The professional Canon bashers might soon be out of job.
Good riddance!
Good riddance!
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If their hardware is efficient enough, there is nothing that will overheat.Wonder how Canon is addressing overheating?
Totally! And I would not be sad if the sensor is from the 1DX Mark IIIYes my dream is the R6 is a less video, great low light version of the R5. Same body.
Agreed.. 20 something is plenty for me if I can get much better lowlight performance than my 5DIiiTotally! And I would not be sad if the sensor is from the 1DX Mark III
If their hardware is efficient enough, there is nothing that will overheat.
The 1DX III does 5.5K only in RAW, skipping the processing that would be required to compress the video. That's the same trick Magic Lantern used way back when.
I think there's a good chance the R5 will also only do 8K RAW.
Completely agree, I thought it would be around the £/$3500 area but I'm not sure now as this a pretty hefty step up from the R and the 5D and close to the 1DX MKlll specsSo now I am only concerned about price. Looks very similar to 1DX mark III, but it is not the R1. Sure the full specs may tell a different story. I hope it is priced at the 5D level or it is going to be very expensive as the Canadian dollar keeps sliding on health and market concerns
All I can think of, if Sony release an A7SIII with stunning 4K video that’s more than good enough for the majority of potential buyers, people are bound to complain and say 4K isn’t good enough because Canon offers 8K. It could very easily turn into an unnecessary spec war also with Panasonic also joining the ‘fight’. I personally don’t see anything above 4K as essential right now because 2.5K is still the majority standard on the internet and streaming services. I suppose Canon jumping ahead is a good thing rather than their poor, playing catch-up 4K offering on the 5DIV.So does it alter the strategy now of competitors who release dedicated cameras focused on video and photography such as Sony with the A7S and A7R? Or are there video features that the R5 would potentially be lacking against dedicated video-focused cameras like the A7R?
I think you can safely anticipate that the quality of the video will be excellent. As good or better than anything in the hybrid space.Actually MJPEG is a horrendous codec from a storage standpoint and is the sole reason why I consider my 5DIV's 4K to be completely unusable. You can't film a 4hr fashion show using MJPEG or pretty much anything of importance with it. If they put that codec in the R5 it will be the sole reason I do not get it.
The 8K codec needs to be H.264 or H.265 and stored in an MOV (preferred) or MP4 container. MJPEG is long dead. To edit something beyond your computer's capabilities simply get a faster computer or use proxy files. I am a 100% hybrid shooter (50% video and 50% photography) and even with all of the fantastic specs I still worry this will not be a sufficient B cam due to the following reasons:
Dual card recording - just because it has dual card slots does not mean it will write video to both slots. This is a critical requirement for me or the camera is a no go as a b cam for the work I do. I will even settle for dual card recording up to 4K and CFAST only for 8K.
XLR Audio Module - For run and gun scenarios where I need XLR audio, Canon has not said anything about offering an XLR module for this camera. I currently use a GH5 for those scenarios and it does both (dual card video recording and has an XLR module)
Recording Limit - No word yet on if this is still a problem. In 2020 the EOS R still has a recording limit which is completely logic defying to me.
I would love to come back to the Canon family for video; my dream setup is a C200 Mark II A camera and an R5 hybrid run and gun b cam for gimbal and photography work. I would even get the R6 as a C camera (timelapses, 3rd POV, handheld POV, etc) if Canon finally puts away their cripple hammer.
I absolutely love Canon's color science and would love to consolidate my entire setup around them, but if this is another disappointing year I'll probably go all in on the S1, S1H and EVA1 instead. It's ironic...Panasonic can already do everything I want for video but my Canon lenses, Canon color science, and Canon auto focus is the only reason I have kept waiting for 3yrs on Canon to add the missing pieces.
It almost has to be to avoid overheating doesn't it??!!Will 8k be RAW?
The only way that would be doable is with external recording unless it is dual CFexpress slots which I think has already been ruled out. But I don't think there is a HDMI standard that supports 8K 10 422 currently. I could be wrong.That’s exactly the way to do it. I expect Canon also will bring no less than 10 bit 422 with this 8K beast. Add to that 4K 10 bit 422 @ 120fps with AF and you have the full package.
It is way past time for wave forms. I agree 4K 120 would be very, very welcome.Now please give us a proper raw based histogram. And 4K120.
If it is motion jpeg you will be able to edit but if it is a h.265 it might melt and die. It’s funny how people bitched about motion jpeg because it actuality is a awesome codec and far easier on your system compared to all these high efficiency codecs
I would absolutely use 8K. Not very often, but shooting in 8K and delivering in 1080P would provide some incredible pan, crop, recomposition options. You could add dolly, slider, and gimbal motion to your footage without ever leaving a tripod.
I will use 8k.
Don't worry. You will be able to pick a slightly used one up from a brand hopper as soon as Sony or Nikon intro a body with a rumored spec infinitesimally better than the R5.So now I am only concerned about price. Looks very similar to 1DX mark III, but it is not the R1. Sure the full specs may tell a different story. I hope it is priced at the 5D level or it is going to be very expensive as the Canadian dollar keeps sliding on health and market concerns