Antono Refa said:Can't pick any single one of them, but Canon needs to upgrade the low end 50mm, 85mm, and 100mm primes same as the 24mm, 28mm, and 35mm primes.
The 70-200mm f/2.8 IS II does such a good job for me, I sold the 85mm f/1.8. The zoom's IQ & IS make me pass on the extra stop, weight, and switching lenses.
I keep the 50mm f/1.4 because it has a two stops advantage on the EF 24-70mm f/2.8 and three on the EF 24-70/105mm f/4 IS.
Actually, the Sigma 50mm f1.4 DG HSM ART is cheap enough, that I'm considering not waiting for Canon to make the upgrade, or buy the Sigma.
The 'low' 50 was just revised to the 50mm f/1.8 STM, lest we forget. It's the 'middle' one -- the EF 50 f/1.4 USM -- that is in desperate need of a corporate makeover.
But going all retrofocus and chasing Art / Otus resolution makes the lens huge / heavy / expensive, and that's best left for the next 50L. I think Canon can make a 50mm in something like the 35mm f/2 IS USM footprint (hat's the 35mm f/2 IS body I've PS'd below) and keep it small, and I would strongly prefer that over a pickle jar form factor.
- A
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