Show your Bird Portraits
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Great shots, ISv. I especially like the first one.
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When you say "Sony limits the AF speed", is that a diabolical move on Sony's part or is the Sony system simply incapable of providing enough current to run the AF at full speed? I suspect that more often than not, the issues we discuss as if they were marketing decisions are actually engineering limitations. Much the same as the Canon "cripple hammer". A budget was set for a product, and engineering may well have done the best they could with that budget. We may not like the choice of tradeoffs, but the decisions may well have been as much or more engineering decisions as they were marketing decisions.I like many would buy the Sigma 300-600 f4 and personally, the Sigma 135 f1.4 Art (I have the EF 135, RF 135 and Sigma EF 135 Art) and would pair it with my Sigma EF 105.
I wouldn't pay Canon's price for the RF 100-300 f2.8 before the tariff increase, as I have the Sigma EF 120-300 2.8 and I won't pay for the Canon RF 300-600 f???, as is would be a want and not a need. I have 2 of the EF 200-400 f4 1.4x, the EF 300 f2.8 and the EF 400 f4 DO and I refuse to pay over $11,000 for a lens, but at $6599 for the Sigma, I would buy that, provided it integrates well. Sony limits the AF speed on it, so I won't buy the Sony version. In fact, I was seriously considering the Lumix S1 II, or maybe the S1R II given the alliance and the fact that it is optimized for the Lumix.
I will hold off for now, to see if they release it for the RF mount, if it doesn't happen, then I will buy a Lumix down the line and begrudge Canon for it.
Oh, and I know a retired Canon USA exec, I never asked for any scoops, I didn't think it was appropriate, but was told, "Pay attention to Canon Rumors." So you might have more pull than you know



Nice photos/story with happy endingA Little Grebe was trying to swallow a fish that was too large. It bit off its head, a gull swooped to steal the fish, and the Grebe dived faster than a U-boat (R5ii + RF 200-800mm).
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Do not challenge the terns...When I visited the Isle of May with a small group of photographers, a tern shat on the front of the lens and the inside of the lenshood of one of the groups members. He had a hard time cleaning the lens and the black velvet of the lenshood. It was a Nikon, the terns did not dare shizzle on a Canon.
My Sigma 17-40 also shows "not available" for distortion correction, however if you compare the RAW with an OOC JPEG you'll see massive distortion at 17mm being straightened, so this seems to be more of an “always on" situation, as with the RF-S 18-45.My Sigma RF-S 10-18 f2.8 and 18-50 f2.8, when mounted on my R7, show "Not available with the attached lens" for distortion correction, and "Cannot correct - no data" for Digital Lens Optimizer, in the Lens aberration correction menu. This doesn't bother me much, as I shoot raw and process in Lightroom, which does apply the corrections.

True, but the relevant conversation with the Canon exec was reported well before April 1, so the article is legit.Has no one noticed what day it is? lol
I think that answers my question. Unless the lens is relatively distortion free, that missing bit, while not much of an issue for a RAW still shooter, is a big deal for video. Simply due to lens size implications, this would be a bigger issue for FF lenses than for APS-c. A number of Sigma's EF lenses were quite good, and relatively distortion free, they were also big and heavy. Given that Canon is taking full advantage of electronic correction, that gives them both a size and cost advantage over a third party that is obliged to do all correction optically due to lack of access to the electronic correction capabilities of the camera. As an aside, I have a fair number of 3rd party EF lenses that will not work correctly on either RF or EOS-M mount cameras and all my Canon EF lenses work normally on both mounts, so even the EF protocol had some undiscovered features that the 3rd parties didn't catch and now have no interest in fixing. DPAF definitely messed with the AF algorithms that both Sigma and Tamron were using. FD lenses work fine on RFMy Sigma RF-S 10-18 f2.8 and 18-50 f2.8, when mounted on my R7, show "Not available with the attached lens" for distortion correction, and "Cannot correct - no data" for Digital Lens Optimizer, in the Lens aberration correction menu. This doesn't bother me much, as I shoot raw and process in Lightroom, which does apply the corrections.
My Sigma RF-S 10-18 f2.8 and 18-50 f2.8, when mounted on my R7, show "Not available with the attached lens" for distortion correction, and "Cannot correct - no data" for Digital Lens Optimizer, in the Lens aberration correction menu. This doesn't bother me much, as I shoot raw and process in Lightroom, which does apply the corrections.So a question. The RF mount clearly provides for extensive geometric correction (and I believe even includes correction for focus shift) in-camera and the data to support that correction clearly resides in the lens, since I don't have to upgrade my camera firmware every time Canon comes out with a new lens. The question is, do the Sigma and Tamron APS-c lenses supply that correction info the camera or just depend on being good enough optically to not perceivably need in-camera correction.? Lack of that tech would be a much bigger deal for FF than for APS-c. It is pretty clear that Even Canon has not yet exercised all the features of RF mount, so until there is a very large body of Canon bodies and lenses to evaluate, it would be very risky for 3rd parties to release lenses that could be rendered obsolete with the next camera release.
Sorry, I have the completely opposite opinion."Ported" and being able to actually make enough are different things. A lens like the 135 f/1.4 would be a very difficult lens to make within tight tolerances. Sigma made nothing worth owning for most of the EF days. When they did start making things that were sort of nice there were already 100+ million EF lenses. Having worked directly with Gentec, I know how few lenses they sold in the grand scheme in at least one market (maybe 2). It was peanuts.
Demand increasing 30% is great, now you have to scale everything else 30%. There's a point in lots of businesses where the next step costs exponentially more than the previous one.
Take a company like Leica (yes, they do it different). They make 40 cameras a day. Major products usually take about a year to meet the demand. How much would it cost them to increase production to 60 a day? A boatload. Sigma is closer to Leica than they are to Canon. Leica's revenue is actually higher than Sigma's.
Yes, that was subsequently corrected with AFMA.nice frog in the green, but it looks like sharpness isn't exactly on the frog's eye, so the camera's AF struggled a bit![]()
I don’t think so. When the RF mount first came out, there were no third-party lenses for it. That is a recent development, and only for crop lenses.If I remember correctly, when Canon first came out with the RF mount, these was something strange with the image on third party lens. Unexpectedly strong vignetting and purple hue. I believe it has something to do with canon sensor technology and mirrorless cameras having much shorter distance between rear element and sensor. So light rays hit the sensor at much sharper angle, compared to dslr. Sony didn’t have that issue. It is possible canon mount requires different lens design in certain focal lengths for adequate performance. This is not worth it for a third party lens manufacturer to do. Maybe crop doesn’t have the same issue.
nice frog in the green, but it looks like sharpness isn't exactly on the frog's eye, so the camera's AF struggled a bitI had one for a while. Bought it used and sold it a couple of years later for the same price that I had paid, essentially a free long-term rental.
I liked that it was the same size as my EF 24-105/4L IS. I was not a fan of the very busy bokeh, evident in the foreground here.
“Ribbit”
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EOS 7D, EF 70-300mm f/4.5-5.6 DO IS USM @ 300mm, 1/500, f/6.3, ISO 640
According to CIPA, the RF version has a tad better IS, but in real life it shouldn't make any noticeable difference. I have the EF 600mm f/4.0 III, and I love this lens, its IS is quite impressive. Btw the mk II lens, which still was based on the conventional tele lens design with many big lens elements on the lens' front, is said to be a bit sharper. But it is heavier and on top more front heavy than the mk III lens, so shooting it hand-held is harder.The RF 600 f/4 would be the ideal lens for bird photography but it's super expensive and out of my price range (it's USD$14k here in Australia). I appreciate the EF 600 f/4 mkIII is essentially the same lense with built in adaptor but don't see any of the mkIII here in Oz, only mkII.
I have an RF 200-800, too, for occasions when I want a lighter lens and the flexibility of such a zoom. It is a real fun lens and sharper @ 800mm than I expected, but of course my 600mm prime is much sharper, even with 1.4x TC my EF 600mm f/4.0 III delivers noticeably sharper images @ 840mm. That said, in real life photography, what is more important than lab tests, the 200-800 performs very well, much better than its specs promise. There is only one drawback: from comments I learned that obviously lenses with different quality are out in the wild - I was lucky to get a really good copy that is quite sharp @ 800mm.I don't see any issue with fogging but I live in Perth Australia and we very seldom have humidity here, unlike up North or over East. I've got an R1 so dim light doesn't affect me the same way with your R6
The RF 200-800mm is a fantastic lens for the price and I'd highly recommend it, as long as you appreciate it won't have the same pin sharpness or butter smooth Bokeh of the big white primes but you wouldn't expect that from a USD$2k lens. It's so easy to hand carry all day, and being able to go from 200mm to 800mm in a couple of turns is super useful.
One advantage of zooms is when you shoot birds in flight, you can catch it using a shorter focal length and then zoom to longer focal lenghts. With a about 800mm prime it is a real challenge to find the bird in the viewfinder.Primes are fantastic for what they do, but the zooms are so versatile in giving more options within the one lens. It's getting to the stage that the new zooms are only just a fraction less in image quality and if not a professional and making money from your shots then are the way to go, in my opinion.