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Canon posts 40% profit gain, and 70% increase in mirrorless

Canon 2Q financials are out. no great surprises.

2Q was down 5% in unit sales from 2017 2Q, however total units sold is around the same as last year

the big surprise was mirrorless growing 70% for the first half of 2017

http://www.canon.com/ir/finance/earnings/

I truely expect to see canon put alot more muscle behind mirrorless now, it's a serious growth market for them.

The interchangeable-lens camera market continues to recover from the impact of last year’s
earthquake, particularly in developed countries. As such, the pace of market contraction has been
gradually slowing on a global basis. Within this business environment, we sold 1.43 million units in
the second quarter, as we limited the decline to 5%. And for the half, we secured the same level of
unit sales as in the first half of 2016.

In this quarter as well, sales remained strong, particularly for mirrorless cameras. Within this trend,
we grew sales of the EOS M6, a new mirrorless camera that has been highly rated not only for its
high image quality, but also for its compact and lightweight form factor. This camera was designed to
capture demand from people who, for example, are considering a step up to a camera with more
features and better performance. Including this factor, first half unit sales of mirrorless camera grew
more than 70% compared to the same period last year, leading to overall sales growth for
interchangeable-lens cameras.


This also means that canon is outpacing gains this year in mirrorless overall, gaining marketshare.


Canon has sold 2.51 million ILCs so far this year; which probably puts them around 43-46% depending on June's CIPA numbers.

Off Brand: This is the Nikon D850

HTML:
Nikon Rumors has posted images of what appears to be the Nikon D850. Nikon <a href="http://www.canonrumors.com/off-brand-nikon-announces-development-of-d850/">recently announced that they were developing the camera</a>, and with press photos already leaking out, it appears the camera is coming sooner than later.</p>
<p>No specifications for the upcoming camera have leaked yet, but that information should start rolling out soon.</p>

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Reviews Canon 6D MK II

I just came accross this review:

http://www.trustedreviews.com/reviews/canon-eos-6d-mark-ii

Interesting:
"In manual mode you’re forced to go into the main menu or quick menu to access exposure compensation, which is a bit of a faff. It’s possible to reassign a button to exposure compensation from the custom functions menu, but in hindsight I’d have preferred it if Canon had merged it with the ISO button as it does on its EOS 5D-series."

Good news that they made this available in the 6D MK II but was hoping it would work like with the 7D MK II

ALERT - TSA declares all cameras need to come out of your bag at security


Ouch: "The TSA just announced that all electronics larger than a cell phone need to be placed into a bin for separate screening."

https://petapixel.com/2017/07/26/tsa-requires-separate-screening-cameras-airports-now/

More, from TSA (see link inside of the PP link above):

"The stronger security measures do not apply to passengers enrolled in TSA Pre✓® who are using TSA Pre✓® lanes. TSA also marked another milestone earlier this month with TSA Pre✓® now available at 200 airports nationwide. Travelers enrolled in TSA Pre✓® do not need to remove shoes, 3-1-1 liquids, laptops, electronics, light outerwear, or belts. The program allows TSA to focus resources on passengers who may pose a high risk to security while providing expedited screening to those travelers who have been identified as low-risk, trusted travelers."

Going out on a very short and sturdy limb here: TSA-Pre membership is about to skyrocket.

- A

Canon EOS 6D Mark II Has Begun Shipping

HTML:
<p>We’re told by various retailers that the brand new Canon EOS 6D Mark II has begun shipping today and that a lot of people should expect to receive their cameras tomorrow.</p>
<p>Allocation has been pretty good, and we’re told that there will be EOS 6D Mark II w/24-105mm f/4L IS II kits available once all preorders have been met.</p>
<p><!--more--></p>
<p>The embargo on selling the EOS 6D Mark II ends tomorrow.</p>
<p><strong>Canon EOS 6D Mark II Body</strong></p>
<ul>
<li><strong>USA $1999</strong>: <a href="https://bhpho.to/2tmBfEW">B&H Photo</a> | <a href="http://amzn.to/2sjTrPL">Amazon</a> | <a href="https://mpex.com/canon-eos-6d-mark-ii-dslr-camera-body-only.html?acc=3">Midwest Photo</a></li>
<li><strong>UK £1999:</strong> <a href="http://www.awin1.com/cread.php?awinaffid=292297&awinmid=6241&p=https%3A%2F%2Fwww.parkcameras.com%2Fp%2F1010062T%2Fdigital-slr-cameras%2Fcanon%2Feos-6d-mark-ii-dslr-camera-body">Park Cameras</a> | <a href="http://www.awin1.com/cread.php?awinaffid=292297&awinmid=2298&p=http%3A%2F%2Fwww.wexphotographic.com%2Fcanon-eos-6d-mark-ii-digital-slr-camera-body-1630560%2F">WEX Photographic</a></li>
<li><strong>Canada $2599:</strong> <a href="http://www.pjtra.com/t/TUJGRU1GTEJGRk5HSklCRkhMRklH?url=https%3A%2F%2Fwww.henrys.com%2F98225-CANON-EOS-6D-MK-II-BODY.aspx">Henry’s</a></li>
</ul>
<p><strong>Canon EOS 6D Mark II w/24-105mm f/3.5-5.6 IS STM</strong></p>
<ul>
<li><strong>USA $2599</strong>: <a href="https://bhpho.to/2s3TmM9">B&H Photo</a> | <a href="http://amzn.to/2triKPZ">Amazon</a> | <a href="https://mpex.com/canon-eos-6d-mark-ii-dslr-camera-with-24-105mm-is-stm-lens.html?acc=3">Midwest Photo</a></li>
</ul>
<p><strong>Canon EOS 6D Mark II w/24-105mm f/4L IS II</strong></p>
<ul>
<li><strong>USA $3099</strong>: <a href="https://bhpho.to/2tnn96a">B&H Photo</a> | <a href="http://amzn.to/2u0EWh6">Amazon</a> | <a href="https://mpex.com/canon-eos-6d-mark-ii-dslr-camera-with-24-105mm-f4l-is-ii-usm-lens.html?acc=3">Midwest Photo</a></li>
</ul>
<p><strong>Canon EOS 6D Mark II Body w/24-70mm f/4L IS</strong></p>
<ul>
<li><strong>UK £2379:</strong> <a href="http://www.awin1.com/cread.php?awinaffid=292297&awinmid=6241&p=https%3A%2F%2Fwww.parkcameras.com%2Fp%2F1010063D%2Fdigital-slr-cameras%2Fcanon%2Feos-6d-mark-ii-dslr-ef-24-70mm-f4l-is-usm-lens-kit">Park Cameras</a> | <a href="http://www.awin1.com/cread.php?awinaffid=292297&awinmid=2298&p=http%3A%2F%2Fwww.wexphotographic.com%2Fcanon-eos-6d-mark-ii-digital-slr-camera-with-24-70mm-f4-l-is-lens-1631339%2F">WEX Photographic</a></li>
</ul>
<p><strong>Canon BG-E21 Battery Grip for EOS 6D Mark II</strong></p>
<ul>
<li><strong>USA $300</strong>: <a href="https://bhpho.to/2s4e6TL">B&H Photo</a> | <a href="http://amzn.to/2u0nzgx">Amazon</a> | <a href="https://mpex.com/canon-bg-e21-battery-grip.html?acc=3">Midwest Photo</a></li>
<li><strong>UK £199:</strong> <a href="http://www.awin1.com/cread.php?awinaffid=292297&awinmid=6241&p=https%3A%2F%2Fwww.parkcameras.com%2Fp%2F1150097F%2Fgrips%2Fcanon%2Fbg-e21-battery-grip">Park Cameras</a> | <a href="http://www.awin1.com/cread.php?awinaffid=292297&awinmid=2298&p=http%3A%2F%2Fwww.wexphotographic.com%2Fcanon-bg-e21-battery-grip-1630561%2F">WEX Photographic</a></li>
</ul>
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D850 moons the 5D4 with its tilt-screen

Agree with Nikon on a design/feature decision (IMHO) the 5D4 got wrong -- a tilty/flippy screen.

Two links:

https://petapixel.com/2017/07/26/nikon-d850-photos-leaked-theres-tilt-screen-backlit-buttons/

https://photorumors.com/2017/07/26/first-nikon-d850-pictures-leaked-online/

Pop-up flash RIP as well. That's a nod to Canon's weathersealing position, one would think.

- A

Some Minor Canon Lens Announcement Clarification

We’re still trying to figure out what is coming alongside the EF 85mm f/1.4L IS at the end of August 2017. We’ve seen certification for 3 different SKU’s of lenses made in Malaysia, which has given us some pause.
We’re told by a great source that a “series” of three “high end” lenses is coming in 2017 and they assumed it was the three lenses listed in the certification. Now we’re not so sure if that’s the case strictly because of the manufacturing country. To our knowledge, all “high end” lenses by Canon are made in Japan.
I guess this is a long way of saying that we’re still confident a series of 3 lenses is coming, they may just not be coming with the EF 85mm f/1.4L IS. The lenses in question from the certification could possibly be 3 different colours for the upcoming Canon EOS M20 (name not...

Continue reading...

Lomography Announces the Daguerreotype Achromat 2.9/64 Art Lens Brass, Chrome Plated

HTML:
<em>Back in High Spirits with a Brand New, Exclusive Chrome Finishing</em></p>
<p>Lomography are thrilled to launch the Daguerreotype Achromat 2.9/64 Art Lens Brass, Chrome Plated edition. Inspired by the incredible support the Daguerreotype Achromat received on Kickstarter in 2016. The sleek chrome plating makes for a classic, timeless look.</p>
<p>The Daguerreotype Achromat 2.9/64 Art Lens has been designed by Lomography’s expert technicians based on the historic 1839 design by Daguerre and Chevalier and is available in Nikon F and Canon EF mounts. It has a waterhouse aperture plate system and comes with a selection of special aperture shapes for some unusual bokeh effects.</p>
<p><strong>Back as a New Classic with an Exclusive Chrome Finishing</strong>

Lomography was overwhelmed by the incredible support it received for the Daguerreotype Achromat on Kickstarter in 2016. Now, the much talked about Art Lens – which took the photography world and press by storm – is back with a brand new, dazzling design: a sleek chrome plating for a classic, timeless look that protects your brass lens from wear and tear and looks stunning both on analogue and digital cameras. Priced at just 499EUR, the Chrome Plated Daguerreotype Achromat is available now from the Lomography Online Shop and Gallery Stores worldwide, in Canon EF and Nikon F Mounts.</p>

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<p><!--more--></p>
<p><strong>The Ethereal Aesthetics of the World’s First Optic Lens</strong>

Practical photography was invented in 1839, with the combination of a Chevalier Achromat Lens attached to a Daguerreotype camera. The Chevalier lens bathed images  in an alluring veil of light and created glazy, soft pictures. The Lomography Daguerreotype Achromat 2.9/64 Art Lens is a revival of this lost aesthetic. Photographers and videographers can delve into an extensive variation of moods and special effects: silky soft focus at f/2.9, crisp sharp shots from f/5.6 onwards, and a focal length of 64mm. The lens works with a Waterhouse Aperture Plate system, which allows full creativity with depth of field and bokeh effects – to soak images in radiant glows, or to produce textured, painterly effects – rarely achieved in photography.</p>
<p><strong>Premium Quality Craftsmanship of the Art Lens Family</strong>

The Daguerreotype Achromat 2.9/64 Art Lens has been designed by Lomography’s expert technicians based on the historic 1839 design – and condensed into a bold brass lens for modern analogue and digital cameras – available in Canon EF and Nikon F mounts, Pentax K mounts (Brass and Black finishing only), and compatible with multitudes of other cameras using adapter available from Lomography. The lens is handcrafted at a small manufactory in Central China, on the banks of the Yangtze river. The beautiful new chrome finishing is designed to undergo heavy usage, and protect the lens from wear and tear. It boasts the premium optic quality that we bring to every lens in the Lomography Art Lens Family – following in the steps of the Lomography New Petzval 85, New Russar+, Lomo LC-A Minitar-1, the Petzval 58 Bokeh Control and Lomography New Jupiter 3+ Art Lenses.</p>
<p><strong>Celebrating in Glitter and Cheer</strong>

To celebrate the arrival of the new edition, events and parties are being organised in Lomography Gallery Stores worldwide. The events will feature live presentations of the lens, special guests, and an international exhibition showcasing photography shot all round the globe with the Daguerreotype Achromat Art Lens – inspired by the cool sophistication, rock’n’roll persona, and timeless charm of the new Daguerreotype Achromat Chrome Plated. The imagery will demonstrate the unique aesthetic and  special effects of the Daguerreotype Achromat Art Lens – mastered to shoot silver nights and golden days, bold portraits, youth culture, the great outdoors; and more.</p>
<p><strong>Technical Information</strong></p>
<ul>
<li>Focal Length: 64mm</li>
<li>Maximum Aperture: f/2.9</li>
<li>Apertures: Waterhouse aperture stops, up to f/16</li>
<li>Lens Mounting Profile: Canon EF, Nikon F and Pentax K*</li>
<li>Closest Focusing Distance: 0.5m</li>
<li>Focusing Mechanism: helicoid</li>
<li>Image circle: 44mm</li>
<li>Field of view: 37 degrees</li>
<li>Filter Thread: 40.5mm</li>
<li>Electronic Contacts: No</li>
<li>Lens Construction: 2 elements in 1 group</li>
</ul>
<p><em>*Compatible also with a large range of other cameras using adapter mounts. Pentax K mount only available for Brass and Black finishing</em></p>

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Eizo ColorEdge CS2420 monitor calibration

I have recently purchased a Eizo ColorEdge CS2420 monitor which comes precalibrated by the manufacture. I have checked this calibration using the supplied Eizo Color Navigator 6 software and a Spyder 5, and have discovered that both the Adobe RGB and sRGB targets it produces when set at 100cd/m2, 6500K and 2.2 Gamma are approximately 0.25 of a stop darker than it's precalibrated state. Is this normal ?, if not any suggestions on how to improve the calibration target would be appreciated.

4K time-lapse coming to 5D4?

I find the built-in time-lapse function in 5D4 handy when the conditions are right, but why just HD and no 4K time-lapse?

The 6D II (which can't shoot 4K movies) has 4K timelapse. What do you think, will Canon add 4K time-lapse in a coming firmware update? A quick look in the 6DII user manual reveals a much better integrated time-lapse function with some usable features that's not available in 5D4. Shouldn't be impossible to get those in a firmware-upgrade for 5D4.

Am I imagining things? (AF accuracy when half pressing vs full pressing shutter)

I tend to do something out of habit and somewhat based on the results I've seen in the past, but I wanted to get everyone else's take on it.

When shooting a moving subject, camera set to one shot AF, it feels to me like the AF tends to nail the focus better if I half-press the shutter button, let the AF do its thing, wait for the camera to give me the red confirmation blink, and then immediately press the shutter button fully. This, as opposed to just holding the shutter button down fully right from the start, and trusting the camera to not release the shutter until its determined that it's achieved focus.

It's a subtle difference, but does make somewhat of a difference time-wise when you're trying to fire off a quick shot. Obviously it's going to be faster to just hold the shutter button fully down and let the camera automatically release the shutter as soon as it gets focus, but it's always kind of seemed to me like the camera kind of "rushes" it when I do this, and takes the photo before the focus is quite locked on, resulting in a blurry subject more often.

Has anyone else noticed something like this, or am I just imagining it? My 5D MkIV seems to do this, and as far as I remember, the MkIII felt similarly.

Now, before you reply, let me clarify a few things...

1) Yes, I know you can set the camera to prioritize taking the photo faster, or achieving better focus while sacrificing some shooting speed. I always have it set to prioritize focus. I've still noticed this phenomenon.

2) Please don't chime in with "You should be using AI servo for moving subjects." I've tried it, one shot just works better in the conditions and at the apertures I'm usually taking photos at.

3) This isn't meant to devolve into a discussion of the merits of back button focus. I've tried this too. While I see its advantages, it has never seemed to be quite as fast as having autofocus driven off of the shutter button. If it is for you, that's fine, but it hasn't seemed to be for me.

Why does the 6D mkii Zoom in when shooting HDR?

Hey! I upgraded from a 60D to the 6D mkii. I've never shot in camera HDR before, and I noticed that the HDR images are slightly more zoomed in than the standard images (shot from s tripod). Why is this? My best guess is that it anticipates the overlay images bring slightly different so it has a standard crop from the edges to compensate? Is this normal?

Could This Be the Goal of the 6D Hysteria?

They say in politics to believe none of what you hear and half of what you see. I wonder if that's also true with photography forums.
While enjoying my new 6D and feeling like I'm owning the world with it someone went and posted a whole thing about how inferior it and it's replacement are. My initial reaction was "NONSENSE", but found myself frantically researching Fuji mirrorless cameras and lenses.
Could the 6D hysteria be a diabolical plot to encourage GAS. It got so bad that I was almost about to buy that Fuji camera and their 10-24 and 35mm lenses, got a hold of myself and immediately cleared out my Wish List on DP Review (except, of course, for the 70-300L that'll serve well when visiting the Marine Corps Silent Drill team, my son's upcoming graduation and the like).
The pending doom of my GAS crisis was the upcoming trip to Italy figuring that a mirrorless system would be ideal. If I order quickly enough I'll have time on the plane to learn how the camera works.
But, alas, GAS would thereby take time away from the family. There'll be a fine balancing act on this trip between trying to get a handful of pics suitable for a magazine cover and spending time with my family. My wife's declaration of "Maybe leave the tripod at home?" was a clue.
Cinque Terre, Florence and Lake Como await (actually starting on this ****** Thursday, by the way) and they shall be captured in all their glory with my beloved 6D and 40mm pancake lens only. Not ideal, but with minimal criticism from my wife and kids and I've completely avoided my wife beating the **** out of me for spending money that probably doesn't need to be spent no matter how you cut it.
GAS be damned!!!!!!!!!!!!! (although I did buy a separate CPL for my 40mm lens vs. a step-up ring, but no one needs to know of this). Resistance need not be futile.

RØDE Announces VIDEOMIC PRO+ On Camera Microphone

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Announced at RØDEShow 2017, Freedman Electronics’ 50th anniversary celebration, the VideoMic Pro+ is set to prove that RØDE Microphones has yet again upped the game for the prosumer filmmaker.</p>
<p>Still with the best-in-class Rycote Lyre suspension system onboard, the VideoMic Pro+ improves on the existing VideoMic Pro capsule/line tube and windshield, plus boasts a host of new features:</p>
<ul>
<li>Automatic Power Function (subject to plug-in power availability) is perfect for the run-and-gun shooter, automatically turning the microphone off when unplugged from the camera.</li>
<li>Built-in Battery Door makes replacing the battery a breeze – plus it won’t get lost.</li>
<li>Power Options – the VideoMic Pro+ can be powered by the all-new and included RØDE LB-1 Lithium-Ion Rechargeable Battery, 2 x AA Batteries or continuously via Micro USB.</li>
<li>Digital Switching – will ensure the user has ultimate capture of the audio signal at the source, reducing post production and editing times. The Digital Switching includes:
<ul>
<li>2-Stage High Pass Filter to reduce low frequencies such as rumble from traffic or air conditioning.</li>
<li>3-Stage Gain Control, with +20dB function – designed to improve audio quality on DSLR or mirrorless cameras.</li>
<li>High Frequency Boost will boost high frequencies enhancing detail and clarity in the recording.</li>
<li>Safety Channel to help ensure the signal does not clip when unexpected spikes occur.</li>
</ul>
</li>
</ul>
<p>“The VideoMic Pro+ is a new benchmark in on-camera microphones,” comments Damien Wilson, RØDE and Freedman Group CEO. “We have listened to our customers and are delivering the microphone they’ve asked for, with features such as the Built-in Battery Door, Automatic Power Function and a Lithium-Ion Rechargeable Battery, included in the box.”</p>
<p>The VideoMic Pro+ ships with the LB-1 Lithium-Ion Rechargeable Battery, 3.5mm TRS Cable, Micro USB Cable; includes RØDE’s 10-year warranty and is now available at authorized RØDE dealers. For more information please visit <a href="http://www.rode.com/microphones/videomicproplus">www.rode.com/microphones/videomicproplus</a></p>
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Off Brand: Nikon Announces Development of D850

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<strong>MELVILLE, NY (July 25, 2017 at 12:01 A.M. EDT) –</strong>– Nikon Inc. is pleased to announce the development of the next generation full-frame, high-resolution, high-speed digital SLR cameras with the upcoming release of the highly anticipated Nikon D850. This announcement coincides with Nikon’s 100<sup>th</sup> anniversary of its establishment, which is celebrated today.</p>
<p>The D850 will be a formidable tool for creators who will not compromise on exceptional image quality and versatility, including both aspiring and professional photographers as well as hobbyists who capture landscapes, weddings, sports, fashion, commercial imagery and multimedia content creators.</p>
<p>The D850 is the successor to the D810, which has been highly praised by its users for offering extremely sharp and clear rendering, with rich tone characteristics. This powerful new FX-format digital SLR camera is engineered with a range of new technologies, features and performance enhancements that are a direct result of feedback from users, who demand the very best from their camera equipment. The D850 will exceed the expectations of the vast range of photographers that seek the high resolution and high-speed capabilities that only a Nikon of this caliber complemented by NIKKOR lenses can offer.</p>
<p>To learn more about the Nikon D850, please visit <a href="http://www.nikonusa.com/d850" target="article-null">nikonusa.com/d850</a>. Information regarding the release of this product will be announced at a later date.</p>
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Recommend a book on Canon DSLR video?

I would like to upgrade my rudimentary video skills. The manual that came with my 77D covers only the very basic steps and doesn't even mention some of the video features.

Is there a fairly recent book available on the use of current Canon DSLRs for video? If not, is there online material from Canon that goes into more depth than the owner's manual?

These Rebel-class bodies are getting so complex that they really deserve some organized learning. I can see why a lot of them get returned by novice users and recycled into the Canon Refurbished program.

Thanks!

Zeiss Milvus 1.4 35mm: Unboxing...

Yeah! Today I got the newest Member ob the Milvus Lens family from Zeiss for reviewing.... The first feeling is ... just another Milvus... (Having 3 Milvus Lenses ist the best thing to say about!!!!) It feels just awesome.


But unlike the 85 and the 50f1.4 the 35mm has strong competition:the Canon 35mm f1.4 IS USMII which is just an awesome Lens.


I will do a real world comparison - pretty soon! And this review will include the EF 35mm f2.0 IS USM as well... a real world 3 lens comparison....


If you can not wait: here is the unboxing... https://youtu.be/OX5VOOTfmOk

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Canon on Track for 40% Profit Growth on Printer Sales

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<p><strong>TOKYO</strong> — Canon’s consolidated operating profit for the year ending in December is expected to jump 40% to 330 billion yen ($2.94 billion) thanks to strong printer sales in emerging countries, successful acquisitions and automation.</p>
<p>The imaging and optical product maker first upgraded its profit outlook in April, but will likely do so again since its current performance is ahead of its 270 billion yen estimate. Sales are also expected to top the company’s 4.02 trillion yen forecast, climbing 20% to nearly 4.1 trillion yen. The Tokyo-based company follows U.S. accounting standards.</p>
<p>Laser printer sales have grown in China and emerging countries in Southeast Asia. New high speed models have been popular. Sales of toner and other highly profitable consumables have also risen with the increase in printer sales. <a href="http://asia.nikkei.com/Markets/Tokyo-Market/Canon-on-track-for-40-profit-growth-on-printer-sales">Read the full story</a></p>
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Tamron 18-400mm VC HLD Review | Dustin

Hello, everyone. Tamron Canada got me a retail copy of the new Tamron 18-400mm f/3.5-6.3 VC HLD lens to review, and I've got my conclusions here:


Text Review: http://bit.ly/18400HLDda
Video Review: http://bit.ly/18400HLD
Image Gallery: http://bit.ly/Tam18400IG

It seems to me that Tamron did what they needed to with this lens. It will market very well due to the specs, but I also didn’t see any area where the lens regressed compared to earlier lenses with smaller zoom ratios. As someone whose lens kit is primarily made up of prime lenses, this kind of lens doesn't personally set me on fire, but it's a very competent lens for those looking for a travel lens with a huge zoom range.

P.S. For those interested, I have just started reviewing the Sigma 24-70 ART, so stay posted for that. I'm releasing the Zeiss Milvus 35mm f/1.4 review next week along with the Canon EF-S 35mm f/2.8 Macro IS review the week following. I've also (due to a LOT of requests) added a Sony a6500 to my personal kit and am about to start a staggered release of Sony mirrorless reviews, including the Zeiss Touit line and Sigma's DN line. I've gotten all of these as sets, so I will mostly be reviewing them as such (more like mini-reviews around a common theme).

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