pwp said:
I'm hoping for souped up video functionality...starting with the blindingly obvious 4k (internally recorded unlike A7s) and focus peaking. If it goes this way it's to have to be good. I've just dropped around $3.5k on the completely awesome 4k Panasonic GH4 with assorted MFT glass. For video (under 3200 iso) this just blows the 5D3 out of the water. I'm not the only one looking at leaving Canon for video work.
http://www.learningdslrvideo.com/gh4-review/
http://dslrvideoshooter.com/panasonic-gh4-review-video/
http://www.cameralabs.com/reviews/Panasonic_Lumix_GH4/
Either the 7D2 will be pitched as a great action stills performer with modest video functions (so as not to cannibalize Canon Cinema sales) or a game changing video front runner. Either way, it's something to look forward to.
-pw
None of Canon's consumer cameras will cannibalize Cinema EOS sales, that is a completely different market aimed primarily at professionals who have different needs. Cameras such as the 7D and 5D will be aimed at what the competition in the high end consumer market are putting out. If those competitors have high end video functions, chances are that new Canon products in the market sector will as well. Whatever the Cinema EOS cameras have is irrelevant. And in any case, major updates in those cameras are likely imminent as well, so why would Canon cripple new products that will be expected to compete for three years, so that they don't interfere with sales of other products that are nearing the end of their market life?
People keep on making this argument as though it makes sense, but it is an insane approach from a business point of view, and I don't think that Canon is stupid.