200-600mm 6.3 around 2kg's fits in a regular bag perfectly. 300-600 5.6 not so much? I welcome all future giant lenses, just make a standard issue 600mm 6.3 first. More reach and brighter than the 100-500L is where its at.

Friends. I want to sell my R5c, 85 1.2, 50 1.2 and 15-35. My sister is visiting me from Australia. Should I give them to her to sell there? I live in India and no one wants them here. Do you think I will fetch better price in Australia compared to the USA? Thxxx.

I Think my body R5 II body was made on Monday. After solving the battery problem, the AF does not work as it should, and each day, one or two times the switch off button does not react properly and the body freezes. Grey back display, grey viewfinder. Canon says: remove the battery and reinsert it.

Digging through Canon’s patent filings at the Japanese Patent Office has paid off once again. We’ve uncovered documentation showing Canon’s efforts to reduce the impact of high temperatures on lens elements.

Read The Full Article

Del Paso said:

Canon are doomed...
to be successful!

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It will be interesting to see what Nikon's quarterly financials look like. In a recent press release they mentioned "underperformance of sales compared to plan in the Imaging Products and Digital Manufacturing Businesses."

I wish there was like an 11 - 135mm APS-C zoom, which would give ultrawide to telephoto coverage. 300mm (450mm equivalent) is cool but way less useful than the wide end for me.

DhlcadR6 said:

Unpopular opinion here, with modern AF and lightweight telephoto lenses, there's no need for a "pro" build APS-C camera from Canon. R6-series should be the upgrade 7Dii guys are looking for. R7 being prosumer/semi-pro are fine.

As for the battery grip. I just want Canon to make all battery door detachable so we can either use dummy battery or install 1st/3rd party grips.

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Not necessarily an unpopular opinion – although one I don’t agree with. I think it all comes down to individual use cases. While accepting that mine may not be that large a market segment for Canon.

The 5Diii / 7Dii has been the ideal combination, pretty much exactly the same body, control layout and capabilities, with the 7Dii being a bit further ahead and faster FPS.

Having two bodies that are seamless to switch between and importantly have the same memory card configurations was ideal.

Shooting a lot of aviation and motor sport being able to have a FF body with a shorter telephoto (24-105 or 70-200) and an APC-C with 100-400 and quickly switch is invaluable.

At a push they also with some angle of view compromises provide a good backup body combination and limit having to swap lenses in less than ideal conditions.

For me a return to the 7Dii build and capabilities in the R series would not cannibalise R5 sales, as I’d be unlikely to put two of those in my bag. And although I have though about using the R5 in crop mode, it would still be short of an R series APS-C by about 10M pixels.

However the lack of a proper R series successor for the 7Dii has held me back from making he leap from my current combo. So at least in my case it’s actually delayed sales of two bodies and probably a few native RF lenses.

I was quit excited about the initial R7 announcement but combination of body style layout – memory card configuration and rolling shutter, pushed a decision to await and hope for the next generation.

Again I recognise that my use case is more limited than many peoples but across both Canon and Nikon the lack of direct replacements for the 7Dii and D500 to pair with a 5Diii D850 type body has been sadly missed by many in the Aviation community.

I think it is remarkable a remarkable optic - as is. However, thre is always room for improvement. A 24-70/f2.0 or even a 24-85mm f2.0 would take this lens several steps furher in terms of creative use and vesatility. Heck...a 24-70/f2.0 would propbably nudge me into purchasing one of these! but a 24-85mm f2.0...i think I would probably pass out with excitement.
I think a 24-70/f2.0 coupled with a 70-135mm f2.0 would be a perfect 2 lens combo for low light and creative natural light portraiture. it's a combo that i would seriously consider. I love my primes but I don't like the constant pounding of my lens mounts even with carrying a pair of camera bodies.

Raindropdroptop said:

Sounds like an issue with that copy. I don’t notice an IQ hit at all in my copy when activating the 1.4x.

I know some IQ degradation happens, such is the case with any TC, but it’s not noticeable or worth worrying about with 45MP and typical post processing.

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Nikon adjusted it and it came back a bit better but still not as good as a bare 400 with 1.4x. It was more like the Canon 200-400 1.4x, and long term I'd be nervous if it can lose IQ and need servicing.

Del Paso said:

Some people just keep repeating the same nonsense...

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Most of the time, it's politicians

John Wilde said:

Off Topic: It's paywalled, but there is a NewsDay editorial with the title "Suffolk IDA should claw back funds from Canon [USA] tax breaks"

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It's a biased opinion piece, maybe by someone with a Sony camera and an Epson printer. It's said because Canon laid off employees, they should give back tax credits. The writer doesn't appear to comprehend that not laying off the employees could cause more people to be laid off later.

On FW 1.0.3.
Sometimes, not always, after switching R52 the camera off - it shuts down, flashes the red LED on backside, and makes the "shutdown noise" as it should - I guess it is the dust removal etc.
But then it keeps doing this over and over again in a loop.
This happens with various RF lenses mounted, so I do not think it is a lens that confuses the R52.

Removing battery in and out is the only thing that stops this.

I cannot recall that this was an issue earlier.

Smiling Eddie said:

I did well out of the sales: body, batteries and 4 lenses. No tariffs here.

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No effect of tariffs on Canon pricing in the US…yet. The sales are pretty good, but there’s nothing that really interests me that I don’t already have (except the 20/1.4 VCM that I preordered).

Del Paso said:

I hate to say it, but imagine the excitement if this lens were from Canon. OK, it's obviously a bit on the heavy side, but the range is very interesting and useful.
Well done, S..y.
I'm afraid a 35-135 f/2 could be very difficult to develop in "L" quality...

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The choice of a 50-150mm f2.0 is very interesting. Although this lens can’t take a 1.4x tc, if it could, it would make a 70-210 f2.8….lol. I also don't understand why S**Y needed to use a 95mm filter thread. Surely a 75mm front diameter objective element would have sufficed? So a 77mm thread wold have been adequate., especially consdering how much digital correction is employed on these days. Even an 82mm would have been over kill.

So no I don’t think a 35-135/f2.0 is particularly difficult for Canon to design and build. Especially considering Tamron was able to design and build a F2-2.8 version of this 3 years ago. The problem is that Canon are trying to limit some of their focal zoom options to sell a trinity of f2.0. Canon’s patents show a 70-150mm. A 35-135mm f2.0 would raid the new sales of the 135mm f1.8 and 28-70/2.0. However, most people have already bought these lenses and would love to combine a pair of £2K lenses with a new "all in one" £4K lens. Canon needs to move their thinking of trying to sell three lenses to cover a desired focal range, especially if this singular lens is in the £4k cost category.

I really like the idea of a EF 24-85mm f2.8. It covers most of the street and portrait shooting focal points from 24,35,50,85. It makes a lot of sence!

whomst said:

Imo the r3 doesn't really make sense in the lineup especially with the r6iii getting the same sensor, maybe the r3ii could have the r5ii sensor but the r5ii is already so good that it would be hard to create any seperation between the two

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Yea but the R5 body has a bunch of drawbacks that professionals aren’t happy with that the R3/1 has. Better ergonomics / V-grip, better battery (especially important in mirrorless because of how much the EVF drains the battery), internal GPS, the IR button (dual because of v-grip).

The 5 is just not a pro camera anymore (IMO) because of these limitations. It’s the reason I bought an R3 instead. So there’s plenty of reason the R3 II (or S) could be a high resolution version. It doesn’t make sense that it’s the same resolution as the R1. But I do hope it continues. The $4,000 pricepoint was the sweet spot for me. But if it’s $6,000 like the R1 but has 48mp (or whatever) I’d still buy it.

I’ve made some prints lately and I’m just not happy with the 24mp. It’s just short of the resolution needed for competitive prints compared to all the galleries now filled with images from medium format Fuji GFX (and the like). Heck Leica has a 60mp camera. The least they can do for us is give us this pro body high rez, and the R5 is not it.

candyman said:

I have lost 2 posts. They were probably placed after the backup was made. So they did not come with the restore of the backup. Unless a backup/restore was not used...then it is a mystery that the 2 messages have disappeared.

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vikingar said:

I lost a post as well.

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Likely just lost in the sync. Things are rarely up to the second once a domain moves and things have to propogate (DNS, Cloudflare, Server Cache....)

We could have just put the site into maintenance mode to stop any added content for the final sync, but that can cause other issues.

koenkooi said:

And people still praise OM systems for creating a ‘crop’ supertelephoto! So such a lens might have value, if purely for marketing.

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Nobody praises OM's 150-600 for creating a crop super telephoto as everyone understands that it is the build and optical formula of Sigma's FF lens. OM gets hammered and criticized for it. Unjustly so, in my opinion, as supertelephotos's size is mostly based on the entrance pupil size, so when it comes to supertelephoto lenses, only the last optical elements can have a smaller diameter, thus reducing size and weight only minimally. If one compares the Olympus 150-400 lens with the 150-600, you will notice the only size reduction is in the last few inches of the lens. The advantage of an MFT crop sensor is obviously the fact that it gives you approximately a 2x reach advantage compared to a similar focal length lens and a similar MP sensor. For many, this is the BIG advantage of a crop sensor camera.

And when it comes to non-supertelephotos, then the lenses can be smaller in diameter, making the whole kit smaller and more manageable. From left to right: Canon 14-35 f4, OM 8-25 f4, Canon 24-105 f4, OM 12-100 f4, and the incredibly compact OM 70-300.

I understand the sophisticated camera users on forums and YouTube love to trash the Micro Four Thirds System and crop cameras in general, as they obviously want to preach the superiority of FF, and that only an ignorant fool would choose otherwise. And yet, despte their great intelligence, they are too stupid to understand that the constant negative publicity on social media - where most people today get their information - only hurts, and possibly will put, OM Systems out of business. It will make many happy, but if your system went out of business because of all the negative publicity, with thousands of dollars invested in it, wouldn't you rather people just shut up?

Maximilian said:

Canon Germany has launched a new cashback promotion:
Buy a Canon EOS R1 or R5 Mark II plus your favourite lens between 15.04. and 30.06.2025 - and receive up to €1,500 cashback.
Cashback depends on the lens, not the body.

Buy a big white RF like the RF 100-300mm F2.8 L IS USM or bigger, and you'll get the max. of €1,500.

For more details see here:

https://www.canon.de/offers/lens-love/

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Despite cashback, huge savings are still possible when you buy from grey market companies.
Example: R5 II + RF 2,8/24-70: Euro 5380 Grey market, 3 years warranty (not from Canon, but very reliable)
R5 II + RF 2,8/24-70 after cashback from AC Foto: Euro 6668
Savings: Euro 1288

Thanks for sharing, Maximilian.

I didn’t realise the EF 135mm f2.0 L was considered a super-tele.

Dragon said:

The collapsible lenses on P&S cameras are nicely compact when stored. I am looking forward to some actual g series replacements with that new sensor. they will inevitably be heavier than the G's were, but without the emphasis on video record time, they could be similar in thickness and maybe not that much larger. Time will tell.

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Indeed. This evening, I will be shooting a 4K30 video lasting ~45 min. The emphasis on video record time may come in handy, I wonder if the fan will come on...

PhotonShark said:

But not in the article, which is what I said.

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But not in this thread.

Remarkable, even by Webb standards!

Yes, it was a lot of fun watching them romping around.