Opinion: Love it or Hate it, Digital Correction is here to Stay
- Canon Lenses
- 213 Replies
As you say, it's a question of whether you'd prefer to live with the distortion or with the loss of sharpness. But it's important to realize that the issue is not new. As I pointed out earlier in this thread (with humorous intent), lenses that were 'optically corrected' for DSLR/film are still not perfect. Compared to the Canon RF 14-35/4L that was the subject of this thread, the Canon EF 11-24/4L has nearly as much barrel distortion and the Sigma 12-24/4 Art has essentially the same amount of barrel distortion. The difference is that with the RF lens, if you want the output to be the full MP of your sensor then you are required to correct the distortion.Example:
If I have a 45MP sensor, and the captured image is stretched to to save a 45MP image without barrel distortion, then the camera interpolated, through 2d convolution algorithms that are commonplace in graphical signal processing, the extra detail to enlarge the image. Is that a problem.. everyone will have to decide that on their own. Im not a fan, because inherently that math softens the image from what the sensor recorded.
Either way, the effects of both the distortion and the algorithm to correct it are most apparent in the extreme corners of the image. Personally, when I compose a shot that's typically not where I put important subjects.
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