Here is the Canon ImagePROGRAF Pro-300

I could be wrong, but it looks to me something alike the Hahnemühle 21x59 cm paper. That's why I was asking in my post if it supported bigger "panorama" formats than those based on A4 sizes.

Hope they also removed the very wide margin for matt papers - it made using the Hahnemühle Photo Rag 21x59 unusable on my Pro 10.
Thanks
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Macro Lighting/Flash on Kickstarter? Opinions? Alternatives?

Hi all,

I found this interesting Kickstarter Campaign:

Adaptalux Flash Arms

It appears to be an addition to something they introduced a couple years or so ago o KS.

This latest is for a flexible flash attachment that is controlled with an IR module, that can be on camera or off camera and used best for macro photography.

They also have other constant light offerings with different colored LED lights, a red laser and what really caught my eye...UV lighting for macro.

Is anyone else familiar with this? If so, what are you opinions and do you have any other macro lighting you'd recommend?


This looks pretty handy and appears somewhat well made.....I'm looking to experiment with macro in the coming months, and looking into some of the specialized lighting needs for it.


Thank you in advance,

cayenne

OK now that I can get to the site I'll give you my .02: I think it would work out well in a studio setting, provided you can come up with a way to diffuse those flash heads with minimal light loss (the diffusers that come with it will make little difference in the light quality -I'd say that about every plastic diffuser though). In the field, if you were shooting with a fixed mag, then it might work out. But if you frequently change the mag you'd also have to reposition the flash heads and you might end up spending more time adjusting those arms than actually shooting. Personally not excited about it, TBH.
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Tamron 24-70mm f/2.8 vs. Canon RF 24-70mm f/2.8?

Public service announcement:
There are compatibility issues between the EOS R and the new Tamron 24-70 f2.8 G2. The lens will work fine until you set the camera down for a min and it goes into “sleep mode.” Afterward, you will Either have to power cycle the camera, or actually take the lens off from the body and re-connect it to get the autofocus to work again. It’s happened to me and has happened to every EOS R user I have contacted who has this lens. It’s a lens firmware issue until there is an update.
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Irix 45mm F1.4 lens review

My first 35mm camera was a Yashica rangefinder with a fixed 45mm lens. I took many of the best pictures I have ever made using that camera. The diagonal of the image frame (film or sensor) is about 43mm, so this really is a "normal" lens by that guideline. This lens sounds good, but since I don't ever find the need to shoot with my 50mm f/1.4 lens since I've gone to full frame, I doubt that I'd find the 45mm any more useful.

There was an advantage back in the '60s of using the same focal length all the time, especially one with such a normal looking view: I could previsualize my composition very easily without picking up the camera. I had the picture in mind before I looked through the viewfinder. It was probably good for my education as a photographer.
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Canon EOS R5 Specifications

An SD express card would probably work in UHS II mode if you could buy one, but they are not available yet and it would be no advantage over a UHS II card as that is the highest bus speed the camera supports in the SD slot. Also, SD Express cards will likely be priced pretty close to CF express cards at least to start. If you want to get the full capability of an R5 you will need a CF express card (and a reader).
All the current sdexpress cards we have specs for drop down to UHS-I, not UHS-II.
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Birdsasart migrates to Nikon

Jack, extract from the OP

A lot has happened since then. Nikon did come out with a similar lens that is as good and 0.8 kg lighter. Sony came out with the 200-600mm, and Art Morris has gone over to Sony. The facts are that none of the C, N and S are produce perfect all round systems for us birders and all three have weaknesses as well as pluses. I need lighter gear and the 1DXIII and 400mm DO II are too heavy for me now. Sony makes the only mirrorless with AF good enough for serious BIF and now the best, but too heavy for me, zoom. Canon makes for me the best lighter zoom, the 100-400mm II, and pretty good prosumer DSLRs. Nikon makes the best prosumer FF and APS-C DSLRs for AF with excellent IQ and fps but only one Nikkor lens I want. I now shoot across makers because of this, and the jury has yet to see the evidence if the R5 and new lenses will fulfil our needs.

This is not a whinge, quite the reverse. I am really happy with the choice of gear and am able to take much better photos now than I could have dreamed about a few years ago.
Alan, the saying is, if it seems too good to be true ... so yes I too am cautious about the R5 hype but I'm different than you in that the weight isn't my problem yet, it's endurance because of lung issues and relative to gear I've only managed to get up to 20 MPs so I'm guessing the R5 will give me a significant cropping boost if nothing else. I can't justify too much more expense than that. And like you I'm not complaining for the same reason; I'm thrilled to have what I have and have really benefited from 400 X2 with better AF than one would expect out of X2.

Jack
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