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$10,000

sagittariansrock said:
neuroanatomist said:
jdramirez said:
you slowly start buying gear and one day your gear is more expensive than your first car.

…and then one day, you buy a single lens that is more expsnsive than your first car. ;)

I got a really, really good deal on my first car (a pre-owned Ford Escort), so I crossed that limit when I bought the 17-85mm IS USM for $ 325 :D

To answer the OP:
5DIII- 2450 (actually paid)
24-70 II- 1550 (actually paid)
70-200 II- 1700 (actually paid)
35mm A- 700 (actually paid)
135mm L- 700 (refurb 20% disc)
17mm TS-E- 1600 (refurb 20% disc)
Gitzo 2541- 550 (actually paid)
Arca Swiss Z1- 300 (actually paid)
600EX-RT x 2- 700 (refurb 20% disc)

Overshoots by $ 250, but whatever.

This was a really good exercise, because I own most of these except the 17mm TS-E and the extra 600mm, which means I did use my money wisely so far. Lots of buying and selling on the way, and lots of lucky deals. But I am at a happy place :)

Also means I have $ 8K of equipment just for hobby. WTF!!! :o

I just realized I have finally all that I had listed a couple of weeks ago, yay!
(Also means I have blown over $ 10k on camera gear, yikes!)
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My fast DIY Filter holder for Rokinon FE 14M-C, 14 mm, F/ 2.8

A)Genus 77 mm Varies ND Filter.
B)Cokin " P " series
C) Genus Rubber Filter Hood.
D)Cokin " P " Series Filter Holder.
E) Cokin " P Series Filter Hood.
And Put to gather with Velcro, for easy to remove as individual part.

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Panning clamp question

Hi all, I have just received a Sunwayfoto panning clamp to use on my Arca Swiss Z1 ballhead, but the included M6 screw (as well as the screw for the ballhead) is too short. There is a gap after which the threads start inside the ballhead stem, and the screw threads don't reach deep enough.
If you are using panning clamps from RRS or some other company, can you tell me how long the screws are approximately? Does anyone actually use a panning clamp with the Z1. Any help will be greatly appreciated.

New Sensor Technology Coming From Canon? [CR1]

Well the masks have certainly shrunk in size, then. Also, keep in mind, masks may not cover the whole die area. A number of years ago I was researching this stuff, and found that a lot of the time masks only cover some of the area of a die, only a few transistors or other components at a time. And they were quite large, inches in size vs. the nanometers of the things they templated (hence the reason I thought a scale factor of thousands...although I guess the size of the transistor designs on the template might only be millimeters or maybe even microns in size, vs. nanometers, even if the whole template is a few inches in size, which reduces things to a 10-100x scale factor). I guess progress keeps marching on.

I guess it would be possible to rotate the design on the template. I don't know enough about the actual lithography machines to know how that would work...could you just rotate the whole template? Or would you have to generate twice as many templates for the alternate orientation? And there is still the problem of automating everything with dies of different orientations...you have to update the entire automated pipeline if you do that. When dies are all in the same orientation, you can simplify parts of your pipeline, because you can then make certain assumptions.
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New PowerShot & EOS Cameras to Offer DOF Control?

Re: New PowerShot & EOS Cameras to Offer DOF Control?

mrsfotografie said:
Steve Todd said:
Many of Canon EOS film bodies had a "Depth" mode, so this is kind of a "Back to the Future" event!

Yes, my 50e (ElanIIe) had this already (camera Date introduced = September 1995):

DEP is for depth of field auto exposure mode. It allows the camera to decide the
appropriate aperture and focus position to provide enough depth of field to keep two
selected distances sharply in focus. The easiest way to use it is to turn the Command
Dial to DEP, and use the center auto focus sensor, point the camera at the first subject
and press the shutter button half way to autofocus. Let the button up and then point the
same AF sensor on the top of the second subject and press the shutter half way again
to allow the lens to autofocus on the second subject. Then reframe your camera and
take the picture. The camera will select a focus distance between the subject distances,
then select an aperture small enough to keep both subjects in focus and then select a
shutter speed that will provide proper exposure. If you select the same subject distance
twice, the camera will select the widest aperture available to keep depth of field very
shallow. The lens must be set to AF for DEP mode to work and if you are using a zoom
lens, you must not change its zoom setting during the entire procedure. You can also
manually or eye control select the side AF sensors, but I think it just adds confusion.
A blinking aperture indicated that sufficient depth of field (DOF) can not be achieved.
You must focus on subjects that are closer to the same distance apart or use a wider angle
lens.
(ref: http://www.google.nl/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0CCkQFjAA&url=http%3A%2F%2Fgraphics.stanford.edu%2F~niloy%2FmiscDocs%2FelanIIe.pdf&ei=2sBnU7iiDcn-PPi8gOAL&usg=AFQjCNFcpLQfmpOPCiZ99ceN_esrVc9bDw)

Maybe Canon will now also bring back the eye controlled autofocus feature!!! 8)

Maybe they could bring back film also!! Yes, the EOS3 had Depth of Field as an option. Wish I had it on my 40D. Or on the next 7d(XX).
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New 50mm Sigma ? There are other options !

Now people have started taking delivery of their Sigma 50s they are turning out to not quite be the jewel in the crown of everyones collection with the usual sigma variations in focusing issues.

Meanwhile happy to report my new Canon 35mm IS is absolutely brilliant and nails focus every time , maybe its time for a new Canon 50 IS ??
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Yongnuo shows 1.4/50mm lens for EF

sagittariansrock said:
It does look like a clone, albeit with a plastic mount.
Almost seems like an April fool's joke.

At first I thought Canon must have sold all their B-stock Canon 50 mm f/1.4 lenses to Yongnuo who changed the labels and lens mount to plastic. Upon side-by-side review, there seems to be more differences. For example, the front plastic round rim that moves back and forth as lens focuses seems to be different in thickness and the details in the slope leading to front glass.

One can pick up the Canon for $350 new right now, and this Yongnuo is listed for $300, which wouldn't make any sense for the buyer, EXCEPT if Yongnuo somehow improved on the Canon, i.e. more and round aperture blades for better bokeh, a little sharper wide open...somehow. Then, it gets pretty interesting IMO.

YN50Can50 by drjlo1, on Flickr
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On 400 USD budget for zoom lenses

sagittariansrock said:
http://www.amazon.com/Tamron-17-50mm-Vibration-Compensation-Digital/dp/B002LVUIXA/ref=pd_cp_p_0

For some reason this costs a lot more at B&H.
Why this?
f/2.8- you want as much light as possible for the smaller sensor.
17-50- this is a nice standard zoom range.
VC- you want vibration compensation when recording video.

Plus, it is a very nice and well-regarded lens all around.
Keep in mind the VC is optically inferior to the non-vc version:
http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=400&Camera=474&Sample=0&FLI=2&API=0&LensComp=679&CameraComp=474&SampleComp=0&FLIComp=2&APIComp=0
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is a 600rt with a $50 upgrade from the 580 exii?

Dylan777 said:
jdramirez said:
Dylan777 said:
jdramirez said:
Just to put a bow on the end of the story... I was able to sell my 580 exii for $322.70 (net after commission). My final cost on the 600 rt is $377.98... making my total upgrade cost $55.29.

So if I hate the 600... I'm coming lookin' for ya'll!!! >-|

I think I need a better flash diffuser... or a better assistant. My flashbender had some harsh t-zones in some of the photos I took today...

I hate shooting with flashes ;)

Keep in mind, I never own any speedlite prior speedlite 600. It took me about 20mins to fire up all these stuff. The layout is very friendly :)

First few couple shots with flashes(straight out from camera). Still have a lot more to learn. To have both kids sit still and looking at camera at the same time will be my #1 task ;D

Backgrounds will be next... ::)

I've come full circle in regards to flash. When all I had was the on camera flash... I never used it. Then I had a 430 exii that I could use in slave mode and I could trigger it using my on camera flash... and I like it enough... then I had the 580's, an umbrella (still working on getting that 2nd umbrella), and stands... and I really like the result when the result is good. When I screw up the result, well... I won't go into that.

So I like flash... but not as a panacea to bad technique... because it still can detract from an image... but I digress. I like your first efforts. When you have two subjects, I'd suggest shooting at f/8 or so, so both are in focus... There's nothing worse than everything coming together and both are looking at the camera, but one is out of focus and the other is in focus... it is just frustrating and annoying.

I plan to add two more 600rt to my kits. With two 60" westscott umbrellas and five 600rt, I will feel safe shooting @ f11 to 16, 1/200, ISO100-400

Again, the st-e3-rt makes shooting wireless very simple. However, the price we pay for this feature is high. I'll look forward to Dec deals ;). I got mines for $450each, NEW from authourized dealer, with 1yr Canon warranty. They also throw in couple off brand umbrella stands and one 60" westscott umbrella.

As a pure power based studio style setup the speedlite route makes little sense, there are much better and cheaper solutions, Elinchrome would be a make I'd recommend, but if you want "the best" the Profoto B1 Air is THE new toy to have, and if you are going to be ganging three 600's, not badly priced and much more powerful than even the three 600's, they do ETTL and radio wireless too.
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Does macro lenses of different focal lengths give the same image?

Antono Refa said:
Unless the object is flat, say a coin or a medallion, and the background is empty, say a flat colored background, the photos will not be the same.

It's just like portrait photography, with the nose looking too big relative to the ears when shooting from a short distance - perspective works for the front & back parts of the subject same as it works for the subject itself being in the foreground and other stuff being farther away in the background.

Therefore, if you shoot a diamond ring with the diamond facing the camera and the band away from it, the shorter the focal length the larger the diamond will look compared to the band.

This is actually the answer that I was looking for when I wrote the question. I had a hunch, but probably could not put my question properly. Thank you.
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135L v 85 1.8

ajfotofilmagem said:
Today, I would not buy a longer lens than 100mm, which does not have Image Stabilizer. Yes, the 135mm L is still wonderful, but in dimly lit places the lack of IS would require me to always use faster speeds than 1/125, and this causes problems with fluorescent bulbs, which have random color variations.

There is a consensus that 70-200 2.8 IS II has better sharpness (in 200mm wide open) than the model without IS. In addition, there is the issue I mentioned about the lack of IS when above 100mm zoom.

This will come down to useage and skill not IS for me. In many situations i will be in people will be moving even if only slightly so the faster shutter speed provided by F2 over F2.8 will always be better for my situation than IS.

Added to that the 5D3 at iso6400 and F2 will easily beat 1/125 even in the most poorly lit church its not an issue. The issue i may have is indoor portrait space if i want for the 135.

IS is good in some situations but for me its not a dealbreaker.
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Thunderbolt memory card reader

Eldar said:
sagittariansrock said:
Eldar said:
Here´s one. Sonnet has a few more you can find at B&H. I only have USB 2.0 on my iMac, so thunderbolt is how I can improve transfer speed. The price is a turn-off though. I was hoping someone had found something a bit cheaper, that worked.

http://www.bhphotovideo.com/c/product/973464-REG/sonnet_qio_tb_qio_universal_media_reader.html

How about FireWire?
I don´t have firewire on my iMac or MacBook, so that is not an option for me.

Geez, $1K for a card reader??

How about a Belkin Thunderbolt Express Dock? For <$200, it would give you both FireWire and USB3 ports for a variety of accessories, including fast card readers.
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