Zeiss is about to finally announce the long rumoured Otus 100mm f/1.4, and the specifications have leaked out ahead of the imminent launch.
Zeiss Otus 100mm f/1.4 specifications:

Mount: ZE (for Canon EF), ZF.2 (for Nikon F)
Lens constitution: 11 groups 14 pieces
Minimum focusing distance: 1.0m
Maximum shooting magnification: 1: 8.6
Filter diameter: 86mm
Maximum diameter: 100.7mm
Focus ring diameter: 90.0mm
Total length (including the lens cap): ZE: 152.3mm ZF. 2: 150.1mm
Total length (excluding the lens cap): ZE: 128.8mm ZF. 2: 126.5mm
Weight: ZE: 1405g ZF.2: 1336g
Price: $4990 USD

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You can now preorder the brand new Canon EOS Rebel SL3 at our exclusive affiliate partner Adorama.

Canon EOS Rebel SL3 White w/18-55 f/4-5.6 IS STM $649 (After $100 instant rebate)
Canon EOS Rebel SL3 Black w/18-55 f/4-5.6 IS STM $649 (After $100 instant rebate)
Canon EOS Rebel SL3 Black Body Only $549 (After $50 instant rebate)

The press release for the Canon EOS Rebel SL3 can be seen here.

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It looks like the follow-up to the Canon EOS Rebel SL2 will be coming very soon, perhaps even this week.
The camera will be called the EOS Rebel SL3, Rebel 200D II, Rebel 250D or Kiss X10 depending on where the camera is sold.
The expected shipping date is April 25, 2019.
Canon EOS Rebel SL3 Specifications: (Google translated)

APS-C size equivalent CMOS sensor with about 24.1 million effective pixels
DIGIC 8
Equipped with “Digital Lens Optimizer”
Equipped with “Auto Lighting Optimizer”
Dual pixel CMOS A” enabled

It supports an area of ​​approximately 100% (vertically) and approximately 88% (horizontally) of the imaging surface
At the time of optional selection of AF area, it is possible to select from up to 3,975 positions
When AF area is automatically selected, ranging with up to 143 divisions is possible


Low brightness limit EV-4 is realized during live view shooting
During Live View shooting, “Puit AF” is activated to detect the subject’s pupil with pinpoint and focus...

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In a recent interview with Imaging Resource, Canon executives said that a lot more is coming down the pipeline in 2019, they obviously didn’t get into specifics.
Imaging resources summarize:
My main takeaway from this discussion was that Canon will continue investing in photographic technology, saying that imaging is fundamental to everything that they do and that we should, therefore, expect to see significant developments in the photo arena over the next period of time. I have been concerned — as have others — by what it meant that the EOS-R and EOS-RP were built around the sensor from the EOS 5D Mark IV, a camera that’s now more than two-and-a-half years old. Without giving specifics, they did note that they had a lot in the pipeline for 2019, so it sounds like we can expect to see a lot more from Canon before the end of the year. ...

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Prior to the latest announcements from Canon,  it was also rumoured that Canon would be adding 4.2.2. internally to the Canon Cinema EOS C200 and RAW video output to the Canon EOS R when using an external recorder such as the Atomos Ninja V.
The Canon EOS R raw recording may have originated with the following tweet from @CanonUSApro. Canon USA later backtracked and said they were talking about photography RAW, but that honestly made zero sense to us or anyone else.

As for 4:2:2 internal 4K being added to the Canon Cinema EOS C200, the person that sent that to us was correct about some other things, so we’re not sure what to make of it.
NAB doesn’t start until tomorrow, and the...

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Canon is obviously still doing development on the EF lens mount. As the mount is likely going to live on for both DSLR users as well as cinema applications, as Canon’s cinema cameras also come in EF mount. That will likely continue for years to come, as the transition to the RF mount will likely take 5-10 years for mass acceptance.
From US Patent US Patent Application 20190101732:[/b]

Canon EF 16mm f/1.4
Canon EF 20mm f/1.4
Canon EF 14mm f/1.8
Canon EF 16mm f/1.8
Canon EF 17mm f/1.8
Canon EF 19mm f/1.8

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Press Release:
Anhui China, 3 Apr 2019 – Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, is proud to display the new prototypes of Laowa OOOM 25-100mm t/2.9 and 12mm t/2.9 Zero-D in NAB Las Vegas show (Booth#C11738) and its the first time in America.
Laowa OOOM 25-100 t/2.9 Cine
Laowa OOOM 25-100 t/2.9 Cine is a high quality cinematic zoom lenses dedicated for PL/EF cameras with Super35-sized sensors. The name “OOOM” stands for “Out Of Our Minds” which properly describes our ideology of designing lenses. Unlike some other cine zooms in the market, the OOOM 25-100mm was designed with a goal to suppress focus breathing to the minimal at the beginning. Featuring a 32mm image coverage, the new OOOM lens covers a relatively bigger image than other S35 zoom lenses and should be able to cover most of the aspect ratios of cameras with Super35 sensors. The lens can focus up to 12.7” (32cm) away from the front...

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The most coveted global imaging awards given to three new Sigma Global Vision lenses; special industry award highlights the technology innovation introduced by the L-Mount Alliance
Ronkonkoma, NY – April 3, 2019 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, is pleased to announce its latest lens introductions and newly formed technology alliance, of which Sigma is a part, have been honored by the Technical Image Press Association (TIPA) with TIPA World Awards. Sigma 40mm F1.4 DG HSM Art ($1,399.00) won as the Best DSLR Prime Lens, 

[url=https://www.canonrumors.com/sigma-honored-with-four-prestigious-tipa-world-awards/]Continue reading...

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Press Release:
The Company’s First Set of PL-Mount Cinema Prime Lenses Merge the Art and Science of Cinematography
MELVILLE, NY, April 3, 2019 – Covering the core range of focal lengths that cinema professionals desire, Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to announce the company’s first set of seven cinema prime PL-Mount lenses, aptly named Sumire Prime. Pronounced “Soo-mee-ray,” the word is of Japanese origin and is associated with a floral gentleness and beauty. Sumire Prime Lenses offer a unique artistically pleasing look with gentle and beautiful skin tones and smooth bokeh, designed for use with large-sensor cinema cameras, including 35mm full-frame cameras such as the EOS C700FF Cinema Camera.

In addition to bright T-stops and Canon’s renowned warm-color imagery, a unique optical design introduces a nuanced look as the lens aperture approaches its maximum setting – subtly modifying the textural renderings of the human face closeup. It also...

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Press Release:
TOKYO, April 2, 2019—One Canon camera and three Canon lenses have been recognized with “Best Photo and Imaging Product” awards by the Technical Image Press Association (TIPA), representing 30 photo and imaging magazines from 14 countries and regions. Encouraged by these awards, Canon will continue to create products that meet the needs of a wide range of users, from entry-level to professional photographers.
Canon award winners:

Best full frame camera advanced: Canon EOS RP
Best mirrorless prime standard lens: Canon RF 50mm f/1.2L USM
Best APS-C mirrorless prime lens: Canon EF-M 32mm f/1.4 STM
Best DSLR professional prime lens: Canon EF 400mm f/2.8L IS III USM

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Keith over at Northlight Images has completed his thorough review of the Canon EOS RP. I like reviews in which the reviewer is a working professional and bought the camera with their own money.
Keith gives the camera a mostly positive review, and most of what he has written I agree with.
From Northlight:
Canon’s EOS RP is an interesting mix of the advanced and the simple, with a definite nod to making it easy to use for people looking to move to a full frame camera.
It’s light and compact, weighing less than many entry-level DSLRs. It handles well with adapted Canon EF and other lenses, although at the time of writing, the selection of native RF lenses are mostly at the higher end, and definitely not at what most would call ‘consumer level’.
As a long time Canon DSLR user, I found the camera really easy to get the hang of. There are more than enough controls and buttons for any use of the camera I’d likely make, and the range of customisation options are useful...

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DPReview had a chance to interview some senior engineers and planners at Canon to discuss all things lenses and the future.
Canon employees interviewed:

Manabu Kato – Head of EF + RF mount R&D
Yoichi Sato – EOS camera electronics R&D
Shogo Yamaguchi – Optical planning specialist

Some highlights from the interview:
How have you made the 70-200mm so small?
We were actually surprised as we started developing this particular product. The idea is that, with the introduction of the large diameter mount with the shorter back-focus distance, we were expecting it to be more suitable for designing wider-angle lenses, but it turned out to be very effective for designing this telephoto lens.
Can you give any insight into the DS technology?
With lens such as the 85mm F1.2 bokeh is a really important factor, because it’s a portrait...

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Press Release:
Two New Lenses Deliver Key Features for the Broadcast Industry: High Image Quality and Mobility
MELVILLE, NY, April 2, 2019 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the launch of two new additions to its UHDgc series of portable-zoom 4K UHD broadcast lenses: the CJ18ex28B and CJ15ex8.5B. These new lenses are compatible with 4K UHD broadcast cameras that have 2/3-inch sensors. Both lenses provide 4K UHD imaging quality at a price point that is affordable to the majority of the broadcast market. Additionally, the new lenses provide impressive UHD optical performance, while maintaining a compact and lightweight design to meet versatile and ever-changing needs of a broad range of video productions including documentaries, sports, events and news coverage.

The new Canon CJ18ex28B and CJ15ex8.5B portable zoom lenses utilize Canon’s proprietary optical design technology featuring materials such as fluorite and Ultra-Low Dispersion (UD)...

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Press Release:
XA55, XA50, XA45 and XA40 Camcorders Deliver Crisp 4K Imagery in Compact Bodies at Affordable Price Points
MELVILLE, NY, April 2, 2019 – Meeting videographer needs for a variety of applications, Canon U.S.A. Inc., a leader in digital imaging solutions, today announced four new additions to the lineup of XA Series professional camcorders, the XA55, XA50, XA45 and XA40. These four camcorders are the first in the series to feature 4K 30p recording. They also include a detachable XLR handle and the XA55 and XA45 each feature an HD-SDI terminal. In addition, the company has announced the Canon VIXIA HF G60 4K UHD camcorder, a budget-friendly, compact-and-lightweight camcorder.
Preorder the new Canon camcorders at Adorama:



[url=https://www.canonrumors.com/four-new-canon-xa-professional-camcorders-feature-4k-30p-high-quality-recording/]Continue reading...

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Images of the Canon VIXIA HF G60 have leaked ahead of this weeks launch. This is one of 5 camcorders being announced ahead of NAB which begins next week.

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