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Canon one series shutter life

TomazK said:
Bosman said:
Shoot i paid more than that for my 1dm3, $300 is a bargain, what are you thinking?

Hey Bosman,

just the repair for the shutter is around 400$(300EUR), so its not cheap, especially when you expect a shutter to be operational for 300k clicks :D
I'll have the shutter fixed anyway as I need a camera to use while I decide what to do :D
I hear ya man, it must have been a faulty shutter mechanism on your camera from the start.
According to Canon Professional Services I took over 343,849 photos on the 1dm3 camera i sent in in 2010, so how many shots over was it actually??. The mirror, shutter and lever assemblies were shot! Hence the $730 bills to repair my Canon EOS 1D Mark III. I wish i had CPS gold but $400 a year...
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Oh well, life is not cheap :D Thanks for the info and help though:D And I think after 4 years it is about time to spoil myself a little bit with a new toy :D
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Whatever excuse you can come up with to upgrade I'll stand behind. :D
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Worth buying Zeiss 35-70mm T*

dr croubie said:
What was the original mount? Contax/Yashica Vario-Sonnar 35-70mm f/3.4?

I don't know much about this lens in particular, but in general I'd be only dropping that much cash on totally mint items. You can get C/Y -> EF adapters pretty cheap off ebay with focus confirm and all, but if it's had the C/Y mount taken off and an EF-mount hacked onto it then you never know who did it or how good it is (unless you can inspect first).

Not sure, guy says it has an adapter. I think it's a mount adapter, not one that the original has been removed from and the EF put on.

Not going to end up finding out though, after looking at what I'm going to be spending this Month on prepping for Burning Man, I just can't afford this. Probably could squeeze (and I mean squeeze) it in, but I just can't. Ah well, I'll keep my eyes out for another copy in a few months.
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Camera Crossroads :)

Brian,

If I had the time and money, believe me, I'd keep the 1Ds3/1Ds2 combo and go shoot landscape for a week at a time. It's hard when you spend all your time doing one type of shooting because money comes into play and you sort of lose some of the fun of the hobby. But I guess it was my choice. No demand here for portrait work as heavily as you have it; it's all sports. There are no sports photographers to be found for universities for some odd reason. EVERYONE is doing weddings/senior pictures, so the current demand is sufficient, but the supply of photographers is also very high. I can honestly say that I am more skilled at sports/action than portrait/landscape. It would take me a lot of studying and practice to do those types of works. Weddings are a tad different as you can approach as photojournalistic.

As you can see, I sometimes miss my histogram and WB in indoor lighting. This is something I will have to get better at, but with gyms for basketball and volleyball the lighting is so even, it hasn't been a problem at all, whereras indoor events with mixed lighting is tough.
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Lost Canon XT found in a creek - Memory Card still worked!

paul13walnut5 said:
although I would have thought the first story was more about the robustness of the memory card than the camera

I agree in a way, and that sort of reinforces my point. What was the brand of the memory card?

Of course everyone on these forums knows just by looking at the picture, but it is not mentioned once in the story. All people will remember is Canon lost, water, pics saved.....

Very clever marketing if it is...
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50mm 1.2 vs 35mm 1.4

I also own both of these lenses and they are great lenses. I mostly use the 50L though, it just renders the images more to my liking. So it's on the camera 90% of the time. But the 35L is great for indoor use if you are working close quarters.

I guess it all depends on what you want to shoot, I would never sell my 50 for the 35 but that's just because the 50L fits my style of shooting.
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Special serial number codes?

Canon lens code dates - check this one out folks - only "codes" that I know of - http://www.the-digital-picture.com/Canon-Lenses/Canon-Lens-Aging.aspx.

Not sure if there are any "special serial number codes", but these are the ones that I go by. Anything else is just a sequential serial number as far as I know, as I would agree, having "secret codes" for ones of "higher quality" just does not make any sense from a purely manufacturing point of view, given the thousands and thousands of lenses that Canon manufactures every year.

WesternGuy
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Another Spec List for the Entry Level Full Frame EOS

I will be happy with

DSLR - ASP-H senor and 18 MPx or 22 MPx
Design - closer to 7D or to the 5D3
AF system - why not closer to the 1D3/4
7D metring
FPS - may be 5, it will be better than my 450D
51200 max ISO with a nice level at 12800
Price - under 2200 USD ~ 2000 €


450D | EF 70-200 L 2.8 | EF 50 1.4 USM | AT-X 12-24 PRO 4
www.new-z.fr
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1D X ISO Shots

neuroanatomist said:
TrumpetPower! said:
There are quite a number of other differences between the 1DX and the 5DIII, but none of them are any more significant to real-world shooting than the noise difference we see here.

Depends on your definition - if you're talking only IQ, fine. But...better sealing and 250K more shutter actuations seem like they benefit real world shooting, not to mention the improved metering.

The new metering in the 1DX has really impressed me so far. I still have a D4 lying around and over the week-end I played taking the same shot with both the D4 and then the 1DX (inside shooting) - not a real test but just real life shooting... There is no doubt that both metering system are "tuned" differently. However all the "WOW" pictures I got were from the 1DX. Not only is White Balance much improved from the 5dmkII but there is just something about how the 1DX capture light and adjust the exposure to make some spectacular shots. In comparison the Nikon metering seem to produce more flat pictures...still very good...

My point was not to make this comments about Canon versus Nikon metering, but just using reference points I have/know since I cant compare with the 5D mkIII...
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1dX lubrication spray?

Sycotek said:
Brand new 70-200 II used on my 7D for a month or so (5000+ frames ) not a spec of dirt on the rear element.

70-200 II On the 1DX used for 2 events 3500 frames what looks like lubrication spray on the rear element.

Never had this issue with my old 1D's but none of them were this fast - anyone else have this issue?

I have had this spray on my 50mm but that's easy to clean in comparison.

Quite a few different things can result in little specs ending up on the rear element. Maybe even a little spittle if you were talking while changing lenses? Or as you suggest, oil from the new mechanism. Nothing to be concerned about, grab some isopropanol and a microfiber cloth, or better yet, some of those little packaged lens wipes. Problem solved.
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Buying 70-300mm L whilst working in USA

There are a few trustworthy 'grey' dealers in the UK. I bought my 7D, grip and 70-200 f2.8 from one (on seperate occassions) and my T2i and T3i from another (again on seperate occasions) they both ship from in the UK and they promise to have taken care of any taxes. Never had a problem. That way you've not got any hassle with customs, and no worries about your case getting bashed about or pilfered....

I won't advertise the sellers on here, but if you want to PM me I'll give you their details.

Canon and their importers are just taking the mick with some of their recent prices, you aren't alone in seeking a better value alternative route.
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The New Canon 7d

dirtjumper32 said:
Hey everyone so here in a couple of weeks im going to be getting the Canon 7d, But i heard that they are coming out with a new 7d camera, should i wait on it? or what should i do ? :-\

There have been no solid rumors about a 7D Mark II so far. It could be announced by Photokina, or it might be the end of next year before we see a replacement. No one can really say for sure. If I had to guess, I would say we shouldn't expect a replacement until next year. The 7D was announced on Sept. 1, 2009. That would make it three years old by September this year. Canon seems to be moving to a four-year cycle for their products, which would mean the 7D is due for replacement next September or around there. Canon doesn't seem to feel too terribly much in the way of competition from Nikon internally...at least, many of their technological decisions don't seem to indicate as much. If Canon IS worried about competition but isn't showing it, we very well could see a 7D replacement this year...but that still feels doubtful.

So, the decision to buy/not buy now shouldn't be based on when the next 7D will come out. It should be based on whether the 7D is sufficient for your needs now, and whether you are happy with its IQ. The 7D is one of those cameras that either evokes great love or great hate. The last time I recommended someone buy the 7D regardless of when the 7D II was coming out (here on these forums even), they hated the IQ. I HIGHLY recommend you check and double-check the IQ of the 7D's sensor on as many resources as you can find. Make absolutely certain there isn't anything about it that will bug you once you buy it...noise at ISO 3200+ (as well as 2000, but 2500 seems fine), pattern/banding noise at ISO 100/200 (sometimes up in the midtones even), etc. might all be serious detractors for you. They are really only issues when pixel-peeping, but...some people are just pixel-peepers. If your a pixel peeper and you want top-notch 100% crop detail, IQ is the most significant factor that might affect your buying.

If you are the practical type, check out photos on 500px, 1x, etc. that are taken with the 7D. Any shot from a half-decent photographer with this camera is usually superb. Noise, color fidelity, sharpness, etc. are all very good with this camera. Its AF system is great, very capable and configurable. Its ergonomics are great as well. I love the frame rate and buffer, particularly with UDMA 7 CF cards...which lets me pound out about 24 shots at 8 per second...which is really great for capturing action. I have shot at both ISO 3200 and 6400...and while IQ really does kind of fall off a cliff at those levels, its good to have them available when there is no other option. Some judicious NR and/or selected (painted) NR in the areas that need it with Lightroom 4 can usually clean up unsightly noise at these settings pretty quickly.

As an owner of the 7D myself, I am a happy customer. It is not an IQ king in every respect and for every conceivable usage scenario, but it was never really intended to be. It allows me to capture birds and wildlife even in some pretty extreme light (pre-dawn, post-sunset). You can see all of my most recent shots (mostly birds) taken with this camera here: http://500px.com/JonRista
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