brad-man said:

PS: Feel free to replace focusing with zooming in my response. You know who you are...

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Feel free to edit your original post...

I use a Directaction large messenger and sometimes add more pockets to the pals/molle ladders on the outside as needed for extra bits, speedlights and lenses. It is compact enough and the little built in pockets fit my filters and batteries etc but I especially like the internal velcro real estate that can be used to set up dividers or stick wallets and small admin pounches and panels or pockets that have hook/loop backs to the inside of the bag to keep them accessible without them being loose. There are other brands with similar designs and features in bigger/smaller sizes to it. Plus the padded small folder pocket fits my tablet I use with dslr controller thus the layout of that brand works best for me but other bags with similar style but diggerent base config may suit you better.

Viggo said:

Sony focuses stopped down

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So for the Sony that's a bug, not a feature

Quirkz said:

Just to clarify, these shots are with the rf50 that you sold in favor of the 28-70?

Great images, as always.

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The ones labeled as from the RF 50, yes.

Frodo said:

Do you have the camera set to AF tracking? I don't have the two lenses you mention. Last night I shot an event, mainly EF 85/1.8 and EF200/2.8, mostly using eye tracking. Brlliant!. Focus on eye, recompose, expose. Really quick and accuate for relatively static subjects. Previous time out shooting running event. Tracking seems to slow AF aquisition, and so got lot of OOF images. Turn tracking off, but keep servo AF - much better.

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I use release priority if that’s what you mean, getting 5 instead of 3 fps. More chance of oof images, but frankly it doesn’t miss for anything but the fastest action.

Guess the only way to find out is try out the R5 for the things the R misses on.

Thank you *so* much for everything you have done, ... but for me what has mattered most is your lens teardowns - and in particular for the Canon RF 70-200mm f/2.8. I had been leaning to get into mirrorless FF with Canon because of the great lenses they make and their better ergonomics than other brands. You showed just how well made Canon can make something, and now it is the only company I am waiting for to jump into FF mirrorless with as soon as they come out with a great body (and the R5 looks like it is the one for me).

Thank you!

jdavidse said:

If they were RF to EF adapter/teleconverters, then they would not be two different lengths. The RF to EF adapter is simply a spacer- 20mm to be exact that moves the lens exactly that much further from the sensor. The 2x extender looks to be about twice the thickness of the 1.4x. So, no, there is no way these double as EF adapters.

What I find most interesting is why are they releasing these now, if they are compatible with just one lens? A 1000mm f14 lens is not quite useful if you buy the 2x. The 1.4 gives you something much more usable. Sure, they will sell more of these down the road, when there are more suitable lenses released. But why now? Unless there is another RF big white being announced this year.

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My 1.4x and 2x are different lengths. The adapter length doesn't have to be clear space - otherwise it would be a mechanical version of an adapter + EF-EF TC welded together. An RF-EF TCs could have the optics using the same space as what an adapter spacer would take up. Makes perfect sense for using EF big whites.
I agree with the timing issue. I would be surprised if an RF-RF 1.4x TC could not be used on the 100-500mm lens but 2x is a different story. Releasing a 400mm DO makes perfect sense with RF-RF TCs.

jjesp said:

And what is the price for a new R with the 35mm?

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At the time of announcement, I could have the the R for around $2300 AUD and the 35mm for $399 so pretty good.

I have made some comments to the review here:

Del Paso said:

In terms of "what do I get for the money", the choice would be easy...the difference in IQ is, in my opinion, rather neglectible.
And: one fits all!

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As stated in the post before this, I have found the difference to be quite significant.

StoicalEtcher said:

This must be why so many others are stuck on back order and can't get one!

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Ours are still trickling in! We only have a few in our actual hands but the rest will come in by April/May two or three at a time!

We've technically actually bought MORE cameras from Sony than Canon BUT those were broadcast television/cinema-oriented gear!

Sometimes it's NICE to have some sales clout! Our lenses TEND to be Sigma, Arri/Zeiss (Master Primes and FF series, etc), Leica (Summilux-C) and Schneider-Kreuznach (Xenar-3) and the "weirder" lenses such as tilt-shift or Super-telephoto primes (600mm L-series) from Canon. Anything else we can build in-house (i.e. 4000mm or 8000mm Prime Scopes for Space applications)
.

BillB said:

The 16-35 f4 is one reason that a new 20mm f2.8 is unlikely in my opinion. I have a 28mm f2.8 IS, It is a good lens, but I haven't used it much at all since since I got the 16-35 f4. If the 16-35 had been on the market, I wouldn't have bought the 28.

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I use mine (28 IS) whenever I need a small lens with a real good IQ (streets, pubs, etc.).
It's also good for discreet photography on the EOS R, used with the back-screen tilted in horizontal position.
But otherwise, 16-35/f.4 !!!

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Continue reading...

jeffa4444 said:

Irrelevant to who? Yours is one opinion and no one person is an expert.

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Irrelevant to those talking about capture devices, that's who. Sometimes one person can be an expert. Otherwise there would be no need for the existence of the word.

Codebunny said:

It looks small and compact to me, something I can shove in a backpack with a smaller body like the R5 when I don't know if I am taking pictures today. I also expect it to be the 100-400 II killer, they gave this thing a development announcement and a lot of fan fair, I think they expect it to be important. They are also showing it off next to the 100-400 and don't appear to be giving this treatment to any of the other RF lenses.

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Time will tell I guess and I suppose it all comes down to what focal length the apature climbs over f5.6. if it can maintain 5.6 up to 400 then no probs. it is basically the 100-400 with a bit extra as the cream on top. But if it does not maintain f5.6 at 400mm then it will be a let down in my honest opinion. Or...…….If it is a significant drop in size(or more importantly, weight) then it will be awesome. Grams are critical when I travel

Canon Rumors Guy said:

Continue reading...

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I'll jump on any manufacturer's ship that produces a full frame high megapixel DSLR. Screw Canon's mirrorless.

LDS said:

Elinchom announced its new midrange monolights, ELC 125 and 500:

ELC 125 / ELC 500 - PR

Master your next adventure with the new generation of Elinchrom studio flash units.

www.elinchrom.com

Nothing breathtaking - adding TTL, anyway. I wonder if they will add a "250" model later or not.

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With both models adjustable down to 7Ws and the higher-powered model recharging faster, I don't see any reason for a 250Ws model in between.

David_E said:

In the mid 60’s I was driving a ‘64 MGB. When my boss got a ‘65 Pontiac GTO, I was naturally anxious to try it, and I had occasion to drive it often in the wide-open spaces of West Texas. It offered excellent straight-line performance and little else. Compared to my little MG it had poor brakes, poor handling, and poor build quality. And that’s why I stuck to European, and later, Japanese, cars and never looked back. GM were still building 1950’s cars into the early 21st century and look where that got them.

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You had 2 sides to the musclecars back in the 60's & 70"s. You had the consumer cars that were obviously geared towards quick acceleration/straight line speed. Then you had these same cars that were properly set up for SCCA and Trans Am racing, on such racetracks such as Watkins Glen, Road America, and some other great race venues. This is where the AAR 'Cuda, Camaro's and Mustangs were proven to be more than just straight line cars. And, btw, if your bass was on the cheap side, he may have ordered his GTO with 4 drum brakes, which back then was pretty normal. Obviously, the braking would suffer. Front disc brakes was an extra cost option.

The MGB was an "okay" car, but that's about it. With a total of 95 hp, it wasn't much to get excited about. Anytime you lower the stance of a car, it's give you the impression that it goes faster than it actually does. That's one of the reason's the regular run of the mill Mazda Miata was such a big seller.

I would agree with you that European cars are much better put together with respect to fit and finish, and so are the Japanese cars. The American cars of the 60's and 70's were on a completely different plane when it came to "bang for the buck" for the everyday normal person. That's why they sell for the price they do now (Barrett-Jackson Auction).

gouldopfl said:

Even from friends I know that shoot Sony, no one beats Canon colors. I am also waiting for the EOS R5. The latest rumor is CFexpress and UHC II slot. I wish they had upgraded both slots, even XQD which would be faster.

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I feel Canon may be slowly losing that edge in the color realm as well. I’m increasingly underwhelmed by the color rendition of the newer cameras (RP, 5D4 to lesser extent). My old 5D3 probably had the best OOC colors, followed by the 5DSR (which is similar, but sometimes trends green which I feel is a step back). Out of what I currently have, the 5DSR runs circles around all other bodies. The 5D4 has a very muted color output, the RP even more so. The 5DSR OTOH has very a rich output, with strong reds in particular - which I find pleasing for portraiture.

Don't get lost in a circle of confusion and be like the ships and planes lost in the exposure triangle.

Hi Ronald.
The 7DIIs (along with many other Canon cameras) come with unique image prefix letters, no more IMG.1234 I can tell images from my 7DII easily from the ABCD1234 where my 1DsIII has WXYZ1234.
Benny’s suggestion might be the best for you, RBOA and RBOB.

Cheers, Graham.

Danpbphoto said:

I am ready now!!! Tell me how to pre-order!!! :>) 80mp!!!! YES!!!!!

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A few too many mega pickles though. 40-45 is the number But exciting nevertheless

Mt Spokane Photography said:

Try T-F Camera Repair in New Jersey. Used to be a Canon Tech, and they say that Canon still sends tough repairs his way.

https://www.facebook.com/pages/T-F-Camera-Repair/122693011122264

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Thank you.

Michael Clark said:

What increased danger would there be in terms of increasing the global reach of the virus if it has already spread to every country before the start of the Olympics?

I think you've got it exactly backwards.

Those attending the Olympics would increase their individual risk because they'll be coming into contact with many more people than they otherwise would. So would anyone attending a college football game in the U.S. or a professional soccer match in Europe.

But if the virus has already spread to every country, then there would be no increased danger of spreading it to areas that hadn't already been affected. That's because there would be no such areas left.

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It's very simple. Even if it has spread to ever continent but Antarctica, and many individual countries around the world, the strategy of each of those countries is, and will still be containment i.e. containing the virus to certain areas or regions of that country in the events of an outbreak, or to the limited amount of people infected. Bringing lots of people together, then putting them together with people from other countries at the Olympics, would be the surest way of undermining that strategy.

Only today it was reported that there were 2 cases of reverse infection, where 2 Chinese nationals returning from Iran had apparently been infected with COVID-19 in Iran.

Anyway, this is all moot. Many European countries are already starting to ban larger gatherings of people, cancel sporting events etc. So it is very unlikely they will be allowing their people from all over their country to attend a potentially huge cross-contamination event in another country.

Don Haines said:

I can see it both ways.... If it were me designing it, I would put in a bigger buffer and a pair of UHS-II slots, and go for a faster/longer burst rate. I would expect a small increment in sensor performance and perhaps 4 to 6 more megapixels, and most definitely the articulated touchscreen of the 6D2, but other than that, not really a lot of change...
<EDIT>
Bluetooth headsets! Come on Canon... you put Bluetooth into cameras and don't give it the ability to connect to a trucker Bluetooth headset? Why would you not include that? WHY?
</EDIT>

If it did go mirrorless, we would be looking at enhanced info in the viewfinder (undoubtedly user configurable), the possibility of burst rates of 60, even 120FPS (at reduced resolution), and the end of having to AFMA lenses.... I'd buy that one!

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In order to avoid any unpleasant situation, we will recommend you to have the Bluetooth headsets that are not only easier to use