The Canon EOS R7 Mark II likely isn’t coming in 2026

The longer it takes to release an R7 ii the longer I do not have to think about upgrading or not. Peace of mind is guaranteed for a while ;-)
It is good the way that works for you. There are quite a few people here on the forum who suffer from GAS (Gear Acquisition Syndrome) . They won't be able to keep that up. :p
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What We Want to See in the Retro Canon EOS R8 Mark II

Do we know if the R8 mkII will only be available in a retro-design, or will it come with the "regular" design aswell?

As I see it - Canon will have minimal "upgrade-space" without making the price jump up to R6 mkII.
But it would'nt make sense that the only difference between the R8 and the R8 mkII is the retro design.

The only things that make me consider the R6 mkII over the original R8 are:
- Battery-life
- Recording time in 4k30/60 without overheating
- Mechanical shutter (for use with studioblitz)
. IBIS

As I said - I know most of it cannot be implemented before the price equals the R6 mkII, but I hope at least the first two can be implemented with a slightlig bigger camerabody for more batteryspace and coolingvents.. Maybe change the cardslot to CFexpress Type B instead of making a 2-slot solution. Fullsize HDMI-output.
I don't see Canon replacing the LP-E17 battery anytime soon.
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Canon Shows off RF 500mm F5.6 L IS in Latest Patent

If you want a RF 100-300 f4 lens I would seriously consider the 70-200 mm f2.8 with a 1.4x TC. The 1.4x TC would only minimally degrade the image quality and you also have a 70-200 mm f2.8 L lens which is very good as well.
Yes if you want 300mm or so as a maximum but not if you want to go to to 420mm or 600mm with TCs.
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The Canon EOS R7 Mark II likely isn’t coming in 2026

Well, the rumored upgrades were hardly minor. Regardless, it doesn't explain a year plus of rumored specs from "accurate" sources. Canon didn't leak the false specs. That said, I have my doubts Canon will ever make a mirrorless APS body suitable for birding. Too much cost, too few buyers. We wanted to believe the fantasy.
Shure but that is the reason I mentioned video and photo - APS-C photo has its uses in sports IMO and as a format similar to Super35 it is a great format for "classical" movie productions. A very fast sensor (w/ or w/o global shutter) is a real differentiator.
Maybe Canon is trying to choose from two releas concepts:
→ R7 ii with lots of video specs
→ R7 ii PLUS R7 V for both directions with specialized bodies using a broad set of identical parts but different body/software/hw controls for both scenarios.
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What We Want to See in the Retro Canon EOS R8 Mark II

I would like to see an f-stop ring around the mount maybe with a curved OLED display showing the f-stop-numbers of the mounted lens!
But more important: An image stabilized f/1.4 50mm, the size of the FD S.S.C. version and some polished quality at f/1.4 using some special dispersion / aspheric lens element(s) but keeping the character of this classic thing. Maybe omit the IS.
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What We Want to See in the Retro Canon EOS R8 Mark II

On the topic of retro-looking lenses, the 50/1.8 is about as retro an optics design as it gets. What's more retro than the good old 50/1.8 Gaussian optics design?

Although I wouldn't feel bad if it had an actual working aperture ring and distance scale with depth-of-field guide marks on it like lenses of that era. Something like the FD 50 f/2, FD 85/1.8, or FD 28 f/2. Something that fit the time frame in both looks and function. Of course, it would still be an AF lens, but with manual focus and all that it entails. Same with the aperture.
KU7P2667.JPG
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What We Want to See in the Retro Canon EOS R8 Mark II

in any case, canon isn’t producing the r6 ii anymore.
I very much doubt that. Canon officially only lists the EOS R and R6 as discontinued. Even the RP is still in stock in their shop. The R6II still sells pretty well, it's always gone in 1-2 days on Canon's refurb sales.

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Canon Shows off RF 500mm F5.6 L IS in Latest Patent

This would have to be considerably smaller with higher IQ than a 200-600 f/6.3 to make sense. Still would prefer a zoom at this range for wildlife. Currently shooting with the 200-800 and the reach is great.

What I'd really want to see is a 100-300 f/4L that would shave off most of the 2.8's weight and price.
If you want a RF 100-300 f4 lens I would seriously consider the 70-200 mm f2.8 with a 1.4x TC. The 1.4x TC would only minimally degrade the image quality and you also have a 70-200 mm f2.8 L lens which is very good as well.
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What We Want to See in the Retro Canon EOS R8 Mark II

You're on a rumor site, it's all about distraction, dreams, and wasting a bit of time...
A ‘retro’ camera is not for me, as I already have a real one. I’ll leave it to the influencers and trend-setters.

After a little brainstorming, I came up with a list of whimsical features for your entertainment. Some of you who have never owned a SLR might not ‘get’ all of these, but hopefully at least one makes you smile.

  • Retro lens caps for retro lenses – anything goes!
  • Sharp, angular lines required to entice Canon-curious Sony fanboys
  • ASA/DIN numbers instead of ISO for ‘film’ speed settings
  • EVF ‘ground glass’ simulation mode
  • Manual Focus confirmation ‘split image’ and ‘microprism’ simulation modes
  • Memory card eject button shaped like a film rewind button
  • After memory card formatted in-camera, 2-3 ‘dead’ frames required before images taken
  • Next exposure not possible until ‘film advance’ lever cranked
  • Manual exposure ‘needle’ for light level and index coupled to lens aperture setting for ‘match needle’ manual exposure
  • Besides flash X-sync, a flash bulb sync setting (different than ‘B” bulb shutter speed)
  • Monochrome Picture Styles – Sepia, Selenium and ‘Ansel Adams’
  • ‘Spinning gear” sound for long exposure times and self-timer
  • Haptic feedback for ‘mirror slap’
  • Image review mode display would show two spools – supply and take up. The images between them would have film sprocket holes. The image number would be in the sprocket hole borders. In film simulation mode, the name of the film stock would appear here also. Advancing forward and backward would move the spools and images correspondingly.
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