whothafunk said:Whoever thinks 5D4 will be a 30MP DSLR better get off your unicorn asap.
Do you think it will be 36 MPix?
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whothafunk said:Whoever thinks 5D4 will be a 30MP DSLR better get off your unicorn asap.
Orangutan said:Which specific video features would increase cost?
Quackator said:Orangutan said:Which specific video features would increase cost?
4k video does, because it requires much better cooling and
consumes a lot of power. Also, it will require Cfast.
J.R. said:Quackator said:Orangutan said:Which specific video features would increase cost?
4k video does, because it requires much better cooling and
consumes a lot of power. Also, it will require Cfast.
Yes, and that's the reason I feel that the 5D4 will get 4K functional like in the Nikon D5 - with a 3/5 minute limit.
This is not true,
I doesn't cost more to add 4K. It's a firmware update and the cost is in the R&D. Fuji, Sony added 4k and soon nikon D5 will increase the recording limit to 30 minutes via a firmware update. Sony corrected its overheating issue by this process and Panasonic added logs doing this also.
This is important, Why, Because many will rant that they don't use or need video on their 5D'iv or 1dx ii but rest assure. your canon 5d will cost the same with or without the video feature, actually, Canon will probably charge more for a 5d as only a stills camera just like they charge more for removing a filter on the 5dsr. Its basic marketing logic. If they want it....make them pay for it.
PureClassA said:Look guys, I know MOST wedding pros don't do video with their DSLRs ... but I know a few who DO. Their videography services utilize DSLRs (specifically 5D2) and their work has a beautiful organic film look. There are lots of other NON-stills guys out there (students and indy film guys) who like/need/want to use DSLRs. If it costs Canon an extra $100 to add a heat pipe and tweak the Digic chip to open up several thousand more unit sales, you DO it.
If it's a matter of doing a split line, which this CR quote could seem to suggest "there will be A 5D camera that shoots 4k" then that works too. Same body same ergonomic controls, same everything as a 5D4 but called a 5Dc with a different sensor and menu system perhaps (more tailored for video).
Either way, we stills guys need to stop fist banging over video. There's a another, already well-established potential audience of customers out there for Canon who desire DSLR sized cameras for video. Canon would be foolish not to address them in some form or fashion when it would be so easy for them to do it.
The more push they have into the Cinema EOS line, the more pressure it puts to make a DSLR sized camera that can accompany them. I think we are at that point...or at least I hope we are. A $15k C300II, a $6000 C100III, and a 5DC at $3500 is a well rounded 4K line up.
H. Jones said:Let's see what the next big thing that's "going to destroy Canon" is when the next 5D brings Canon back to the lead in DSLR video and the 1DX2 shows it has great dynamic range. :![]()
Pebbles said:This is exactly it. Even if there is a 5D with 4K, it will be the same low quality compressed crap the 1DX has. Perhaps Magic Lantern will eventually give us access to RAW, perhaps not, but on release we will have crappy 4K.
RickSpringfield said:... This 5D IV could be a Windows ME / Vista esque camera ...
douglaurent said:It doesn't need a next big thing, because an old thing like a Sony A7R2 will still be ahead of a new 5D4 4K camera because of it's many features only possible on mirrorless, having 42MP and no limitations to protect the own film camera department like Canon does it.
clarksbrother said:Chaitanya said:but in order to "protect" expensive cameras, 5D video will be castrated to the point that Panasonic G7 and Sony Rx series will be better performing and more advanced than this 3000$ Canon ****.
I own a Panasonic GH4 (basically a higher end G7). Great, great camera. But there's one thing those cameras can't do. Make their sensor bigger. As good as the GH4 is (and is is good). It's light sensitivity still pales in comparison to my 8 year old 5D Mark II.
dilbert said:3kramd5 said:dilbert said:3kramd5 said:And yes, I find it very unlikely they couldn't have packaged one on the 5DS.
What are you trying to show with the picture? An empty space that could have been used or...?
An area where if they tried they likely could have packaged a headphone jack. The PWB looks rather empty and there is free space. The connectors aren't that big, particularly the surface mount variety.
I think that "empty space" is where the bit of rubber goes that attaches the rubber door to the camera![]()
Quackator said:My biggest gripe is - and has always been - the flimsy nature of all those connectors.
I'd love LEMO plugs, USB type C, BNC or whatever possible.
At least, don't solder surface mount connectors to the mainboard,
make it easy to service broken plugs. Modular connector interfaces, please!
Nakean said:clarksbrother said:Chaitanya said:but in order to "protect" expensive cameras, 5D video will be castrated to the point that Panasonic G7 and Sony Rx series will be better performing and more advanced than this 3000$ Canon ****.
I own a Panasonic GH4 (basically a higher end G7). Great, great camera. But there's one thing those cameras can't do. Make their sensor bigger. As good as the GH4 is (and is is good). It's light sensitivity still pales in comparison to my 8 year old 5D Mark II.
You can't be serious. If the gh4 pixels were as blurry as those coming from the 5dmkII or MKIII for that matter, I'm sure it wouldn't exhibit any noise either. I own all three and when I look at 5D footage it doesn't even seem in focus! Even at GH4's 1080p.
Alejandro said:Since Japanese hate the number 4, i can totally see a 5dp (5d Photo) and a 5dc (5d Cinema).