And for those that want an organic feel in their moving shots that doesn’t make their viewer seasick is precisely why many people prefer steadicams.
I agree. Steadycams over gimbals any day of the week.
But for my style of documentary, “cinema vérité” shooting, sometimes it’s just easier to have a light and discreet package. A decent ibis often does the trick for me. It’s just about removing the micro jitter.
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