necessity of photography school

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Plato the Wise said:
Fair enough... you have to have the vision and apply the technique to get the shot... I'm sure ansel adams would not be nearly as infamous if he made mistakes like missing exposures due to environment conditions...

Ansel Adams did miss exposures. If you went to school or read any of his work you would know that. :)

I'm sure he did that from the odd time to time, but as I mentioned before, film was and is much more tougher than digital... no instant gratification, no histograms, live view... you had to have your exposure dialed in using math and meters... zone photography, much like what he did, you do a lot of testing, bracketing, etc... There's a difference between missed exposures made by error and missed exposures done in testing and experimenting. And quite frankly, what I would deem sellable and acceptable and what he would are 2 separate monsters =)
 
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this is a difficult question to answer as it really depends on so many variables (individual aspiration, type of educational institution, curriculum, quality and philosophy of the individual educators, etc). that being said, i will offer my perspective.

my particular experience started at a small 2 year college that was backed by both Pratt and Corcoran, though i began attending in only its second year of existence so the curriculum was being developed as we attended (this turned out to be a benefit in hindsight). i graduated with an associates and then enrolled at the University of the Arts the following fall. over that summer i began assisting a high end commercial photographer in Philly about 25 hours a week (which i continued to do throughout the remainder of my schooling). after graduating with my BFA, i continued assisting and began working in a commercial lab. after about 2 years i was invited to teach continuing education classes at my original school and often interacted with the degree students there. eventually i was invited to become an instructor at the University of the Arts and just wrapped up my 13th semester there. i have essentially participated in all sides of the questioned posed.

much has changed since i first began attending art school with both the photography industry and the industry of education.

i would say above all else, it depends greatly on the individual as to whether formal education in photography is worthwhile AND what that individual's aspirations in photography are. after that, the type of institution, its curriculum, and the quality of its educators can have a profound impact on whether the investment in that education is worth it.

if the assumption is that the individual has the highest aspirations in photography (whether it be in a commercial or fine art venue), then yes formal education can be extremely valuable....BUT only if the quality of an institutions curriculum and its educators are on par with the individual's aspirations. there are many talented students who wash out because they cannot handle the rigors of pursuing a successful career in photography and there are many institutions that will provide an education but that education may fall well short of preparing the student to successfully enter the world of PROFESSIONAL photography.

aside from that, mentorship, camera clubs, and continuing education classes may provide minute benefits in the short term but in my experience they very rarely provide the type of information that would propel someone towards real long term success as they are typically run by individuals with limited knowledge, experience, and success. camera clubs are particularly suspect and are pretty well despised by reputable professionals and educators.

the reality of photography (imo) is that it is a complex and diverse subject that simply takes a lifetime to master. the very annoying trend these days (which has been exasperated with the advent of digital) is that photography is easy and can be learned quickly. so many people out there want near instant results whether it be a client or an aspiring photographer. sub par photography is easy and happens often. masterful photography takes a tremendous amount of knowledge and experience and is becoming more and more rare.

so in the end it really depends on what you feel you need to be educated in and what your end goals are. if you just want to learn some new tricks then there's probably a website out there or a class you can take. if you want to be the very best photographer you can be, then the education never ends and you should be actively getting it from every venue you can possibly gain access to.
 
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Plato the Wise said:
Larry said:
[=Plato the Wise =]

Isn't that redundant? ???

Plato the Wise is not redundant. Plato is a person - or a noun - and he is wise - or the adjective that describes the noun. Besides, no one ever uses that name because most people don't even know who Plato is. As a result, I don't have a silly name, such as Canon_Shooter11562738.
I need to cancel my account and get myself a new name here. :(
 
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I've been meaning to pick up Vogue: The Editor's Eye for some inspiration. Anyone own it? What do you think?

http://www.amazon.com/Vogue-The-Editors-Conde-Nast/dp/1419704400/ref=pd_sim_b_6

"this book focuses on the work of eight of the magazine’s legendary fashion editors (including Polly Mellen, Babs Simpson, and Grace Coddington) who collaborated with photographers, stylists, and designers to create the images that have had an indelible impact on the fashion world and beyond. Featuring the work of world-renowned photographers such as Richard Avedon, Irving Penn, and Annie Leibovitz and model/muses, including Marilyn Monroe, Verushka, and Linda Evangelista, The Editor’s Eye is a lavishly illustrated look at the visionary editors whose works continue to reverberate in the culture today."
 
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agierke said:
this is a difficult question to answer as it really depends on so many variables (individual aspiration, type of educational institution, curriculum, quality and philosophy of the individual educators, etc). that being said, i will offer my perspective.

my particular experience started at a small 2 year college that was backed by both Pratt and Corcoran, though i began attending in only its second year of existence so the curriculum was being developed as we attended (this turned out to be a benefit in hindsight). i graduated with an associates and then enrolled at the University of the Arts the following fall. over that summer i began assisting a high end commercial photographer in Philly about 25 hours a week (which i continued to do throughout the remainder of my schooling). after graduating with my BFA, i continued assisting and began working in a commercial lab. after about 2 years i was invited to teach continuing education classes at my original school and often interacted with the degree students there. eventually i was invited to become an instructor at the University of the Arts and just wrapped up my 13th semester there. i have essentially participated in all sides of the questioned posed.

much has changed since i first began attending art school with both the photography industry and the industry of education.

i would say above all else, it depends greatly on the individual as to whether formal education in photography is worthwhile AND what that individual's aspirations in photography are. after that, the type of institution, its curriculum, and the quality of its educators can have a profound impact on whether the investment in that education is worth it.

if the assumption is that the individual has the highest aspirations in photography (whether it be in a commercial or fine art venue), then yes formal education can be extremely valuable....BUT only if the quality of an institutions curriculum and its educators are on par with the individual's aspirations. there are many talented students who wash out because they cannot handle the rigors of pursuing a successful career in photography and there are many institutions that will provide an education but that education may fall well short of preparing the student to successfully enter the world of PROFESSIONAL photography.

aside from that, mentorship, camera clubs, and continuing education classes may provide minute benefits in the short term but in my experience they very rarely provide the type of information that would propel someone towards real long term success as they are typically run by individuals with limited knowledge, experience, and success. camera clubs are particularly suspect and are pretty well despised by reputable professionals and educators.

the reality of photography (imo) is that it is a complex and diverse subject that simply takes a lifetime to master. the very annoying trend these days (which has been exasperated with the advent of digital) is that photography is easy and can be learned quickly. so many people out there want near instant results whether it be a client or an aspiring photographer. sub par photography is easy and happens often. masterful photography takes a tremendous amount of knowledge and experience and is becoming more and more rare.

so in the end it really depends on what you feel you need to be educated in and what your end goals are. if you just want to learn some new tricks then there's probably a website out there or a class you can take. if you want to be the very best photographer you can be, then the education never ends and you should be actively getting it from every venue you can possibly gain access to.

Well said... +1
 
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Dark Reality said:
A few photography school related questions.

for those who went to school, do you feel like you learned a great amount, or was it more of a business decision to have a diploma.

And from 1 to 10, where would you say you were at before and then after 1 = not knowing you can take off the lens on a slr. 10 = Neuroanatomist

And lastly, could you have learned the same from the internet and experienced friends?

Edit- I do consider photography a form of art and when I said learn, I meant more than just the tech aspect.

I agree with many of the previous posts that either say the following or I just decided to add now...

- "Proper" Schooling will help you know what you should know, what you don't know and how/why you should go about knowing more. It gives you perspective.
- If you are proficient in the technical, take more classes in the art aspects, if you are already art savvy and need technical, put more emphasis there. Make it count.
- Decide if the investment in classes is prudent for the ROI when you're done. If not, review your goals first.
- We all excel at what we are good at in our comfort zones. Classes may force you to go outside that zone and learn things you've ignored or put off before.

Keep in mind that if you are considering classes to become a professional photographer + primary breadwinner for your family, think long and hard. The photography profession, esp these days, is a very tough field to provide for a family with. It would have to be your dream job in a big way to not go crazy.
 
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When I studied photography, the technical jargon included developer and stop bath and fixer. Now it's about megapixel count and raw file adjustments and IS VC USM STM, etc.... Metadata was whatever you wrote on the slide or your negative folder. Times change. Technological progress never ceases. So learning should never stop. Especially if you want to be a better photographer.
 
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School starts back up for me in a week, I don't attend every semester but when a particular class is offered that will help me sharpen my saw or open me up to a new niche I go for it. I'm excited! Plus then it gets me out of creativity ruts that come every so often by having an instructor give me weekly assignments.
 
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I'm considering it just for the papers that I can use towards a CV. But I've still got a while considering I'm only 16. Yet, I'm self-taught in photographer and I find it better to be self-taught as you get to learn what you know and don't bit by bit through seeing your best photos and absolute worst photos (and learning from those). Plus, imo, you'd get more comfortable shooting with your own style rather than having a set system made by someone else.
 
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BrandonKing96 said:
Plus, imo, you'd get more comfortable shooting with your own style rather than having a set system made by someone else.

Fine Arts courses specifically teach you to copy the style of the artists. So that when you do develop your own style, it will contain elements that you like of the Great Masters.
 
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jp121 said:
BrandonKing96 said:
Plus, imo, you'd get more comfortable shooting with your own style rather than having a set system made by someone else.

Fine Arts courses specifically teach you to copy the style of the artists. So that when you do develop your own style, it will contain elements that you like of the Great Masters.

uh...no. i am a university photography instructor and that is absolutely not what we try to do. in fact, i have a specific assignment that requires students to identify a photographer that they will do a presentation on and then use their work to inspire their own original photos. the main thing i stress in that assignment is that i absolutely do not want them to exactly copy individual photos of their chosen photographer.

a good fine art course will stress understanding the intent and message an artist is trying to impart as well as cover the techniques used to execute that message and why it is successful. simply "copying" another artists work is not a great approach.
 
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agierke said:
jp121 said:
BrandonKing96 said:
Plus, imo, you'd get more comfortable shooting with your own style rather than having a set system made by someone else.

Fine Arts courses specifically teach you to copy the style of the artists. So that when you do develop your own style, it will contain elements that you like of the Great Masters.

uh...no. i am a university photography instructor and that is absolutely not what we try to do. in fact, i have a specific assignment that requires students to identify a photographer that they will do a presentation on and then use their work to inspire their own original photos. the main thing i stress in that assignment is that i absolutely do not want them to exactly copy individual photos of their chosen photographer.

a good fine art course will stress understanding the intent and message an artist is trying to impart as well as cover the techniques used to execute that message and why it is successful. simply "copying" another artists work is not a great approach.

Thank you for that response. I have taken many college visual arts courses and NEVER has an instructor pushed a style or niche upon anyone. These are artists, open minded people teaching these courses, folks with vision. I have encountered nothing but good listeners who assist you in sharpening your saw and making you aware of your options.
 
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Dark Reality said:
A few photography school related questions.

for those who went to school, do you feel like you learned a great amount, or was it more of a business decision to have a diploma.

And from 1 to 10, where would you say you were at before and then after 1 = not knowing you can take off the lens on a slr. 10 = Neuroanatomist

And lastly, could you have learned the same from the internet and experienced friends?

Edit- I do consider photography a form of art and when I said learn, I meant more than just the tech aspect.

First, you need to say more, what are your goals, what do you want to do? Does making a living out of it matter in the end? PJ oriented? Fashion? Weddings? Nature? Street? Abstract? Everything?

I'd go to school for something else, photography isn't the easiest way to make money. Many who make money in it or who became big names never took any photo classes at all or just a few the side too. Sometimes business skills and to be a huge self-promoter can matter as much as anything else, depending upon what your goals are. Depending upon your aim you could fill up electives with either more PJ-oriented or more art-oriented creative photo classes on the side, some lighting classes and such might help if you might ever want to go that way, try to nab internships and tag along or third shooter assignments, go to serious clubs, try to get involved in circles of the sort of photography you want to do. I'm not sure how many schools have pure photography majors, I'd guess that at most liberal arts schools it would be more like a general art major with an extra focus on photography. Work for the school paper or become involved in the campus art/photo community on the side. Having a PJ degree might help a bit but that is a tough business these days, you could get a lot of experience just working, in a serious fashion, for school paper if it is a big one.

But it is hard to say without knowing what your actual goals are.
 
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PackLight said:
"Twelve significant photographs in any one year is a good crop."
Ansel Adams

I am sure he had a few bad exposures.

I wonder what he would have said about DxO scores. ::)

Probably a lot considering how much time he spent in the lab fiddling with emulsions and developers and practicing arts of advanced dodging and burning and so on. Heck, he might have even been the head of DxO scores division.

He was both an artist and outdoors guy AND a big time techie, lab guy.
 
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If i could, when looking into college... make sure you are looking into the right degrees... I got a BA in professional photography with a major in industrial photography... I am now settled and I interview students every so often from our local universities "Fine Art" students with an emphasis in photography... wow... They can conceptualize well, they can do elaborate scenes... but when it comes to professional photography, coming up with products a client would buy, they struggle. As fine arts, they are good at self portraits... good at making artsy fartsy photos you may see in a modern art gallery... BUT... to come up with a solid portrait that a client would pay money for... they are few and far between. So I would be wary of fine art degree schools with an "emphasis" in photography, but instead look for schools that offer degrees in Professional Photography.
 
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