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YuengLinger said:Hi suspect that some of my problems, especially the completely out of focus shots in between good ones, might be coming from my fingers slightly turning the focus ring. I'm trying now to find a grip that holds the lens steady but doesn't result in my fingers moving the ring.
Also, I think my expectations might have been a bit high.
As for having more problems on the 5D Mark 4, is it possible the AF system is too fast for the optical elements to keep up with? Could the older, slower AF system on the 5D III be a better match?
Talys said:Jester74 said:Talys said:Jester74 said:Do you use the center AF-point and recompose, or choose the closest of the many AF-points? Cos recomposing can cause shifts in focus....
Eye AF should not work like that. You should be able to select a zone, and it finds the nearest eye to you and AF's to that. On the video, it looks like it follows her after it locks, but I thought I read somewhere that it was only compatible with one-shot AF.
Yes, it should work like that. But I meant his original camera, the 5D mk III, which has a lot of AF-points...
Ahhh, I see. I think there was a poll recently, and the most popular technique was center point zoomed out, and crop. This is what I do on 6D2, though if I want upper high resolution I will either select another AF point or MF in magnified live view.
mistaspeedy said:I have also never seen this method for measuring/evaluating noise.
I tend to agree with the data from dxomark, which I can also cross-reference with other sites like dpreview and view the images for myself.
So my opinion does not exactly line up with theirs (Petapixel).
dxomark says that the 6D mark II has slightly less noise over the entire ISO range (this is when we look at highlights and midtones... SNR evaluation)
However, when we look at dynamic range and shadows, the original 6D has an advantage across the entire ISO range.
Tonal range seems to be about the same.
Color sensitivity is better across the whole range for the 6D mark II
Of course, rarely mentioned, the 6D mark II images will be sharper due to increased resolution, even when downsized to a smaller size.
Seems to me that most of the time, I would rather have a 6D mark II than a 6D, with the exception of high ISO shooting combined with lots of shadows in the frame.
Isaacheus said:neuroanatomist said:jester73 said:I have a clear analogy of the situation with the sensor 6d mark 2:
If the 5d4 sensor is the original Canon sensor of the last generation, then the sensor 6d mark 2 is like a "Chinese fake", as Canon claims to use the most advanced sensor available. Regardless of how much it is worse than the original, or how much it justifies its price, or how many people will buy a camera with such a sensor, it remains a "fake".
And on any serious trading platform sellers of fakes will be banned for the sale of fakes.
If someone wants to sell sensors of the previous generation, then do not talk about the last generation, and do not deceive customers.
The analogy for the 6D → 6DII sensor is the 5DII → 5DIII upgrade. The sensor was basically the same ('if it ain't broke, don't fix it), pretty much everything else got a major performance bump.
I'm not so sure everything got an upgrade though; it really looks like all that's improved is the af (both stills and video) , screen and fps. The sensor has a small resolution bump, but otherwise is the same tech, and the video quality has been downgraded from the looks.
I was under the impression the 5d2 to 5d3 added quite a bit more, dual cards, better video, headphone jack etc. Correct me if I'm wrong though.
My opinion at this stage is that the 6d 2 is an improvement overall, but for the cost, it really fell short of the potential camera it really could have been.
18 years on, that expression really lacks any relevance in regards to technology.mitchel said:into the 21st century...
hendrik-sg said:AvTvM said:who cares about that mirrorflicker. Really only targeted at those total n00bs convinced that "only a DSLR captures really good, *pro-quality* images" ... ;D
You are posting the same in all threads. You have exactly no argument for your opinion, it's just hate. Why?
AlanF said:It requires the dedicated Tamron extender and I haven't bought it - the Canon won't fit and the Sigma doesn't AF. By the way, I have done more BIF testing and the Canon 100-400mm II is in a different league, whatever Dustin writes. I aim at birds and not a running dog.
AlanF said:RGF said:Can someone explain to me what a 1" sensor is? Is that the diagonal measurement? Or something else? Is there a good website that explains all this stuff?
Thanks
Rich
I Googled your question and this site came up first with the explanation.
https://www.quora.com/Why-are-1-inch-camera-sensors-13-2mm-x-8-8mm-so-labelled-In-what-respect-do-they-measure-an-inch
Leandro said:I went out to take some shots today. I turned off GPS and also daylight saving time (as it ended in Brazil two weeks ago). My CR2 and JPG files show the same time stamp now.
hne said:Viggo said:hne said:Did just that but with a 5DmkIV. AF Case 1 with default settings and initial point autoselect works well enough for me. Straight on at 15-20km/h can get tricky at f/1.4 and 3m distance but for me a third in focus is acceptable at such circumstances. In really heavy snowfall, lower tracking sensitivity. Dunno which af case that needs though.
Thanks!
Auto initial? So you use all 61 points with color/face tracking? I’ve tried that also, no luck. I’m thinking this might be one of those scenarios were nothing works, because usually it’s very very good...
Sorry, wrong wording. I've got spot af as default on shutter half press with af-on doing all-point auto select based on subject at the point that was active. If I can't keep up with motion and keep a single point on target, I have a single button for my thumb to make the camera do Magic for me.
neuroanatomist said:Don Haines said:Apparently Canon has listened, and released the 4000D!
With a seriously innovative 18 MP sensor! ;D
Hector1970 said:Looks like a reheated version of a Canon APS-C from 10 years ago but all plastic including the mount.
If it’s really cheap it might be a handy backup camera.
Maybe Canon hope it will get people into DSLRs and get addicted to buying lens.
Like a drug dealer giving free samples.
I think it will cannibalize their lower end cameras.
The margins will be so low I couldn’t see it worthwhile unless they see Massive volume in high populated countries that aren’t buying DSLRs.
AvTvM said:Canon ... 2018 ... no 4k ... lol![]()
JPAZ said:First, thanks!
Second, please consider all you can do (even with someone's help or with Post-it notes), CanonFanBoy. You are way more knowledgeable about this than I am and have skills that I only hope to achieve someday. Keep posting!
At this point, I have a 430 EX RT iii and a 430 Ex ii. I am "retiring" my Phottix Stratos ii trigger and receiver. The Flashpoint R2 trigger (not the pro version) and receiver works seemingly well and I can have one flash on top of the trigger hotshoe with another flash off camera. So, I just ordered another R2 receiver (and more Eneloops) to get both lights off camera. If I ever want to add more lighting, seems I can get a Flashpoint RT device or any device that can connect to another R2 receiver. Am I correct in this idea?