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Canon UK Launches New Merchandise Collection

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United Kingdom, Republic of Ireland, 17th March 2017 – For the first time ever, Canon UK is launching a range of branded clothing and accessories. From vintage camera t-shirts to umbrellas and bibs, you can get fully kitted out this spring.</p>
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<p>A selection of the new merchandise has been designed to celebrate the 30th anniversary of the EOS system and features cameras from the EOS archive. Plus, the vintage series includes designs from the original Canon camera “Kwanon” logo, first introduced in 1934.</p>
<p>The new collection includes clothing such as t-shirts, jackets, sweaters and hoodies, as well as accessories like umbrellas, baby bibs, hats and limited edition camera bags.  Camera fans will also be able to get their hands on a miniature Hansa Canon camera model, replicated on Canon’s first production model and Japan’s first high-quality 35mm camera launched in 1936.</p>
<p>The exciting new range will be available from 18th March from Canon’s online store and on display on the Canon stand at The Photography Show (NEC, Birmingham, 18th – 22nd March) for visitors to experience first-hand.</p>
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<p><strong>Ranges and pricing

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<p><strong>30 years of EOS branded merchandise</strong></p>
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<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-History-T-shirt-Black-L_Front_tcm14-1551714.jpg"><img class="aligncenter size-full wp-image-28792" src="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-History-T-shirt-Black-L_Front_tcm14-1551714.jpg" alt="" width="340" height="340" srcset="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-History-T-shirt-Black-L_Front_tcm14-1551714.jpg 340w, http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-History-T-shirt-Black-L_Front_tcm14-1551714-168x168.jpg 168w" sizes="(max-width: 340px) 100vw, 340px" /></a></p>
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<p>This regular fit men’s t-shirt features Canon’s special 30 years of EOS camera range design and is made from 60% bamboo fibre. It also comes specially boxed. Available in black (sizes S/M/L/XL) for £28.99.</p>
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<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Umbrella-Black-1_tcm14-1551717.jpg"><img class="aligncenter size-full wp-image-28793" src="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Umbrella-Black-1_tcm14-1551717.jpg" alt="" width="340" height="340" srcset="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Umbrella-Black-1_tcm14-1551717.jpg 340w, http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Umbrella-Black-1_tcm14-1551717-168x168.jpg 168w" sizes="(max-width: 340px) 100vw, 340px" /></a></p>
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<p>Keep sheltered from the rain when shooting with this Canon branded umbrella. RRP £24.99.</p>
<p><strong>The perfect gift</strong></p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Baby-bib-Green_tcm14-1551719.jpg"><img class="aligncenter size-full wp-image-28794" src="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Baby-bib-Green_tcm14-1551719.jpg" alt="" width="340" height="340" srcset="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Baby-bib-Green_tcm14-1551719.jpg 340w, http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Baby-bib-Green_tcm14-1551719-168x168.jpg 168w" sizes="(max-width: 340px) 100vw, 340px" /></a> <a href="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Baby-bib-Orange_tcm14-1551720.jpg"><img class="aligncenter size-medium wp-image-28795" src="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Baby-bib-Orange_tcm14-1551720.jpg" alt="" width="340" height="340" srcset="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Baby-bib-Orange_tcm14-1551720.jpg 340w, http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Baby-bib-Orange_tcm14-1551720-168x168.jpg 168w" sizes="(max-width: 340px) 100vw, 340px" /></a></p>
<p>For future photographers there are camera inspired baby bibs. Featuring old or new camera designs, the bibs are available in green or red (sizes S/M/L/XL) RRP £8.29.</p>
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<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Camera-Miniature_tcm14-1551721.jpg"><img class="aligncenter size-full wp-image-28796" src="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Camera-Miniature_tcm14-1551721.jpg" alt="" width="340" height="340" srcset="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Camera-Miniature_tcm14-1551721.jpg 340w, http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Camera-Miniature_tcm14-1551721-168x168.jpg 168w" sizes="(max-width: 340px) 100vw, 340px" /></a></p>
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<p>This miniature Hansa Canon camera model is a replica of Canon’s first production model and Japan’s first high-quality 35mm camera that launched in 1936. RRP £57.99.</p>
<p><strong>Vintage series</strong></p>
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<p><a href="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Hoodie-Blue-L_Front_tcm14-1551722.jpg"><img class="aligncenter size-full wp-image-28797" src="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Hoodie-Blue-L_Front_tcm14-1551722.jpg" alt="" width="340" height="340" srcset="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Hoodie-Blue-L_Front_tcm14-1551722.jpg 340w, http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Hoodie-Blue-L_Front_tcm14-1551722-168x168.jpg 168w" sizes="(max-width: 340px) 100vw, 340px" /></a></p>
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<p>This regular fit men’s hoodie incorporates Canon’s original ‘Kwanon’ logo from 1934. Available in navy (sizes S/M/L/XL) RRP £49.99.</p>
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<div class="col-sm-4 v-center"><a href="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Vintage-T-shirt-White-L_Front_tcm14-1551724.jpg"><img class="aligncenter size-full wp-image-28798" src="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Vintage-T-shirt-White-L_Front_tcm14-1551724.jpg" alt="" width="340" height="340" srcset="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Vintage-T-shirt-White-L_Front_tcm14-1551724.jpg 340w, http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Vintage-T-shirt-White-L_Front_tcm14-1551724-168x168.jpg 168w" sizes="(max-width: 340px) 100vw, 340px" /></a></div>
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<p>Choose from these two vintage series ‘Kwanon’ t-shirts made from 60% bamboo fibre. Available in grey or white (sizes S/M/L/XL). RRP £28.99.</p>
<div class="col-sm-4 center-block"><a href="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Sweater-Dark-olive-L_Front_tcm14-1551726.jpg"><img class="aligncenter size-full wp-image-28799" src="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Sweater-Dark-olive-L_Front_tcm14-1551726.jpg" alt="" width="340" height="340" srcset="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Sweater-Dark-olive-L_Front_tcm14-1551726.jpg 340w, http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Sweater-Dark-olive-L_Front_tcm14-1551726-168x168.jpg 168w" sizes="(max-width: 340px) 100vw, 340px" /></a></div>
<p>This ‘Kwanon’ crew neck sweater is available in olive green (sizes S/M/L/XL) RRP £45.49.</p>
<div class="col-sm-4 center-block"><a href="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Zip-Hoodie-Grey-L_Front-1_tcm14-1551727.jpg"><img class="aligncenter size-full wp-image-28800" src="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Zip-Hoodie-Grey-L_Front-1_tcm14-1551727.jpg" alt="" width="340" height="340" srcset="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Zip-Hoodie-Grey-L_Front-1_tcm14-1551727.jpg 340w, http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Zip-Hoodie-Grey-L_Front-1_tcm14-1551727-168x168.jpg 168w" sizes="(max-width: 340px) 100vw, 340px" /></a></div>
<p>Keep warm with this ‘Kwanon’ branded regular fit zip hoodie. Available in grey (sizes S/M/L/XM). RRP £53.99.</p>
<div class="col-sm-4 center-block"><a href="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Vintage-Cap-Female_tcm14-1551729.jpg"><img class="aligncenter size-full wp-image-28801" src="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Vintage-Cap-Female_tcm14-1551729.jpg" alt="" width="340" height="340" srcset="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Vintage-Cap-Female_tcm14-1551729.jpg 340w, http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Vintage-Cap-Female_tcm14-1551729-168x168.jpg 168w" sizes="(max-width: 340px) 100vw, 340px" /></a></div>
<p>Complete the look with this vintage series ‘Kwanon’ baseball cap. RRP £12.49.</p>
<p><strong>EOS gear</strong></p>
<div class="col-sm-4 center-block"><a href="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Windbreaker-Grey-L_Front_tcm14-1551730.jpg"><img class="aligncenter size-full wp-image-28802" src="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Windbreaker-Grey-L_Front_tcm14-1551730.jpg" alt="" width="340" height="340" srcset="http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Windbreaker-Grey-L_Front_tcm14-1551730.jpg 340w, http://www.canonrumors.com/wp-content/uploads/2017/03/Canon-Windbreaker-Grey-L_Front_tcm14-1551730-168x168.jpg 168w" sizes="(max-width: 340px) 100vw, 340px" /></a></div>
<p>The perfect jacket for those wet and windy shoots, this windbreaker jacket includes an SD card pocket, battery pocket, detachable lens cloth and a lens pocket. Available in grey with an RRP of £124.99.</p>
<p>To order and find out more, visit <a class="formatlink" href="https://store.canon.co.uk/" target="_self">https://store.canon.co.uk/</a> from 18th March 2017.</p>
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New Toy

I've been thinking of a backup DSLR for my D MK III, since I'm not ready to upgrade it yet, I was looking for something cheap but capable. I spotted a old 1D MK III today on our local craigslist for a decent price. It was purchased locally new, used only to photograph the owners children and vacations, and is spotless, not a scratch. It is complete with everything as new plus a extra battery. One of the things I liked about the 1D II from years back was the way image color and contrast popped. I'll see if thats still the case.

I just snapped a couple of quick shots with it, 10mp is certainly not much. I thought I remembered that my old one had AFMA, but I guess not. If I see any issues with my lenses, I'll probably just trade up, but my first shots were sharp enough. Most of my use will be product photography where I use live view and MF. The charger acts as a ac adapter, so I can operate it for long periods without running the batteries down. The sensor has never been cleaned, so I'll be checking for the almost certain dust and dirt on it.

EOS 5D IV for Manual Focus

Has anybody else with a 5D IV noticed how much easier manual focus seems to be? I've plunged into macro lately with a Sigma 180mm f/2.8, and I've been fine tuning focus with MF.

The view finder seems to have a very subtle, tightly pitched grid pattern noticeable when I focus close on small targets. (Works on all my lenses.)

I don't remember reading about this anywhere, and I'm not seeing anything with quick Google searches.

In any event, I haven't enjoyed MF in years, and now I'm finding it to be much less of a chore (when I have time to get it right).

Interview With Kenji Tanaka, Head of Sony ILC Business

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<p>An interview with Sony’s head of their ILC business that was originally posted on Imaging Resource has surfaced over at Sony Addict, as it appears Imaging Resource pulled it for whatever reason.</p>
<p>It’s an interesting interview, as it really gives you a good idea about Sony’s philosophy on growing the mirrorless camera space.</p>
<p><strong><a href="http://sonyaddict.com/2017/03/18/image-resource-interview-kenji-tanaka/">Sony Addict</a> broke down the major points of the interview:</strong></p>
<ul>
<li>Some sensors are reserved for Sony (Maybe this is why no one else is using their 42MP Full Frame sensor)</li>
<li>Sony invested billions in sensor technology and lenses</li>
<li>The Full Frame market is the most stable, but Sony wants to grow it slowly</li>
<li>“Before 42 megapixels… nobody needed such a resolution……but right now, people enjoy 42-megapixel cameras.”</li>
<li>“Now we are focused on three essential factors. One is of course the resolution, and another is the sensitivity, and third is the speed.”</li>
<li>Sports shooters target one millisecond in time so they might enjoy shooting 100-120fps</li>
<li>There is room for AF speed and intelligence improvement</li>
<li>Nikon/Canon use two systems for AF so their system can’t be intelligent. Our system can be intelligent because our sensor manages the AF.</li>
<li>AF and Exposure could benefit from Intelligence (AI)</li>
<li>The real advantage of mirrorless is direct information not the lack of a mirror.</li>
<li>An early problem with mirrorless was getting the data off the chip fast enough. Now the problem is interpreting all the data.</li>
<li>Sony a7RII mainly brought in customers form other systems, but Sony hopes to grow the ILC market beyond current DSLR/ILC users.</li>
<li>“I have said, too, that amateurs, people who don’t consider themselves photographers, like moms and dads, they need more advanced technology than the pros, because they’re the ones who more than anything need smart cameras and intelligent sensors. So maybe that will come.”</li>
<li>Full frame is their primary area</li>
<li>The price difference between Full Frame and APS-C could get closer together with time.</li>
<li>“I want to show our technology. The technology can change the future. Right now, I think American people still think the DSLR structure with mirror and shutter is best. But the technology can change that kind of way. And I think only Sony can do it.<strong> </strong>So I want to explain why the future is changing. And sensor is one aspect, and the lens is another one. Of course, intelligence is another aspect, but there are many technologies we have, so these things I want to tell your users. And of course [by combining] these technologies we create new cameras. So I want to show you the new camera…mirrorless can take a photo that the even professional DSLRs couldn’t capture.”</li>
</ul>
<p>You can head over the <a href="http://sonyaddict.com/2017/03/18/image-resource-interview-kenji-tanaka/">Sony Addict</a> for a cached version of the entire interview.</p>
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Announcing Guetzli: A New Open Source JPEG Encoder

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<div class="published"><strong>From Google:</strong></div>
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<p><em><span class="byline-author">Posted by Robert Obryk and Jyrki Alakuijala, Software Engineers, Google Research Europe</span></em></p>
<p>At Google, we care about giving users the best possible online experience, both through our own services and products and by contributing new tools and industry standards for use by the online community. That’s why we’re excited to announce <a href="https://github.com/google/guetzli/">Guetzli</a>, <a href="http://arxiv.org/abs/1703.04421">a new open source algorithm</a> that creates high quality JPEG images with file sizes 35% smaller than currently available methods, enabling webmasters to create webpages that can load faster and use even less data.</p>
<p>Guetzli [guɛtsli] — <i>cookie</i> in Swiss German — is a JPEG encoder for digital images and web graphics that can enable faster online experiences by producing smaller JPEG files while still maintaining compatibility with existing browsers, image processing applications and the JPEG standard. From the practical viewpoint this is very similar to our <a href="https://github.com/google/zopfli">Zopfli</a> algorithm, which produces smaller <a href="https://en.wikipedia.org/wiki/Portable_Network_Graphics">PNG</a> and <a href="https://en.wikipedia.org/wiki/Gzip">gzip</a> files without needing to introduce a new format, and different than the techniques used in <a href="https://research.googleblog.com/2016/09/image-compression-with-neural-networks.html">RNN-based image compression</a>, <a href="https://blog.google/products/google-plus/saving-you-bandwidth-through-machine-learning/">RAISR</a>, and <a href="https://developers.google.com/speed/webp/">WebP</a>, which all need client and ecosystem changes for compression gains at internet scale.</p>
<p>The visual quality of JPEG images is directly correlated to its multi-stage compression process: <a href="https://en.wikipedia.org/wiki/YUV">color space transform</a>, <a href="https://en.wikipedia.org/wiki/Discrete_cosine_transform">discrete cosine transform</a>, and <a href="https://en.wikipedia.org/wiki/Quantization_(image_processing)">quantization</a>. Guetzli specifically targets the quantization stage in which the more visual quality loss is introduced, the smaller the resulting file. Guetzli strikes a balance between minimal loss and file size by employing a search algorithm that tries to overcome the difference between the <a href="https://en.wikipedia.org/wiki/Human_visual_system_model">psychovisual</a> modeling of JPEG’s format, and <a href="https://github.com/google/butteraugli">Guetzli’s psychovisual model</a>, which approximates color perception and visual masking in a more thorough and detailed way than what is achievable by simpler color transforms and the discrete cosine transform. However, while Guetzli creates smaller image file sizes, the tradeoff is that these search algorithms take significantly longer to create compressed images than currently available methods.</p>
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<td><em><a href="http://www.canonrumors.com/wp-content/uploads/2017/03/image00.png"><img class="aligncenter size-full wp-image-28777" src="http://www.canonrumors.com/wp-content/uploads/2017/03/image00.png" alt="" width="480" height="160" /></a></em></td>
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<td class="tr-caption"><em>Figure 1. 16×16 pixel synthetic example of a phone line hanging against a blue sky — traditionally a case where JPEG compression algorithms suffer from artifacts. Uncompressed original is on the left. Guetzli (on the right) shows less ringing artefacts than libjpeg (middle) and has a smaller file size.</em></td>
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<p>And while Guetzli produces smaller image file sizes without sacrificing quality, we additionally found that in <a href="http://arxiv.org/abs/1703.04416">experiments</a> where compressed image file sizes are kept constant that human raters consistently preferred the images Guetzli produced over libjpeg images, even when the libjpeg files were the same size or even slightly larger. We think this makes the slower compression a worthy tradeoff.</p>
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<td><a href="http://www.canonrumors.com/wp-content/uploads/2017/03/image01.png"><img class="aligncenter size-full wp-image-28778" src="http://www.canonrumors.com/wp-content/uploads/2017/03/image01.png" alt="" width="570" height="240" /></a></td>
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<td class="tr-caption"><em>Figure 2. 20×24 pixel zoomed areas from a picture of a cat’s eye. Uncompressed original on the left. Guetzli (on the right) </em><em>shows less ringing artefacts than libjpeg (middle) without requiring a larger file size.</em></td>
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<p>It is our hope that webmasters and graphic designers will find Guetzli useful and apply it to their photographic content, making users’ experience smoother on image-heavy websites in addition to reducing load times and bandwidth costs for mobile users. Last, we hope that the new explicitly psychovisual approach in Guetzli will inspire further image and video compression research.</p>
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*UPDATE* Another Camera Store Burglary, This Time Midwest Photo Exchange is the Victim

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<strong>*UPDATE*

</strong>Midwest Photo Exchanged has released a few more bits of information about their burglary.</p>
<p>The perpetrators entered the building by cutting a hole in the roof and slid down a pole to gain entrance to the stock room, where they were able to carry off hundreds of lenses and cameras.</p>
<p>Below are two images of one of the assailants as well as suspects casing the store prior to the incident.</p>
<p><strong>From MPEX:</strong></p>
<blockquote><p>Regarding the burglary at Midwest photo, we just found footage of 4 suspects casing the building starting on 3/14 around <span class="aBn" tabindex="0" data-term="goog_1967845299"><span class="aQJ">1 pm</span></span>. They are in what looks like a Jeep Cherokee from the robbery and we see them surveil the entry point and we see them walk around the building and check doors around the building. They come in in 2 pairs at separate times from the same vehicle. Based on our discussions with other camera stores we do believe this to be connected to several robberies from dealers in other states.</p></blockquote>

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<p><!--more--></p>
<p><strong>Original Post</strong></p>
<p>Midwest Photo Exchange in Columbus, Ohio, a Canon Rumors partner, was victim of a burglary this week. This follows a burglary at <a href="http://www.canonrumors.com/more-than-200000-in-lenses-stolen-from-veydra-optics/">Veydra Optics earlier this week</a>.</p>
<p>Camera stores have always been targets for thefts, but it seems there have been far more high value burglaries of retail and rental houses over the last few years.</p>
<p>From MPEX:</p>
<blockquote><p>In the late night hours of March 15<sup>th</sup> Midwest Photo in Columbus, Ohio suffered a break in to their new facility.</p>
<p>This break in appears to have been pre meditated and carried out by experienced individuals. They strategically entered the building in such a manner that they were able to go undetected long enough to steal hundreds of cameras, lenses and accessories. Police and local detectives are involved as this break in is potentially a part of a larger crime wave going throughout the Midwest at this time.</p>
<p>Missing serial numbers are being tallied as we speak and Midwest is employing web scraping software to track them in the event that they show up for sale online anywhere.</p>
<p>Midwest Photo was able to quickly recover from this very unfortunate event and was only closed for a few hours <span class="aBn" tabindex="0" data-term="goog_1273660738"><span class="aQJ">on Thursday</span></span> as they accounted for the missing inventory. Through strong relationships and great support from their vendors and customers Midwest Photo is conducting business as usual as of today. If anyone has any information please email <a href="mailto:[email protected]" target="_blank">[email protected]</a></p></blockquote>
<p>If the serial numbers become public, we will update this post.</p>
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Adobe Reports Record Revenue for Q1 2017

HTML:
SAN JOSE, Calif.–(<a href="http://www.businesswire.com/" target="_blank">BUSINESS WIRE</a>)–Adobe (Nasdaq:ADBE) today reported financial results for its first quarter fiscal year 2017 ended March 3, 2017.</p>
<p><b>Financial Highlights</b></p>
<ul>
<li class="bwlistitemmargb">Adobe achieved record quarterly revenue of $1.68 billion in its first quarter of fiscal year 2017.</li>
<li class="bwlistitemmargb">Diluted earnings per share was $0.80 on a GAAP-basis, and $0.94 on a non-GAAP basis.</li>
<li class="bwlistitemmargb">Digital Media segment revenue was $1.14 billion, with record Creative revenue growing to $942 million.</li>
<li class="bwlistitemmargb">Strong Creative Cloud and Document Cloud adoption and retention drove Digital Media Annualized Recurring Revenue (“ARR”) to $4.25 billion exiting the quarter, a quarter-over-quarter increase of $265 million.</li>
<li class="bwlistitemmargb">Adobe Marketing Cloud achieved record revenue of $477 million.</li>
<li class="bwlistitemmargb">Operating income grew 52 percent and net income grew 57 percent year-over-year on a GAAP-basis; operating income grew 40 percent and net income grew 42 percent year-over-year on a non-GAAP basis.</li>
<li class="bwlistitemmargb">Cash flow from operations was a record $730 million, and deferred revenue grew to approximately $2.1 billion.</li>
<li class="bwlistitemmargb">The company repurchased approximately 2.2 million shares during the quarter, returning $238 million of cash to stockholders.</li>
</ul>
<p>A reconciliation between GAAP and non-GAAP results is provided at the end of this press release and on Adobe’s website.</p>
<p><!--more--></p>
<p><b>Executive Quotes</b></p>
<p>“Whether you’re a designer, student, enterprise or government agency, reimagining your customer experience has become a critical part of every digital transformation strategy,” said Shantanu Narayen, president and CEO of Adobe. “Adobe’s mission to help our customers design and deliver great experiences has never been more relevant as is reflected in our outstanding Q1 results.”</p>
<p>“Adobe achieved record revenue, profit and cash flow in Q1,” said Mark Garrett, Adobe executive vice president and chief financial officer. “Our solid execution and business momentum combined with strong market tailwinds give us confidence in our ability to continue to deliver strong financial results. We remain bullish about our prospects for the rest of 2017 and beyond.”</p>
<p><b>Adobe to Webcast Earnings Conference Call</b></p>
<p>Adobe will webcast its first quarter fiscal year 2017 earnings conference call today at 2:00 p.m. Pacific Time from its investor relations website: <a href="http://cts.businesswire.com/ct/CT?id=smartlink&url=http%3A%2F%2Fwww.adobe.com%2FADBE&esheet=51527223&newsitemid=20170316006200&lan=en-US&anchor=www.adobe.com%2FADBE&index=1&md5=bc2386dc58ea34f757cfd6e74c9dfc7c" rel="nofollow">www.adobe.com/ADBE</a>. Earnings documents, including Adobe management’s prepared conference call remarks with slides, financial targets and an investor datasheet are posted to Adobe’s investor relations website in advance of the conference call for reference. A reconciliation between GAAP and non-GAAP earnings results and financial targets is also provided on the website.</p>
<p><b>Forward-Looking Statements Disclosure</b></p>
<p>This press release contains forward-looking statements, including those related to product and technology innovation, relevance of our products to our customers, business and market momentum, revenue, annualized recurring revenue, bookings, earnings per share and operating cash flow, all of which involve risks and uncertainties that could cause actual results to differ materially. Factors that might cause or contribute to such differences include, but are not limited to: failure to develop, market and offer products and services that meet customer requirements, introduction of new products, services and business models by competitors, failure to successfully manage transitions to new business models and markets, uncertainty in economic conditions and the financial markets, fluctuations in subscription renewal rates, complex and unpredictable sales cycles for some enterprise offerings, risks associated with cyber-attacks and information security, potential interruptions or delays in hosted services provided by us or third parties, changes in accounting principles, and failure to realize the anticipated benefits of past or future acquisitions. For a discussion of these and other risks and uncertainties, please refer to Adobe’s Annual Report on Form 10-K for our fiscal year 2016 ended Dec. 2, 2016, and Adobe’s Quarterly Reports on Form 10-Q issued in fiscal year 2017.</p>
<p>The financial information set forth in this press release reflects estimates based on information available at this time. These amounts could differ from actual reported amounts stated in Adobe’s Quarterly Report on Form 10-Q for our quarter ended March 3, 2017, which Adobe expects to file in March 2017.</p>
<p>Adobe assumes no obligation to, and does not currently intend to, update these forward-looking statements.</p>
<p><b>About Adobe Systems Incorporated</b></p>
<p>Adobe is changing the world through digital experiences. For more information, visit <a href="http://cts.businesswire.com/ct/CT?id=smartlink&url=http%3A%2F%2Fwww.adobe.com&esheet=51527223&newsitemid=20170316006200&lan=en-US&anchor=www.adobe.com&index=2&md5=4c49b0a51fb4970266dbfe4f30766a42" rel="nofollow">www.adobe.com</a>.</p>
<p>– See more at: http://news.adobe.com/press-release/corporate/adobe-reports-record-revenue-3#sthash.UGTl3wX4.dpuf</p>
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Preorder: Sigma 135mm f/1.8 DG HSM Art

HTML:
<p class="size-16" lang="x-size-16"><span class="font-cabin">Tonight the Sigma 135mm f/1.8 DG HSM Art series lens is available for preorder and will begin shipping in early April.</span></p>
<ul>
<li class="size-16" lang="x-size-16"><span class="font-cabin"><strong>Sigma 135mm f/1.8 DG HSM Art: </strong><a href="https://bhpho.to/2n4o9bQ" target="_blank">B&H Photo</a> | <a href="https://www.adorama.com/sg13518eos.html?kbid=64393" target="_blank">Adorama</a></span></li>
</ul>
<p class="size-16" lang="x-size-16"><span class="font-cabin">The three remaining Sigma lenses are still not available for preorder, but we will update you as soon as we know when they will be.</span></p>
<p class="size-14" lang="x-size-14"><span class="font-cabin"><em>*Note: Not all preorder links may be live right away.</em></span></p>
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  • Locked
Northrup on Nikon's current state of affairs

Tony Northtrup, on the day Nikon announced its 'extraordinary loss', riffed on the state of that business:
https://www.youtube.com/watch?v=1uyJVCHDlzU

Eye-rolling banter for the most part, yes, but it was an amusing listen in the background (think of it like a podcast you could have a look at when he said something interesting).

0-16 minutes = How did Nikon get here financially, why is Nikon not really in that much trouble, comments about restructuring, good/bad product development cancellation decisions, etc.

16-35 minutes = ideas for how Nikon could rally with future products:

  • VR is lame, IBIS is the way to go (VR makes lenses softer, apparently)
  • He wants EVFs, even in SLRs -- he argues it will eliminate chimping 'because a histogram is in the viewfinder'. ::)
  • Improve video AF
  • "Be cooler" -- he wants a retro styled rig, not a 'dorky tourist camera from the 80s'
  • Pro-quality APS-C lenses to let the D500 be a do-everything camera: shots with FX lenses on DX bodies are softer than on FF bodies
  • Throw out their long-standing SLR interface. He wants cell phone-like interfaces on their cameras -- I largely disagree with this, but he has a fair point that you can't search for an obscure setting anywhere on an SLR like you can search for content (cross-application) on a phone.
  • Truly silent (electronic / MLU) shutters
  • Free updates that are better than vanilla firmware tweaks -- these would be interface upgrades and expansions to functionality to fire up current owners.
  • He's surprised an OVF-centric company doesn't have the great eye detect of other cameras like [lists two mirrorless rigs]. ::)
  • He wants an open ecosystem and apps: "I realize this will take a year to develop"

"Nikon, if you do these things people will be so excited about the cameras. I know you might not make a lot of money right away by giving out free updates but you will build up a community of enthusiasts."

- A

Sigma 135mm f/1.8 DG Art Series Lens Shipping on April 7?

HTML:
<p><strong>*UPDATE #2*</strong>

<em>We’re told by an authorized retailer that ONLY the Sigma 135mm f/1.8 DG HSM Art will be available for preorder tonight.</em></p>
<p><strong>*UPDATE*</strong>

<em>Preorders will go live tonight, midnight EST.</em></p>
<p>According to <a href="http://www.nokishita-camera.com/2017/03/135mm-f18-dg-hsm-art47.html">Nokishita</a>, the Sigma 135mm f/1.8 DG Art series lens will begin shipping on April 7, 2017. There is no word on whether or not the Sigma 14mm f/1.8 Art, Sigma 24-70mm f/2.8 DG OS Art and Sigma 100-400 f/5-6.3 OS C will also start shipping on that day.</p>
<p>MSRP pricing looks to be 175,000 yen for the Sigma 135mm f/1.8 DG Art, which converts directly to about $1500USD. We do not expect the USA price to be that high.</p>
<p>Preorders for the lenses are expected to start shortly and you can sign-up below to be notified as soon as they do.</p>

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<p><em>*Note: Entering your email address will not sign you up for our newsletter, you will only ever be emailed about preordering these 4 Sigma lenses.</em></p>
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Canon 400 2.8 II v. 200-400

I currently have the Canon 400 2.8 II and am considering selling it for a used 200-400. Can those who have used both weigh in on whether this would be a good decision? I've noticed the 200-400 is now the norm on sidelines as the 400 has been becoming a rare sight.

What's drawing me to the 200-400 is the versatility of the zoom. My current setup for field sports now is the 400, the 300 2.8 II and 70-200. With the 200-400, I'd need only that and the 70-200, eliminating the clumsiness of having to quickly change among three cameras.

The cons for the 200-400 for me are the f/4 aperture and the high price due to the built in convertor (a feature I'd never use). Is this lens sharp enough to shoot wide open at f/4 most of the time?

Thoughts?

Canon EF-S 35mm f/2.8 M IS STM Coming April 5, 2017 [CR3]

HTML:
<p>Canon will announce an EF-S 35mm f/2.8 M IS STM on April 5, 2017. What we find unique about this announcement is the “M” in the lens description. We’re not sure what that means…</p>
<p><strong>Here are a couple of ideas off the top of my head:</strong></p>
<ul>
<li>Macro mode?</li>
<li>EOS M compatible?</li>
<li>Leica made it?</li>
</ul>
<p><strong>Here are the best reader ideas:</strong></p>
<ul>
<li>From <a href="http://www.canonrumors.com/forum/index.php?topic=32180.msg655729#msg655729">GHPhotography</a> “<em>Perhaps M is a designator for macro mode with the integrated LED lights from the EF-M 28mm f/3.5 IS</em>“</li>
</ul>
<p>What do you think?</p>
<p>Availability and pricing are not known at this time, but we don’t have long to wait.</p>
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More Than $200,000 in Lenses Stolen from Veydra Optics

HTML:
California based Cinema lens maker Veydra was a victim of a massive theft on Sunday, losing nearly their entire stock of 200+ Mini Prime cinema lenses.</p>
<p><a href="https://www.facebook.com/veydraoptics/photos/a.1561101974106738.1073741829.1541436739406595/1829316720618594/?type=3&theater">From Veydra:</a></p>
<blockquote><p>Attention filmmakers, friends, and fans of Veydra; our HQ in California was broken into last night and someone stole over 200 Veydra Mini Prime Lenses.</p>
<p>We are offering a reward for any information leading to return of Veydra Mini Prime lenses from our inventory. This many lenses should be noticeable so if you see any crazy deals on Veydra, help us recover our stole<span class="text_exposed_show">n goods.</p>
<p>Please share and tell your friends. Veydra lenses will be available again but it may take some time to fill orders so we appreciate everyone’s help and patience while we recover from this significant loss.</p>
<p>Thanks for your help in keeping our dream alive.</span></p></blockquote>
<p>As PetaPixel points out, this isn’t the first time a large selection of photographic/cinema gear has been stolen. L<a href="http://www.canonrumors.com/rental-company-lensprotogo-robbed-of-500k-in-camera-gear/">ensProToGo was a victim of a $500K theft</a> back in 2015 and BlackMagic Designs and two other manufacturers <a href="https://petapixel.com/2014/10/10/thieves-steal-nearly-2-million-cameras-gear-black-magic-two-others/">lost nearly $2 million</a> in goods in 2014.</p>
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Review: LensTip (finally) reviews the 24-105 f/4L IS II

From LT:
http://www.lenstip.com/index.php?test=obiektywu&test_ob=498

LT didn't come to the same 'it's not much better than the Mk I' conclusion that many others have:

"In my humble opinion releasing such a lens was an excellent Canon move. They provided a slightly weaker image quality in the frame centre compared to the predecessor and the Sigma A 24–105 mm f/4 DG OS HSM but the difference is often so insignificant that it would be hard to notice it in real life photos. However, we got a lot in return – and I really mean a lot. Firstly, a better image quality on the edges of the frame, lower chromatic and spherical aberration, lower distortion and vignetting plus a very good performance against bright light. As a result you can enjoy a universal lens with a sensible aperture fastness, equipped with a fast, accurate autofocus and an efficient image stabilization unit – a device practically without any serious flaws."

- A

Review: Sigma 500mm f/4 DG OS HSM Sport Lens

HTML:
The-Digital-Picture has completed their review of the Sigma 500mm f/4 DG OS HSM Sports Lens. At $5999 the new Sigma seems like a good deal, until you consider that you can buy a Canon EF 500mm f/4L IS II refurbished from Canon for under $7000 on occasion. I think that alone makes this lens a hard sell to its target audience.</p>
<p><strong>From TDP</strong></p>
<blockquote><p>The Sigma 500mm f/4 DG OS HSM Sports Lens takes one into the big leagues of sports and wildlife photography at a fraction of the price of the previous options, those by Canon and Nikon.</p>
<p>Overall, this lens is a really nice one. The build quality appears military-grade, ready for heavy duty outdoor use. The features list is about as long as they get and adequate accessories are included. Though some focus shift is present, the image quality coming from this lens – especially when used wide open at f/4 – is ready for a 2-page spread or a wall-sized cutout and the background blur that 500mm f/4 can produce practically cuts out the subject in-camera. <a href="http://www.the-digital-picture.com/Reviews/Sigma-500mm-f-4-DG-OS-HSM-Sports-Lens.aspx">Read the full review</a></p></blockquote>
<p>We’re looking forward to seeing more reviews of the latest Sigma supertelephoto lens.</p>
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Canon Planning to Gain More Market Share - Strategy Conference 2017

Canon Planning to Gain More Market Share - Strategy Conference 2017
March 6, 2017

These slides are from legitimate url source: http://www.canon.com/ir/housin2017/housin2017ceo-e.pdf

Quite interesting to read.

"This presentation contains forward-looking statements with respect to future results, performance and achievements...".

It includes:
[list type=decimal]
[*]Establish a new production system to achieve a cost-of-sales ratio of 45% p/y
[*]Reinforce and expand new businesses while creating future businesses
[*]Restructure global sales network in accordance with market changes
[*]Enhance R&D capabilities through open innovation
[*]Complete the Three Regional Headquarters management system capturing world dynamism
[/list]

It discusses:
  • Medical business restart with Toshiba
  • Industrial Equipment
  • Network (read security& Surveillance) hardware & software solutions -> it's annoying to read "Safety" - instead of "Surveillance" :-(((
  • Further Digital Printing market share expansion
  • OLED
  • ILC and LaserJet market Share expansion via new products
  • In-house manufacturing and automations + "proprietary tech accumulation" = reduced production costs


What do you think about it? ;-)

Review: Canon PowerShot G9 X Mark II

HTML:
Photography Blog has completed their extensive review of the Canon PowerShot G9 X Mark II, a decent follow-up to the popular Canon PowerShot G9 X.</p>
<p><strong>From Photography Blog</strong></p>
<blockquote><p>Although owners of the original Canon PowerShot G9 X aren’t going to be too excited by the improvements on offer, the new Mark II does represent a minor step forward for Canon’s most pocket-friendly compact camera, particularly in its operational speed.</p>
<p>In summary, the Canon PowerShot G9 X Mark II adds just enough new features (just) to make it worth considering as a truly take-anywhere pocket camera. <a href="http://www.photographyblog.com/reviews/canon_powershot_g9_x_mark_ii_review/">Read the full review</a></p></blockquote>
<p>After reading the review, it seems the camera is quite good, but you may find more value in the original PowerShot G9 X, especially after its <a href="http://www.canonrumors.com/price-drop-canon-powershot-g9-x-399-reg-529/">recent big price drop</a>.</p>
<p><strong>The Canon PowerShot G9 X Mark II is now shipping:</strong></p>
<ul>
<li>Canon PowerShot G9 X Mark II Black: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=https://www.adorama.com/ICAG9X2B.html">Adorama</a> | <a href="http://amzn.to/2hRHUNw">Amazon </a>| <a href="https://www.bhphotovideo.com/c/product/1308387-REG/canon_1717c001_powershot_g9_x_mark.html/BI/2466/KBID/3296">B&H Photo</a></li>
<li>Canon PowerShot G9 X Mark II Silver: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=https://www.adorama.com/ICAG9X2S.html">Adorama</a> | <a href="http://amzn.to/2iF5AH1">Amazon</a> | <a href="https://www.bhphotovideo.com/c/product/1308388-REG/canon_1718c001_powershot_g9_x_mark.html/BI/2466/KBID/3296">B&H Photo</a></li>
</ul>
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First Impressions: Canon EOS Rebel T7i/800D

HTML:
Photography Blog had the opportunity to spend some time with the recently announced Canon EOS Rebel T7i/800D. This camera was announced alongside the <a href="http://www.canonrumors.com/canon-announces-the-eos-77d/">EOS 77D DSLR</a> and <a href="http://www.canonrumors.com/canon-announces-the-eos-m6/">EOS M6 mirrorless camera</a>.</p>
<p>The Rebel line is always pretty safe and quite a capable performer. It doesn’t look like the EOS Rebel T7i/800D is going to tarnish that legacy.</p>
<p><strong>From Photography Blog:</strong></p>
<blockquote><p>Given the chance to test the camera in challenging low-contrast light conditions, we can report that our first impressions are very good. Image quality is respectable under tough conditions and excellent when the light entering the camera is maximised.</p>
<p>An excellent feature set in a lightweight body with simple layout means the EOS 800D is likely to entice beginners to further explore the world of interchangeable lens cameras. <a href="http://www.photographyblog.com/news/canon_eos_800d_first_impressions_review/?utm_source=feedburner&utm_medium=twitter&utm_campaign=Feed%3A+photographyblog+PhotographyBLOG">Read the initial impressions review</a></p></blockquote>
<p>The new Rebel is scheduled to begin shipping on March 30, 2017 alongside the EOS 77D and EOS M6.</p>
<p><strong>Preorder the EOS Rebel T7i/800D</strong></p>
<ul>
<li>Canon EOS Rebel T7i Body: <a href="https://www.bhphotovideo.com/c/product/1318277-REG/canon_eos_rebel_t7i_dslr.html/BI/2466/KBID/3296">B&H Photo</a> | <a href="https://mpex.com/canon-eos-rebel-t7i-dslr-camera-body-only.html?acc=3">MPEX</a> | <a href="http://adorama.evyy.net/c/60085/51926/1036?u=https://www.adorama.com/ICAT7I.html?kbid=64393">Adorama</a> | <a href="http://amzn.to/2lfCq4V">Amazon</a></li>
<li>Canon EOS Rebel T7i w/18-55 IS STM: <a href="https://www.bhphotovideo.com/c/product/1318769-REG/canon_1894c002_eos_rebel_t7i_dslr.html/BI/2466/KBID/3296">B&H Photo</a> | <a href="https://mpex.com/canon-eos-rebel-t7i-dslr-camera-with-18-55mm-lens.html?acc=3">MPEX</a> | <a href="http://adorama.evyy.net/c/60085/51926/1036?u=https://www.adorama.com/ICAT7IK.html?kbid=64393">Adorama</a> | <a href="http://amzn.to/2lfCq4V">Amazon</a></li>
<li>Canon EOS Rebel T7i w/18-135 IS STM: <a href="https://www.bhphotovideo.com/c/product/1318772-REG/canon_1894c003_eos_rebel_t7i_dslr.html/BI/2466/KBID/3296">B&H Photo</a> | <a href="https://mpex.com/canon-eos-rebel-t7i-dslr-camera-with-18-135mm-lens.html?acc=3">MPEX</a> | <a href="http://adorama.evyy.net/c/60085/51926/1036?u=https://www.adorama.com/ICAT7IK2.html">Adorama</a> | <a href="http://amzn.to/2lfCq4V">Amazon</a></li>
</ul>
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Poor Image Quality at Infinity with 35mm Typical?

Maybe a crazy question, but I sold a 35L a couple years ago because I found it a little soft when focus was at infinity, even when stopped down. It was amazing for closer work, I assumed it was just the copy I had.

Now I'm experiencing it worse with a 35 f/2 IS, albeit wide open. Using it on the sideline of volleyball I find I get sharp results on the near side when AF keeps up, but on the far side of the court the subject distance is in the range where infinite focus kicks in. When focused on subjects that are more than 5 meters away (Lightroom plugin info), the next court adjacent to the one I'm working appears better focused than the subject. This is for indoor gyms, so ISO 1600-3200 is typical.

Do I have a lens that requires repair, or is this a typical problem? I'd post examples, but I'm reluctant as they images are of a lot of people's children under 16.

Fact from Fantasy?

Most of the gear I own is in the "big seller" category: lenses and bodies familiar to many CR members, reviewed by popular and generally reputable review sites and individuals.

However, I recently picked up a Sigma 180mm f/2.8 APO OS. The lens was rarely reviewed; despite popping up quite a bit in Google, most of the "reviews" are rehashes of the original press release. By coincidence, just in the past day or two a new thread was started about this lens, the first discussion of it in years on CR. The OP was asking for those with personal experience for a comparison between the Sigma and the Canon 180mm f/3.5.

What surprises me, now that I have a piece of gear relatively few people buy, try, or know anything about, is how much completely wrong info is so quickly passed around. Ok, I'm naïve. But the number of posts with fragments of poorly remembered bits of reviews or rumors or just complete BS is incredible.

So, I'm asking other CR members to talk about HOW DO YOU SEPARATE FACT FROM FANTASY (aka BS) when making gear purchasing decisions? Many of us are now living in areas hundreds of miles from the nearest camera shop.

Thanks!

Updated 2017 Canon Roadmap

HTML:
<p>2017 isn’t shaping up to being a big year for Canon, but there are going to be a fair number of popular announcements this year. Below is what we can confirm is coming in 2017, even if we cannot confirm exactly when things are coming.</p>
<p>We also touch on a few things that won’t be coming this year, in case you’re on the fence about a purchase.</p>
<p><strong>DSLRs</strong></p>
<ul>
<li><strong>Canon EOS 6D Mark II</strong>

<em>This is the most anticipated DSLR from Canon this year. We expect to see it in late Q2/early Q3</em></li>
<li><strong>Canon EOS Rebel SL2</strong>

<em>The smallest DSLR in the lineup will get a refresh in 2017. We expect it to be specced pretty close to the EOS Rebel T7i.</em></li>
</ul>
<p><strong>Lenses</strong></p>
<ul>
<li><strong>Canon EF 85mm f/1.4L IS</strong>

<em>This is a highly anticipated lens and we expect it to come around some time in Q3 of 2017.</em></li>
<li><strong>Canon EF-S 35mm f/2.8 M IS STM</strong>

<em>We haven’t confirmed the focal length of this lens yet, but it will be announced on or around April 5, 2017. We’ve also been told that it’ll have a unique feature for an EF-S lens.</em></li>
<li><strong>Canon 135mm</strong>

<em>There is some kind of 135mm lens coming in 2017, we just don’t know an awful lot about it at this time. This one may evolve some and I think it’s likely a Q4 announcement.</em></li>
</ul>
<p><strong>Cinema EOS</strong></p>
<ul>
<li><strong>Canon Cinema EOS CXXX Camera</strong>

<em>A new Cinema EOS camera below the EOS C300 Mark II is coming in 2017. It will not be called the C100 Mark III. This won’t be ready for NAB next month, so we expect a Q3 or Q4 announcement.</em></li>
<li><strong>Canon Cinema lenses

</strong><em>We expect to see at least one prime cinema lens announced for NAB next month. There may also be an anamorphic lens announced some time in 2017.</em></li>
</ul>
<p><strong>What’s not coming?</strong></p>
<ul>
<li><strong>Canon EF 600mm f/4 DO IS</strong>

<em>We were told it was possible this lens would come in late 2017, but we can confirm that it’s not. Perhaps we’ll see it at Photokina in 2018?</em></li>
<li><strong>Canon EOS-1D C Mark II</strong>

<em>It’s not coming this year, and we don’t think it ever will.</em></li>
<li><strong>Canon EOS 5DS & Canon EOS 5DS R</strong>

<em>There will be no new high megapixel camera in 2017.</em></li>
</ul>
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