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Nikon Full Frame Mirrorless to Have New Z Mount

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<a href="https://nikonrumors.com/2018/01/11/nikons-upcoming-mirrorless-camera-rumored-to-have-a-new-z-mount-with-16mm-flange-focal-distance.aspx/">According to Nikon Rumors</a>, the upcoming full frame mirrorless from Nikon will have a new mount, dubbed the “Z Mount”. That name could change before the announcement.</p>
<p><strong>Specifications of the new mount:</strong></p>

<ul>
<li>Designed for full frame mirrorless cameras</li>
<li>External diameter: 49mm</li>
<li>Flange focal distance: 16mm</li>
</ul>
<p>This is where Canon could really have an advantage. If they can somehow make the 130million or so EF lenses compatible with a full frame mirrorless without an adaptor, they won’t have a hard time getting Canon DSLR shooters to add a full frame mirrorless to their kit.</p>
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Review: Canon PowerShot G1 X Mark III by TCSTV

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<iframe width="728" height="409" src="https://www.youtube.com/embed/Xg1h9sLWVMk" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe><p>The Camera Store does some of my favorite reviews, I think they do some of the most objective reviews out there.</p>
<p>The have completed their field test review of the polarizing new PowerShot flagship the PowerShot G1 X Mark III.</p>

<p>TCSTV came to the conclusion that the PowerShot G1 X Mark III makes a great landscape shooter, but beyond that there are better options out there.</p>
<p>Watch the video review above.</p>
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Canon Asking Select Professionals What They Want in a Mirrorless Camera

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A good source has told us that Canon has been asking select Explorers of Light and other professionals what they think would make a professional mirrorless camera “compelling” enough to purchase and use.</p>
<p>In the same survey by Canon, they asked specifically what the photographers thought about the Sony a9 and  medium format Fujifulm GFX 50s.</p>

<p>I will note that the likelihood of a Canon medium format camera coming to market is slim-to-none at best, perhaps it was more to gauge the interest in higher resolution cameras.</p>
<p>I’m not sure of when these questions were being asked, but if it was recently, that would likely tell us that a full frame mirrorless professional camera is not in the near future.</p>
<p><em>More to come…</em></p>
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UPDATED: Canon Italy Posts Image With Stolen Elements, No Credit and Taken on a Fuji

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<strong>*UPDATE*</strong></p>
<p><a href="https://www.dpreview.com/news/6711879670/canon-accidentally-shared-a-composite-photo-shot-with-a-fuji-all-over-social-media"><strong>DPReview has updated the story</strong></a> to shed some more light on what exactly happened at Canon with this image.</p>
<blockquote><p>We spoke to Elia this morning, and he told us that after a bit of sleuthing he was actually able to uncover the source of the image: a royalty free photograph on Unsplash that was allegedly taken in October of 2017 with a Canon 1D Mark IV. Elia has asked that we not “out” the photographer, but you can see the EXIF data in this screenshot:</p>
<div id="attachment_32928" style="max-width: 600px" class="wp-caption aligncenter"><a href="http://www.canonrumors.com/wp-content/uploads/2018/01/Screen_Shot_2018-01-11_at_9.55.59_AM.png"><img class="wp-image-32928 size-full" src="http://www.canonrumors.com/wp-content/uploads/2018/01/Screen_Shot_2018-01-11_at_9.55.59_AM.png" alt="" width="590" height="436" srcset="http://www.canonrumors.com/wp-content/uploads/2018/01/Screen_Shot_2018-01-11_at_9.55.59_AM.png 590w, http://www.canonrumors.com/wp-content/uploads/2018/01/Screen_Shot_2018-01-11_at_9.55.59_AM-225x166.png 225w" sizes="(max-width: 590px) 100vw, 590px" /></a><p class="wp-caption-text">Screenshot by DPReview</p></div>
<p>From there, it doesn’t take an advanced degree to figure out what happened. A social media team at Canon Europe took to <a href="https://unsplash.com/">Unsplash</a> to find a royalty free picture to share. They probably searched for “Canon 1D Mark IV” and “Italy,” and when they stumbled across this shot they had no idea that it was, in fact, not a single image but a composite of (at least) two photos… one of which was taken with a Fujifilm camera. <a href="https://www.dpreview.com/news/6711879670/canon-accidentally-shared-a-composite-photo-shot-with-a-fuji-all-over-social-media">Read the full story at DPReview</a></p>

</blockquote>
<p>It’s strange to me that Canon would be this lazy in posting images. I find it hard to believe they don’t have a library of countless great images they could use for social media.</p>
<hr />
<p>Well this is an odd one. According to <a href="https://fstoppers.com/news/canon-italy-posts-landscape-composite-without-credit-stolen-elements-and-taken-211794">FStoppers</a> Canon Italy has posted an image to social media without credit, consisting of stolen elements and not even taken on a Canon camera.</p>
<p>It looks like someone at Canon took the work of landscape photographer Elia Locardi and used some elements from the image in a composite on an image Canon Italy posted to Instagram and Facebook.</p>
<p><a href="https://fstoppers.com/news/canon-italy-posts-landscape-composite-without-credit-stolen-elements-and-taken-211794"><strong>From FStoppers:</strong></a></p>
<blockquote><p>So, the social media team for Canon Italy (and Spain) have posted a composite landscape, half of which was stolen, not taken with a Canon, and not credited anyone involved in the creation of this image. Rough day at the office.</p></blockquote>
<p>Social media is full of brands stealing photos, not crediting authors, not expecting to pay for using someone elses photos. However, to see someone at a company like Canon do it, that seems even worse.</p>
<p><a href="https://fstoppers.com/news/canon-italy-posts-landscape-composite-without-credit-stolen-elements-and-taken-211794">Head on over to FStoppers for a more in-depth analysis</a> of the offending image.</p>
<p><em>image credit // <a href="https://fstoppers.com/news/canon-italy-posts-landscape-composite-without-credit-stolen-elements-and-taken-211794">FStoppers.com</a></em></p>
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Photo Contest Help

My wife is working at a new medical school and they want to have a photo contest for the students. They were wondering about files sizes and printing. They want to be able to print on metal at 24 x 36.

The wording the put in the email to my wife and asked her to ask me is

"Electronic file must be a minimum size of 4mb at 300 dpi and a maximum of 15 mb size."

Do you think a 4mb file will be big enough to print at 24x36 and still look good.

Patent: Optical Viewfinder for Mirrorless Camera

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Here’s a strange patent application from Canon, an optical viewfinder adaptor for a mirrorless camera.</p>
<p><strong><a href="https://www.canonnews.com/canon-applies-for-an-optical-viewfinder-patent-for-mirrorless-cameras">Canon News</a> breaks down Japan Patent Application 2018-005126:</strong></p>
<blockquote><p>This adapter would provide the half mirror assembly that would split the optical path between the image sensor and the viewfinder, and allow for simutaneous use of the image sensor and that of the optical viewfinder.</p>


<p>The image sensor would be responsible for AF for one embodiment, the other embodiment has a seperate phase detect AF sensor.</p>
<p>There is a large group of photographers that just don’t like EVF’s and may never like EVF’s, so this could be a solution for them.</p></blockquote>
<p>Me personally? It wasn’t until the Leica Q that I got over my hate of EVFs.</p>
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Updated: Patent: EF 15mm f/4 & EF-M 9.5mm f/4

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<strong>Update:</strong> <a href="https://www.canonnews.com/canon-applies-for-a-fisheye-lens-one-possible-mirrorless-prime-patent">Canon News has dug a bit further</a> and come to the conclusion that these optical formulas are for a fisheye due to the lenses having a 175 degree field of view.</p>
<p>A new patent showing an optical formula for a new wide angle prime has appeared. The full frame lens in the application is an EF 15mm f/4, while the APS-C optical formula of a EF-M 9.5mm f/4 shows a shorter backfocus than an EF-S lens and could actually be EF-M.</p>


<p><strong>Japan Patent Application <a href="https://www.canonnews.com/canon-applies-for-a-uwa-lens-one-possible-mirrorless-uwa-prime-patent">2018-004726</a></strong></p>
<p>Canon EF-M 9.5mm f/4</p>
<ul>
<li>Focal distance 9.50</li>
<li>F number 4.10</li>
<li>Imaging field angle (degree) 175</li>
<li>Image height 13.66</li>
<li>Whole length of the lens 63.97</li>
<li>BF 23.16</li>
</ul>
<p>Canon EF 15mm f/4</p>
<ul>
<li>Focal distance 15.18</li>
<li>F number 4.12</li>
<li>Imaging field angle (degree) 175</li>
<li>Image height 21.64</li>
<li>Whole length of the lens 130.16</li>
<li>BF 58.19</li>
</ul>
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Patent: Canon EF 85mm f/1.8 & EF 100mm f/1.8

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A patent showing 4 new optical formulas for EF prime lenses has appeared.</p>
<p><strong>Japan Patent Application 2018-005133 shows the following:</strong></p>


<ul>
<li>EF 50mm f/1.8</li>
<li>EF 85mm f/1.4 (Not the same as the EF 85mm f.1.4L IS)</li>
<li>EF 85mm f/1.8</li>
<li>EF 100mm f/1.8</li>
</ul>
<p>The EF 85mm f/1.8 and EF 100mm f/2 could both use a replacement, the former being more likely.</p>
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Canon’s Focus on Innovation Once Again Lands Imaging Leader a Top Five Spot Among U.S. Patent Holder

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<em>Company claims third most U.S. Patents, placing it ahead of fellow tech giants globally.</em></p>
<p><strong> MELVILLE, N.Y., January 10, 2018</strong> – As part of its mission to redefine the boundaries of innovation and expand the possibilities of imaging technology, Canon U.S.A., Inc., a leader in digital imaging solutions, has announced that its parent company, Canon Inc., based in Tokyo, Japan, ranks third among U.S. patent holders in 2017.</p>
<p>According to patent results issued by IFI CLAIMS Patent Services, a leading producer of global patent databases, Canon was granted a total of 3,285 patents in 2017. This is the 32nd consecutive year that Canon Inc., has been ranked among the top five U.S. patent holders and for the 13th consecutive year, ranked first among Japanese companies for the number of U.S. patents granted. The patents granted demonstrate the company’s commitment to using a robust set of intellectual property rights to develop visionary consumer, business and medical solutions.</p>
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<p>“Having landed once again among the top three patent holders, Canon’s longstanding and continued commitment to strategic research and development through continued innovation is evident,” said Seymour Liebman, executive vice president, chief administrative officer and general counsel, Canon U.S.A. Inc. “With 3,285 patents to our name, Canon is immensely proud of our strong standing among fellow tech giants as we continue to cement our role as a worldwide leader in imaging solutions in 2018 and beyond.”</p>


<p>In 2017, Canon U.S.A. imaging IP and technology innovation has earned Emmy recognition for its 4K cameras and lenses and opened up new research opportunities for wildlife habitats in the dark with its low light camera, the ME20. Ripples of Canon’s technological advancements were also felt in the production printing industry, where the company unveiled breakthrough new technology such as the Océ Colorado 1640 wide format printer, powered by Canon’s UVgel technology, which is the world’s first 64-inch roll-to-roll printer.</p>
<p>The patent news also comes on the heels of Canon’s innovation showcase at the 2018 Consumer Electronics Show (CES) where its “Visionaries Welcome” themed-booth featured previously-patented technologies integrations in manufacturing, retail, sports and entertainment and experiential marketing solutions.For more information on Canon and its products, please visit <a href="https://www.usa.canon.com/internet/portal/us/home/about/newsroom/press-releases/press-release-details/2018/20180110-patent/20180110-patent/!ut/p/z1/jZBND4IwDIZ_EVkHZrDjNkBmQAOJgruYHRRJdBBDPPjrnR8XQ5z20KTt07d5ixRqkDL62rV67HqjT7beKrIryizKpIB8HqwAWELDpBIs4CFG9ROAL8EAqX_2HYByyy9-HbAO_EshihapQY9HrzOHHjU-4OiVAWPw7GRvxmmjRupTHyoaAiMxyeiSA06xGyglcQMymU2ADZ9ZgMYi8NOHyzfgeMJwXje3nFPZyfYO_4lWkg!!/www.usa.canon.com." target="blank"><b>www.usa.canon.com</b></a>.</p>
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Canon Rumors Turns 10 Years Old

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I had no idea I’d be doing this for 10 years, but here we are.</p>
<p>The site started very casually a week or so after I was told by my wife that she was pregnant. I was off of work because of an injury and spending most of my day leveling up my Druid in World of Warcraft. While I contend vanilla WoW was hard work, my wife working two jobs at the time was probably harder work.</p>
<p>I had made some money in the late 90’s before the bubble burst on a desktop icon site called Icon City, it was a lot of fun and was even featured on Screensavers (I loved that show). Then the bubble burst and the site went away for various reasons. However, in the back of my mind, I always figured that I’d end up earning a living online, I just didn’t know how for a long time.</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2018/01/iconcity.jpg"><img class="aligncenter size-large wp-image-32902" src="http://www.canonrumors.com/wp-content/uploads/2018/01/iconcity-728x126.jpg" alt="" width="728" height="126" srcset="http://www.canonrumors.com/wp-content/uploads/2018/01/iconcity.jpg 728w, http://www.canonrumors.com/wp-content/uploads/2018/01/iconcity-225x39.jpg 225w, http://www.canonrumors.com/wp-content/uploads/2018/01/iconcity-610x106.jpg 610w" sizes="(max-width: 728px) 100vw, 728px" /></a></p>
<p>Fast forward 10 years…</p>
<p>I had always liked reading the camera and lens rumor section at <a href="http://www.northlight-images.co.uk/rumours.html">Northlight Images</a>, and figured I could do the same thing, but brand it as a rumor site. About $30 later, canonrumors.com was online.</p>
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<p>The site was never started to make “real” money, though I figured I’d see some revenue to put towards camera stuff and maybe some rent. Then the EOS 5D Mark II came and traffic exploded and I started to see I might be able to do this for a living. It wasn’t too long after the EOS 5D Mark II that I quit my camera store job and focused 100% on Canon Rumors.</p>
<p>I get asked two questions a lot about Canon Rumors.</p>
<p><strong>The best part of doing Canon Rumors for a living?</strong></p>
<ol>
<li>I’ve met a small circle of people that I consider some of my best friends through this site.</li>
<li>I was never a 9 to 5 person, I enjoy working whenever I feel inspired.</li>
<li>I love to travel and always wanted to be able to earn a living with a laptop.</li>
<li>You continue to meet exciting new people.</li>
</ol>
<p><strong>Advice for others who want to do the same thing?</strong></p>


<ol>
<li>Follow through, it took about 3 years of 5-10 posts a week before Canon Rumors showed any sort of “real” revenue that I could potentially live off of. I know some people have blown up on YouTube a lot faster, but I don’t know anything about that world. One common thing between a blog and YouTube, you must always be adding content.</li>
<li>Grow some thick skin as soon as you can. Living on the internet does expose you to people that can ruin your day.</li>
<li>Don’t take yourself too seriously. Be human. I realized from the start that I wasn’t a “journalist”.</li>
</ol>
<p>Will I be doing this 10 years from now? Who knows, maybe I’ll retire a <a href="http://www.canonrumors.com/kodak-and-wenn-digital-partner-to-launch-major-blockchain-initiative-and-cryptocurrency-crcoin-coming-soon/">KodakCoin</a> millionaire in the not-too-distant-future, or maybe I’ll continue to love doing this site indefinitely.</p>
<p><strong>Thank-you’s</strong> (I’m sorry if I missed anyone).</p>
<ul>
<li>My wife Theresa</li>
<li>My son Caellum</li>
<li>Every single person that has read and contributed to the site and forum</li>
<li>Keith Cooper at <a href="http://www.northlight-images.co.uk/rumours.html">Northlight Images</a></li>
<li>Peter at <a href="https://nikonrumors.com/">Nikon Rumors</a></li>
<li>Geoff at <a href="http://www.gwellstaylor.com/blog/">gwellstaylor.com</a></li>
<li>Ethan at <a href="http://ethanmeleg.com/">EthanMeleg.com</a></li>
<li>Peter at <a href="http://fotoart.ca/">Foto Art</a></li>
<li>Joe at <a href="http://www.cameracanada.com/">CameraCanada</a></li>
<li>Jim (You know who you are)</li>
<li>Mitch at <a href="http://blog.planet5d.com/">Planet5D</a></li>
<li>Barry at <a href="http://www.barryandersson.com/">BarryAndersson.com</a></li>
<li>Glenn at <a href="http://www.glennbartley.com/">GlennBartley.com</a></li>
<li>Dan at <a href="http://shuttermuse.com/">ShutterMuse.com</a></li>
<li>Are at <a href="http://f32.no/">f32.no</a></li>
<li><a href="https://www.bhphotovideo.com/?BI=2466&KBID=3296&KWID=EZ">B&H Photo</a></li>
<li><a href="https://mpex.com/">Midwest Photo Exchange</a></li>
<li>Sam at <a href="https://www.hostduplex.com/">Hostduplex</a></li>
<li>Sebastien at <a href="https://impeka.com/">Impeka</a></li>
<li>Andy at <a href="https://www.andybiggs.com/">Andy Biggs Photo Safaris</a></li>
<li>Roger & Drew at <a href="https://www.lensrentals.com/">Lensrentals.com</a></li>
<li>Jeff at Pier55</li>
<li>Justin at <a href="http://jvlphoto.com/">JVLPhoto</a></li>
<li><a href="https://dustinabbott.net/">Dustin Abbott</a></li>
<li>Bryan at <a href="https://www.the-digital-picture.com/">The-Digital-Picture</a></li>
<li>Graham at <a href="https://breakthrough.photography/">Breakthrough Photography</a></li>
<li>Chris Weeks</li>
<li>Adorama</li>
<li>All of the Canon Rumors forum moderators, they have a tough job.</li>
<li>Everyone at Canon that likes this site.</li>
<li>Everyone at Canon that doesn’t like this site. ;)</li>
<li>A big thanks to the Canon crew that filled me full of beef and malbec at Photokina</li>
<li><a href="https://petapixel.com/">PetaPixel</a></li>
<li><a href="https://www.dpreview.com/">DPReview</a></li>
<li><a href="http://fredmiranda.com/">FredMiranda</a></li>
<li><a href="https://5daydeal.com/">5DayDeal</a></li>
</ul>
<p>Thank-you for 10 years,

Craig</p>
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Buff WhiteLight X1600: paint inside of snoot silver?

Just ordered a second studio flash (have a Buff Einstein 640), a Buff WhiteLight X1600. Mainly for the uncoated tube to do UV reflectance macro. In order to control excess spill of harmful UV, I got a snoot, but that loses 3.5 f-stops. Snoots generally are black on the inside. Has anybody painted it silver? or glued aluminum foil on the inside? How much difference does it make? Just in case you wonder, I don't want to paint it white because of the ubiquitous fluorescent UV brighteners in white colors.

Do You Want to Take Your Canon EOS-1D X Mark II Apart?

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<iframe width="728" height="409" src="https://www.youtube.com/embed/aVWr5g-rlFc" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
<p>I don’t, but Peter McKinnon did!</p>


<p>Before Peter sent his EOS-1D X Mark II off for repair, he decided it would be best to check out what’s inside on his own. If it’s already going for repair, I guess it doesn’t matter if you can’t put it back together… You’ve already done half the work for the Canon tech.</p>
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KODAK and WENN Digital Partner to Launch Major Blockchain Initiative and Cryptocurrency, CRCoin Comi

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<div class="bw-release-subhead">
<em>KODAKOne platform and KODAKCoin cryptocurrency give photographers a new revenue stream and a secure platform for protecting their work</em></p>
</div>
<p><strong>ROCHESTER, N.Y.</strong> – Today Kodak and WENN Digital, in a licensing partnership, announced the launch of the KODAKOne image rights management platform and KODAKCoin, a photo-centric cryptocurrency to empower photographers and agencies to take greater control in image rights management.</p>
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<p>Utilizing blockchain technology, the KODAKOne platform will create an encrypted, digital ledger of rights ownership for photographers to register both new and archive work that they can then license within the platform. With KODAKCoin, participating photographers are invited to take part in a new economy for photography, receive payment for licensing their work immediately upon sale, and for both professional and amateur photographers, sell their work confidently on a secure blockchain platform. KODAKOne platform provides continual web crawling in order to monitor and protect the IP of the images registered in the KODAKOne system. Where unlicensed usage of images is detected, the KODAKOne platform can efficiently manage the post-licensing process in order to reward photographers.</p>
<p>“For many in the tech industry, ‘blockchain’ and ‘cryptocurrency’ are hot buzzwords, but for photographers who’ve long struggled to assert control over their work and how it’s used, these buzzwords are the keys to solving what felt like an unsolvable problem,” said Kodak CEO Jeff Clarke. “Kodak has always sought to democratize photography and make licensing fair to artists. These technologies give the photography community an innovative and easy way to do just that.”</p>


<p>“Engaging with a new platform, it is critical photographers know their work and their income is handled securely and with trust, which is exactly what we did with KODAKCoin,” said WENN Digital CEO Jan Denecke. “Subject to the highest standards of compliance, KODAKCoin is all about paying photographers fairly and giving them an opportunity to get in on the ground floor of a new economy tailored for them, with secure asset rights management built right in.”</p>
<p>The initial coin offering will open on January 31, 2018 and is open to accredited investors from the U.S., UK, Canada and other select countries. For more information visit <a href="http://cts.businesswire.com/ct/CT?id=smartlink&url=http%3A%2F%2Fwww.kodakcoin.com&esheet=51740339&newsitemid=20180109006183&lan=en-US&anchor=www.kodakcoin.com&index=1&md5=5496077f8dcf2e0171edeb35a96d54cc" target="_blank" rel="nofollow noopener">www.kodakcoin.com</a>. This initial Coin Offering is issued under SEC guidelines as a security token under Regulation 506 (c) as an exempt offering.</p>
<p>For more information and to sign up for product updates, please visit <a href="http://cts.businesswire.com/ct/CT?id=smartlink&url=http%3A%2F%2Fwww.kodak.com%2Fgo%2Fkodakone&esheet=51740339&newsitemid=20180109006183&lan=en-US&anchor=www.kodak.com%2Fgo%2Fkodakone&index=2&md5=13d297c29015088900a27ad623e7e375" target="_blank" rel="nofollow noopener">www.kodak.com/go/kodakone</a>.</p>
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Canon’s Inkjet Single and Multi-Function Printers Receive a Consumer Electronics Industry Performanc

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<em>This Award Marks a Company First for the Inkjet Single and Multi-Function Printer Group from NPD</em></p>
<p><strong>MELVILLE, N.Y., January 9, 2018</strong> – Canon U.S.A. Inc., a leader in digital imaging solutions, has received a consumer electronics industry performance award for the “Top Increase in Market Share” in the Inkjet Single and Multi-Function Printer category in North America from The NPD Group. This award was determined by data from The NPD Group Retail Tracking Service for the 12-month period ending October 2017. During that time, the Company’s Inkjet Single and Multi-Function Printers achieved the Top Increase in Market Share in North America<sup>1</sup>.</p>
<p>“We are very excited to receive this award from The NPD Group recognizing the stellar North America market share increase of our Inkjet Single and Multi-Function printers,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “This is a true testament to Canon’s hard work and dedication, as we pride ourselves on continuously striving to provide the highest quality and experience for our customers.”</p>
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<p>“Congratulations to Canon for its accomplishment in earning the Top Increase in Market Share in North America for its Inkjet Single and Multi-Function printers,” said Ian Hamilton, President, Technology Sector, The NPD Group. “In a fast-paced and ever evolving industry, we know manufacturers are regularly having to solve for new challenges, and the NPD Consumer Electronics Industry Performance Awards aim to celebrate a few of the brands that are leading the industry, as well as kick-off an exciting year ahead.”</p>
<p>Canon PIXMA and MAXIFY inkjet printers feature high-quality ink systems, wireless connectivity, and simple copy, scan and print options that customers find useful to help increase work productivity and beautifully document memories. With core Canon technology, such as FINE (Full-photolithography Inkjet Nozzle Engineering) print heads, controlling microscopic ink droplets and the ChromaLife100+ system, users can expect long-lasting prints with superb image quality.</p>
<p>For more information on Canon printers, please visit: <a href="https://www.usa.canon.com/internet/portal/us/home" target="blank"><strong>usa.canon.com</strong></a>.</p>
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Canon TC80n3

Hi everybody :)

I've been looking at picking up one of the above remotes for more precise exposures when using my Lee filters.

I just recently did some research to find out that this was released circa 2000 and I was wondering if a) this is still a competent tool, b) if there are third party units that do the job equally well or better or c) whether Canon may update this unit in the not to distant future

This is just me trying to find some user opinions before I make a firm decision

Thanks everyone

I need a little reassurance.....

Humor me, please. I just got a refurb 5D iv for a great price ($2209). It is immaculate and all seems well. After much trouble, was able to get a shutter count (there are not a whole lot of ways to do this) and it is 3070 actuations. I know that this is really not many for this type of camera. My (soon to be retired 5D iii has close to 50,000 actuations and is still going strong).

Anyone out there think I should even worry? My gut says no but nobody sitting at my dining room table tonight to tell me...........

Thanks.

JPAZ

Off Brand: Nikon Announces the AF-S Nikkor 180-400mm f/4E TC1.4 FL ED VR

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<strong>LAS VEGAS — CES BOOTH #14018</strong> <strong>(January 8, 2018) –</strong> Today at the Consumer Electronics Show (CES), Nikon Inc. announced the new AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR super-telephoto zoom lens, which is ideally suited for photographing sports and wildlife with astounding speed and clarity. This professional level FX-format lens is more versatile than ever, and has been updated with the newest NIKKOR lens technologies including Nikon’s first ever built-in teleconverter and an advanced optical formula to enhance performance and minimize weight.</p>
<p>“This lens is a great example of how Nikon continues to push the boundaries of innovation and what’s possible with pro-level optics and high-end imaging equipment,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc.</p>

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<p><strong>Popular Pro-Level Lens Gets Even More Versatile</strong></p>
<p>This new NIKKOR lens is a professional super-telephoto zoom lens, which is even more versatile with an extended wide range of 180-400mm, and a constant f/4 aperture to easily isolate a subject from the sidelines, even in challenging light. This is also the first NIKKOR lens to include a built-in 1.4X teleconverter, allowing photographers to seamlessly swap to a 252-560mm<sup>1</sup> (FX-format) focal range. The teleconverter is engaged at the flick of a switch, and is easily operated with a single finger while looking through the viewfinder. When used on the Nikon D500 and other DX-format DSLRs, the focal length is the equivalent of 270-600mm (378-840mm with teleconverter engaged).</p>
<p>Whether capturing fast-moving winter sports on the slopes or elusive wildlife at a distance, photographers can shoot with confidence from this high performance NIKKOR lens. The new 180-400mm f/4 is optimized for high-speed capture, and features an electromagnetic diaphragm, helping to create smooth and consistent exposures while shooting high-speed bursts of images. What’s more, the AF tracking algorithm controlling the motor drive has been enhanced to increase tracking performance of fast moving subjects. When using cameras equipped with Nikon’s advanced 153-point AF system (D5, D500, D850), the outer row of AF points are activated as cross-type sensors to significantly enhance the AF coverage throughout the frame.<sup>2</sup></p>
<p><strong>Enhanced Performance with the Addition of New Technology</strong></p>
<p>The lens now uses a fluorite element, which contributes to improved balance while minimizing weight. To further enhance handling and agility, the lens has adopted a new ball-bearing tripod collar ring to create a seamless transition from shooting horizontal to vertical composition. The VR mechanism offers a normal and sports mode, with up to four stops<sup>3</sup> of compensation to help create sharp images, even when handheld.</p>
<p>The lens construction includes the use of durable magnesium alloy for weight reduction, while the lens is also sealed against dust and moisture. A fluorine coating is also used to help repel water droplets and dirt.</p>
<p>The optical formula of the lens uses eight Extra Low Dispersion (ED) elements, doubling the amount of ED elements used by its predecessor, the NIKKOR 200-400mm. These help to provide extremely sharp and detailed images and 4K UHD / 1080p video, and is ideally mated to high resolution Nikon DSLR cameras. Nikon’s exclusive Nano Crystal Coat is used to effectively suppress instances of ghosting and flare.</p>
<p><strong>Price and Availability</strong></p>
<p>The AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR lens will be available in March 2018 for a suggested retail price of $12,399.95<sup>4</sup>. For more information on this NIKKOR lens and other Nikon products, please visit <a href="http://www.nikonusa.com/">www.nikonusa.com</a>.</p>
<p><em>1. When the built-in or an external teleconverter is used, the focal length may not be displayed correctly in shooting information / Image data.</em>

<em>2. This feature will be available with a firmware upgrade for the D5, D850 and D500 as of March 2018 </em>

<em>3. Based on CIPA Standard. This value is achieved when FX-format compatible lenses are attached to a FX-format digital </em></p>
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GoPro Inc. For Sale Per Report

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Things haven’t been going well for GoPro for quite some time. They failed miserably at drones and <a href="https://www.dpreview.com/news/7807531513/gopro-exits-drone-market-cuts-over-250-jobs-and-drops-price-of-hero6-black-by-100">their recent Q4  2017 financials weren’t good</a>.</p>
<p>According to CNBC, GoPro Inc. hired JP Morgan Chase to broker a deal for the company. GoPro has a market capitalization of about $1bil, but any potential buyer is likely to pay far less than that. GoPro Inc stock is sitting at about $6.50 currently, after peaking at nearly $90 back in 2014.</p>
<p>GoPro Inc. CEO Nick Woodman confirmed that the company is looking for a buyer or a partnership.</p>


<p><a href="https://www.cnbc.com/2018/01/08/gopro-ceo-nick-woodman-says-the-company-would-entertain-a-sale.html">Nick Woodman to CNBC</a>:</p>
<blockquote><p>If there are opportunities for us to unite with a bigger parent company to scale GoPro even bigger, that is something that we would look at.</p></blockquote>
<p>I wondered a few years ago if action cams were a product you could build an entire company around since none of the big camera companies outside of Sony seemed to give them much of a thought.</p>
<p>Do we want GoPro products to continue to exist? If so, who should look to acquire or partner with the company?</p>
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Weather Sealing Torture Test: Canon, Olympus, Nikon Pass.. Sony?

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<iframe width="728" height="409" src="https://www.youtube.com/embed/c7BG74w0gAw" frameborder="0" gesture="media" allow="encrypted-media" allowfullscreen></iframe>
<p>The folks at Imaging Resource decided to do a weather sealing torture test to help them decide on their favourite camera of 2017. It came down to the Nikon D850 and the Sony A7R III.</p>
<p>For some added fun, they also included two cameras from 2016, the Canon EOS 5D Mark IV and the Olympus E-M1 Mark II.</p>

<p>While the Canon and Olympus passed with flying colors, the Nikon D850 had one minor hiccup that was rectified with the hot shoe cover. However, the Sony had a bit more trouble... the camera stopped working.</p>
<p>Check the video above or read the <a href="http://www.imaging-resource.com/articles/2017-weather-testing-nikon-d850-vs-sony-a7riii-canon-5div-olympus-e-m1II">in-depth review here</a>.</p>
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Off Brand: Panasonic Announces the Ultimate Hybrid DSLM With New 10.2MP High Sensitivity MOS sensor

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Introducing the LUMIX GH5S: Exceptional Mirrorless Videography and Photography, designed and developed for professional filmmakers</p>
<ul>
<li>Introducing a newly developed 10.2MP High Sensitivity MOS sensor for enhanced image quality in low light: Allowing up to 51,200 ISO recording without extended ISO.</li>
<li>Time Code IN/OUT for easy synchronization of multiple cameras and Dual Native ISO, providing low range (400) and high range (2,500) ISO environments.</li>
<li>True “Multi-Aspect Ratio” Function in Both Photo and Video</li>
</ul>
<p><strong>Las Vegas, NV (January 8, 2018) –</strong> Panasonic is proud to introduce the new hybrid Digital Single Lens Mirrorless Camera LUMIX GH5S with expanded video recording capability and enhanced image quality. Designed and developed for professional filmmakers, the LUMIX GH5S achieves highest-ever image sensitivity and video image quality in the history of LUMIX cameras, especially in low-light situations.</p>

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<p><strong>Packed with big features to satisfy demanding photographers and videographers alike</strong>

The new 10.2-megapixel Digital MOS Sensor with Dual Native ISO Technology and Venus Engine 10 faithfully reproduce even dark parts of the image, allowing high ISO capture when the use of supplemental lighting may not be possible. This sensor is a multi-aspect type with a sufficient margin for realizing the same angle of view in 4:3,17:9,16:9 and 3:2 aspect ratios. The sensor also enables photo shooting in 14-bit RAW format, providing higher flexibility for professional RAW stills development workflows. When shooting in dark environments, videographers can now focus on filming that perfect shot as they no longer need to worry about noise which often results from having to use higher ISOs. The Dual Native ISO Technology suppresses noise to produce cleaner footage when taken in all light. Both videographers and photographers can now enjoy the same diagonal field of view across all aspect ratios with the True “Multi-Aspect Ratio” Function. This feature means you can easily swap between difference aspect ratios giving you the accuracy you want from your lenses, and making the process easier while producing and editing in post-production. The LUMIX GH5S is compatible with Time Code IN and OUT, like the professional camcorders, which is easy to set using the flash sync terminal and bundled conversion cable for a standard BNC terminal. This is especially important for “lip synchronization” when using multiple cameras. The LUMIX GH5S can be used as Time Code generator for other GH5S cameras and professional camcorders. The Time Code IN/OUT functionality makes a production teams job pain-free as it provides synchronization for both video and audio devices used on multi-cam productions.</p>


<p>The LUMIX GH5 achieved 4KUHD 60p video recording for the first time as a digital mirrorless camera in 2017.2 The new LUMIX GH5S establishes a new milestone by realizing the world’s first 4K 60p video recording in Cinema 4K (4096×2160), 3 capable of internal 4:2:2 10-bit video recording up to Cinema 4K30p and internal 4:2:0 8-bit Cinema 4K60p. subsampling commonly used for film production, for even more faithful color reproduction.4 The LUMIX GH5S also records 4:2:2 10-bit 400-Mbps All-Intra in 4K 30p/25p/24p and 200- Mbps All-Intra in Full-HD.</p>
<p>Continuing the LUMIX GH tradition, there is no time limit for both Full-HD and 4K video recording. The LUMIX GH5S complies with 4K HDR video with Hybrid Log Gamma (HLG) mode in Photo Style. A low-bit-rate recording mode, 4K HEVC for HLG, is available. This enables playback on AV equipment compatible with the HLG Display format, such as Panasonic 4K HDR TVs.</p>
<p>The VFR (Variable Frame Rate) function lets users record overcranked (time-lapse) and undercranked (slo-mo) video in C4K/4K (60 fps, maximum 2.5x slower) and FHD (240 fps, maximum 10x slower). A V-LogL and Rec.709 LUT (Look Up Table) are pre-installed in the camera, so users can play videos recorded in V-LogL without having to separately purchase a Software Upgrade Key. Four additional LUTs can be installed using the Panasonic Varicam (.VLT) file format.</p>
<p>DFD (Depth From Defocus) technology and ultra-high-speed digital signal processing achieve fast auto focusing of approximately 0.07 sec 6 with 12 fps (AFS) / 8 fps (AFC) in 12- bit RAW and 10 (AFS) / 7 (AFC) fps in 14-bit RAW high-speed burst shooting. In addition to a total of 225 focus areas, The options for Face/Eye Recognition, Tracking AF, 1-area AF and Pinpoint AF are available for precise focusing. The 4K PHOTO enables 60 fps high-speed capture in approximately 8-megapixel equivalent resolution.</p>
<p><strong>Achieve outstanding footage in any environment, especially in low light</strong>

As a camera that excels in shooting in low light, the LUMIX GH5S boasts -5EV luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor. Live Boost is another practical feature that makes it possible to check the composition even in total darkness, by boosting the sensitivity just for Live View. The magnification ratio in MF assist is increased from conventional 10x to 20x, which is convenient especially for astronomical photography. An AF Point Scope function, first introduced in the Lumix G9 and Night mode are also integrated.</p>
<p>In order to make the GH5S tough enough to withstand even heavy field use, it is composed of a magnesium alloy full die-cast front, rear and top frame that is not only splashproof7 and dustproof but also freezeproof down to -10 degrees Celsius. The GH5S is equipped with a double SD Memory Card slot, compatible with the high-speed, high-capacity UHS-II and Video Speed Class 90. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording. The HDMI Type A terminal is provided, along with the USB-C Gen1 interface.</p>
<p><strong>Exceptional image capture without concern</strong>

The GH5S has a large LVF (Live View Finder) with a stunningly high magnification ratio of approximately 1.52x/0.76x (35mm camera equivalent) providing smooth display at 120 fps. A high-precision, high-speed OLED (Organic Light-Emitting Diode) display features 3,680K-dot resolution and 100% field of view. In addition to dual dials, an omni-directional joystick enables more intuitive and flexible operation.</p>
<p>The GH5S includes Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and instant image sharing with easy operation. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. For Wi-Fi, 5 GHz (IEEE802.11ac)8 can be selected in addition to the conventional 2.4 GHz (IEEE 802.11b/g/n) for an even more secure and stable connection.</p>
<p>For extended battery life and a more stable hold, the new Battery Grip DMW-BGGH5 (sold separately) is available. The XLR Microphone Adaptor DMW-XLR1 (sold separately) allows high-res sound recording with an external XLR microphone.9</p>
<p>The Panasonic LUMIX GH5s will be available from end of February 2 and will retail for $2499 (body only).</p>
<p><span class="green">*1 RAW files are in 14-bit even when 12-bit is selected. </span>

<span class="green">*2 4K 60p/50p(for a Digital Single Lens Mirrorless Camera), 4:2:2 10-bit (for a digital interchangeable lens camera) as of 4 January, 2017 </span>

<span class="green">*3 As of January 8, 2018 as a Digital Single Lens Mirrorless camera that complies with 4K (4096×2160) resolution defined by Digital Cinema Initiatives(DCI). According to a Panasonic study. </span>

<span class="green">*4 4:2:0 8-bit in C4K 60p and 4K 60p recording on an SD Memory Card. </span>

<span class="green">*5 Contrast AF with DFD Technology works only with Panasonic Micro Four Thirds lenses. *6 In AFS, at wide-end with H-ES12060 (CIPA) when LVF display speed is set to 120fps. </span>

<span class="green">*7 Splash Proof is a term used to describe an extra level of protection this camera offers against exposure to a minimal amount of moisture, water or dust. Splash Proof does not guarantee that damage will not occur if this camera is subjected to direct contact with water. </span>

<span class="green">*8 5GHz Wi-Fi is not available in some countries. </span>

<span class="green">*9 In MOV only</span></p>
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Samyang Officially Announces the AF 14mm f/2.8

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<strong>January 8<sup>th</sup>, 2018, Seoul, South Korea</strong> – Global optics brand, <a href="https://www.samyanglensglobal.com/">Samyang Optics</a> is pleased to unveil its first autofocus lens for Canon full frame DSLR cameras: AF 14mm F2.8EF. This light weight wide angle lens inherits the renowned image quality of Samyang’s wide angle series and delivers a quiet, fast and accurate autofocus system.</p>
<p><strong>World Class Wide Angle Lens, Samyang 14mm</strong></p>
<p>This first EF mount autofocus lens from Samyang encapsulates the brand’s universally respected optical technology, especially in the wide angle lens category. From a total of 15 lenses in 10 groups, 7 special optic lenses have been chosen in the production of this lens, to maximize the image quality.</p>
<p><!--more--></p>
<p>The use of 2 aspherical lenses, 4 high-refractive lenses, and 1 extra-low dispersion lens minimizes distortion and various aberrations while producing crystal clear resolution. The remarkably even image quality from centre to corner of the wide 116.6 degree angle of view appears distinctly on its MTF chart.</p>


<p><strong>Ideal Autofocus Lens with High Usability</strong></p>
<p>Importantly, the minimised weight and movement of the focusing lens group enables quiet and pleasant autofocusing with high accuracy. This compact Samyang AF 14mm F2.8 EF weighs only 485g without lens caps and hood and is the best travel partner to capture unforgettable moments on your journey.</p>
<p>Weather-sealing and a built-in AF/MF switch increase usability.</p>
<p><strong>Available from February 2018</strong></p>
<p>This world-wide Samyang AF 14mm F2.8 EF inherits the renowned image quality of Samyang’s wide angle series from the manual focus 14mm F2.8, the premium XP 14mm F2.4, the AF 14mm F2.8 FE autofocus lens for Sony full-frame mirrorless cameras and professional cinema lenses, and the XEEN 14mm, 16mm and 20mm.</p>
<p>The lens will be available globally from February and a suggested retail price is EUR 699.</p>
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PR shots of Hollywood movies

Recently I've stumbled upon several Hollywood movies PR photos, that have full EXIF and they seem to be shot with DSLR or mirrorless cameras like 5DMIII or A7S. I always thought they would take shots straight from the movie, which I guess makes no sense to shoot with DSLR. Or does it? I've read interviews with several cinematographers who occasionally use 7D or 5DMIII for handheld shots or camera glued to a car shots etc., but I've always believed this is a less common practice. So possibly there are photographers on the set that just make the same shot as is being filmed? But what's the point? I guess that wouldn't work for scenes with heavy special effects or color grading. Maybe it's much easier like this for analog shot movies?

Does anyone knows how these promotional pictures are made?

Examples:

214480

Star Wars: Last Jedi. Canon EOS 5D Mark III 50mm f/5.6 1/500 ISO 320

214498

Star Wars: Last Jedi. SONY ILCE-7S 135mm f/4 1/160 ISO 1250

214495

Star Wars: Last Jedi. FUJIFILM X-T1 30.2mm f/4 1/60 ISO 1000

215318

Molly's Game. SONY ILCE-7SM2 90mm f/9 1/160 ISO 12800

214641

Wonder Wheel. SONY ILCE-7SM2 40mm f/2.8 1/160 ISO320

190070

Neighbors 2. Canon EOS 5D Mark III 35mm f/2.8 1/250 ISO 6400

cfast prices are not coming down

I am rather surprised that the price of CFast cards have not been reduced. Canon introduced that 1dx M2 well over a year ago. The price of nearly all other electronics would have been reduced by now.

Any know why other than Sandisk does not have any competition so they don't have pressure to reduce the price. I would if Canon will put pressure on Sandisk to drop their prices in exchange for using the cFast format in other cameras.

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