More Specifications & Images of EOS 5D Mark IV

Talley said:
CanonGuy said:
I am not a spec geek. I am a 5D3 owner and absolutely don't care about video, AF points (i always center focus and recompose) and FPS. Should I consider upgrading to 5D4? What do you guys say? I exclusively shoot weddings btw. I will get a new body at the end of this year and just researching my options.

Your only option should be the 1dx2 unless you don't like 20mp then 5DsR or 5D4 are about it unless you jump ship and then I don't think thats an option since you shoot weddings and like having better skin tones.

Respectfully disagree. This dual pixel stuff (if it's the dual-ISO-like-thing we think it might be) could be a game changer for latitude in RAW files. I'm no wedding photog, but this might be useful with events under awnings / tents where it's dim inside and glaringly blown out outside.

The 5D# line -- as much as is a do-everything camera -- is Canon's go-to wedding line. I defer to the wedding guys here, but were I CanonGuy, I'd sit and wait for the announcement, testing, reviews, etc. I'd be stunned if they didn't put in some sort of 'killer app' for the wedding crowd (like the 5D3 silent shutter was).

- A
 
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vishaltpt said:
Issues with 5D4 as a general purpose all round camera:

1. No Flip screen. The flippy is so convenient for video. Great for overhead shots in protests, crowd. Great for doing full length portraits.

Totally agree. After working with so many different flip screens in the last 2-3 years, I find it really hard to go back and actually use a camera with a fixed screen. High and low vantage shots are easy with an articulating screen and gone are the days you have your camera in one hand over a wedding crowd guessing if you've framed everyone in there...

2. No 120 fps at FHD. What!!! Sony , Panasonic put that in their cameras decades back. 120 fps is real slomo not 60 fps. Canon wake up! Its 2016. We want a serious, creative tool.

96fps was available on the GH4 since May 2014. The A7sii got 1080p 120fps in 2015, In 2016 even a RX100iv 1" P&S can do 240fps @ 1824×1026. You've got to be kidding me that a major camera targeted for end of 2016/2017 only has 1080@60fps?

3. Moderate conservative 30mp. Not great for landscape work, detailed studio portraiture, cropping in post.

Canon doesn't really have 2 lines like the A7s and A7r series, so they can't really specialize one way or the other. For example Sony has the A7sii having 400k iso and 12.2 megapixel and the A7rii having 42.4 megapixel. I would say the 5Dsr was Canon's high megapixel monster, but they couldn't make the 5DIV video centric either or they would alienate all of the stills shooters. As a result it's an in-between. If the other omissions weren't so "glaring," one could give them a pass here, but look at all of the other issues...

4. Poor video codecs. 8 bit. Not broadcast quality video specs. GH4 & A7s2 are way better tools for video work.

Internal 8bit is probably fine for this class of camera as its peers are about the same. Canon has stuck with MJPEG since the days of lore and there is no incentive for them to change that for the 1 and 5 series bodies. Won't be as efficient as modern codecs for compression, but quality is high as long as you keep feeding it memory cards. With the HDMI implementation, most other cameras these days are also uncompressed 8bit 4:2:2 HDMI out. What's unfortunate is that the uncompressed HDMI is limited to 1080p like the 1DXii. I can't use my Shogun on it unless i'm shooting at 1080p. For comparison, the GH4 gave us uncompressed 10bit @ 4K more than 2.5 years ago.

5. No focus peaking.

Unexplainable. Canon must assume everyone wants them to solely use their DPAF functionality. Many videographers including myself are MF only and almost all modern cameras have focus peaking. Even Fuji, a stills centric camera manufacturer that has in recent years focused on more boutique offerings has included peaking on the X-T2.

6. No zebra.

Also Unexplainable. Look at the X-T2 comment above and yes, Fuji also includes zebras.

7. Horribly low 1/125 sync speed. Very limiting.

I thought this was 1/200. In any case, this is never an issue for any camera. HSS or big lights. Each has its pros and cons and neither can replace the other. Applies to everything else out there.

8. No IBIS stabilization.

I wasn't expecting this from Canon. Canon already has IS on many of their legacy zoom and longer lenses, so I wouldn't expect them to give us something this revolutionary in-body. Still, many competitors are starting to offer it, and it benefits both stills and video. Not having it will probably feel dated in 1 year or less.

9. Built in LPF reduces sharpness of images. Medium Format is loved for that besides the smooth tonal gradations & 16 bit.

Competition (like the D810) doesn't have it. Maybe there will be a 5d4r?

10. DR less than the competition.

They are improving after finally going with an on-chip ADC with the 80d/1dx2. Probably not class leading compared to Sony, but closing the gap. Not enough though if you factor in all of the other things above.

All in all ; as previously said it is a very “Yesterday Camera" on all the specs than a “Tomorrow” one. Can it last another 4 years.You bet.

There is nothing new here. Just better AF maybe. That’s it. For majority of Pros who shoot video on manual focus fancy names like ‘dual pixel this’ & ‘dual pixel that’ doesn’t make sense. Likewise for Stills the Competition offers better IQ.

The frustration and the people with just a few posts coming in and creating an account to voice their opinions like myself is mainly due to the fact that we all have quite an investment in Canon glass while we are stuck with non-native solutions because the native solution provider can't deliver..
 
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ahsanford said:
testthewest said:
As someone quite new to this site and photography in general I have one thing I don't understand about the new 5D Series model:
Why doesn't it have the flip screen of the cheaper models like my 70D? I find this option really helpful in alot of situations and truely wonder: Why did they omit it? Do more expirienced photographers not like this feature?

Tilty-flippy screens, for one reason or another, have been thought of as a consumer (soccer mom / hockey dad / millenial selfie) sort of photographic need that serious photogs don't need.

Pros / skeptics / older photographers have for a long time said that they saw it as a risk -- it was flimsy and could break, it could threaten weather sealing, they'd have to baby their rig with such a feature on it, etc.

But three things happened:

1) Video in SLRs took off
2) The consumer-grade versions of these things showed a great track record in the field of holding up well
3) People with brains realized if you don't want tilty-flippy, you can just leave it locked down and use it like your prior (rigid screen) camera.

Now, I'd say a good 75% of this forum wants a tilty-flippy. I have little doubt that it will be near the top of my 'gripe' poll with these 5D4 leaked specs.

- A
...and 4) LensRentals came out with stats to show that out of their hundreds of camera bodies tilty-flippy screens have no higher damage rate than ordinary screen.
 
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jayphotoworks said:
vishaltpt said:
Issues with 5D4 as a general purpose all round camera:
(truncated)
5. No focus peaking.

Unexplainable. Canon must assume everyone wants them to solely use their DPAF functionality. Many videographers including myself are MF only and almost all modern cameras have focus peaking. Even Fuji, a stills centric camera manufacturer that has in recent years focused on more boutique offerings has included peaking on the X-T2.

6. No zebra.

Also Unexplainable. Look at the X-T2 comment above and yes, Fuji also includes zebras.

(truncated)

The frustration and the people with just a few posts coming in and creating an account to voice their opinions like myself is mainly due to the fact that we all have quite an investment in Canon glass while we are stuck with non-native solutions because the native solution provider can't deliver..

Jayphotoworks, you look to have embedded commentary in someone else's quote (vishalpt's post didn't have all that context), so I'll reply to you:

How does an OVF have focus peaking or zebras? It's an SLR, and by definition, you're looking through an optical pathway through the lens that precludes the possibility for EVF-like functionality. (Unless you wanted some mythical OVF/EVF hybrid)

Or were you referring to how the rig will operate as a video camera in LiveView? If so, how do you know that it does / does not have zebras/peaking from a spec list? That's not a bullet point sort of feature you'd see at this stage.

- A
 
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We know from the 1DX2 and the 80D, that the 5D4 is not going to have less than 13 stops of DR. Just no way about it. Now, whether it will have the same, slightly less, slightly more than those two cameras remains to be seen.

But let us use the 13 stops as a base point. With Dual-Pixel Raw, (this could very well be the DSLR first that was rumored), how much DR can be added to the final result? 1.5 - 2 stops?

Thus, it is entirely plausible that Canon might hit that "15 stops" of DR they were promising they would soon achieve. I don't believe they were specifically referring to the cinema line.

For high DR scenes, having some setbacks to achieve this method of DR increase is reasonable. Generally, landscape and other types don't need high FPS, and by default require a fair amount of post processing. That is, anyone who actually cares about, knows about or needs high DR, is nearly 99% guaranteed to be post-processing images. Even the mighty Exmor with 14.5 stops produces crap images out of camera until you go in and post process to take advantage of the DR.


Based on the rumored specs, this camera sounds great!!! I personally don't care about video, so its alleged shortcomings there don't bother me one bit. However, I would add - that DPAF in and of itself is probably worth the lower video resolution and weaker codec for a lot of video applications, because if you can't focus, or focus smoothly - what good is 4K? What good is the highest bit rates? Nothing. When set stationary, or connected to a shoulder rig system - this is where all the video guys whine about the 5D series not having XY and Z. But that's because they want a poor man's cinema setup.


Anyway, Canon will probably merge the 5DS and 5DSR the same way Nikon did because the R version outsells by quite a bit, and all that camera needs is the newer sensor tech and it will be a killer high res camera with plenty of DR and decreased shadow noise.


It will be interesting to see what Nikon pulls out with the D820/D850/D900 or whatever it will be called. Since they use Sony sensors, it is clear it won't be revolutionary. It won't be the huge leap that was seen with the D810. 42mp, similar DR and noise performance, and probably just an increase in FPS, say 6. I doubt they'll hit 7 in a non-cropped mode. Like Canon, they are maxed out on AF system for the time being and maxed out on most bells and whistles.

Given that, I think the 5D4 is well positioned to compete against even the next update from Nikon.

However, if Canon plans a 5 year update cycle, then Nikon will update twice in that time, their next gen after that will surely surpass the 5D4.


For me, the 6D2 is the most anticipated camera. They said it is going upmarket. But as always, without dual-card slots, it is not an option for me.
 
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jeffa4444 said:
vishaltpt said:
Issues with 5D4 as a general purpose all round camera:

1. No Flip screen. The flippy is so convenient for video. Great for overhead shots in protests, crowd. Great for doing full length portraits.
2. No 120 fps at FHD. What!!! Sony , Panasonic put that in their cameras decades back. 120 fps is real slomo not 60 fps. Canon wake up! Its 2016. We want a serious, creative tool.
3. Moderate conservative 30mp. Not great for landscape work, detailed studio portraiture, cropping in post.
4. Poor video codecs. 8 bit. Not broadcast quality video specs. GH4 & A7s2 are way better tools for video work.
5. No focus peaking.
6. No zebra.
7. Horribly low 1/125 sync speed. Very limiting.
8. No IBIS stabilization.
9. Built in LPF reduces sharpness of images. Medium Format is loved for that besides the smooth tonal gradations & 16 bit.
10. DR less than the competition.

All in all ; as previously said it is a very “Yesterday Camera" on all the specs than a “Tomorrow” one. Can it last another 4 years.You bet.

There is nothing new here. Just better AF maybe. That’s it. For majority of Pros who shoot video on manual focus fancy names like ‘dual pixel this’ & ‘dual pixel that’ doesn’t make sense. Likewise for Stills the Competition offers better IQ.
1. No flippy Screen - I have one on my OM-D E-M10, rarely use it. For landscape Wi-Fi to your iPhone or ipad with live view far more useful. For studio cable to lap top makes it redundant

Good luck tethering your laptop or fiddling with your intermittent wifi signal when you are trying to cover a wedding party with 2 bodies.


2. The only good 120fps comes from the likes of Red & Arri not the toys from Panasonic or Sony.

People that are shopping for this class of camera are not cross-shopping Red or Arri. It isn't relevant that the 120fps is not as "good" as Red or Arri. 120fps is a creative feature, and when your next job wants slow motion and you can't offer it because your equipment can't do it, guess who isn't getting the next job.

Feature parity is a thing, just like you see all of those unique features trickle down from the luxury car manufacturers down to the sub $15,000 cars a few years later.


3. Buy a 5DS great for landscape & Studio. One size doesn't fit all

That makes sense to some extent. Assuming the 5Ds is great for stills, the 5D4 is far from great for video not including basic fundamental features required for video work.

4. 5.6. Why buy a DSLR for Video. Serious video shooters don't, period

Trends change over time, and you either change with them or get steamrolled. There are a subset of people that need to do video work but don't intend to move into full time video work. Those people want something out of both worlds in one body. It clearly exists, and that is why we are even making these type of comparisons.

A person shopping for a 5D might be cross-shopping a Sony, but they won't be cross shopping a Blackmagic, Red or Arri, so the direct comparisons on features will be solely compared with them.


As for your other points you clearly don't get out more often & take photographs. We don't know the claimed DR yet of the 5D MKIV so your just making assumptions.

With respect the 5D MKIV is not aimed at you, but for others it will be the successor to other well engineered canon cameras coupled to class leading optics.
 
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jayphotoworks said:
vishaltpt said:
Issues with 5D4 as a general purpose all round camera:

1. No Flip screen. The flippy is so convenient for video. Great for overhead shots in protests, crowd. Great for doing full length portraits.

Totally agree. After working with so many different flip screens in the last 2-3 years, I find it really hard to go back and actually use a camera with a fixed screen. High and low vantage shots are easy with an articulating screen and gone are the days you have your camera in one hand over a wedding crowd guessing if you've framed everyone in there...

2. No 120 fps at FHD. What!!! Sony , Panasonic put that in their cameras decades back. 120 fps is real slomo not 60 fps. Canon wake up! Its 2016. We want a serious, creative tool.

96fps was available on the GH4 since May 2014. The A7sii got 1080p 120fps in 2015, In 2016 even a RX100iv 1" P&S can do 240fps @ 1824×1026. You've got to be kidding me that a major camera targeted for end of 2016/2017 only has 1080@60fps?

3. Moderate conservative 30mp. Not great for landscape work, detailed studio portraiture, cropping in post.

Canon doesn't really have 2 lines like the A7s and A7r series, so they can't really specialize one way or the other. For example Sony has the A7sii having 400k iso and 12.2 megapixel and the A7rii having 42.4 megapixel. I would say the 5Dsr was Canon's high megapixel monster, but they couldn't make the 5DIV video centric either or they would alienate all of the stills shooters. As a result it's an in-between. If the other omissions weren't so "glaring," one could give them a pass here, but look at all of the other issues...

4. Poor video codecs. 8 bit. Not broadcast quality video specs. GH4 & A7s2 are way better tools for video work.

Internal 8bit is probably fine for this class of camera as its peers are about the same. Canon has stuck with MJPEG since the days of lore and there is no incentive for them to change that for the 1 and 5 series bodies. Won't be as efficient as modern codecs for compression, but quality is high as long as you keep feeding it memory cards. With the HDMI implementation, most other cameras these days are also uncompressed 8bit 4:2:2 HDMI out. What's unfortunate is that the uncompressed HDMI is limited to 1080p like the 1DXii. I can't use my Shogun on it unless i'm shooting at 1080p. For comparison, the GH4 gave us uncompressed 10bit @ 4K more than 2.5 years ago.

5. No focus peaking.

Unexplainable. Canon must assume everyone wants them to solely use their DPAF functionality. Many videographers including myself are MF only and almost all modern cameras have focus peaking. Even Fuji, a stills centric camera manufacturer that has in recent years focused on more boutique offerings has included peaking on the X-T2.

6. No zebra.

Also Unexplainable. Look at the X-T2 comment above and yes, Fuji also includes zebras.

7. Horribly low 1/125 sync speed. Very limiting.

I thought this was 1/200. In any case, this is never an issue for any camera. HSS or big lights. Each has its pros and cons and neither can replace the other. Applies to everything else out there.

8. No IBIS stabilization.

I wasn't expecting this from Canon. Canon already has IS on many of their legacy zoom and longer lenses, so I wouldn't expect them to give us something this revolutionary in-body. Still, many competitors are starting to offer it, and it benefits both stills and video. Not having it will probably feel dated in 1 year or less.

9. Built in LPF reduces sharpness of images. Medium Format is loved for that besides the smooth tonal gradations & 16 bit.

Competition (like the D810) doesn't have it. Maybe there will be a 5d4r?

10. DR less than the competition.

They are improving after finally going with an on-chip ADC with the 80d/1dx2. Probably not class leading compared to Sony, but closing the gap. Not enough though if you factor in all of the other things above.

All in all ; as previously said it is a very “Yesterday Camera" on all the specs than a “Tomorrow” one. Can it last another 4 years.You bet.

There is nothing new here. Just better AF maybe. That’s it. For majority of Pros who shoot video on manual focus fancy names like ‘dual pixel this’ & ‘dual pixel that’ doesn’t make sense. Likewise for Stills the Competition offers better IQ.

The frustration and the people with just a few posts coming in and creating an account to voice their opinions like myself is mainly due to the fact that we all have quite an investment in Canon glass while we are stuck with non-native solutions because the native solution provider can't deliver..

what you are responding to, the original poster doesn't even know if half that stuff is there or not.

2. so what? it's a stills camera that shoots video.
3. is idiotic.
4. A7S2 isn't broadcast quality codec either. h.264 100mps bitrate is not broadcast quality.
5. he doesn't know that and not reported either way.
6. he doesn't know that and not reported either way.
7. is moronic and inaccurate and not reported either way.
8. well duh.
9. he doesn't know that either way.
10. he doesn't know that either way.

so it's a bunch of bitching base upon right now, his imagination.
 
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K said:
Given that, I think the 5D4 is well positioned to compete against even the next update from Nikon.

Nice post -- appreciated it.

One comment, from the snippet I quoted above: this might only be true of the D750 follow up, not the D810 follow up. If Nikon's D820 (or D900?) drops a 50+ MP rig that somehow retains it's EXMOR super DR goodness and solid high ISO performance, most of the Canon faithful will again cry foul that they cannot have it all: the 5DSR will be behind in DR and high ISO, and the 5D4 will be behind in detail.

So as much as I am not the 'grass is greener elsewhere' sort of guy -- I'm super happy with Canon for reasons other than the sensor -- I'm not convinced that one FF rig that hits its marks will put to bed the general problem of 'sensor unrest'. :D

- A
 
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ahsanford said:
K said:
Given that, I think the 5D4 is well positioned to compete against even the next update from Nikon.

Nice post -- appreciated it.

One comment, from the snippet I quoted above: this might only be true of the D750 follow up, not the D810 follow up. If Nikon's D820 (or D900?) drops a 50+ MP rig that somehow retains it's EXMOR super DR goodness and solid high ISO performance, most of the Canon faithful will again cry foul that they cannot have it all: the 5DSR will be behind in DR and high ISO, and the 5D4 will be behind in detail.

So as much as I am not the 'grass is greener elsewhere' sort of guy -- I'm super happy with Canon for reasons other than the sensor -- I'm not convinced that one FF rig that hits its marks will put to bed the general problem of 'sensor unrest'. :D

- A
except canon is readying it's 120MP 5Ds camera based upon new tech.
 
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jayphotoworks said:
The frustration and the people with just a few posts coming in and creating an account to voice their opinions like myself is mainly due to the fact that we all have quite an investment in Canon glass while we are stuck with non-native solutions because the native solution provider can't deliver..

Can't deliver what? Oh, what you personally want. News flash: Canon doesn't care what you personally want. They care about making the most profit they can, which often means finding the lowest common denominator feature set that is sufficient to induce a sizeable fraction of the target market to buy the camera while keeping production costs as low as possible. Honestly, Canon doesn't care if you like the camera, their market research has done a good job of predicting the necessary feature set to drive popularity relative to other options. The fact that Canon has been the ILC market leader for well over a decade, and that their lead is growing, suggests they do a very good job of providing the features that will saitsfy the majority of their user base.
 
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ahsanford said:
jayphotoworks said:
vishaltpt said:
Issues with 5D4 as a general purpose all round camera:
(truncated)
5. No focus peaking.

Unexplainable. Canon must assume everyone wants them to solely use their DPAF functionality. Many videographers including myself are MF only and almost all modern cameras have focus peaking. Even Fuji, a stills centric camera manufacturer that has in recent years focused on more boutique offerings has included peaking on the X-T2.

6. No zebra.

Also Unexplainable. Look at the X-T2 comment above and yes, Fuji also includes zebras.

(truncated)

The frustration and the people with just a few posts coming in and creating an account to voice their opinions like myself is mainly due to the fact that we all have quite an investment in Canon glass while we are stuck with non-native solutions because the native solution provider can't deliver..

Jayphotoworks, you look to have embedded commentary in someone else's quote (vishalpt's post didn't have all that context), so I'll reply to you:

How does an OVF have focus peaking or zebras? It's an SLR, and by definition, you're looking through an optical pathway through the lens that precludes the possibility for EVF-like functionality. (Unless you wanted some mythical OVF/EVF hybrid)

Or were you referring to how the rig will operate as a video camera in LiveView? If so, how do you know that it does / does not have zebras/peaking from a spec list? That's not a bullet point sort of feature you'd see at this stage.

- A

Yes, I don't expect those in an OVF given the nature of the design of an SLR, but for the liveview implementation, the 1dx2 didn't have any of those features, so it would be difficult to expect that on the 5d4. I can always add some of the missing features back in via external monitoring, but that defeats the purpose as at that point I can simply move to other options that excel specifically for video.
 
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neuroanatomist said:
jayphotoworks said:
The frustration and the people with just a few posts coming in and creating an account to voice their opinions like myself is mainly due to the fact that we all have quite an investment in Canon glass while we are stuck with non-native solutions because the native solution provider can't deliver..

Can't deliver what? Oh, what you personally want. News flash: Canon doesn't care what you personally want. They care about making the most profit they can, which often means finding the lowest common denominator feature set that is sufficient to induce a sizeable fraction of the target market to buy the camera while keeping production costs as low as possible. Honestly, Canon doesn't care if you like the camera, their market research has done a good job of predicting the necessary feature set to drive popularity relative to other options. The fact that Canon has been the ILC market leader for well over a decade, and that their lead is growing, suggests they do a very good job of providing the features that will saitsfy the majority of their user base.

Sure, Blackberry had the same idea. Look at where they are now.
 
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rrcphoto said:
except canon is readying it's 120MP 5Ds camera based upon new tech.

And I have little doubt something gets lost in chasing one metric so aggressively.

Canon seems to be marching down a path of great high ISO or great resolution (I'll leave DR out of that tradeoff as Canon's currently fighting through their migration to on chip ADC, right, which muddies the waters a bit there). But Nikon did not go that route -- let's tip our cap to the D810 sensor in that it simultaneously topped out (or nearly topped out) in resolution / DR / high ISO. That's a freakishly good sensor.

I'm perfectly happy with Canon, but in our ecosystem, we must choose between two different paths to the image quality we need, and each has tradeoffs. Nikon just hands you one indisputably overall best rig. There's a simplicity in that for those looking for 'best' gear.

Again, I'd never leave Canon and they delight me far more than they frustrate me, but I must respect Nikon's approach to this.

- A
 
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ahsanford said:
rrcphoto said:
except canon is readying it's 120MP 5Ds camera based upon new tech.

And I have little doubt something gets lost in chasing one metric so aggressively.

Canon seems to be marching down a path of great high ISO or great resolution (I'll leave DR out of that tradeoff as Canon's currently fighting through their migration to on chip ADC, right, which muddies the waters a bit there). But Nikon did not go that route -- let's tip our cap to the D810 sensor in that it simultaneously topped out (or nearly topped out) in resolution / DR / high ISO. That's a freakishly good sensor.

I'm perfectly happy with Canon, but in our ecosystem, we must choose between two different paths to the image quality we need, and each has tradeoffs. Nikon just hands you one indisputably overall best rig. There's a simplicity in that for those looking for 'best' gear.

Again, I'd never leave Canon and they delight me far more than they frustrate me, but I must respect Nikon's approach to this.

- A

true.

however you could say that nikon FINALLY managed to do that right. how many years did nikon not?

However I do welcome an oversampled full frame RAW file from the aspect of clarity with the same sized prints as you could get with a 36-50mp image.

the oversampling will reduce noise either by computational algorithms or straight image size reduction. it will also remove the digital artifacts by bayer array demoisacing and false sharpness.
 
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