How to REC Timelapse Movie on Canon R5C?
- By Antono Refa
- EOS R
- 1 Replies
If you're looking for a desktop application that collects photos into a video, LRTimelapse is a popular option.
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One advantage might be that the tilt and shift info would be included in metadata and perhaps focus data.I hate to imagine the cost of such a special-purpose beast of a lens!
However, there are lots of interesting possibilities here, too. For example, if the operation of the tilt/shift mechanism (and, of course, focus) are electronically controlled, the camera will also be getting information about these settings and that information could be used to inform image correction. I can imagine things like graduated CA correction that recognized how CA would vary across an image from a TS'ed lens, for example.
But the cost! ;-)
By the way, to add before someone says dont complain here tell canon…I need to add my voice here.
I own both the R3 and the c70, actually sold an R5 for an R3. And I DO believe canon should bump up the video features. At least on par with Nikon and Sony’s A1. Such as:
- shutter angle
- custom WB in movie mode in Live View
- RAW output to Atomos
- Atomos compatibility, like shutter button triggers REC.
- XF-AVC
- Cinema RAW, this is not the same as Canon RAW.
- Cinema RAW Lite
- oh and let me disable IBIS but retain lens IS!
Please!!!
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If same controller is used as R5 then results won't change much(other than better firmware implementation) but if new controller is used then results surely would change quite a bit.
I was referring to the Canon NON-L EF 70-300 f/4-5.6 II lens that sells for $599, not the L lens. The non-L consumer level EF 70-300mm f/4-5.6 II outperformed (in sharpness) the Sigma 100-400 at 300mm cropped to the same FOV as the Sigma at 400mm, at least in my experience with the 2 Sigma lenses I briefly owned.It's more than 3 times the price of the Sigma and also a native (is this term right?) lens. Would be a shame if it wouldn't perform better. The question is: Does the better performance justify the huge price difference? I don't know. I tried to figure it out, but didn't find any serious information about a comparison. If you find, feel free to tell me ... Thank you!
I'm sure I'll get the 35 L, despite having the 28-70. At first I sold my 50 1.2, thinking it was redundant having both, but the 50 is considerably smaller and lighter than the 28-70 (and of course is a stop and a third faster), so I bought the 50 again LOL!Can't wait to see a new L lens in the popular focal length! However, I would still probably stick to my 28-70 f2 as it's the beast.
Ok Canon listen here. For that mid range model that sits between the R6 and the entry level model, make it an EOS R with ibis, if you wish to beef up the body a bit for that, fine, maybe even complete the body frame so that it wraps under the screen as well, like on a 6D II, and replace the Touch Bar by a thumb controller and you should have a winner. Here's for daydreaming.
Well I own a Z9 and my partner has an R3. Haven't used the A1 but haven't seen anything suggesting it is miles better than the other two.Have you used current Sony, Nikon and Canon cameras, and compared the animal-eye AF directly between them, shooting the same subjects, under identical conditions, with the same equivalent focal lengths and apertures?
If not, that's a pretty wild claim to make.
He wasn’t taking advantage of them during the trip, no. Neither do I, and I shoot only Raw with that camera. I process them in Photoshop when I get home. He doesn’t need Photoshop, but did want some way to edit the Raw files eventually. He was just concerned that however he looked at the Raw files, they looked bad, so he wanted to know whether he was doing something wrong during the trip.True, but it sounded like he wasn't taking much advantage of the raw files in the first place.
I don't believe anyone has made a 24-70 f/2.8 with IS for the Sony system. I assume the thinking is that the cameras have IBIS so in a 24-70 f/2.8 it is better to aim for smaller and lighter than include IS. Of the available options, the Sony 24-70 f/2.8 GM II seems to do the best job of being lighter and smaller, unless you count the Tamron 28-75 f/2.8.Where is the IS? Are they not able to match Canon's lens?
Thanks for the kind words @ISvIf your post was not so ridiculous it would be just funny - what exactly are you comparing?! "EOS 4 Life" already explained what the original post "17.000" actually (I changed it from "referring") means: RF 800 f/5.6! And you are talking "...CR should learn a little bit about the market for high end cinema zooms, Canon's history in that market, and what competitors charge for large format glass these days."
Huh?!
Your description of the problem is not correct. The mirror inside the body, or lack there of, is irrelevant in this case.Canon states that the 70-300L in not compatible with either the 1.4 or 2.0 lens extender. I understand this is because the back portion of the internals extends too far into the body that it causes contact with the mirror. Since the R series have no internal mirror, does that mean the the 70-300L could be used with either of the extenders along with the ef-rf adapter?
Of course I didn't. So you meant I didn't prove the point Dilbert was making, and the lenses i mentioned are under-designed optically while having the worst optics in the RF range. Then again, you lower/raise? your standards to take my inferior lens off my hands for free. Too confusingI too was being sarcastic, if you didn't catch that! lmao![]()
I sympathize with you. I signed up a while ago (at $50 I think) and have enjoyed the posts and also benefited from info on how to buy & sell RF equipment (enough to cover the $50 fee). But I notice a dearth of CR Forum content since after Craig left, so much so that it really feels like just a shell of what it used to be. One can only hope that it'll pick up in the future.No clue and wondering why NOTHING from CR either. I think I'm regretting signing up for a $100 USD weeks before the previous own's departure.