Show your Bird Portraits

Have you used a lot of USM? it's quite different from your usual images and has white halos.
I re-examined the RAW again and turned everything off. Here is a 1:1 from the RAW without any sharpening and lens correction.
In RAW and JPEG the halo is gone.
20230317_0267.JPG

With USM turned on, the halo is again visible in DPP but not in the converted JPEG (see below).
The RAW has the Canon default setting for the OOC RAW to 3,4,4. Everything else still turned off, especially lens correction.
I haven't recognized this before. Doesn't mean that it wasn't there.
I do slight sharpening in PP, but just a bit because I quite fast recognize and don't like artefacts from sharpening (but not today).
So it seems to be the strong contrast from the bright sky, combined with the USM.

20230317_0267_USM_on.JPG
 
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I re-examined the RAW again and turned everything off. Here is a 1:1 from the RAW without any sharpening and lens correction.
View attachment 208129

With USM turned on, the halo is again visible in DPP but not in the converted JPEG (see below).
The RAW has the Canon default setting for the OOC RAW to 3,4,4. Everything else still turned off, especially lens correction.
I haven't recognized this before. Doesn't mean that it wasn't there.
I do slight sharpening in PP, but just a bit because I quite fast recognize and don't like artefacts from sharpening (but not today).
So it seems to be the strong contrast from the bright sky, combined with the USM.

View attachment 208130
That's better!
 
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I re-examined the RAW again and turned everything off. Here is a 1:1 from the RAW without any sharpening and lens correction.
In RAW and JPEG the halo is gone.
View attachment 208129

With USM turned on, the halo is again visible in DPP but not in the converted JPEG (see below).
The RAW has the Canon default setting for the OOC RAW to 3,4,4. Everything else still turned off, especially lens correction.
I haven't recognized this before. Doesn't mean that it wasn't there.
I do slight sharpening in PP, but just a bit because I quite fast recognize and don't like artefacts from sharpening (but not today).
So it seems to be the strong contrast from the bright sky, combined with the USM.

View attachment 208130
Maximilian, the defaults for DPP depend on the style selected, e.g. Standard, Portrait, Landscape, etc. Each of styles selected, either in camera or later in PP, has its own set of default parameters for sharpness, contrast, saturation, colour tone. So, you can override the camera settings and PP your RAW to your liking. My experience is that DPP is struggling with contrast bird details against overcast skies. I found the way around this limitation by transferring the file to SW where I can restrict the USP to work only on darkening the pixels and not to make them lighter. That keeps skies unchanged, eyes are easily fooled into accepting darker feathers than in nature, contrary to bordering sky band getting lighter. Alternatively, just expose to the right, but do not blew skies into solid white and fix curves later in DPP or let Auto gamma adjustment be your shortcut to a miracle.

Hope this helps, enjoy your walks with camera and do not wait for perfect light, birds don't ;)
 
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Great shots, Cog.
a025.gif
 
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Spent the last week in Israel, based in Eilat, to watch the bird migration, mainly high flying raptors. It was great birdwatching for the experts, and there really knowledgeable ones in the group as well as the superb guides. But, it was difficult for photography as we rarely got close and we were in the desert for much of the time. My wife used the R7 + RF 100-400mm and I the R5 + RF 100-500mm. Both sets of gear behaved superbly, and in the good light the R7 was hardly inferior. We took thousands of images and I'll post a few here. Then first bird we saw was at a car park, a Tristram's Starling, and a bit later a pair of White-spectacled Bulbuls, and I'll do one from each camera.

View attachment 208117View attachment 208118View attachment 208119View attachment 208120
Nice shots Alan. I really like the colors in that 3rd photo.
 
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