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RF100-400 question

EDIT: I am reading "The IS unit is able to lock and unlock the shifting lens cell depending on the IS switch position on the lens barrel. Mechanically locking the compensation optics prevents the lens from unintentional shifts when stabilization is turned off."
That's in reference to EF lenses. RF lenses don't do that. No point in switching off IS for transport of an RF lens.
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Exploring The History of Innovation: The Canon EOS 5 Series

What a blast from the past! I really loved my 5D II, and with the small 40mm pancake it was surprisingly portable.
Me too! I’m team Canon but the 5D II was so great! I didn’t think I would ever upgrade. I kept it until the R5 and don’t think I will ever buy another camera until it can’t be fixed! 5D IV is my backup.
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Canon Says it’s up to Sigma to Make Full-Frame RF Lenses

I mean, you have to build those electronic parts as well. And the design part especially looks very very complex.
Some... but Canon, e.g., builds sensors but buys DIGIC CPUs and other chips. In any case, building chips is relatively quick once the facilities are in place, while growing / polishing / preparing the big glass elements for big whites takes up to 1 year or so in certain cases and it's therefore much less scalable
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EOS R system as a 2nd system - anyone else

I know this is a Canon enthusiast forum and likely nearly everyone here has R as their only OR primary system, but just wondering if anyone has another branded system as their primary, and the R system (any EOS R body) as their secondary system?

And why? Just out of curiosity and fun discussion.

I've shot Canon large sensor digital since '05. Been a Canon shooter since. In 2015 I started to migrate over to Fujifilm for its smaller size and to basically get into mirrorless. Also shot EOS M for a long while too.

Today my X-T5 is my primary system. I use Canon EF glass (for fun) on it and it shoots near natively in operation. But I thought why not also shoot a Canon R body for even additional options. However its still large, with EF glass especially. So it's just really a secondary/hipster case. I'm not saying one is better than the other, in fact I prefer Canon in many ways, I just overall like using a smaller system and love the Fujifilm dials and overall results. If canon made a highly polished compact APS-C system with dedicated high end APS-C primes--both with high aesthetics/materials quality/metal build, I'd go for it. But no such thing exists.

F00 conundrum

Have You tested the lens with TC on a DSLR? Might be a software problem EF/RF as the RF TC works without problems. And it is unlikely both EF-TC fail at the same time.
I have no DSLR on which to test it. The idea of removing the R-series body from the equation is a good one, though. I did try the EF extenders with 600/4 II on my EOS M6II, which I believe uses the standard EF communication protocol. Same result – bare lens is fine, extenders are F00. So while I agree that it's unlikely they both failed, I do think that's what happened.

I will meet up with someone who has an EF 1.4xIII at some point. In the meantime, as I suggested above I can use the RF 1.4x with the modified adapter, which is what I did yesterday morning.

My idea above that I could edit the EXIF and at least get DxO to use the lens profile for the 600/4II + EF 1.4xIII turned out to be possible with a fair bit of digging. Through some trial and error, it turned out that there is no need to change the Lens Model or Lens ID number in the EXIF, all that's needed is to set the Focal Length to 840.0 mm and set the Aperture to 5.6, then DxO correctly 'guesses' that the combo is the 600/4 II + EF 1.4xIII. (Took a bit longer to get there since Exiftool reports "Sorry, Aperture is not writable," because the real name of that field is fnumber.)

So, does it matter? The lens profile (albeit with the 'wrong' extender) corrects a very small amount of vignetting and barrel distortion (easier to see when dynamically flipping between the images rather than the static images below), but the lens-specific sharpening does make a noticeable difference. Could have gotten there by doing that manually, I suppose. The file with the original EXIF is on top, bottom panels are after changing the focal length and aperture in the EXIF metadata.

LensProfile.jpg

So at this point, it's mainly academic. I have a functional combination of 600/4 + 1.4x extender, and a working lens profile for easy RAW conversions. I could buy a used EF 1.4xIII (B&H has a 9+ copy for $300), but I don't really see much point.

I'll stick with using the RF 1.4x on the EF lens, and hope that Canon comes through with a new RF 600/4 with a switchable 1.4x soon. Canon, are you listening?!? ;):ROFLMAO:

I will probably call Canon and inquire at some point, I think they still service the EF III extenders so I'll at least check repair costs to see if it's worth doing that before selling them, which would be an alternative to using them for juggling practice.
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R1 missing features?

I'm new to the R1, I still have my OG R6, prior to that I used to be a 1D-X shooter.
To my surprise, apparently the R1 does not feature an in-camera trimming/cut tool to cut videos. As a wildlife shooter, I generally cut the videos in-camera, as I often need only couple of seconds from a footage and by doing so I could save up space on my hard drive. Surely, I can get around by cutting footages on my PC with a software like Loseless Cut, but I did not expect the R1 no to have that feature (lower end bodies all have that).

Also, the R1 not having waveforms is unexpected, as R5II has it.

Not being able to assign pre-capture to a button is weird, although you can get around that with different custom shooting modes. You can assign pre-recording to a button in video mode, however.

I know my R6 inside-out, the R1 is still a bit overwhelming at first, as it is highly customizable. It is definitely a most capable camera I have ever owned, though. I noticed it is far more reliable in back-lit situations than any camera I have used, I guess it has to do someting with the cross-type AF point.

Any insights from R1 users would be appreciated!

Canon Will Continue to Expand the RF Lens Lineup at 6 to 8 Lenses a Year

the sigma 28 f1.4 art is an outstanding lens. i did sell mine tho when i switched to mirrorless in december because i got the 24 f1.4 VCM. i shoot lots of milky way
I miss my 28mm Art because it was the only option, and because it was so good but, to be honest, I don't miss carrying it.😅
I've gone full RF since 2024. Now I only keep the adapter for the case I ever need an EF lens for work.
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SanDisk Sounds the Alarm About Near Future Storage Price Hikes & Supply

I agree that CE will be affected for years, but for a different reason than the implied shortage. The continuation of the AI boom is dependent on continued financing and so far a lot of the money is flowing in a loop (or not flowing at all). Nvidia invests in an AI company and then the AI company agrees to buy Nvidia GPUs, but as you say, there is no power to run the beast. They hype causes gullible investors to throw money at the AI company and by association at Nvidia, which has a completely ridiculous market cap. The timeline is too long for investor patience to last, even if there is some magic application out there that could eventually produce enough revenue to fund the monster. When the house of cards collapses, the dot com bust will look like child's play and the ensuing recession will have an effect on CE for years to come. Take pictures and invest wisely.
I wasn't exactly intending to enumerate all the causes of the likely years-long implosion of consumer electronics.

I agree with the description of the AI "boom" as a venture capital scam, see here: https://pivot-to-ai.com/2025/08/23/...e-think-the-ai-bubble-keeps-going-until-2027/

And I think it will indeed keep going into 2027. If it was based on investment fundamentals in any way, it would already be over. It is not gullible investors exactly, but self-interested venture capital scammers (that's their only "innovation": endless fraud) AND plenty of idiots AND people just jumping on the bandwagon because the markets and institutional investors function on FOMO.

The memory and storage supply implosion right now is caused by AI "hyperscalers" (people hoarding chips for datacenters that aren't built and for which there is no profitable use) buying out the entire supply of memory manufacturers - there are only 3 meaningful manufacturers on earth for RAM, which was already a very corrupt cartel. When AI collapses, the likes of Micron will still have no consumer supply, so prices will stay elevated for some time (and they will try to keep them up even when supply increases as there is no competition).

"Crucial" is Micron's consumer business, which they've ended because they're making so much money on datacenter HBM, which is not usable for anything else (similar to crypto mining chips, which were sold to many of the exact same people pushing AI).

Smaller electronics retailers and product lines will be crushed because with DDR5 RAM at 5x price vs. a year ago and fast SSD storage at something like 3x, a lot of consumers simply stop buying certain things entirely. As I said the other day, I'd have bought a 2nd 4TB external SSD the other day, but it has doubled in price. It's something I could use, but will get around until I have absolutely no choice.

Anyways yes, the recession from the AI crash will also further implode consumer demand and buying power, added on top of the tariff nonsense and the monumentally stupid imperial ambitions in the middle east. Everything will be worse for consumers for a long time.

Reference material/comments:
Here's a more recent article on the bubble, the timeline, the years required to rebuild supply lines, and "hyperscalers" buying more chips than they can use purposefully: https://pivot-to-ai.com/2026/03/27/the-ai-bubble-and-the-global-polycrisis/. Ed Zitron has dug into the numbers a lot, and only 1/3rd of claimed data centers are actually being built: https://www.wheresyoured.at/the-ai-industry-is-lying-to-you/.

OpenAI shut down its Sora video slop model the other week; of course, video models are the pinnacle of setting money on fire. They still only make worthless memes, but they cost astronomically more to run than text or still image generators. This is one of the first real cracks in the glass.

I think the "Subprime AI crisis" analogy is a good one (Ed first brought it up in 2024, but his most recent article breaks down a ton of numbers here: https://www.wheresyoured.at/the-subprime-ai-crisis-is-here/).
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Cover Cap for removed tripod collar mount on 24-105 Z / 70-200 Z ?

...am I the only one bothered by this unfinished, sharp-edged mounting point? :unsure:
It's never been a nuisance for me, never actually thought about it until seeing your post. The edges do have some rounding, and don't feel sharp against my skin. I'd really have to work hard to scratch myself.

I can see how that would scratch up some delicate surfaces, though. Or even becoming annoying when hand holding. But you can simply turn the collar, so the mount isn't sitting against a surface or resting in your hand.
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R5 Mark II vs BMPCC 6K G2 - dynamic range, aspect ratios etc

- Interface
The 6K2 has amazing menu and overlay. The Canon has good menu that work well for the amount of options that a photo camera has, but very very poor overlay placement. The items are not even aligned, and sometimes they get on top of the image for no reason. Why? I have no clue. It's really something that they should work on because it looks so stupid besides the fact that it can impact operations.

- Aspect ratio
There is a lot to unpack here. The origin of this whole issue is not Canon side, but you would be right to hate on them anyway because they only give this option. So, the digital specifications for video are bonkers. With digital, if you change the aspect ratio, the height stays the same. With 35mm, it is the opposite. Why? I don't know, and for me it doesn't make any sense. So for Canon you start from a 4K full DCI weird aspect ratio that is not even 1.85. You don't get any other aspect ratio in camera. You want something else? You have to crop in post. Basically giving a crop factor to your lens. It is so so bad. On the 6KG2 you also get a single aspect ratio, but at least it is a higher 16/9. You get so much more image. Standard digital specifications do not make any sense, and it's the whole reason why today everybody is looking forward to open gate. It's not to take out tiktok videos from a normal video. It's because the default and only aspect ratio sucks. The solution is pretty straightforward. Since most people are not delivering for cinema, manufacturers should just give us more aspect ratios that do not conform to standards but have higher pixel counts on the vertical side. Imho it is vastly better to resize than to have a crop factor. The non conform 6KG2 feels much better.

- Sound
XLR vs jack connector. Obviously one is better than the other. But is it a significant difference? I am not an audio expert, and it sound like I can get a very similar audio with jack. XLR is locked, but I don't think that you are going to pull the cables by chance that often, if ever. The truly good mics are all XLR obviously, but are you going to want to connect those to a camera instead of an external recorder? I don't think so. And I love the low profile of the Sennheiser MKE 440. What Canon could do on the next camera is implementing 32bit float audio recordings to avoid clipping at any cost, which a lot of manufacturers have already done. It shouldn't be that hard. But the 6KG2 doesn't do that either, so for the sake of this comparison for me they are equal. I do not miss XLR at all

- Stabilisation
I didn't test this much on either camera. The 28mm I am using right now is stabilised so that's already great for me. The 6KG2 has data that Resolve can use, and pixel size to crop in. The R52 has IBIS. They both have their strength, but it is nice to have a baked in IBIS stabilisation available.

- Screen
While the 6KG2 is way bigger, and the overlays are better positioned and drawn, the extra brightness on the R52 was significant. But i could have gone confused with the settings. I should look back at it.

-Overheating, camera noises, battery life
Battery life seemed pretty similar. My test didn't focus on this specifically so don't take my word for it, but at the end of it I had almost finished one battery on both. You clearly have to buy multiple spares for both. Since it was still a cold day, I didn't get to overheat warnings on the R52, but it will happen on a hot day as reported on multiple reviews. For me this is a crucial hybrid tradeoff: if you want a real fan, don't look at photo cameras. Then there are camera noises, in my case those all come from the 28mm doing tracking autofocus. There is no lens at a decent price on RF. On a 6KFF I would probably get the new Sigma 28-70 which is fully quiet. This matters to me since I have the mic on top of the camera, but there is no solution given Canon policy that connects silent focusing to high quality and high price. Which I don't want to spend.


After all this testing I had a clearer picture in mind.
R52: very compact form factor and decent color quality that needs grading but cannot retain highlights.
6KG2: bulkier form factor with impressive dynamic range, ease of use, and color workflow.

So I have decided to try and sell the 6KG2. While I do not think that there is anything else that matches the value of what this camera can give, for my current usage, form factor is everything. I want to be able to go around with a camera and not care about focusing that much. I'll get by the awful aspect ratio and the clipped highlight. I hope that Canon will implement open gate on the Mark II and seriously improve the dynamic range on the Mark III. I beg people to stop writing that "current cameras are all great", because they are not! But the portability of them is irresistible. And while I am selling the 6KG2, I am still very interested in their new full frame model. Like I said previously in this review it has many significant upgrades: brighter screen (already present on 6K Pro), cfexpress, tracking autofocus, tighter l mount, open gate. For now I am satisfied with Canon hybrid. But if I'll ever shoot on less so run and gun scenarios, I'll definitely consider coming back to Blackmagic. Or maybe I'll not manage to sell the 6KG2 at a decent price, so I'll just keep it on a shelf most of the time and use it in those rare situations where I am sure I don't want autofocus and can tollerate the bigger profile.
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