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Jamesy said:I have seen them on Fred Miranda occasionally used for 4.5k U$D.
Does anyone know if the 5D3 AI Servo fix for this lens extends past the one year warranty period? Is it a service advisory like the light leak fix that can be done at any time regardless of warranty status?
sama said:Canon X5 (Japanese version of 600D)
with Tamron 17-50 Non VC version
Aglet said:HA!RLPhoto said:While these are interesting, They don't showcase anything that couldn't be done on a d30.![]()
Nice try. ;D
That's only +2 EV and 63% fill light on Adobe ACR 6.7
Either of those settings alone can show up banding noise in dark areas in some low ISO canon raw files. (I'm discovering there's sometimes more to it than that tho, can vary with Canon shutter speed)
Addenda: I can actually drag fill light to 100 to start to blow out the sand in the LR corner and it only shows a little chroma noise that could be removed with basic NR and still show plenty of detail.
see below from the d800 for a sample of low DR scene that's NOT at base ISO:
- 1st is a 1/10th linear scale of the whole frame
- 2nd is a full crop
take a guess at the ISO
I'll provide a few clues: f/8, 1/20s only a few points of luminance NR, May 25th, 7:50PM MST, in shade, about 53.5 degrees N latitude. ACR 6.7 using 10 pts of luminance NR on top of the default 25 pts of chrominance NR.
Ancient 55mm macro for glass.
I'd LOVE it if my 5D2 came out this clean at those settings.
check my tech blog for the dark noise comparison if you want to see impressive lens caps shots.
I really shouldn't clutter this particular thread with this so I'll likely delete this & other images Sunday
MEANWHILE: did you guess iso 800?... nope
1600?... not it either.
That's ISO 3200 performance on the d800. Still pretty clean in the dark areas. and lots of crop-ability
I actually like the 70-300, I got the 70-200 for sports, then with the TC, I just find that I don't use the 70-300 anymore. Since the person I responded to had both lenses, I merely asked a question. Not sure how you got "Hey, this lens sucks" from my post.Richard8971 said:This thread was "show your love for the 70-300", not "Hey, this lens sucks, what would you use instead?" Let's get back to the original post.
D
I shifted from the dark side in 2009 ... but I still had my Nikon D80 and a 4 lenses till last month.Stu_bert said:What worries me more about Canon currently is their apparent shift to charging more for equipment,
gmrza said:dr croubie said:Hey, what's wrong with pissed aussie rowers?
(although technically, I gave up rowing at the end of highschool, a few months before I started uni and started drinking instead, so I was never both at once...)
One of my uni mates is in the Quad Sculls in a few hours, hope they kick your UK butts...
I have never seen a rower who doesn't drink. You sound like a first.
Mostly, they are just drunks with a rowing problem.
neuroanatomist said:7D, 15-85, 70-300L (same size filters, IIRC, but my recollection could be wrong), CPL and ND, tripod and ballhead, and Sigma ultra wide if there is room in the bag.
Both Canon & Nikon are among the best companies in the world that put in a great deal of emphasis on R&D (i.e. "focusing on better new products for existing customers") ... if they did not, they wouldn't be where they are today ... when Canon & Nikon make new products they incorporate suggestions & recommendations of their customers (many of them are Professional Photographers). The success (of serveral decades) of these two companies is not an accident. The best products in this world always cost much more than run of of the mill stuff and that is the fact of life.Drizzt321 said:Woody said:DB said:Just goes to show how both Canon + Nikon have become volume sellers, with the emphasis now on shifting product to new customers (especially new emerging markets), rather than focusing on better new products for existing customers.
I am not sure if I agree with this statement. Two top lenses: Nikon's 14-24 f/2.8 and Canon's 70-200 f/2.8L IS Mk2 are clearly new better products for existing customers.
Nikon and Canon are able to sell large volumes of lenses because of their excellent DSLR bodies, extensive lens collections as well as massive support from 3rd party lens sellers (Sigma and Tamron). Sony and the m43 consortium still have a long way to go in terms of lens selection.
They are...but they also cost in the neighborhood of $2K+. Not exactly an easy sell for many if not most existing owners. Will I buy the 70-200L IS m2? You betcha! When? After I can manage to save up for it.