Review: Canon EOS M50 by Cinema5D

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Cinema5D has completed their <a href="https://www.cinema5d.com/canon-eos-m50-hands-on-review-the-best-vlogging-camera/">hands on review of the Canon EOS M50</a>, Canon’s latest mirrorless release. The review is mostly positive for the new mirrorless camera, although they do describe the 4K implementation as an “afterthought”, which isn’t what most people wanted from this camera.</p>
<p><strong>From Cinema5D:</strong></p>
<blockquote><p>The Canon M50 is a nice, powerful and affordable little entry-level camera for people who want an interchangeable lens camera having to schlepp around a huge amount of kit. The video function is very good mainly because of the incredible Dual Pixel Autofocus in HD, whereas the 4K is clearly an afterthought and can’t really be used in practice much because of the crop and the lacking Dual-Pixel AF. The main purpose of this camera will be uncomplicated family shots or vlogging – both of which only if HD is enough. <a href="https://www.cinema5d.com/canon-eos-m50-hands-on-review-the-best-vlogging-camera/">Read the full review</a></p></blockquote>
<p>The Canon EOS M50 is scheduled to be released on March 26, 2018. You can preorder the EOS M50 <a href="https://www.cinema5d.com/canon-eos-m50-hands-on-review-the-best-vlogging-camera/">here</a>.</p>
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Hot Deal: Save 15% at the Canon Store on Refurbished Cameras and Lenses

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<p>The Canon Store is having a 15% off sale on refurbished cameras and lenses in celebration of St Patrick’s day. Just use the coupon code <strong>“MRGREENIE”</strong> during checkout.</p>
<p><strong>Canon Cameras:</strong></p>
<ul>
<li><strong><a href="http://bit.ly/2x3SER1">Canon EOS 5D Mark IV $2379</a></strong></li>
<li><a href="http://bit.ly/2FXmeji">Canon EOS 6D Mark II $1359</a></li>
<li><a href="http://bit.ly/2ytiyhj">Canon EOS 5D Mark III $1869</a></li>
<li><a href="http://bit.ly/2ver3Qa">Canon EOS 5DS $2515</a></li>
<li><del><a href="http://bit.ly/2veNgxo">Canon EOS 5DS R $2651</a></del></li>
<li><a href="http://bit.ly/2gcwFRW">Canon EOS 7D Mark II $1104</a></li>
</ul>
<p><strong>Canon Lenses:</strong></p>
<ul>
<li><a href="http://bit.ly/1jZ4lB6">Canon EF 16-35mm f/2.8L II $1079</a></li>
<li><del><a href="http://bit.ly/2h9edgC">Canon EF 16-35mm f/2.8L III $1495</a></del></li>
<li><a href="https://bit.ly/2cXGuDN">Canon EF 16-35mm f/4L IS $747</a></li>
<li><a href="https://bit.ly/2cjNm9K">Canon EF 17-40mm f/4L $501</a></li>
<li><del><a href="https://bit.ly/2fIUgY4">Canon EF 24mm f/1.4L II $1053</a></del></li>
<li><a href="https://bit.ly/2c1AsRO">Canon EF 24mm f/2.8 IS $407</a></li>
<li><del><a href="https://shop.usa.canon.com/shop/en/catalog/330782">Canon EF 24-70mm f/2.8L II $1291</a></del></li>
<li><a href="https://bit.ly/2pPwyRj">Canon EF 24-70mm f/4L IS $611</a></li>
<li><del><a href="https://bit.ly/2zvGw0S">Canon EF 24-105mm f/4L IS II $747</a></del></li>
<li><a href="https://bit.ly/2c1zJjJ">Canon EF 28mm f/2.8 IS $373</a></li>
<li><a href="https://bit.ly/2cjNohI">Canon EF 35mm f/2 IS $407</a></li>
<li><del><a href="https://bit.ly/2cXHCaq">Canon EF 50mm f/1.2L $985</a></del></li>
<li><a href="https://bit.ly/2c1yZej">Canon EF 50mm f/1.4 $229</a></li>
<li><a href="https://bit.ly/2c1Ar0c">Canon EF 50mm f/1.8 STM $89</a></li>
<li><a href="https://bit.ly/2fINOAr">Canon EF 70-200mm f/2.8L IS II $1427</a></li>
<li><del><a href="http://bit.ly/2ezMEfs">Canon EF 70-300mm f/4-5.6L IS $917</a></del></li>
<li><a href="https://bit.ly/2cjNeam">Canon EF 85mm f/1.8 $285</a></li>
<li><a href="http://bit.ly/1Ema48b">Canon EF 100mm f/2.8L IS Macro $611</a></li>
<li><del><a href="http://bit.ly/2pg8mXG">Canon EF 2.0X III Teleconverter $292</a></del></li>
</ul>
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Canon EF 70-200mm f/4L IS II Confirmed

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<p>We r<a href="http://www.canonrumors.com/a-new-ef-70-200mm-is-coming-in-2018-cr3/">eported a couple of months ago that a new EF 70-200mm</a> was coming some time in 2018. Unfortunately, it’s not a new EF 70-200mm f/2.8L IS III.</p>
<p>Instead it looks like <a href="http://www.nokishita-camera.com/2018/03/ef70-200mm-f4l-is-ii-usmef-m32mm-f14-stm.html">we’re getting an EF 70-200mm f/4L IS II</a>.</p>
<p>We are unsure of the exact announcement date for this new lens, but ahead of Photokina would make sense</p>
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Canon EF-M 32mm f/1.4 STM Confirmed

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<p>We <a href="http://www.canonrumors.com/canon-ef-m-32mm-f-1-4-announcement-coming-for-photokina-cr2-cr3/">reported last month that an EF-M 32mm f/1.4 STM</a> was coming ahead of Photokina in August of 2018, and it looks like that is now confirmed according to Nokishita.</p>
<p>Other sites had reported that a EF-M 32mm f/1.8 STM was on the way, but it turns out our original speed on the lens was correct.</p>
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The Photography Show - Birmingham, UK

So no surprises thus far for The Photography Show for stands D141 / E131 in Hall 5.
Canon will be showing the recently announced trio of the EOS M50, EOS 2000D and EOS 4000D plus the new Speedlite 470EX-AI. Canon have also announced in time for the show their spring cash-backs (which normally are doubled on certain products at The Photography Show) and for the first time the EOS 5D MKIV fall below
£ 3,000. Canon will have 50 members of staff on-hand and being showing over 200 products to touch and try. Back again are the Canon Live Stage and the Canon Lifestyle Zone giving advice on online services, apps, wireless printing and merchandise.

I'm particularly interested in the new Speedlite 470EX-AI and will be taking my EOS 6D MKII to try it.

Will it be worth waiting for?

Hello all.

What do you think? Will the 7D III (or whatever it will be named) be worth waiting for or not? I'm asking myself this question since Canon has proven lately again, that it has no scruples to offer new cameras that are technologically outperformed by the competition models that are on the market for years now.

Considering the most likely improvements from the current 7D II to the 7D III:
- slightly more MP
- slightly more fps (maybe 11-12 fps??)
- touchscreen

How big are the chances that something more revolutionary will find its way into the 7D III?
- CFast slot
- Buffer like or better than the D500
- fully articulated touch-screen (80D like)

Especially the AF, which has always caused discussions on the 7DII. How likely could the 7DIII get an all new AF sensor that improves AF tracking and speed with more than 64 focal points? How likely will it match or exceed the D500 AF performance?

At the time, I'm inclined to be pessimistic about it and switch to a D500. If I hadn't such a wonderful Canon tele prime lens that I would miss at Nikons.

An Update on Canon's NAB 2018 Announcements [CR3]

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<p>A couple of days ago, we <a href="http://www.canonrumors.com/a-4k-canon-cinema-eos-c100-mark-iii-coming-for-nab-2018-next-month-cr1/">posted an article about an upcoming 4K Canon Cinema EOS C100 Mark III</a>. We warned you to take the report with a grain of salt, but you may have actually needed the whole salt shaker.</p>
<p>A Cinema EOS C100 Mark III is <strong>NOT</strong> coming to NAB.</p>
<p>Canon’s big announcement will be a “modifications for a higher end camera in the Cinema EOS lineup”. We haven’t yet been told which camera will get the “modification” or even what the “modification” is.</p>
<p><em>More to come…</em></p>
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Issue Discovered With The EOS 5D Mark IV, Firmware Fix Coming

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<p>Canon Rumors readers Darach G. (Darachphotography) has uncovered an issue with the Canon EOS 5D Mark IV that Canon themselves have confirmed. The firmware to fix the issue below should come within the next 4-8 weeks.</p>
<p><strong>Darach G. explains the issue and how Canon handled it:</strong></p>
<blockquote><p>I was testing out the various remote control options for controlling video on my Canon 5d Mk iv.  All works fine using the EOS utility V3 via WiFi or via USB and also using the Canon App on a samasung S7 phone.  However, if you switch on the “High Frame Rate Movie” option and attempt any of the remote control options, the 5D Mk iv camera completely hangs.  All functions including the on/off button become disabled and in one instance the camera actually “purple” screens. The only way to reset the camera is to take the battery and put it back in.   Shooting high frame rate movie directly on the camera works fine, but remote control causes the problem.  I upgraded the cameras firmware to 1.0.4 but the problem persisted.</p>
<p>I contacted Canon support in the UK and they immediately came back to me for some additional information.  Within 24 hours of receiving the additional information, they were able to replicate the issue and escalated this the Canon Europe.  I have since been informed via email that  Canon Inc. are now looking into this and will attempt to correct the problem in a firmware update within the next 4-8 weeks.</p></blockquote>
<p>Darach was extremely impressed with how quickly Canon acted on the issue, and has asked them name the firmware update after him. It’s worth a shot.</p>
<p><em>Thanks Darach (Darachphotography)</em></p>
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Sony Executive: Expects Canon and Nikon full frame mirrorless by this year

I’m sure this is quite worrying for Sony.

Up to now they have had this particular niche market for themselves; now it seems that Sony’s expecting competition soon.

DPReview interviewed Sony’s Senior General Manager of the Digital Imaging Business Group, Kenji Tanaka who has this to say;

Q: One of the reasons that companies like Sigma and Tamron are creating native Sony FE lenses is that they’re looking forward to a future where full-frame mirrorless is the norm. How long will that be?

A: This is just my personal opinion, but I think that maybe by next year’s CP+ you’ll see full-frame mirrorless cameras from Canon and Nikon. I think [by then] they will be participating in this market.

Just look at our technologies, like eye focus. All of that data comes from the imaging sensor. In DSLRs, the data comes from separate sensors. The main imaging sensor is blanked out, 90% of the time by the mirror. The sensor is turned off. But the imaging sensor is very important. So if cameras are going to develop, and be more able to capture the moment, manufacturers have to develop mirrorless technologies. So within one year, I think.


If Sony is thinking their own market is going to get more competition it’s probably a pretty good indication that both Canon and Nikon have serious development occurring as we speak.

Keep in mind that Canon has most of the pieces now demonstrated to make a fairly serious first version full frame mirrorless.

[list type=decimal]
[*]The 5D Mark IV sensor is competitive against it’s peers and supports over 24 million phase detection points on the sensor.

[*]DPAF and DIGIC 8 bring quicker AF, wider focus sensitivity which is now down to -2EV, and now supports Eye AF. For the video followers h.264 finally makes it into a camera DIGIC. All of these show up in the entry level EOS M50.
[/list]
While some questions still linger, how quick can DIGIC 8 run, and also how much support for video will there be, there’s good indications that Canon has certainly been working towards a full lineup of mirrorless cameras for a while now.

In praise of what we Germans call "Edelschrott"

Before you have to Google it.. Edelschrott translating it by the letter means (Noble Trash)

From time to time I read here about the issues thse have that take Pictures at Events or concerts. Using fast primes and Feeling the Need to Change lenses rather often. My drill in past was to take of rear cover of ne lens while in bag, unmount mounted lens drop unmounted lens without rear or front cover into the back, Mount new lens, put rear cover of new lens on old lens, curse because of the missed Situation and than from time to time repeat the process. When the concert is over, all lenses in my bag will have no front cover because the ramble arround somewhere in the front pouch and I feel a little guilty for how I have treated my equipment.

Well last weekend I went out with a 100 2.0 and 35mm 2.0 from Yongnuo. Mounted on an old Eos 1 D IV my bag was probably twice the value of what the bag protected.

Awesome feeling... whatever time and hazzle these old focus mechanics generate, whatever image quality these lenese don't provide... you can wage the battle for the perfect shot with an army of expendables. Felt at one moment towards the end of the show tempted to throw the 35mm after the Artist just to get his attention.

Canon wants a 50% marketshare

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Canon recently did their annual corporate strategy conference and there’s a pretty surprising statement from Canon in the middle of their speech summary.  They were extremely bullish when it came to the camera side of the company as they dropped the gauntlet when it comes to mirrorless and their overall marketshare stating;</p>
<blockquote><p>.. in our core camera business, in addition to our overwhelming share of the DSLR market, we will go on the offensive and work to expand our sales in the mirrorless camera market, which is exhibiting remarkable growth.  This will allow us to reach our goal of 50% marketshare of the entire interchangeable lens camera market.</p></blockquote>
<p>Now keep in mind, that Canon has been pretty strong on it’s mirrorless message for a while now, this is not Canon suddenly waking up and smelling the coffee ;)</p>
<p>A good example of this was the second quarter results from 2017;</p>
<blockquote><p>In this quarter as well, sales remained strong, particularly for mirrorless cameras. Within this trend, we grew sales of the EOS M6, a new mirrorless camera that has been highly rated not only for its high image quality, but also for its compact and lightweight form factor. This camera was designed to capture demand from people who, for example, are considering a step up to a camera with more features and better performance. Including this factor, first half unit sales of mirrorless camera grew more than 70% compared to the same period last year, leading to overall sales growth for interchangeable-lens cameras.</p></blockquote>
<p>Canon has also continued it’s message of increasing it’s automation of both Camera and Lens assembly, also leading into more of the mirrorless message simply because there’s less human work required to manufacturer a mirrorless camera than the more delicate alignment of a DSLR.</p>
<p>My own outlook on all this, since I’m allowed for one more day here, taken from CanonNews;</p>
<blockquote><p>Some caution is needed when interpreting Canon Inc’s message to the world. This doesn’t mean that Canon is going embark on a major plan to do anything much different than what they are doing now.  As we know from CIPA data, the vast majority of mirrorless cameras ship to asia, and north america has different ideas on what sells with respects to mirrorless.  Will they expand mirrorless and add more capability? Yes of course, the new entry level M50 shows that.  Will they launch a massive development campaign and replicate the entire Fuji lineup of primes? Probably not.</p>
<p>Development also has to be balanced with profitability and the majority of the world probably doesn’t even need that.  What we don’t have as far as a message is; are they going to compete in the north america mirrorless market? That requires the heavier investment, the more innovative camera systems, and the higher upscale cameras then what they have been currently doing.  The M5 was a good first try – one of the more ergonomic mirrorless cameras being built today, however, it’s just a small start in the right direction if they are planning inroads into the highly competitive north american market.</p></blockquote>
<p> </p>
<p><a href="http://global.canon/en/ir/conference/pdf/housin2018ceo-e.pdf">Canon Corporate Strategy Conference 2018 presentation</a></p>
<p><a href="http://global.canon/en/ir/conference/pdf/housin2018ceo-e-note.pdf">Canon Corporate Strategy Confernce 2018 speaker notes</a></p>
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Do I Just Need to Suck it up With the 300 2.8 II?

I do a lot of "running" events, indoor stage/band and outdoor music events, etc. Trying to figure out which telephoto zoom is the "best", but have extremely high standards having been spoiled by the best primes (with the 135 2.0 my default lens).
With that in mind do I really need to just somehow make the 300 2.8 IS II happen and call it a day?
Sometimes you do just have to say "**** you". Not often, but in rare instances.
Thanks.

An Update on Canonbot

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Samantha from Canon Canada customer support reached out to us for a bit of a backstory on <a href="http://www.canonrumors.com/canon-moves-quickly-into-robotics-cr4/">what we called “Canonbot”</a>.</p>
<p><strong>It turns out that she built “Canonbot”, telling us:</strong></p>
<blockquote><p>I actually made that lil robot. The story behind it is that there were a couple of guys in a canoe and it tipped. Their gear was completely submerged and had to be replaced. They brought it all in to us as we have electronic waste set up, and instead I made him.</p></blockquote>
<p>This is definitely a great use of ruined gear.</p>
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I'm stepping into the abyss of custom Taiwanese focusing screens

My 5D4 spends a lot of its time with f1.4 and faster lenses on it. When I had a 6D, I was always curious about how different focusing screens would work on it. Moving up to the 5D line pretty much killed that idea, until I realized that it is still physically possible to change the screen in them, and focusingscreen.com sells custom replacements to fit them.

Granted I do not do a lot of manual focusing, but its always bugged me that I can't see what kind of DOF I'm going to get through the viewfinder with fast lenses. Granted this is a gamble, but I'm going to give it a shot. I'll try to remember to report back how a precision focusing screen works in a 5D4. Hopefully the metering isn't thrown too far off.

A 4K Canon Cinema EOS C100 Mark III Coming for NAB 2018 Next Month? [CR1]

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We know that at least one Cinema EOS camera will be replaced ahead of NAB 2018 next month, and the best is that we’ll see a Cinema EOS C100 Mark III, though we haven’t received full confirmation as of yet.</p>
<p>An unknown source has told us that we’ll be seeing a 4K capable C100 Mark III for NAB 2018 in April. No other specifications have been sent to us.</p>
<p>We also know that a non cinema EOS camera is also coming for NAB, and that it’s not a new DSLR. More information on this shortly.</p>
<p>Take this with a grain of salt until we raise the rating of the information.</p>
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Canon EF 24-70mm f/2.8L IS Development Continues [CR2]

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We continue to hear that an EF 24-70mm f/2.8L IS is in development, while we don’t believe it’s on the 2018 road map at this time, we are confident such a lens is coming.</p>
<p>The latest source claims that the lens is in the final stages of development and that the next phase will be testing by select photographers and manufacturing planning.</p>
<p>We haen’t seen any new 24-70mm optical formula patents for quite some time, but if this lens is in late stage development, we expect to see some clues over the coming months.</p>
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Article: The 5 Reasons Why I Switched Back to Canon From Sony

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There has been a lot of stories over the last year or so from people that have left Canon for Sony, only to return later. A few of the big reasons we’ve seen for the return to Canon center around support, reliability, professional services and repair times.</p>
<p>The <a href="https://petapixel.com/2018/03/10/5-reasons-switched-back-canon-sony/">latest article</a> seems to center around Canon’s industry leading video auto focus and color science.</p>
<p><strong>From PetaPixel:</strong></p>
<blockquote><p><strong>Better Color Science</strong></p>
<p>Overall, I feel Canon has much better color rendition when it comes to reproducing colors and providing natural hues in the way we expect them to look. I have spent a lot of time editing Sony video footage trying to get it to look right in post. When I shoot video with Canon Log though I simply apply a LUT (a Look Up Table file created and supplied by Canon) to my Canon video files in post and, with basically just one mouse click, I get more or less perfectly color graded Rec.709 footage. Something I can say isn’t as easily achievable with Sony. <a href="https://petapixel.com/2018/03/10/5-reasons-switched-back-canon-sony/">Read the full article…..</a></p></blockquote>
<p>As I sit here in Tanzania, I have been surprised by the number of Sony A7 series cameras I have seen on safari. However, the numbers still pale in comparison to the amount of Canon and Nikon gear I’m seeing for this type of photography.</p>
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Probably impractical idea I came up with to improve low-light focusing

I'm a fiend for low light photos. It's really striking to me how much light is wasted in a DSLR by bouncing it off the primary mirror into the viewfinder. I mean, obviously, you need to see what's going on, but I'd happily trade off something like a 50% dimmer viewfinder for 50% more ability to focus in low light. I wonder if there would be any possible way to take the mirror box out of a DSLR, use either some kind of chemical or mechanical process to strip off some of the reflective coating, and then put it back into the camera, resulting in a modified camera that has amazing low light focusing abilities. Or, perhaps just replace the primary mirror with a custom made piece of glass that has a lower reflectivity.

I guess the obvious drawback is now you have a camera that has a dimmer viewfinder but is modified to perform in the exact kind of conditions when you would WANT a bright viewfinder. I should probably just trust that Canon has already figured out the perfect reflectivity of the primary mirror to get both adequate viewfinder brightness but to leave enough light to get adequate autofocus.

I was also thinking about some kind of hypothetical super low light focusing mode where there's no modification to the mirror, but when autofocus on the camera begins, it flips only the primary mirror up, allowing all of the available light to reach the secondary mirror and focusing sensor. Then, as soon as focus is achieved, the focus point still blinks red, albeit on a totally black viewfinder, and you can snap the photo. This is probably way too much viewfinder blackout time for most people, especially in those crucial few seconds leading up to the moment a photo is taken. But honestly sometimes I'd take this sort of situation over having a viewfinder that I can see the entire time, but the camera just hunts and hunts for focus... It would be kind of a last-ditch effort autofocus mode for very low light situations.

Advice request: 20mm options

Hi there,

I'm looking to add a wide prime to my kit for indoor use. Something around the 20mm range seems right. None of the local stores have any of them in stock to get hands-on with and while I can find example photos from each lens on sites like flickr they're mostly landscape or astro photos and flickr doesn't really tell me much about what the lenses are really like to live with. So I'm hoping someone(s) here can weigh in with some impressions of what any of these lenses are like to use long-term.

Right now I have a 5D mark II with a Tamron 24-70 f/2.8, Sigma 35mm, Canon 50mm STM and 100mm f/2 and a Fuiifilm X100T. I have the 70-200 f/4 IS too but that's never for indoors. The Sigma is my main lens by far, barely use the rest. I'm mostly shooting expos and trade shows, semi-professionally, and sometimes that means trying to get a whole car in frame at short distance or other times it could be a big group of people or an entire company stand. With the 24-70mm f/2.8 I sometimes run out of space indoors. Backing up further sometimes isn't an option at some of the more crowded events. I rented a 16-35 but found I was only really using around 20mm and I don't really like zooms anyway, I'm a prime gal (my 24-70 only gets used for the wide end and I'd like to just sell it), so I figure I may as well get a 20mm prime.

Light is sometimes a problem. I can't often stop down more than f/2.8, maybe f/3.2 on the good days. So if a lens is only good at smaller than f/4 then it's not much use to me. 1/60th f/2.2 ISO3200 is about a normal bright exposure for the shows I'm at.
Autofocus isn't a huge concern because even the notorious Sigma 35mm has been fine for me so far. It's nice to have AF but for a wide angle I'm okay with manual focus.
Coma doesn't matter to me at all. Extreme corner performance doesn't really matter, but I do need more than just center sharpness.
I don't anticipate using filters with this lens.

The biggest deal for me is what it's like to really live with and use the lens day after day. Having to correct for complex distortion or watch for flaring all the time (backlighting and shooting into light a lot at trade shows!) is a big pain for me so I will happily accept a slight drop in optical quality if it means I can avoid those hassles. I do shoot raw but I'm asked to quickly deliver clear, clean files, so I can't really work with a lens which requires a lot of post-processing correction. Whether the weight really becomes a chore is another issue.

So far I'm looking at
[list type=decimal]
[*]Canon 20mm f/2.8. It's old and I've read about the strong field curvature, but it's also the smallest and lightest. Reviews suggest it's nowhere near good enough wide open.
[*]Sigma 20mm f/1.4. Fastest and seems clear, but it's the heaviest and at the top end of what I'm comfortable spending. DXO and TDP suggest the distortion is pretty extreme too.
[*]Zeiss 21mm f/2.8 Distagon. Seems to have the clearest rendering but it's fairly heavy and I'd need to buy the old Distagon version second hand as the new Milvus price is far more than I'm okay spending.
[*]Samyang 20mm f/1.8. Hard to find anything about this lens. Not many reviews at all and the few I've found mostly only talk about astrophotography. But my video friends swear by their Samyang Cine lenses.
[/list]

I've not seen any other options but I'm open to any suggestions.

(Sorry for bumping the apparently dead EF 20mm and Zeiss 21mm threads, but at the time the board wouldn't let me make a new topic!)

A Prototype Full Frame Mirrorless From Canon Exists [CR1]

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We reported back in January that Canon had a mystery camera with a new body style in prototype form. We’re now being told by the same source that the camera in question is a full frame mirrorless camera prototype.</p>
<p>We were told a few things about the appearance of the camera.</p>
<ul>
<li>It has a top down LCD like the Leica SL.</li>
<li>The flange distance looks too short for it to be an EF mount, but no lens was attached to the body to be sure.</li>
<li>A press of the shutter button in burst mode sounded like it shot over 10fps.</li>
<li>There were no markings on branding on the body</li>
</ul>
<p>These sorts of leaks are rare, but they more often than not turn out to have some kind of truth to them. I expect multiple full frame mirrorless prototypes to exist.</p>
<p>There is nothing on the 2018 road map that suggests Canon will be announcing a full frame mirrorless camera this year, though that could still change between now and Photokina, but we put the possibility of this happening quite low.</p>
<p>We have been told that the second half of 2018 is going to be “a lot more interesting” than the first half.</p>
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