has nothing to do with whether Canon sensors are good enough for you personally. If they are, GREAT! That's wonderful.

However just because a sensor is good enough for you, or good enough for John and Jane Doe over here, doesn't change the facts. The simple fact of the matter is, Canon sensor technology is really old. They have made minor evolutionary changes here and there, but fundamentally, it's still developed on an ancient process, with old 200mm wafers with lower quality silicon, on a very very old 500nm process, resulting in lower quantum efficiency, lower energy efficiency, lower yield rates, etc.

These are simple facts. It simply is what is...that is the state of Canon sensor technology. They have pushed the 500nm process REALLY freakin far...which in one sense is quite admirable from a "Getting your money's worth" from a particular fabrication process. However, at this point, it's become their Achilles' Heel...the technology is presenting limitations, and while they could keep pushing things, doing so is more likely to hurt performance even more than not. For example, on a 500nm process, the transistors and wiring take up a certain amount of die space. Why hasn't Canon shot strait to 36mp yet, or 47mp? Fill factor would become a concern...they might get more megapixels, but their older technology is probably going to hurt their IQ with smaller pixels on a FF sensor more than benefit it...relative to the competition. The competition is using 180nm and 130nm processes (maybe even smaller, 90nm), which require far less die space, resulting in fewer fill factor problems, making it a lot easier to push pixel count without losing overall light gathering capacity (which impacts overall performance.)

Canon has done an admirable job with the 500nm process, but given the design decisions they have been making the last few years, it seems clear to me that the large transistor size is holding them back. I mean, we are talking about 2000-era fabrication technology here...it's REALLY old. I don't know why Canon hasn't moved to a more advanced process, with larger 300mm wafers made from better silicon. They have 180nm fabs capable of laying down copper interlink wiring (which is much more efficient), which do use 300mm wafers and which are made from better silicon. Those fabs have already produced high efficiency sensors with 59% Q.E. (which is much closer to the top of the line Sony sensors, which are topping 60% these days). Canon has better technology...they simply are not employing it in their APS-C and FF sensors. They are still employing very dated fabrication technology and techniques for these sensors...and the impact of that older technology is quite apparent when you start digging down into Canon RAW data.

I do astrophotography, have for about eight months now. For astrophotography, working the linear signal is very important. Processing astro "sub frames" is very different from processing a RAW normally for regular kinds of photography. You work the data in linear space a lot first, before "stretching" it with an MTF curve. When your working the linear data, it's easy to see the differences. Canon data is very, very noisy, and lacks in color fidelity in the lower echelons of the signal. Exmor data (I've only worked with it from D800 cameras) is far cleaner, with richer data way down near the noise floor. CCD data is the cleanest, with extremely clean, random noise and ultra low dark current (which means the darkest parts of the signal are very smooth, without hot pixels and dark current noise intruding into the signal.) The difference between Canon RAW data and CCD data is huge. The difference between D800 RAW data and CCD is a lot smaller. Some astrophotographers who have applied the black point hack have been referring to D800 data as "near-CCD quality", which is something no one has ever said about Canon data.

The differences are real. Hence the reason I refer to this stuff as fact.

Whether the differences affect your particular kind of photography is a whole different thing. That is not concrete, factual information. It's a matter of perception. It's a matter of subjective judgement. That isn't incorrect, however, it doesn't change the facts either. Not everyone needs to use every part of the sensor. Some people simply don't care about shadow falloff quality. Some people prefer high contrast, in which case they are going to tighten up that contrast curve and crush the blacks anyway. Some people shoot at an ISO range where there are minimal differences between different sensor types. If you don't utilize the RAW signal information in a way that reveals the problems with Canon sensors, GREAT!

However, just because you don't utilize the the RAW signal that way doesn't mean no one does. Again, that doesn't change the FACTS. Canon sensors are fabricated with old technology...a very old, very large 500nm process, on 200mm wafers (most companies stopped using those period years ago, and the ones that still do are not manufacturing huge sensors on them...everyone else uses higher grade 300mm wafers). Canon's readout system is also getting rather dated, and is still utilizing high frequency ADC units (and only a few of them) to handle all the pixel data coming off the sensor, which is largely where their very high DR-killing read noise comes from (many manufacturers have moved to on-die ADC units, one per column, that are able to operate at much lower DR-preserving frequencies that don't generate nearly as much noise), as well as even combining all the image processing into a stacked sensor+DSP package, which shortens transfer bus from centimeters to microns, which also reduces the places where noise can seep into the signal. Canon uses really old sensor technology for their APS-C and FF sensors.

If they change that (they should, at some point...personally I think it's long overdue, but there is probably some logistical or budgetary reason why they haven't yet), and move to their newer fab that uses 300mm wafers and a much higher end 180nm fabrication process, Canon sensor tech would rocket forward. By the time Canon actually does that, 180nm will already be "last generation"...companies are already moving from 180nm and 130nm processes to 90nm processes...but at least the 180nm process is much newer and more advanced. It won't limit Canon's ability to shrink pixel size at the cost of fill factor. It will probably make a move to BSI for APS-C and FF parts much more viable with much smaller pixels. A LOT of good, on the purely technological front, could be realized simply by moving off their 500nm process onto their 180nm process.

Don Haines has a theory that Canon is waiting for P&S sensor production to ramp down on their 180nm fab before they crank up production for APS-C and FF sensors there. I think that's a highly plausible explanation for why they haven't moved to a better, more modern fabrication process and more modern sensor designs yet. Personally, I have to figure that with a 50% or larger contraction in the P&S market the last couple of years, Canon should already have the ability to start manufacturing newer APS-C sensor designs there at the very least...but there could be other limitations...maybe they have to completely ramp down the P&S manufacture before they can ramp up manufacture for something else, I don't know. Anyway, at some point, it should happen. When is the real question...and everyone has differing opinions on that.

Thanks for the info. I'll save my money until Canon moves to smaller processes, perhaps a BSI architecture, even.
 
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Chuck Alaimo said:
xps said:
Marsu42 said:
lo lite said:
Well, look what I saw this morning

Weasel words like "soon" remind me of the current "year of the lens", only to just hear that new L primes have been moved far into 2015. I do believe Canon will sell a very expensive studio high-mp 1dxs soon, but I don't see them replacing their whole current lineup with 6d and 5d3 anytime "soon" with high-mp updates.

The 6D and the 5DIII are still sold well. The pricedrop phushed both cams again. Maybe there is an near replacement, but i do not think so too. Another reason why Canon will hold such a replacement back, is the 7DII. I think, they will wait until the 7DII hype is over (let us say 1 year), then maybe they announce an successor of the 6D or 5DIII. An near announcement of an very high priced 1DXY will not depress 7DII sales.

Remember he difference between being announced and being release. In the year of the 1dx, the 1dx was announced in November, and the 5d3 wasn't announced until March - but the 5d3 was released and available within a month of announcement while the 1dx wasn't avaialble fort he general public to buy until summer of that year. If they follow their own history, yeah, we may very well see the official announcement for the studio soon, that is of course if this thing is gonna be around by the summer of 2015.

Also, I am kind of hopeful that they will split the line - have the 5d series be about event work, low light work, and then have a big mp body in a 5d style shell. This won't interfere with either because this would hopefully be a totally different beast --- I would be real happy with a 40 MP canon that only has a burst rate of 2 fps. If i were to ever buy such a camera, maximum burst rate would not be a big concern to me (do you really need 10 fps to shoot a landscape image, or a model in a studio shoot (would your strobes ever have a chance in hell of keeping up with 10 fps?????). the 1 series big mp would get a larger buffer and thus greater fps, but even there i don't see the point ---splitt he lines I say...I would love to have the extra bump for about 20% of my work - the remaining 80% though will never see print, or if it does, it's a 4x6 or in an album...so all that extra mp just means extra HD space is needed....

I hope they split the line too. They won't make the camera I want, but I'd take a 12 MP low light monster, with awesome video (no moire or aliasing, DPAF, focus aids, etc etc) and swivel touchscreen.
 
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jonjt said:
jrista said:
jonjt said:
Could you expound on what "so far ahead" means? I'm curious why Canon's sensors are dead last in terms of performance and innovation.
See below.
zlatko said:
What is a fact and what is relevant is not always the same. It depends on the individual and the situation. It is a fact that the Sony sensor is better in certain situations. But that fact is not relevant for all photographers. Obviously it is relevant to some such as yourself — I am not disputing that.

You are still missing the point. :P You keep going back to perceptual factors...subjective factors...things that change from person to person. Some people may only use ISO 400-1600 for their photography, and the DR they get from a Canon sensor is more than enough for their needs. Great. But that has nothing to do with what I'm usually talking about.

You keep injecting these external subjective factors, when they simply don't matter when it comes down to the technology. You get annoyed that I say Canon sensors are far behind everyone else. Why? This has nothing to do with whether Canon sensors are good enough for you personally. If they are, GREAT! That's wonderful.

However just because a sensor is good enough for you, or good enough for John and Jane Doe over here, doesn't change the facts. The simple fact of the matter is, Canon sensor technology is really old. They have made minor evolutionary changes here and there, but fundamentally, it's still developed on an ancient process, with old 200mm wafers with lower quality silicon, on a very very old 500nm process, resulting in lower quantum efficiency, lower energy efficiency, lower yield rates, etc.

These are simple facts. It simply is what is...that is the state of Canon sensor technology. They have pushed the 500nm process REALLY freakin far...which in one sense is quite admirable from a "Getting your money's worth" from a particular fabrication process. However, at this point, it's become their Achilles' Heel...the technology is presenting limitations, and while they could keep pushing things, doing so is more likely to hurt performance even more than not. For example, on a 500nm process, the transistors and wiring take up a certain amount of die space. Why hasn't Canon shot strait to 36mp yet, or 47mp? Fill factor would become a concern...they might get more megapixels, but their older technology is probably going to hurt their IQ with smaller pixels on a FF sensor more than benefit it...relative to the competition. The competition is using 180nm and 130nm processes (maybe even smaller, 90nm), which require far less die space, resulting in fewer fill factor problems, making it a lot easier to push pixel count without losing overall light gathering capacity (which impacts overall performance.)

Canon has done an admirable job with the 500nm process, but given the design decisions they have been making the last few years, it seems clear to me that the large transistor size is holding them back. I mean, we are talking about 2000-era fabrication technology here...it's REALLY old. I don't know why Canon hasn't moved to a more advanced process, with larger 300mm wafers made from better silicon. They have 180nm fabs capable of laying down copper interlink wiring (which is much more efficient), which do use 300mm wafers and which are made from better silicon. Those fabs have already produced high efficiency sensors with 59% Q.E. (which is much closer to the top of the line Sony sensors, which are topping 60% these days). Canon has better technology...they simply are not employing it in their APS-C and FF sensors. They are still employing very dated fabrication technology and techniques for these sensors...and the impact of that older technology is quite apparent when you start digging down into Canon RAW data.

I do astrophotography, have for about eight months now. For astrophotography, working the linear signal is very important. Processing astro "sub frames" is very different from processing a RAW normally for regular kinds of photography. You work the data in linear space a lot first, before "stretching" it with an MTF curve. When your working the linear data, it's easy to see the differences. Canon data is very, very noisy, and lacks in color fidelity in the lower echelons of the signal. Exmor data (I've only worked with it from D800 cameras) is far cleaner, with richer data way down near the noise floor. CCD data is the cleanest, with extremely clean, random noise and ultra low dark current (which means the darkest parts of the signal are very smooth, without hot pixels and dark current noise intruding into the signal.) The difference between Canon RAW data and CCD data is huge. The difference between D800 RAW data and CCD is a lot smaller. Some astrophotographers who have applied the black point hack have been referring to D800 data as "near-CCD quality", which is something no one has ever said about Canon data.

The differences are real. Hence the reason I refer to this stuff as fact.

Whether the differences affect your particular kind of photography is a whole different thing. That is not concrete, factual information. It's a matter of perception. It's a matter of subjective judgement. That isn't incorrect, however, it doesn't change the facts either. Not everyone needs to use every part of the sensor. Some people simply don't care about shadow falloff quality. Some people prefer high contrast, in which case they are going to tighten up that contrast curve and crush the blacks anyway. Some people shoot at an ISO range where there are minimal differences between different sensor types. If you don't utilize the RAW signal information in a way that reveals the problems with Canon sensors, GREAT!

However, just because you don't utilize the the RAW signal that way doesn't mean no one does. Again, that doesn't change the FACTS. Canon sensors are fabricated with old technology...a very old, very large 500nm process, on 200mm wafers (most companies stopped using those period years ago, and the ones that still do are not manufacturing huge sensors on them...everyone else uses higher grade 300mm wafers). Canon's readout system is also getting rather dated, and is still utilizing high frequency ADC units (and only a few of them) to handle all the pixel data coming off the sensor, which is largely where their very high DR-killing read noise comes from (many manufacturers have moved to on-die ADC units, one per column, that are able to operate at much lower DR-preserving frequencies that don't generate nearly as much noise), as well as even combining all the image processing into a stacked sensor+DSP package, which shortens transfer bus from centimeters to microns, which also reduces the places where noise can seep into the signal. Canon uses really old sensor technology for their APS-C and FF sensors.

If they change that (they should, at some point...personally I think it's long overdue, but there is probably some logistical or budgetary reason why they haven't yet), and move to their newer fab that uses 300mm wafers and a much higher end 180nm fabrication process, Canon sensor tech would rocket forward. By the time Canon actually does that, 180nm will already be "last generation"...companies are already moving from 180nm and 130nm processes to 90nm processes...but at least the 180nm process is much newer and more advanced. It won't limit Canon's ability to shrink pixel size at the cost of fill factor. It will probably make a move to BSI for APS-C and FF parts much more viable with much smaller pixels. A LOT of good, on the purely technological front, could be realized simply by moving off their 500nm process onto their 180nm process.

Don Haines has a theory that Canon is waiting for P&S sensor production to ramp down on their 180nm fab before they crank up production for APS-C and FF sensors there. I think that's a highly plausible explanation for why they haven't moved to a better, more modern fabrication process and more modern sensor designs yet. Personally, I have to figure that with a 50% or larger contraction in the P&S market the last couple of years, Canon should already have the ability to start manufacturing newer APS-C sensor designs there at the very least...but there could be other limitations...maybe they have to completely ramp down the P&S manufacture before they can ramp up manufacture for something else, I don't know. Anyway, at some point, it should happen. When is the real question...and everyone has differing opinions on that.
Thanks for the info. I'll save my money until Canon moves to smaller processes, perhaps a BSI architecture, even.

I just wanted to do a full jrista quote at least one time, too :-p ...

... and care to comment that you have to take care of inflation, because when Canon has moved to a smaller process, faveon or quantum sensors it might be 2100 and you're money has gone :->
 
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3kramd5 said:
scyrene said:
Lee Jay said:
bbasiaga said:
Thought for you guys: how much of this 'problem' with Canon being so far behind is due to the rising prevalance of Photoshop and significant amounts of post processing?

I have never been huge on all the PS work that a lot of folks do to their work. To me I like pictures that look like what you saw when you took them. But, that's me.

Still, because one can do so many kinds of things in PS, it seems like at some point we have started to measure cameras against how far they allow you to take PS. PS has become where the image is created, and not the camera. The cart is before the horse, no?

Just food for thought.
Brian

No.

I post-process every image, and that's because I like the final result to look like it looked to me. The out-of-camera JPEG or default raw conversion rarely looks like that.

That's exactly what I was about to say. Postprocessing is usually essential (to my eye) to get an image that resembles what I saw.

I think you guys are probably in the minority. I read "I want it to look like what I saw" quite often, but then the people writing it load up their flickr streams with razor-thin DOF and desaturated images, water blurred to a fog and polarized skies. Things I have personally never seen in real life.

Haha that's an interesting point. I do also like to use cameras to capture things that the eye cannot; macro, wide aperture work, long exposures, astrophotography. I suppose what I meant was (and should have been clearer about) on average, a raw image coming out of the camera needs work if it is to have the colour balance and (dare I use the term) dynamic range that my eyes saw. I recognise that it's still an approximation, an artificial concept. But SOOC images are further from the eye (in my experience) than further processed ones.

Incidentally, on the subject of things like blurry water - well our eyes can't take single snapshots, so in that sense all still images are unlike what we see. A short exposure freezing the water would be just as artificial.
 
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privatebydesign said:
Etienne said:
Woody said:
Etienne said:
Canon's G7x sensor is from the original RX100 or the RX100 mk II, not the same as in the RX100 mk III

Do you have a link to prove this?

Also, according to DXOMark, the RX100 Mk 1, 2 and 3 sensors are nearly identical in performance with Mk 1 only being very slightly behind for low light ISO.

Two things:

1. The RX100 mk III is 20.1 MP, mk I and mk II are 20.2 MP as is the Canon G7x

2. DP Review interviewed Sony rep who confirmed that Sony does not sell their most current sensors to anyone, but keeps it for their own cameras. Sony sells only the sensors that no longer have unique value.

I don't know about 1, but 2 is patently false. The D800/D800E/D810 has been demonstrably "better" than the Sony A7R and where is the Sony 50mp camera that is currently sold by Pentax, Hassleblad and PhaseOne all with a Sony sensor?

The Sony rep was spinning a line in the hopes that gullible people would take a bite.

I believe the decision to with hold the newest sensors from competitors by Sony is a relatively new decision made earlier this year. The D800/D800E were released before this decision.

The 50mp sensor is medium format and Sony does not have a medium format camera system. They have worked with Hassleblad before. I think the state of Hassleblad financially was what lead to Pentax and PhaseOne also getting the sensor. The D800/D800E/D810 are Nikon and it has been proven time and time again that Nikon adds proprietary processing before writing data to the "RAW" file.

Both Nikon and Pentax have been getting better results then Sony from Sony senors for a while now. This is why people in the Sony world complaining about the Sony RAW files not being real RAW files. Sony sensor division also makes more money selling sensor to Nikon then its own camera division.

You will not see any competitors using the sensor in the 7s and there new high end P/S sensors in competitor cameras for a year at least. This is what the Sony exec was talking about.
 
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tcmatthews said:
privatebydesign said:
Etienne said:
Woody said:
Etienne said:
Canon's G7x sensor is from the original RX100 or the RX100 mk II, not the same as in the RX100 mk III

Do you have a link to prove this?

Also, according to DXOMark, the RX100 Mk 1, 2 and 3 sensors are nearly identical in performance with Mk 1 only being very slightly behind for low light ISO.

Two things:

1. The RX100 mk III is 20.1 MP, mk I and mk II are 20.2 MP as is the Canon G7x

2. DP Review interviewed Sony rep who confirmed that Sony does not sell their most current sensors to anyone, but keeps it for their own cameras. Sony sells only the sensors that no longer have unique value.

I don't know about 1, but 2 is patently false. The D800/D800E/D810 has been demonstrably "better" than the Sony A7R and where is the Sony 50mp camera that is currently sold by Pentax, Hassleblad and PhaseOne all with a Sony sensor?

The Sony rep was spinning a line in the hopes that gullible people would take a bite.

I believe the decision to with hold the newest sensors from competitors by Sony is a relatively new decision made earlier this year. The D800/D800E were released before this decision.

The 50mp sensor is medium format and Sony does not have a medium format camera system. They have worked with Hassleblad before. I think the state of Hassleblad financially was what lead to Pentax and PhaseOne also getting the sensor. The D800/D800E/D810 are Nikon and it has been proven time and time again that Nikon adds proprietary processing before writing data to the "RAW" file.

Both Nikon and Pentax have been getting better results then Sony from Sony senors for a while now. This is why people in the Sony world complaining about the Sony RAW files not being real RAW files. Sony sensor division also makes more money selling sensor to Nikon then its own camera division.

You will not see any competitors using the sensor in the 7s and there new high end P/S sensors in competitor cameras for a year at least. This is what the Sony exec was talking about.

We will see. Sony needs to earn some serious money from somewhere, if the camera division can't do it and the sensor division is then I don't see them being able to hold out for too long, especially considering the other Sony divisions performance. If they were not a successful insurance company that supports it all we wouldn't have a Sony left at all.
 
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Marsu42 said:
Maiaibing said:
The important thing is Canon's admission its customers need more MP.

I wouldn't interpret it this way, imho Canon just stated the obvious - *some* (select) applications like studio or maybe landscape work might need higher resolution, just as higher dynamic range only benefits just a part of photogs. In no way they're up to questioning their past product policy, so certainly no killer 5d4 in sight.

I'm curious to understand who wouldn't benefit from higher DR?
 
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roby17269 said:
I'm curious to understand who wouldn't benefit from higher DR?

Obviously people shooting "low"-dr scenes <11ev @low iso or <8ev @very high iso ... that would include a lot of indoor shots or any shots with controlled lighting. And if you can bracket the scene, "high" dr is just a convenience, but most landscape will have more than 14ev anyway. The central issue fixed by higher dr are scenes with movement in high contrast natural lighting.
 
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roby17269 said:
Marsu42 said:
Maiaibing said:
The important thing is Canon's admission its customers need more MP.

I wouldn't interpret it this way, imho Canon just stated the obvious - *some* (select) applications like studio or maybe landscape work might need higher resolution, just as higher dynamic range only benefits just a part of photogs. In no way they're up to questioning their past product policy, so certainly no killer 5d4 in sight.

I'm curious to understand who wouldn't benefit from higher DR?

Everybody can benefit in certain situations. But there is a difference between wanting it and needing it. Some people need it, some just want it, and some don't care. It's like having a car that can do 110 miles per hour. If the fastest you ever drive is 65 miles per hour, then you're all set as your car does a splendid job of going 65 miles per hour, and it's reliable and has a bunch of other features you like. Now your neighbor comes along and he says his car can do 150 miles per hour. Wow, that is an awesome spec, clearly better right?! So you start to feel jealous and think about buying the same car as your neighbor. But will it make a difference in your life such as when you drive to work? Well, there are in fact situations in which it may be a benefit to have the neighbor's car. But you may also rationally conclude that your car serves you extremely well and will continue to do so, even though it's "limited" to just the old-style 110 miles per hour.
 
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zlatko said:
roby17269 said:
Marsu42 said:
Maiaibing said:
The important thing is Canon's admission its customers need more MP.

I wouldn't interpret it this way, imho Canon just stated the obvious - *some* (select) applications like studio or maybe landscape work might need higher resolution, just as higher dynamic range only benefits just a part of photogs. In no way they're up to questioning their past product policy, so certainly no killer 5d4 in sight.

I'm curious to understand who wouldn't benefit from higher DR?

Everybody can benefit in certain situations. But there is a difference between wanting it and needing it. Some people need it, some just want it, and some don't care. It's like having a car that can do 110 miles per hour. If the fastest you ever drive is 65 miles per hour, then you're all set as your car does a splendid job of going 65 miles per hour, and it's reliable and has a bunch of other features you like. Now your neighbor comes along and he says his car can do 150 miles per hour. Wow, that is an awesome spec, clearly better right?! So you start to feel jealous and think about buying the same car as your neighbor. But will it make a difference in your life such as when you drive to work? Well, there are in fact situations in which it may be a benefit to have the neighbor's car. But you may also rationally conclude that your car serves you extremely well and will continue to do so, even though it's "limited" to just the old-style 110 miles per hour.

I don't think anyone here is ever going to complain about an increase in DR. In fact when Canon leapfrogs Sony on DR, we will all be boasting ::)
I'm not jumping ship for anything I've seen yet in other DSLRs. But video stuff from Sony looks promising.
 
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Chuck Alaimo said:
Honestly, if the pro DR crowd wasn't always on their soap box in every topic here, telling us all that we're just plain idiots if we don't see the truth of the holy grail in the exmor sensor andthat canon sensors are just plain so terrible that it would be a miracle to ever get a decent shot (some have said here in the past that the only thing canon files are good for is posting to social media@!!!). It's rather preachy, like religion.

This is pretty much how I feel. It seems to have got worse over the last few months. Like, if only they shout enough, we'll see the light. How can we not? It's so blindingly obvious! But it's just not a priority for me. I don't like being called a fanboy or an apologist by association just because I'm not upset about the same thing some other people are.
 
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tcmatthews said:
The 50mp sensor is medium format and Sony does not have a medium format camera system. They have worked with Hassleblad before. I think the state of Hassleblad financially was what lead to Pentax and PhaseOne also getting the sensor. The D800/D800E/D810 are Nikon and it has been proven time and time again that Nikon adds proprietary processing before writing data to the "RAW" file.

This is actually true of Canon now as well. DIGIC 6 processes the data before writing it to the RAW file. The 7D II will probably be fairly impressive at ISO 16000 for an APS-C camera. It'll be impressive because the data written won't really be truly "RAW"...it'll be cooked, just like a Nikon camera. The other thing Nikon does is clip blacks, instead of setting a bias offset. That tends to result in cleaner shadows, but it's discarding a little bit of data that could be useful in certain circumstances (such as astrophotography...which is the reason a hack was created to remove the black point clip and restore the bias offset, as it restores the linearity of the signal in Nikon cameras.)

For what it's worth, the A7s, a powerhouse at high ISO, also cooks the raw data. The BoinzX chip is very similar to the DIGIC 6 (I honestly don't know which has the superior design or approach...we'll have to see.) It too does noise reduction on the RAW data before writing it out to the file.

Cooking the RAW is probably going to be a standard practice now. Even if you reduce read noise, at high ISO, IQ is ultimately going to be photon shot noise limited. You can increase Q.E., but the high end sensors like the one in the A7s are already at 67%. There is maybe a third of a stop of "real" improvement to be made in the sensor itself by increasing Q.E. to 100% (which is doable, but expensive...at least currently...it may become cost effective at some point in the future.) Any other gains are going to have to be made either by increasing the sensor area (i.e. medium format sensor), or by processing the RAW data. For established camera systems, increasing the sensor size isn't an option...hence the reason everyone is cooking their RAWs now.
 
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scyrene said:
Chuck Alaimo said:
Honestly, if the pro DR crowd wasn't always on their soap box in every topic here, telling us all that we're just plain idiots if we don't see the truth of the holy grail in the exmor sensor andthat canon sensors are just plain so terrible that it would be a miracle to ever get a decent shot (some have said here in the past that the only thing canon files are good for is posting to social media@!!!). It's rather preachy, like religion.

This is pretty much how I feel. It seems to have got worse over the last few months. Like, if only they shout enough, we'll see the light. How can we not? It's so blindingly obvious! But it's just not a priority for me. I don't like being called a fanboy or an apologist by association just because I'm not upset about the same thing some other people are.
+∞

Though I do make the occasional half hearted effort to push back it only seems to rile them up more.

I am no a fanboy or an apologist, and I resist being preached to let alone shouted at.
 
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PrinceMarkus said:
Guys you miss the point.

It´s not only HERE... it´s all over the web.

Canon now stands for old sensors and boring camera releases.

No matter how much of that is true, it affects the brand image.

Canon is now company to joke about.
Making Paris Hilton like BAGS for girls, to carry a SD100? :-X

5 years to include an 1D X AF system into the 7D MK2?


The only real innovation these days is in mirrorless cameras.
here you can really see faster AF, better EVF, lighter, smaller with any new generation.

As opposed to the Nikon D300/S update that took a more modest seven years and counting..........
 
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PrinceMarkus said:
Guys you miss the point.

It´s not only HERE... it´s all over the web.

Canon now stands for old sensors and boring camera releases.

No matter how much of that is true, it affects the brand image.

Canon is now company to joke about.
Making Paris Hilton like BAGS for girls, to carry a SD100? :-X

5 years to include an 1D X AF system into the 7D MK2?

The only real innovation these days is in mirrorless cameras.
here you can really see faster AF, better EVF, lighter, smaller with any new generation.

DSLRs are a pretty mature technology. If mirrorless is advancing faster, it's because they are newer, and still finding their way. DSLRs *don't* need to change fundamentally every year, because in many ways they already work well.

Choose whatever analogy you like. Mobile phones have advanced massively in a generation; home phones much less so. Because one has been around a lot longer than the other. And because one already does what it needs to do.
 
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Give me a 5Diii with a lot more megapixels and lose the mirror. Go EVF. I would be happy for landscape photography. I want to keep using my L glass but would like to see mirrorless bodies have a presence in full frame without an adapter when using EF glass.
 
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PrinceMarkus said:
privatebydesign said:
PrinceMarkus said:
Guys you miss the point.

It´s not only HERE... it´s all over the web.

Canon now stands for old sensors and boring camera releases.

No matter how much of that is true, it affects the brand image.

Canon is now company to joke about.
Making Paris Hilton like BAGS for girls, to carry a SD100? :-X

5 years to include an 1D X AF system into the 7D MK2?


The only real innovation these days is in mirrorless cameras.
here you can really see faster AF, better EVF, lighter, smaller with any new generation.

As opposed to the Nikon D300/S update that took a more modest seven years and counting..........


That all you can say?

I don´t care about Nikon.

When someone jumps out of a window you jump too?

This is about CANON. ::)

And Canon is a corporation with the main objective of pleasing their shareholders, not you, if nobody releases a competing body why would they? As it is we are lucky they got bored holding off with the 7D MkII. Competition drives innovation, for the APS "sports" camera market there is no competition, load in the 400 f5.6 which also desperately needs IS and an update but again has no competition, and it is difficult to look anywhere other than Canon for that niche.
 
Upvote 0
PrinceMarkus said:
Guys you miss the point.

It´s not only HERE... it´s all over the web.

Canon now stands for old sensors and boring camera releases.

No matter how much of that is true, it affects the brand image.

Canon is now company to joke about.
Making Paris Hilton like BAGS for girls, to carry a SD100? :-X

5 years to include an 1D X AF system into the 7D MK2?

The only real innovation these days is in mirrorless cameras.
here you can really see faster AF, better EVF, lighter, smaller with any new generation.

That was important, to put the AF system of a $6K camera into a $2K camera? First of all, I didn't expect a $2K camera to match a $6K camera in AF or anything else. Second, the original 7D already had an excellent AF system, better than the 5D2. Third, Canon has released a bunch of great products in the past 5 years, including some unique technologies like dual-pixel AF for video, flash with built-in radio control, and the new anti-flicker feature on the 7D2. Canon also makes some photo gear that no one else does, like the zoom fisheye and the 17T-SE. And those "old" sensors are doing a fantastic job for a lot of photographers.
 
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