Are new dream lenses coming for the RF mount? [CR1]

Close to the 100-300/2.8 in size and cost, not sure that’s a given. I suspect we’ll see a 70-150/2, which will be close to the 70-200/2.8 in size and cost.

Close to the 70-200 2.8 Z ?

If I see how big the size difference is between a 70-180 2.8 and a 70-200 2.8 (Nikon Z ) , they might even try 70-180.
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Stock Notice: Canon RF 24 f/1.4L VCM and RF 50 f/1.4L VCM

So Ive had the RF 50mm f1.4L VCM since late December 2024. Ive mainly shot portraits with it and compared it to the f1.8 and the f1.2L lenses.
The 50mm f1.4L VCM shoot more like a 48mm lens whereas the f1.2L lens is more like 52mm. The bokeh is definitely better in its transition on the f1.2L but that's not to say the f1.4L is bad it's not it too has great bokeh. The sharpness across the field is better in the f1.4L lenses but the f1.2L if enlarged to 200% is marginally sharper in the centre. The f1.4L focuses quicker, is silent, has virtually no focus breathing but like its f1.2L brother flares when the subject is backlit like in golden hour. Interestingly the f1.8 lens has the least flare when backlit and for the price is a steal.

a. RF 50mm f1.8 - The budget lens that punches above its weight for the price

b. RF 50mm f1.4L - The best hybrid choice and still a great bokeh lens for stills. The best all-rounder with no focus breathing

c. RF 50mm f1.2L - The ultimate bokeh king with character. The first choice for weddings and professional portraits

Personally the new RF 50mm f1.4L VCM is the best out of the current VCM lineup and the one out of the 50mm lenses that will stay in my bag (I own all three).
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What's next for the VCM Hybrid Prime lens line up?

Designing a lightweight f1.4 UWA lens isn’t easy, and honestly, I don’t think it's all that necessary. For landscapes and architecture, f1.4 isn’t required. Astro shots can be done with manual lenses, and shooting portraits with a 14mm is both difficult and niche.

But an 85mm f1.4? That’s a low-hanging fruit. It's a straightforward design (even Chinese manufacturers are doing it now), and the demand among portrait photographers would be massive. The 85mm f1.2 is too heavy, and the 85mm f2 is too slow. Personally, I'd love to swap out my somewhat problematic Meike RF85 f1.4 for a proper Canon RF85 f1.4. IS isn’t crucial here since we mostly shoot portraits with strobes anyway.

The only reason we probably won’t see an RF85 f1.4 is because some marketing guy at Canon would rather push us toward the RF85 f1.2. But I hope the ROI on the f1.2 is already solid so Canon can move on from that.

As for UWA I would rather buy some cheap and lightweight 20f1.8 like Sony-G.
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RF 24-240mm f/4-6.3 IS USM

Absolutely lovely, Neuro.

I sold mine a few years back, but ever since, I keep getting tempted to buy another copy. I nearly pulled the trigger last week.

I mean, it lacks a certain 'pop' some of the other (more expensive) lens have, but ... There's just not much to match it in the R mount when it comes to sheer versitility as a travel lens. Not to mention how compact and light it is (for a 10x full frame lens)
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RF 24mm f/1.4L VCM

I bought the recently-launched RF 24/1.4L mainly for astrophotography, though I haven't had the opportunity for that use case yet. I did bring it on a recent trip to San Francisco.

"Sequoia sempervirens" (Muir Woods National Monument)
Sequoia sempervirens.jpg
EOS R8, RF 24mm f/1.4L VCM, 1/60 s, f/6.3, ISO 160

"Jellies" (Steinhart Aquarium, California Academy of Sciences)
Jellies.jpg
EOS R8, RF 24mm f/1.4L VCM, 1/80 s, f/2.5, ISO 3200

Probably most are aware, but this is another lens that requires distortion correction to fill in the corners. On the upside, after correction (with DxO PL) if not constrained to the original aspect ratio, the image ends up about 8% wider (6492 x 4000 output from the 24 MP R8 sensor).
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Canon Patent: RF 85mm F1.8L, RF 100mm F1.8L IS, RF 135mm F1.8L IS, RF 150mm F1.8L IS

If Canon does come out with the 85mm 1.8 L IS it better be the cheapest L prime in history. I can see it being targeted at video, but with the f2 IS version basically filling that use scenario already, it would be a tough sell to charge much more for some basic weather sealing.
The RF 85 f/2 is not so great for video.
Focus hunts quite a lot.
The wider RF 24 f/1.8 and RF 35 f/1.8 are great for video.
Although, they are a bit noisy for indoors.
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Sigma's bomb: 300-600mm f/4 zoom

It's not a rumour anymore
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RF 24-105mm f/2.8L IS USM Z

Post your shots from the One Zoom to rule all standard zooms, combining the useful focal range of the 24-105/4 with the faster aperture of the 24-70/2.8 and beating both on IQ.

My first impression of the lens is that it's reminiscent of the EF 70-200/2.8 zooms but with a petite hood – not a small lens but pretty easy to handle. It's a little weird seeing open screw holes on a weather sealed lens.

I'm not a fan of the tripod ring, and I wish Canon had made it removable. The tripod foot is easy to remove (which is a good thing), and the mount left behind is not as obtrusive as I thought it would be. The foot extends to the far end of the zoom ring, and that makes the ring harder to use with the foot installed. At least the zoom throw is short. With a lens plate (the RRS L85 fits fine) on the foot it's even worse (hand under the foot is even further from the barrel), so I really hope RRS makes a replacement foot. I've already put in a request, which received the usual 'we are tracking customer demand for this product' response.

I also don't like that there are no 90° detents in the ring rotation; my other lenses with a non-removable tripod ring (RF 100-300/2.8, EF 600/4 II) have those detents, and that makes it easy to position the ring at 0° (landscape) and 90° (portrait) orientations. The ring rotates smoothly, but you need to line up the markings to get it properly oriented.

On my way home from picking up the lens, I stopped by a local cemetery for some initial shots. Below is a selection, reduced for posting but otherwise just with basic processing in DxO.

This is another lens that requires correction of barrel distortion. I did not check, but I'm sure it's 'forced' in camera. The corners are black at 24mm, however the distortion resolves pretty quickly since the black corners are gone by 28mm. DxO PL7 does not have a profile yet, but applying manual barrel distortion correction of +80 takes care of it (but probably not optimally, since the distortion is probably non-linear as is the case for the RF 14-35/4L).

Sharpness is excellent, the bokeh can be a bit nervous with some backgrounds. Nice sunstars thanks to the 11-bladed aperture, lots of flare at f/22 but not at more typical apertures.

"Headstones"
View attachment 213432
EOS R3, RF 24-105mm f/2.8L IS USM Z @ 95mm, 1/800 s, f/2.8, ISO 100

"Flags"
View attachment 213434
EOS R3, RF 24-105mm f/2.8L IS USM Z @ 24mm, 1/15 s, f/22, ISO 200

"Flags corrected" (+80 manual correction of barrel distortion in DxO PL7)
View attachment 213433
EOS R3, RF 24-105mm f/2.8L IS USM Z @ 24mm, 1/15 s, f/22, ISO 200

"Sunstar"
View attachment 213435
EOS R3, RF 24-105mm f/2.8L IS USM Z @ 28mm, 1/80 s, f/22, ISO 1250

"Cannon shot with Canon"
View attachment 213436
EOS R3, RF 24-105mm f/2.8L IS USM Z @ 105mm, 1/200 s, f/4, ISO 100

"Wren" – bonus shot, one of our two kitties with one of our four Christmas trees in the foreground
View attachment 213437
EOS R3, RF 24-105mm f/2.8L IS USM Z @ 105mm, 1/60 s, f/2.8, ISO 6400
Thank you for these photos and impressions. I think this lens is perfect for my uses, along with a longer f/2,8 zoom. Expensive, yes, but considering what the two cover I think they are a bargain.
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R3 or R5 Mark II?

If I were the sports editor for a newspaper and had to choose between the R3 and R5mk2 I would go with the R5Mk2 for the AF improvements and as others have stated you can downsize the image for less noise in low-light scenarios. With that said, I also do prefer the integrated vertical grip of the R3 and R1. Hence I own both the R5 Mk2 and R1 cameras.
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R5m2 heating up in Photo mode

I’ve always thought that my camera is supposed to heat up only in video mode. However, tonight, I saw the temperature indicator while only shooting in Photo mode. That was for the first time.

As weird as it may sound, I just bought the video grip with the fans for cooling. Actually I haven’t used it before - just tested it.

IMG_1049.jpeg

Did any review have had this experience in Photo mode?

To be honest the temperature indicator didn’t raised.

I have seen in video mode how my camera gets high temperature.

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