I’ve given up on Topaz: it took them 3+ months to support the R5Mk II, their support persons lied to me why it took them so long, they need to improve their software quality and quality assurance (the reason for their frequent updates) and their pricing is crazy: at the introduction of the subscription model, their basic subscription price was 50% higher than the Adobe photography plan.No argument re the best being a good image to start with. I find with Topaz that I have to experiment with the different modes and the slider level to get the best result with the least artifacts. Note that they do update the models almost weekly (so you do need a wideband connection to keep up) and some of the models are getting pretty good. AI will (almost by definition) add detail (i.e. artifacts) that were not in the original image exactly as presented. That is also the virtual case when a human eye looks at a noisy picture and interpolates a better result. For most work, I think the AI programs will be able to produce much improved images from noisy originals that meet the test of a critical eye, but they are clearly going to be a challenge for legal images in court cases (where exacting detail is critical). I also dislike the subscription model, but It seems that all software is eventually going to go that way. Kind of like phone companies charging a flat fee every month instead of billing by the call. They want to know what their revenue is going to be. The model I really dislike is the one where the processing (and backup) is in the "cloud". Topaz at least gives you the choice of not processing in the cloud (i.e. on their computers). Apple and Microsoft are really bad about that.
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