Two New Full Frame Cameras in 2014? [CR1]

klickflip said:
Depressing news for people that would like to see a high MP studio camera sooner (like myself)

It really is shocking that Canon will prob take 3 years to announce a high MP D800 equivalent, since the D800 was outed/released, or 4 years to actual release - Q1/2 2015.
Which probably means that the D800 was in Dev for 2 years before Feb 2012. Or another way to look at it is canon is 5 years behind Nikon / sony tech. And for sure they will not be sitting on their current tech gleeing for 5 years which it what it seems since the success of the 5D mkII.

What will Nikon / Sony be offering in 2015, Sony doing a mirrorless Medium format / larger sensor with Zeiss lenses at a half the cost of anything comparable? Imagine a larger A7r for $5-6K and lenses 1.5K a pop, bargain of the century which will kill the 1D xS DOA!!

Or Fuji stepping back into pro MF which they do so well - they designed and made the hasselblad HD platform and lenses and now they have some nice sensor tech too, plus they have a brilliant heritage in large Rangefinders, so a larger format x-pro like the old 67 and 69 ones in late 2015 could happen also.

What in the hell happened to the ones they were meant to be testing at the 2012 olympics??? My bet is that it was a higher MP sensor but the same IQ which they are struggling with.
And the statement from 2012 I remember from a Canon exec that said if the market wanted a higher MP camera they could deliver that tomorrow ... !

I for one will probably be getting a Sony A7r to fill the gap and if it and the zeiss lenses are any good. Will be hiring one soon to test it out, and more amazing all for a very reasonable cost you can get a decent camera with excellent sensor and a couple of decent primes.

I'm still slightly bemused by the 1D form, as weather sealing will be low on many's list - Studios?! landscape/ outdoor advertising photogs maybe but most will be used to setting up hides / gazebos to wait out the weather to get the shot.

A chunkier 5Dish or mini 1D would be nice, I never use anywhere near 1 battery's capacity on a busy shoot ( event and wedding and sports guys may eat a lot more tho)

What I do feel is it will be a way to make more profit, as Canon do know a lot of people are waiting such a camera. So charging premium will help, but they must have done the maths as a 5Dish body with a high MP sensor would be more accessable and sell more units. But say a 1D form body would make $3K profit and a 5Dish body may make $500 per unit.

It had better be one hell of a camera to justify a $7-9K price tag. We will be looking for sensor quality much beyond a D800 - more like Phase One P45 or IQ40 or HD5 50, and if they keep the flash sync to 160/200( needs to be 320+ at least) it will loose some appeal from people that use location flash units, which would be a big group of users in my eyes, that will be also eyeing up MFDB options by now.

As a general pro camera I think they got the 5D III right (a better sensor would have been nicer) Its lovely to use, quick enough for most circumstances even sports and with a decent set of L's (primes for me ) its a great combo.
So I'm not sure what upgrades they can do - maybe a 24MP sensor better IQ, wider AF coverage, little bit more FPS? Dual pixel looks very good for video.. which I hardly every use and many in this position too. Could Dual pixel AF be made to work with translucent mirror and get much more instant and accurate focus on any lens ( from copy to copy)? Now that would be interesting, and maybe useable Wifi that can cope with raw files.

I guess alot of video guys would love dual pixel AF on a 5D, so that may get released sooner than we think.

If it wasnt for my love of the L Primes i'd be outa here a long time ago!! Arghhh.

Maybe Canon realized there weren't enough people out there that needed a 40MP camera three years ago so waited it out? Even now there are very few DSLRs over 30MP. Look at the infrastructure - lenses aren't quite up to scratch yet, Canon are working on that first. Then there's memory, we are only now seeing CFast cards appearing. And then there's processing power. Three years ago most folk had about 4Gb RAM average on their MBP or whatever and were using Lightroom 3 or older. And then there's screen resolution. What are you gonna view that giant file on? 4K screen? Do you have one yet?

Maybe next year we will have all these things in place, right on schedule for a high MP body release. Nikon went and released something with high MP early without good glass. All you'll get is mush and a slow ass computer to look at your mush.

Patience young grasshopper, the real deal is coming! ;)
 
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Zv said:
Maybe Canon realized there weren't enough people out there that needed a 40MP camera three years ago so waited it out? Even now there are very few DSLRs over 30MP. Look at the infrastructure - lenses aren't quite up to scratch yet, Canon are working on that first. Then there's memory, we are only now seeing CFast cards appearing. And then there's processing power. Three years ago most folk had about 4Gb RAM average on their MBP or whatever and were using Lightroom 3 or older. And then there's screen resolution. What are you gonna view that giant file on? 4K screen? Do you have one yet?

Maybe next year we will have all these things in place, right on schedule for a high MP body release. Nikon went and released something with high MP early without good glass. All you'll get is mush and a slow ass computer to look at your mush.

Patience young grasshopper, the real deal is coming! ;)

I like your reasoning Zv! You are right in many ways, maybe entirely in the view of the average enthusiast/ event/ wedding/ social portrait photographer, and that may have been Canons take on it too..

i do completely agree that Canon are doing the right thing with updating the lenses first, this will always be the weakness. But I do think they are being slow at this too, to mask / work with the slow dev of the camera. look how fast Sigma are working at the moment.. they're on fire ( I love my 35 1.4!)

One thing too, its as much about the IQ as it is about the MP. Canon files break up soo easily when you push them a bit, I've tested D800 files side by side and its breathtaking how much you can push n pull them - as much as 16 bit MFDB files of which I have a lot of experience retouching with, no banding no shadow noise and breaking up.
Now some say if you expose correctly, yes I do for the most part but I like to give my work distinct looks and colour tonal shifts that easily begins to push a 5D III file.

I guess in an average city there are prob 500 proper pros that mainly do weddings , events, social that the 5D III is perfect for. For some reason many wedding guys use Nikon while in the Advertising & high end corporate nearly everyone in UK uses Canon(alongside Hasselblads and Phase one but everyone I speak to would love a high MP 5D III for the useability), but then again there are prob only 50 of these guys out of the 500 - and these are the main market for such a camera.
And how many (rich) photo students, colleges and enthusiasts in each city may buy one?
Say thats 100 in every decent city in the world will buy one.. and in big in cities like London, NY, LA, Tokyo, Paris etc it may be 10,000s how many would that be ..so an average of 150 per city say?

By my guestimations there are 2500 cities with decent population- Now that would be 150x2500 which would be a potential market of 375,000, and in 3years double that because computers and screens will have caught up hi-res will be the norm.
I believe they have the market waiting, but if they wait too long more options like the Sony will come along and people will crack. And if what I was saying is right that Sony & Nikon are not sleeping they are developing the next generation now whilst canon is developing the current generation at the same time.. Its always going to be a leap frog game but this could cost canon the hi-end pro market in the long run.

I think canon have done the maths and rekon that making a 5D type version, considering how perfect the 5D III is for the average pro and enthusiast. They will not sell more than 3 or 4 times the 1D version, but the 1D version can net 4times the profit easily.

Sidestepping slightly - how many Nikonians said in the past that they don't need the pixel size and now own a D800, but this may be different because of the price point , where they bought it because it was a long awaited logical affordable upgrade I see a lot of students and tourists with D800s btw, as I do with 5D IIIs

The 1DxS is long awaited, but not necessary a logical and definitely not affordable to the masses upgrade.

And the computer / monitor argument is valid, in a mirror to the Canon high MP scenario i've been waiting on the new Mac Pro for 2 years! As have many more video editors, and many have switched to PC's in the meantime and found them very cost effective compared to a Mac, but a Mac is a Mac and it runs better / nicer to use - which is similar to how I see a Canon functioning over a Nikon in ease and ergonomics.

As for monitors thats not quite relevant as much,( once we get 4K screens into the norm everything will look great tho) I retouch a lot of my images and combine different elements and passes, so work at 100- 200% zoomed in anyway. But more often thesedays I get client's wanting to use an image in multiple formats ( to get more usage from the shoot) So one image may be used on super wide thin crop , plus be cropped for a bus shelter or vertical banner display.
Yes thats why many use 50MP medium format cameras, but they are not half as nice to use with irritatingly slow AF.
Thats why i'm so keen for Canon to bring out one soon.
 
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unfocused said:
Canon's new studio camera will be the one to maximize image quality Again, let's state the obvious. If it's a studio camera it better maximize image quality, else why make it?

Hopefully by this they mean that the 5D4 will have improved DR but perhaps be 32-44MP while the 1DsX will have the same image quality only just some crazy MP like 60-80MP or something and not that only the 1DsX will have better image quality at low ISO (ignoring MP counts).

If they mean you need an $8000 brick to get more DR and if they lock down the 5D4 video and cripple it so that 5D3+ML RAW is as good or better and with more usability then I foresee used prices on 5D3 holding up VERRRRRY well and the A7R really taking off for Canon users. I could see people shooting 5D3+A7R or 7D2+A7R (if they care more about action reach than video) rather than 1DsX $8000 brick. And some maybe going to Nikon, depending.
 
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klickflip said:
Depressing news for people that would like to see a high MP studio camera sooner (like myself)

It really is shocking that Canon will prob take 3 years to announce a high MP D800 equivalent, since the D800 was outed/released, or 4 years to actual release - Q1/2 2015.
Which probably means that the D800 was in Dev for 2 years before Feb 2012. Or another way to look at it is canon is 5 years behind Nikon / sony tech. And for sure they will not be sitting on their current tech gleeing for 5 years which it what it seems since the success of the 5D mkII.

What will Nikon / Sony be offering in 2015, Sony doing a mirrorless Medium format / larger sensor with Zeiss lenses at a half the cost of anything comparable? Imagine a larger A7r for $5-6K and lenses 1.5K a pop, bargain of the century which will kill the 1D xS DOA!!

Or Fuji stepping back into pro MF which they do so well - they designed and made the hasselblad HD platform and lenses and now they have some nice sensor tech too, plus they have a brilliant heritage in large Rangefinders, so a larger format x-pro like the old 67 and 69 ones in late 2015 could happen also.

What in the hell happened to the ones they were meant to be testing at the 2012 olympics??? My bet is that it was a higher MP sensor but the same IQ which they are struggling with.
And the statement from 2012 I remember from a Canon exec that said if the market wanted a higher MP camera they could deliver that tomorrow ... !

I still remember the Canon rep bragging about how Canon were the kings and at least a decade ahead of anyone for FF sensors and that as kings they saw no need to do anything. We are kings! Kings of the hill! Why do we need to do anything? And we could always instantly respond to ANY challenge in the shocking case it need be so. We doubt Nikon will even release a FF for another 10 years at least! We are the kings!! Kings of the hill! We have no need to put out a higher performance FF body we are kings! etc. etc. etc.

oops


As a general pro camera I think they got the 5D III right (a better sensor would have been nicer) Its lovely to use, quick enough for most circumstances even sports and with a decent set of L's (primes for me ) its a great combo.
So I'm not sure what upgrades they can do - maybe a 24MP sensor better IQ, wider AF coverage, little bit more FPS? Dual pixel looks very good for video.. which I hardly every use and many in this position too.

perhaps go to 7-8fps from 5.9fps

dual pixel for video AF

WAYYYYY improve low ISO DR

native 2k RAW video

regular 4k video (need to make digic chips process video better or have marketing not force them to apply gaussian blur or who knows what else to mess up the signal)

essential video usability basics native such as zebras, magic focusing boxes, focus peaking, etc.

bump MP to 32-44MP

finally working autiosio??? seriously how does it take 10 years, what the heck is wrong with Canon marketing that they treat it like some magical thing when every other maker has put it in even the lowest end models in working fashion for ages

For it's release date the 5D3 was excellent other than lagging way behind in DR at low ISO which was a bit disappoint for sure (it actually, somehow ended up with a trace WORSE DR than even the old 5D2 at low ISO?!?!) and the video features as natively offered.

While the MP was lower than some others that also let it get astonishing RAW video quality without line skipping (well at least once ML unlocked what marketing crippled) and 5.9fps in FF mode so it was a fair trade at the time (although for the stills only people I guess it could've had more MP and the same fps if they put dual digic 5+ into it (before you scream they did put dual digic in the 7D) but at that time that might have had to hurt video quality).

The video improvements that are native to the 5D3 were weak, they left out all the key usability upgrades, such basic stuff, and mangled the amazing quality the HW was capable of. Thank god for ML! The 100% rescued it regarding video! WITH and ONLY WITH ML, the video on it is astounding.
 
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unfocused said:
Me, I'd bet on the 6D being updated first. There is a lot of headroom between the 6D and the 5D so Canon could throw a 70D/7D autofocus system into the 6D II

for me anyway that would be too good to be true

6D should have been a FF 60D from the start (without the extra sensitive centre point)
6D2 should have the 70D/7D points
They should kept the super centre point for the 1Dx & 5D3 sucessors
 
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We all have our individual wants and needs, but Canon (and all other big camera manufactures) are not into the tailor made trade. They listen to majorities. Remember which improvements the majority of 5DII users wanted? More megapixels and better low ISO performance weren’t high on that list. Better autofocus and higher fps were and that’s what we got. And even at + $500 compared to the high mp high dynamic range Nikon D800 they sell and probably outsell them.
Sales numbers, market share and profit, that’s what drives a company like Canon and there are no real indications that their current product range is hurting them in those areas so to them this is confirmation they made the right choices.

A new 5D next year? Don’t think so.
5D => 5DII 3 years;
5DII => 5DIII 3.5 years;
5DIII => 5DIV… 3 to 4 years probably.
So it will be well into 2015 and probably 2016 before we get a new 5D.
 
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100 said:
We all have our individual wants and needs, but Canon (and all other big camera manufactures) are not into the tailor made trade. They listen to majorities. Remember which improvements the majority of 5DII users wanted? More megapixels and better low ISO performance weren’t high on that list. Better autofocus and higher fps were and that’s what we got. And even at + $500 compared to the high mp high dynamic range Nikon D800 they sell and probably outsell them.
Sales numbers, market share and profit, that’s what drives a company like Canon and there are no real indications that their current product range is hurting them in those areas so to them this is confirmation they made the right choices.

A new 5D next year? Don’t think so.
5D => 5DII 3 years;
5DII => 5DIII 3.5 years;
5DIII => 5DIV… 3 to 4 years probably.
So it will be well into 2015 and probably 2016 before we get a new 5D.
+1
 
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While I agree Canon will do what it thinks will give them the best return, they can't ignore the market either. As a general trend, dominant companies in mature markets can be slow to react to a changing environment, although that doesn't rule them out from doing something different either. Looking to the past to guess the future only works if you expect them to do "more of the same". If they have something really new, anything goes.
 
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If Canon delivers the following enhancements in the 5D Mark IV, I would be a buyer at a price under $4,000:

* A significant improvement in Dynamic Range (at least 15 EV) sensor performance. This is the most important enhancement I'm looking for.

* The enhancements that the 1DX autofocus and metering system offers (Intelligent Tracking and Recognition with face detection). Hopefully with wider focus points coverage.

* A much improved buffering capacity for shooting RAW at 6-7 fps in full resolution

* In camera crop mode with 8 fps

* Dual compact flash memory card slots
 
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dgatwood said:
Chuck Alaimo said:
up the frame rate slightly, add the cf card slot, add a sync port...done....that still leaves room for improving (up the sync speed, add a few Xpoints, etc etc...)

Not sure why they would bother adding a CF slot. SD cards are comparable in maximum speed, and typically lead capacity-wise (256 GB SD cards were available for an entire year before anyone announced a comparable CF card). SD cards also take up less space in your camera bag, and have the advantage of being compatible with readers that are built into most laptops, whereas CF cards aren't.

Two slots of the same type are much more user-friendly than two different slot types, because you don't have to carry around cards of two different types. And given that SD is ahead of CF and is likely to continue pulling ahead (because CF-based devices are basically lost in the noise as a percentage of cameras sold), I'd much rather see them do dual SD cards that can be used either in alternation (which would increase your shots per second or ensure that your buffer never gets full or both) or in combination (as a backup) at the user's option.

while SD are smaller and get the job done and do support high capacity - CF is currently a lot faster and are more durable.

And the point wasn't really a statement of how cf is better than sd or vice versa --- my statement was more about the simple little things they could do on a 6d2 that wouldn't mean a ton of R&D $$ and time - things they can do without revamping the whole assembly line.
 
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Chuck Alaimo said:
while SD are smaller and get the job done and do support high capacity - CF is currently a lot faster and are more durable.

Quite the opposite. Chances are, Canon skipped CF on the 6D because it was too slow. Notwithstanding deficiencies in the camera bodies themselves, SD cards smoke CompactFlash performance-wise. And because most flash card R&D is going into the SD side of things (because that's what nearly every camera out there is using), SD's advantage is likely to continue to grow.

The fastest CF cards, at least to the best of my ability to determine, can achieve about 160 MB/s. CF cards have not gotten any faster in nearly two years (the first 160 MB/s cards came out in January of 2012). Based on that, it seems unlikely that the CF standard will advance much past 160 MB/s, so IMO, CF should be considered an evolutionary dead end.

By contrast, the fastest SD cards currently available provide a whopping 240 MB/s write, 260 MB/s read. At that speed, if your camera can't handle continuous shooting at ten or twelve frames per second in RAW mode, the bottleneck is not the flash card. In fact, we're probably no more than one or two SD card generations away from the cards themselves being fast enough to handle full-motion full-sensor RAW video (assuming someone were crazy enough to attempt it).

Now if you're willing to change to a completely incompatible card format like CFast, you can get something with approximately the same physical form factor as CompactFlash that can outperform SD, but you won't be able to use your existing cards, and CFast cards cost a small fortune because there's not a ready supply of slower, cheaper cards to compete with them and pull prices down. And their performance benefit over SD is likely temporary unless that standard sees widespread adoption. I honestly don't expect CFast to catch on except perhaps in 4K cinema cameras, and probably not even then, given that A. SD is only about 20 MB/s shy of being able to handle uncompressed 4K RAW video at 24p and will probably cross that threshold within a single-digit number of months, and B. nobody in their right mind would write RAW video to flash when you only get about 15 minutes per 256 GB flash card. But I digress.
 
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dgatwood said:
Chuck Alaimo said:
while SD are smaller and get the job done and do support high capacity - CF is currently a lot faster and are more durable.

Quite the opposite. Chances are, Canon skipped CF on the 6D because it was too slow. Notwithstanding deficiencies in the camera bodies themselves, SD cards smoke CompactFlash performance-wise. And because most flash card R&D is going into the SD side of things (because that's what nearly every camera out there is using), SD's advantage is likely to continue to grow.

The fastest CF cards, at least to the best of my ability to determine, can achieve about 160 MB/s. CF cards have not gotten any faster in nearly two years (the first 160 MB/s cards came out in January of 2012). Based on that, it seems unlikely that the CF standard will advance much past 160 MB/s, so IMO, CF should be considered an evolutionary dead end.

By contrast, the fastest SD cards currently available provide a whopping 240 MB/s write, 260 MB/s read. At that speed, if your camera can't handle continuous shooting at ten or twelve frames per second in RAW mode, the bottleneck is not the flash card. In fact, we're probably no more than one or two SD card generations away from the cards themselves being fast enough to handle full-motion full-sensor RAW video (assuming someone were crazy enough to attempt it).

Now if you're willing to change to a completely incompatible card format like CFast, you can get something with approximately the same physical form factor as CompactFlash that can outperform SD, but you won't be able to use your existing cards, and CFast cards cost a small fortune because there's not a ready supply of slower, cheaper cards to compete with them and pull prices down. And their performance benefit over SD is likely temporary unless that standard sees widespread adoption. I honestly don't expect CFast to catch on except perhaps in 4K cinema cameras, and probably not even then, given that A. SD is only about 20 MB/s shy of being able to handle uncompressed 4K RAW video at 24p and will probably cross that threshold within a single-digit number of months, and B. nobody in their right mind would write RAW video to flash when you only get about 15 minutes per 256 GB flash card. But I digress.

So you never heard of CFast 2.0 ...
http://www.sandisk.com/about-sandisk/press-room/press-releases/2013/sandisk-launches-world%E2%80%99s-first-cfast-20-memory-card/

Canon is also a supporter of the CFast 2.0 standard. Masaya Maeda, managing director and chief executive of image communication product operations at Canon said, "With extremely fast performance, CFast 2.0 memory cards will enable us to develop next-generation cameras with more powerful features, enabling future 4K Ultra HD video recording capability."
 
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LetTheRightLensIn said:
unfocused said:
Canon's new studio camera will be the one to maximize image quality Again, let's state the obvious. If it's a studio camera it better maximize image quality, else why make it?

Hopefully by this they mean that the 5D4 will have improved DR but perhaps be 32-44MP while the 1DsX will have the same image quality only just some crazy MP like 60-80MP or something and not that only the 1DsX will have better image quality at low ISO (ignoring MP counts).

If they mean you need an $8000 brick to get more DR and if they lock down the 5D4 video and cripple it so that 5D3+ML RAW is as good or better and with more usability then I foresee used prices on 5D3 holding up VERRRRRY well and the A7R really taking off for Canon users. I could see people shooting 5D3+A7R or 7D2+A7R (if they care more about action reach than video) rather than 1DsX $8000 brick. And some maybe going to Nikon, depending.

If Canon doesn't end up releasing a highMP part in the $3000-$3500 range, then I very well might pick up an A7r plus an EF adapter so I can mount my current lenses on it. I guess I don't really foresee Canon stuffing their only modern-day high MP part in the most expensive cost bracket with growing competition in the high MP market from multiple competitors...but then again...it's Canon. They've never really competed directly with anyone, they always do their own thing in their own way.
 
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100 said:
We all have our individual wants and needs, but Canon (and all other big camera manufactures) are not into the tailor made trade. They listen to majorities. Remember which improvements the majority of 5DII users wanted? More megapixels and better low ISO performance weren’t high on that list. Better autofocus and higher fps were and that’s what we got. And even at + $500 compared to the high mp high dynamic range Nikon D800 they sell and probably outsell them.
Sales numbers, market share and profit, that’s what drives a company like Canon and there are no real indications that their current product range is hurting them in those areas so to them this is confirmation they made the right choices.

A new 5D next year? Don’t think so.
5D => 5DII 3 years;
5DII => 5DIII 3.5 years;
5DIII => 5DIV… 3 to 4 years probably.
So it will be well into 2015 and probably 2016 before we get a new 5D.

Agreed. I suspect we'll have a 5D IV announced late 2014, and delivered summer timeframe in 2015. Seems way too early to be getting the 5D III replacement.
 
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jrista said:
100 said:
We all have our individual wants and needs, but Canon (and all other big camera manufactures) are not into the tailor made trade. They listen to majorities. Remember which improvements the majority of 5DII users wanted? More megapixels and better low ISO performance weren’t high on that list. Better autofocus and higher fps were and that’s what we got. And even at + $500 compared to the high mp high dynamic range Nikon D800 they sell and probably outsell them.
Sales numbers, market share and profit, that’s what drives a company like Canon and there are no real indications that their current product range is hurting them in those areas so to them this is confirmation they made the right choices.

A new 5D next year? Don’t think so.
5D => 5DII 3 years;
5DII => 5DIII 3.5 years;
5DIII => 5DIV… 3 to 4 years probably.
So it will be well into 2015 and probably 2016 before we get a new 5D.

Agreed. I suspect we'll have a 5D IV announced late 2014, and delivered summer timeframe in 2015. Seems way too early to be getting the 5D III replacement.

I like Canon to take their time. As it has a positive effect on their next product tech wise. I won't be in the game for a 5DIV. The 5D3 still remains more camera than I ever can handle properly 8) So as improved high ISOs beyond 25k are my main interest, I will be glad to see the 5DIV's specs which will kinda forecast what the 5DV will be based on. 1/2 a stop to a full stop better high ISO by 2018 would be a tremendous leap for the 5DV. Till then I am well equipped. Still working on my first 10k frames with the 5D3.
 
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All this 5D4 talk has got me thinking about what it would take to make me plunk down more cash and it's not really the sensor.

1. Built in RT transmitter.
2. Linked AF metering to point
3. a blinky AF point.
4. Improved sync speed to 1/250th or higher if possible.
5. Wifi - GPS
6. 7 fps
7. Dual CF
8. Lastly is a modest bump in the sensor IQ.
 
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