A couple of weeks ago, <a href="http://www.canonrumors.com/canon-ef-135mm-f2l-is-coming-in-2017-cr2/">we posted that there would be a new EF 135mm f/2L</a> coming in 2017. After speaking to a few people, we’ve learned that the new EF 135mm lens is not a replacement for the classic Canon L prime. We will note <a href="http://www.canonrumors.com/patent-canon-ef-135-f2l-wapodization-filters/">we have seen a patent</a> for a new Canon EF 135mm optical formula with APO filters.</p>
<p>The new 135mm lens is apparently “unique” to the lineup. We don’t have anything more than that at the moment. This lens is scheduled to be announced in Q4 of 2017 we’re told.</p>
<p>For the moment, we can only confirm 1 lens (EF 85 f/1.4L IS USM) definitively for 2017, while we work on a couple of more leads.</p>
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<p><strong>Known lenses coming in 2017:</strong></p>
<ul>
<li>Canon EF 85mm f/1.4L IS USM</li>
<li>Canon EF-S Prime</li>
<li>New kit lens with Rebel</li>
<li>Canon EF 600 f/4 DO IS (Development is know, may not hit the market until 2018)</li>
<li>New 135mm lens</li>
</ul>
<p>As always with lenses, nailing down exact specifications and release dates can be difficult. We tend to get bits and pieces of information here and there and try to put it together. We’ve had mentions of a few other lenses on the horizon, but we’ve been unable to confirm that they’re in the pipeline, and if/when we do, we’ll pass that information on.</p>
<p><em>More to come…</em></p>
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<em>FUJIFILM GFX 50S combines an extraordinary sensor, processor and design with FUJINON lenses to give users the ultimate photography experience</em></p>
<p><strong>Valhalla, N.Y., January 19, 2017 </strong>– As the leader in innovation for photographers, <strong><a href="http://www.fujifilmusa.com/products/digital_cameras/index.html">FUJIFILM North America Corporation</a></strong> today announces the <strong>FUJIFILM GFX 50S</strong> medium format mirrorless digital camera that will launch late February, 2017 with an initial selection of three FUJINON lenses – the GF63mmF2.8 R WR, the GF32-64mmF4 R LM WR, and the GF120mmF4 R LM OIS WR Macro. These lenses encapsulate the design philosophy of FUJINON lenses that are renowned by photographers around the world.</p>
<p>The innovative GFX system utilizes a Fujifilm exclusive 43.8 x 32.9mm (<strong>FUJIFILM G Format</strong>) 51.4MP CMOS sensor. The GFX 50S combines the heritage of over 80 years of imaging and the innovative award-winning functional design of our X Series digital camera system in the relentless pursuit of image quality.</p>
<p><strong><a href="https://bhpho.to/2jYFv8K">See the Fujifilm GFX 50S at B&H Photo</a></strong></p>
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<p><strong>The FUJIFILM GFX 50S Revealed</strong></p>
<p>The <strong>FUJIFILM GFX 50S</strong> mirrorless digital camera uses the new 51.4MP FUJIFILM G Format 43.8 x 32.9mm sensor with approximately 1.7x the area of a 35mm sensor. In addition to the camera are three new <strong>FUJINON GF Lenses</strong> that will be followed by three additional lenses later in 2017.</p>
<p>The GFX 50S 51.4MP sensor shows its true potential when making large format prints, capturing majestic landscape photos or reproducing historical documents. Compared to a full size sensor with equivalent megapixels, both resolution and sensitivity are dramatically better due to the larger size of each pixel. As a result, the sensor captures great textures and subtlety of tone that is unique to large size sensors. The texture and tone combine to give a unique three-dimensional effect creating extremely high quality photography. Images captured can be reproduced down to the smallest detail, conveying the texture of the subject, a three-dimensional feeling, and the atmosphere of the scene.</p>
<p>For flash photography in the studio or outdoors during the day, the GFX 50S sensor has a native ISO of 100. The sensor can also be adapted to various aspect ratios, including 4:3, 3:2, 16:9, 1:1, 65:24, 5:4, 7:6, all of which are available in large and medium format film cameras.</p>
<p>The FUJIFILM GFX 50S uses the <strong>X Processor Pro </strong>(also used in the X-Pro2 and X-T2 cameras) and allows photographers to use Fujifilm’s proprietary <strong>Film Simulations</strong> with a Medium Format sensor. The camera supports Full HD recording at 29.97p/25p/24p/23.98p. Users can enjoy high quality video with no post-processing required by using <strong>Film Simulation</strong> modes just like they would with a still image. The GFX 50S introduces a new <strong>Color Chrome Effect</strong> feature that reproduces subtle tones in highly saturated subjects.</p>
<p><strong>Ultimate Performance in a Compact Body</strong></p>
<p>With a compact and lightweight body constructed from magnesium alloy, the FUJIFILM GFX 50S weighs approximately 43 ounces when paired with the FUJINON GF63mmF2.8 R WR, and weighs approximately 60% of a medium format DSLR camera equipped with a sensor of the same size. When compared to a full frame, the weight is almost identical. Overall camera body height and width have also been minimized for maximum flexibility, overturning the common perceptions regarding the mobility of medium format digital cameras.</p>
<p><strong>Bright, Crystal Clear Viewfinder and Large Touchscreen</strong></p>
<p>The FUJIFILM GFX 50S gives users a 3.69M dot organic EL electronic viewfinder and 2.36M dot touchscreen LCD back panel for easy viewing. The EVF is detachable to allow for flexible operation. Users can attach the accessory EVF-TL1 EVF tilt adapter (sold separately) to allow the finder to be tilted to 90° vertically and swung ±45°. A 3.2 inch, 2.36M dot touch panel is used for the rear monitor, with touch operation for the menu, focusing points and image playback. A three-directional tilting LCD screen improves operability and makes viewing images and checking focus even easier.</p>
<p><strong>FUJINON Lenses Guarantee Image Perfection</strong></p>
<p>As part of the GFX system, Fujifilm is launching newly developed, ultra-high resolution FUJINON GF lenses. Taking advantage of the mirrorless system’s structure, the G Mount has a short flange back distance of just 26.7mm that reduces the back focus distance as much as possible. This prevents vignetting and achieves edge-to-edge sharpness. All FUJINON GF Lenses have been designed to support sensors of over 100MP.</p>
<p>GFX lens barrels feature an aperture ring in the same manner as FUJINON XF lenses, for intuitive operation. A new C (Command) Position has been added to the aperture ring, allowing users to change the aperture with the camera’s command dial. The A (Auto) Position and C Position feature a locking button installed on the aperture ring that must be disabled to implement changes.</p>
<p><strong>Built for the Professional, and the Enthusiast</strong></p>
<p>Just as with the flagship X Series models, the FUJIFILM GFX 50S features dedicated dials to independently set aperture, shutter speed, and ISO, the important factors in determining exposure.</p>
<p>Aperture and ISO feature a C (Command) and the shutter speed dial has a T (Time) Position. Setting the dial to this position allows the user to change exposure settings using the command dials on the front and rear of the camera body. The user can choose between these two operation methods according to their preference, ease of use, and the shooting environment.</p>
<p>The GFX 50S is equipped with a 1.28 inch LCD sub monitor on the top of the body. Important exposure data such as aperture and shutter speed is displayed on this screen. This display is extremely useful when shooting on a tripod or tethered to a computer.</p>
<p>A 117-point (9 x 13 / maximum of 425 points when miniaturized) contrast AF system is used on the GFX 50S. High-precision AF on the imaging sensor dramatically improves focusing accuracy with the shallow depth of field produced by medium format lenses. First adopted in the FUJIFILM X-Pro2, focus point selection can be performed by using the Focus Lever, which allows intuitive movement of the focus point. Alternatively, users can select the focus point from the touch panel LCD screen.</p>
<p><strong>Initial Lens Lineup Will Include the Following Three FUJINON Options:</strong></p>
<ol>
<li>GF63mmF2.8 R WR (equivalent to 50mm in 35mm format)</li>
<li>GF32-64mmF4 R LM WR (equivalent to 25-51mm in 35mm format)</li>
<li>GF120mmF4 Macro R LM OIS WR (equivalent to 95mm in 35mm format)</li>
</ol>
<p><strong>FUJINON GF63mmF2.8 R WR</strong></p>
<p>The optical system features a construction of 8 groups and 10 elements, including 1 ED lens element. This lens construction is the most suitable for high resolution in compact and stylish design, the external form of this small and lightweight lens has a diameter of just 84.0 x 71.0mm with a weight of only 14.2 ounces \ 405 grams. Using the front group for the focus, aberrations due to focus distance are suppressed, achieving high resolution performance even when wide open from the center to the edges of the lens.</p>
<p><strong>FUJINON GF32-64mmF4 R LM WR</strong></p>
<p>The FUJINON GF32-64mmF4 R LM WR features a construction of 11 groups and 14 elements, 3 aspheric elements, 1 ED lens and 1 super ED lens, allowing this lens to achieve image quality rivalling prime lenses. As a result, the lens demonstrates extremely high performance from the center all the way to the edges. The lens uses internal focusing, reducing the weight of the focus lens and achieving fast and silent AF by driving focus using a linear motor.</p>
<p><strong>FUJINON GF120mmF4 R LM OIS WR Macro</strong></p>
<p>The FUJINON GF120mmF4 R LM OIS WR Macro has a construction of 9 groups and 14 elements, including 3 ED lens elements. By adopting a floating focus method using a linear motor, silent high-speed autofocusing is achieved while aberrations are corrected, dramatically increasing the resolution. Furthermore, by arranging the ED lenses properly, chromatic aberrations are also properly corrected, contributing to high quality images. In designing this lens the quality of the out of focus area both in front and behind the plane of focus were considered, giving this lens beautiful bokeh. This lens is equipped with optical image stabilization (OIS) effective up to 5.0-stops, making this lens perfect for handheld shooting in low-light situations.</p>
<p><strong>Three Additional FUJINON GF Lenses to be Announced Later in 2017:</strong></p>
<ol>
<li>GF110mmF2 R LM WR (equivalent to 87mm in 35mm format)</li>
<li>GF23mmF4 R LM WR (equivalent to 18mm in 35mm format)</li>
<li>GF45mmF2.8 R WR (equivalent to 35mm in 35mm format)</li>
</ol>
<p><strong>GFX 50S Accessories (sold separately)</strong></p>
<ol>
<li><strong>Vertical Battery Grip</strong> <strong>VG-GFX1 </strong>– high-performance battery grip is designed to place the release button, dials, and function buttons in the same positions when shooting vertically. The battery grip can be loaded with one NP-T125 dedicated battery, lowering the frequency that batteries need replacing. Also, by connecting the AC-15V accessory (sold separately), it is possible to charge the battery within the grip in approximately 2 hours.</li>
</ol>
<ol start="2">
<li><strong>EVF Tilt Adapter EVF-TL1 </strong>– mounting this accessory between the camera body and EVF, the angle of the EVF can be changed to angles from 0°〜90° vertically and from -45°〜+45° horizontally. Doing this allows the user to shoot at various angles while using the viewfinder, greatly increasing the versatility of the finder for different subjects.</li>
</ol>
<ol start="3">
<li><strong>H Mount Adapter G</strong> – allows you to use SUPER EBC FUJINON HC interchangeable lenses developed for the FUJIFILM GX645AF medium format film camera (discontinued). By attaching this adapter to the GFX 50S, a total of 9 SUPER EBC FUJINON HC interchangeable lenses and 1 tele-converter developed for the GX645AF can be used. While the focusing method will be limited to manual focusing, the lens aperture can be changed using the command dial on the camera body, and shooting with the leaf shutter built in to the lenses is also possible. Using this lens shutter will allow high speed flash synchronization up to a maximum speed of 1/800 sec.Also, the adapter is equipped with electrical contacts that can communicate with the camera body, independently creating, saving, and applying correctional data for each lens. The adapter supports Manual and Aperture Priority AE exposure modes.</li>
</ol>
<p><em>*A removable tripod foot is included to mount the camera with a heavy or long focal length lens.</em></p>
<ol start="4">
<li><strong>View Camera Adapter G </strong>– allows the GFX 50S to be used as a digital back. The view camera adapter allows the GFX 50S to be mounted to the standard universal-type back of a view camera. This allows the use of FUJINON large format camera lenses, such as the CM-W FUJINON lens series. The camera or lens shutter can be triggered, allowing the user to choose the optimum method. The large image circle and the bellows of the view camera can be used with tilt, shift and swing movements, effective for product and architectural photography.

<em>*There may be instances in which the adapter cannot be mounted depending on the shape of the view camera.</em></li>
</ol>
<ol start="5">
<li><strong>Tethered Shooting Solutions</strong> – We have the following tethering solutions for photographers, including: <strong>X Acquire</strong> to transfer images from the camera to a hot folder on your computer for use with your preferred imaging software, <strong>Tether Shooting Plug-in PRO </strong>for Adobe® Photoshop® Lightroom® and <strong>HS-V5 for Windows </strong>(sold separately).By connecting the GFX 50S to a PC via USB cable and using this software, it is possible to transfer photographed images directly to the PC, as well as control the camera from the PC. Also, by using the Control Panel Window newly added to Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom®, additional camera functions become available.</li>
</ol>
<ol start="6">
<li><strong>RAW FILE CONVERTER EX2.0 </strong>– powered by SILKYPIX (free of charge) RAW development software and Adobe® Photoshop® Lightroom® / Adobe® Photoshop® CC (sold separately). RAW development software is used for detailed corrections and advanced image processing that isn’t supported by the in-camera RAW conversion. Both software support Fujifilm’s “Film Simulation” modes, allowing creation of image data that is extremely close to Fujifilm’s advanced color reproduction.</li>
</ol>
<p><strong>FUJIFILM GFX 50S Key Features:</strong></p>
<ul>
<li>51.4MP Medium Format 43.8 x 32.9mm sensor for superior sharpness and image quality for all photographers
<ul>
<li>Adaptable to various aspect ratios, including 4:3 (default), 3:2, 16:9, 1:1, 65:24, 5:4, 7:6</li>
</ul>
</li>
<li>FUJIFILM G Mount with short flange back distance of just 26.7mm</li>
<li>X-Processor Pro imaging processor</li>
<li>Detachable electronic viewfinder</li>
<li>Weather and dust resistant; operation to as low as 14 degrees Fahrenheit \ -10 degrees Celsius</li>
<li>File formats include three different JPEG settings (SUPER FINE, FINE, NORMAL), as well as two different RAW settings (uncompressed, compressed). TIFF output is also possible with in-camera RAW development</li>
<li>Full HD for Movie Mode: 1920×1080 29.97p/25p/24p/23.98p 36Mbps, in Film Simulation modes</li>
<li>Light body weighs approximately 43oz. \ 825g (including battery and memory card)</li>
<li>Uses SD Cards (UHS-II recommended)
<ul>
<li>Equipped with dual slots</li>
<li>Supports three different types of recording methods, “Sequential,” in which recording can be continued according to shooting order, “Backup,” which records the same data on two cards simultaneously, and “Sorting,” which records RAW and JPEG data on separate cards</li>
</ul>
</li>
<li>Uses newly developed NP-T125 high capacity battery for approximately 400 photos (with Auto Power Save ON)</li>
<li>All FUJINON GF Lenses are dust and weather resistant, built to withstand operation at temperatures as low as 14 degrees Fahrenheit \ -10 degrees Celsius allowing photographers to take them outdoors with confidence in challenging weather conditions.</li>
<li>The new FUJINON GF Lenses feature an aperture ring, a popular feature in the X Series, and have a new C (Command) Position on the ring to enable aperture adjustments with the Command Dial on the camera body</li>
<li>A Fluorine coating applied to the front lens element creates a hydrophobic coating that repels moisture.</li>
</ul>
<p>The GFX 50S and FUJINON GF lenses culminate to create a new camera system capable of creating the world’s highest level of photographic expressions by combining the thorough incorporation of knowledge regarding camera operation, optical design, image capture, and image processing.</p>
<p><strong>Availability and Pricing</strong></p>
<p>The new FUJIFILM GFX 50S Medium Format Camera Body will be available Late February, 2017 in the U.S. and Canada for USD $6,499.95 and CAD $8,499.99.</p>
<p>Also available in February, 2017 will be the first three FUJINON GF lenses. GF63mmF2.8 R WR for USD $1,499.95 and CAD $1,899.99, GF32-64mmF4 R LM WR for USD $2,299.95 and CAD $2,999.99, and GF120mmF4 R LM OIS WR Macro for USD $2,699.95 and CAD $3,499.99.</p>
<p><strong><a href="https://bhpho.to/2jYFv8K">See the Fujifilm GFX 50S at B&H Photo</a></strong></p>
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We’re told that the next new non-kit lens Canon will announce is an EF-S prime. We weren’t told what focal length the new EF-S prime lens would be, but we do know that it’s not a specialty lens like a macro.</p>
<p>We’ve also been told that we may see a new EF-S 18-55 kit lens alongside the new Rebel next month.</p>
<p>What focal length of EF-S prime would you be interested in?</p>
<p><em>More to come…</em></p>
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<strong>TOKYO, January 19, 2017</strong>—Canon Inc. announced today that the Company has renewed its contract and become the first company to serve as an official sponsor for Rugby World Cup 2019 in Japan, which will take place in twelve cities and prefectures¹ across the country from September 20 to November 2, 2019.</p>
<p>Hosted every four years, Rugby World Cup is one of the world’s most prestigious sporting events with the world’s top 20 national teams competing across 48 matches to win the ultimate prize in the sport, the Webb Ellis Cup.</p>
<p>Japan 2019 will be the event’s ninth edition and the first in Asia. The 2015 Tournament, which was hosted in England, was the best attended with 2.48 million fans, the most viewed with record broadcast, digital and social coverage in more than 207 nations².</p>
<p>As with other sporting competitions in the past, both in Japan and overseas, Canon will provide behind-the-scenes support to members of the press covering the Rugby World Cup 2019 Tournament, including camera and lens maintenance services and product loans, to enable the best possible capture of the top-class athletes competing at the zenith of their sport. The Canon Group will also provide print and copying solutions used by the Tournament Organizing Committee, supporting the event by facilitating the printout of handout materials and the streamlining of document workflows.</p>
<p>As a Rugby World Cup 2019 official sponsor, Canon offers the full support of its diverse businesses, ranging from input and output products—including cameras, lenses, video camcorders, network cameras, copiers, multifunction devices, printers and projectors—to medical equipment.</p>
<p><!--more--></p>
<p>Canon Inc. Chairman & CEO Fujio Mitarai said, “Following on from Rugby World Cup 2015 in England, Canon is delighted to continue backing the tournament, which will take place in Asia for the first time, as an official sponsor of Rugby World Cup 2019 in Japan. In addition to supporting professional photographers and news media from Japan and overseas as they capture the intense action of the world’s top teams facing off in peak condition; Canon, working together with World Rugby, the organizing committee, relevant authorities, local government and other corporate sponsors, will do the utmost to support Rugby World Cup 2019 throughout Japan.”</p>
<p>World Rugby Chairman Bill Beaumont said, “We are delighted to be extending our relationship with Canon as a Rugby World Cup 2019 official sponsor. Canon is an important supporter of rugby in Japan, an innovator in its field and a perfect match for our premier event.”</p>
<p>“This exciting relationship underscores the significant global appeal of the first Rugby World Cup in Asia and we look forward to working in partnership with Canon to extend the reach and impact of the sport in Japan, across Asia and around the globe.”</p>
<p>The Canon Group will continue contributing to the advancement of sports through the use of Canon products and technologies.</p>
<ul class="notice noticeList1">
<li>¹Sapporo City, Iwate Prefecture and Kamaishi City, Saitama Prefecture and Kumagaya City, Tokyo Metropolitan, Kanagawa Prefecture and Yokohama City, Shizuoka Prefecture, Aichi Prefecture and Toyota City, Osaka Prefecture and Higashiosaka City, Kobe City, Fukuoka Prefecture and Fukuoka City, Kumamoto Prefecture and Kumamoto City, Oita Prefecture. (Host responsibilities will be shared by Cities and Prefectures written together)</li>
<li>²According to a World Rugby survey</li>
</ul>
<p>Editors Notes</p>
<p><strong>About Rugby World Cup:</strong> Rugby World Cup 2019 in Japan is the ninth edition of rugby’s showcase global event and the first in Asia. The world’s top 20 national teams will play in 48 matches hosted across 12 match cities for the right to lift the iconic Webb Ellis Cup and be crowned world champions. Rugby World Cup is the sport’s financial engine, generating approximately 90 per cent of World Rugby’s revenues for reinvestment in the global game over the four-year cycle. The record-breaking success of England 2015 is enabling World Rugby to invest £245.8 million (¥34.6 billion<sup>*</sup>) in the sport by 2020, eclipsing the previous 2013-16 £201 million (¥28.3 billion<sup>*</sup>) investment injection by 22 per cent.</p>
<ul class="notice noticeList1">
<li><span class="marker">*</span>GBP = ¥140.7 as of January 18, 2017.</li>
</ul>
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<p>A few new Canon products have shown up at a Russian regulatory agency according to Nokishita.</p>
<p>Registered at Russian certification body as of January 18, 2017. (Google translated)</p>
<p><!--more--></p>
<ul>
<li><strong>PowerShot SX730 HS</strong>
<ul>
<li>Color: Black / Silver</li>
</ul>
</li>
<li><strong>EVF-DC 2</strong>
<ul>
<li>Electronic viewfinder</li>
<li>Color: Black / Silver</li>
<li>SKU: 1727 C001 AA, 1882 C001 AA</li>
</ul>
</li>
<li><strong>Interchangeable lens camera (2 models)</strong>
<ul>
<li>SKU: 1895C001AA, 1895C002AA, 1895C003AA</li>
<li>SKU: 1892C003AA, 1892C004AA, 1892C017AA</li>
</ul>
</li>
<li><strong>Remote Controller</strong>
<ul>
<li>SKU: 2140C001AA</li>
<li>DS586111</li>
</ul>
</li>
</ul>
<p>It looks like these are some of the products being announced for CP+ next month. We expect to see the following cameras some time in February.</p>
<ul>
<li>Canon PowerShot SX730 HS</li>
<li>Canon EOS 77D</li>
<li>Canon EOS Rebel T7i</li>
<li>New Canon Mirrorless Camera</li>
</ul>
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<em>The M-series’ latest addition impresses with more compact dimensions, improved performance and even more intuitive handling</em></p>
<p><strong>January 18, 2017 </strong>– The iconic camera system sets new standards yet again. The perfect balance of long-established traditions and the latest technical innovation, the Leica M10 embodies the essence of photography like no other camera before. All of its functions have been adapted and updated to meet the precise needs of contemporary photography, while preserving the essential principles of the legendary M-System. Every single component and every technical feature concentrates uncompromisingly on this goal. With its more compact dimensions, improved performance and even more intuitive handling, the Leica M10 sets a new milestone in the ongoing history of Leica M photography.</p>
<p><strong>The form factor: analog dimensions enter the digital age</strong></p>
<p>Many photographers who appreciate the dimensions of analog M-Models, due to their ideal ergonomics and perfect fit in hand, expressed wishes that this carry over to digital M-Cameras. Leica has now brought these dream dimensions to reality – with a top plate depth of only 33.75 millimeters, a whole four millimeters (1/8”) thinner than that of its predecessor, the Leica M (Typ 240). The Leica M10 is now the slimmest digital M of all time.</p>
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<p><strong>The rangefinder: a precise window on the world</strong></p>
<p>The rangefinder has always played an extremely important role in the storied heritage of the Leica M-System. A number of important aspects of this legendary focusing technology have now been further optimized in the Leica M10. To improve the view of the subject, the field of view has been enlarged by 30 percent and the magnification factor has been increased to 0.73x. Eye-relief – the optimum distance of the eye from the viewfinder eyepiece – has also been considerably increased. Thanks to a 50 percent increase in this distance, the viewfinder is much more comfortable to use, particularly for photographers who wear glasses.</p>
<p><strong>The sensor: the digital canvas</strong></p>
<p>The key component of the Leica M10 is the all-new 24 MP, full-frame CMOS sensor developed specifically for this camera. Its new technology leads to significant improvements in all parameters relevant to imaging performance: impressive dynamic range, excellent contrast rendition, exceptional sharpness and the finest resolution of details. Its unique pixel and microlens architecture enables optimum results at all apertures, particularly wide open – even rays of light arriving at the sensor from oblique angles are precisely captured by its photodiodes – further improved in comparison to the previous generation. The glass cover plate of the sensor acts as an infrared cut-off filter and thus also avoids undesirable refraction of incoming light by additional layers of glass. The omission of a low-pass filter also ensures that the Leica M10 delivers maximum sharpness. This leads to significantly better imaging results, especially in the case of wide-angles and fast-aperture lenses.</p>
<p>Thanks to the new design of the sensor of the Leica M10, the ISO sensitivity range has been expanded. It now allows exposures at values between ISO 100 and 50,000 with considerably improved noise characteristics at higher ISO settings. The Leica M10 opens up new areas of photography and delivers exceptional imaging performance even in difficult lighting conditions.</p>
<p><strong>Image processing electronics: the next level of quality</strong></p>
<p>The latest-generation Maestro II image processor of the M10 showcases state-of-the-art advanced processor technology. In combination with the equally new 24 MP sensor, this ensures that all exposures captured stand out with exceptionally brilliant image quality. Thanks to a 2 GB buffer memory and continuous burst shooting at up to five frames per second at full resolution, photographers will never again miss the decisive moment. The Leica M10 is the fastest M-Camera ever made.</p>
<p>In addition to this, the faster processor allows the loupe function in Live View mode to be freely positioned anywhere in the frame for even better assessment of sharpness. This new function can be used not only on the camera’s LCD monitor, but also in conjunction with the Visoflex electronic viewfinder (EVF) with 2.4 MP of resolution. The viewfinder features a swivel function for shooting from unusual angles and an integrated GPS module that can be switched on for geotagging image files.</p>
<p><strong>The operating concept: intuitive and reduced to essentials</strong></p>
<p>Since the beginning, Leica M-Cameras have stood for concentration on essential functions. This principle has been conscientiously pursued in the Leica M10, which sets new standards in terms of intuitive handling and rapid access to the settings relevant to photography. For instance, the controls on the back are limited to the directional control and just three buttons for Play, Live View and Menu. The importance of particular settings varies according to personal preferences and photographic needs. In light of this, the Leica M10 also offers a freely configurable Favorites Menu for defining a custom profile of personally relevant functions.</p>
<p>One of the most distinctive new features of the Leica M10 is the ISO setting dial on the top plate. For the first time in a digital Leica M, all essential shooting parameters such as focusing, aperture, shutter speed and ISO value can be selected manually without using the menu – or even switching on the camera. This concept allows for the fastest, most precise control yet seen in a digital camera and enables the photographer to be even less obtrusive when shooting.</p>
<p><strong>The Wi-Fi module: memories are there to be shared and shown</strong></p>
<p>The Leica M10 is the first M-Camera with integrated Wi-Fi connectivity. This enables fast, wireless transfer of pictures to Apple mobile devices (with Android shortly to follow), where they can be edited and, for instance, posted and shared on social networks. The Leica M-App also enables the direct transfer of RAW files in DNG format to mobile devices for further processing with suitable apps from iOS Version 10.2. The Leica M10 can also be remotely controlled via Wi-Fi from a smartphone or tablet. This makes it easy to shoot perfect pictures from unusual angles or avoid camera shake when shooting with longer shutter speeds.</p>
<p><strong>Leica M10: A further step towards perfection</strong></p>
<p>“The Leica M is the heart, the backbone and the soul of Leica Camera. The Leica M10 unites state-of-the-art technology and exceptional optical performance with a conscious focus on the traditional advantages of the unique Leica M rangefinder system. In this, the innovative camera and its concentration on the functions essential to photography set new standards, while its exceptionally lean handling concept takes us a further step towards absolute perfection. Made in Germany by Leica – the Leica M10 stands as an outstanding brand statement for the finest arts of engineering, highest quality and craftsmanship,” explained Oliver Kaltner, CEO, Leica Camera.</p>
<p>“The new M, the M10! Not a camera for everyone – but increasingly a camera for people who love a system that is built for the future while maintaining consistent compatibility with its past. The rangefinder system lets me frame and compose my pictures. The rangefinder system lets me tread in the footsteps of the world’s greatest photographers. The rangefinder system lets me create photographs with my own visual style. The new M10 and the wealth of present and past Leica M-Lenses are products that awaken and fulfil the desires of every photographer,” emphasized Dr. Andreas Kaufmann, majority shareholder and chairman of the supervisory board of Leica Camera.</p>
<p><strong>Availability</strong></p>
<p>The Leica M10 will be available from Leica Stores, Boutiques and selected Dealers starting January 19, 2017.</p>
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<em>Canon Europe has announced two significant specification options for its flagship EOS C700 digital cinema cameras, offering users the option of changing the camera’s original lens mount to either an EF mount with Cinema Lock or to a PL mount (with Cook/i support) and back again, and – for the first time – an option to have the standard sensor replaced with a Global Shutter sensor. Read on to find out more…</em></p>
<p>The EOS C700 has generated wide anticipation thanks to outstanding 4K video performance and impressive dynamic range. In line with Canon’s policy of continual improvement and offering customers the best possible flexibility, a mount and sensor option has been announced, to be offered via Canon’s network of pro dealers.</p>
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<p><strong>LENS MOUNT REPLACEMENT SERVICE</strong></p>
<p>The Lens Mount Replacement service allows for an EOS C700 with either an EF mount with Cinema Lock to be changed to a PL mount (with Cook/i support), or a PL mount (with Cook/i support) to be changed to an EF mount with Cinema Lock (enabling the autofocus capability on the standard sensor camera).</p>
<p>Customers will have the option to send their EOS C700 to a Canon Regional Competence Centre (RCC), either directly or via a local Canon Authorised Service Facility (ASF), in order to perform the Lens Mount Replacement Service.</p>
<p>Alternatively, customers will also be able to purchase a PL mount (with Cook/i support) and/or SHIM kit directly for self-installation.</p>
<p>The Canon RCCs are located in Germany, France, Italy, Sweden and the UK. If choosing to send the camera to a Canon RCC, the following service options will be available:</p>
<ul>
<li><strong>Mount Replacement Service</strong>

If you choose to purchase a PL mount (with Cook/i support) directly, or would like to revert the camera back to the original mount from a previous mount change, the RCCs will be able perform the mount replacement using your purchased or original Lens Mount.</li>
<li><strong>Mount Replacement Service & Mount</strong>

Depending on your requirements, the applicable RCC will supply and install either an EF Mount with Cinema Lock or a PL Mount (with Cook/i support).</li>
<li><strong>Mount Replacement Service & Mount & Shim Kit</strong>

Depending on your requirements, the applicable RCC will supply & install either an EF Mount with Cinema Lock mount or a PL mount (with Cook/i support). A SHIM kit will also be supplied for self-installation.</li>
</ul>
<p>All Lens Mount Replacement services will be available at a fixed price and invoices will be issued in the local currency of the RCC that performs the service. The prices for each service are outlined below:</p>
<table class="spec_table">
<colgroup>
<col /></colgroup>
<thead>
<tr>
<th>EOS C700</th>
<th>EUR</th>
<th>GBP</th>
<th>SKR</th>
</tr>
</thead>
<tbody>
<tr>
<td class="spec_bodies">Labour only:</td>
<td>450</td>
<td>380</td>
<td>4,360</td>
</tr>
<tr>
<td class="spec_bodies">Mount & Labour:</td>
<td>1,400</td>
<td>1,175</td>
<td>13,580</td>
</tr>
<tr>
<td class="spec_bodies">Mount, Labour & SHIM:</td>
<td>1,550</td>
<td>1,300</td>
<td>15,020</td>
</tr>
</tbody>
</table>
<p>Please note: the prices quoted above may be subject to change and exclude VAT and inbound shipping. The prices are inclusive of outbound shipment & Cash On Delivery Surcharges (if applicable).</p>
<p>The Lens Mount Replacement service is expected to be available from March 2017 (however the exact start date is to be announced). This article will be updated at a later date with full details on how to arrange the service (including the confirmed service start date) and customers are requested not to attempt to book their camera until this time.</p>
<p><strong>NEW! SENSOR CHANGE SERVICE</strong></p>
<p>For the first time, later in 2017 Canon will also be offering a sensor change service, giving customers the option of having the EOS C700’s standard sensor swapped for the Global Shutter sensor.*</p>
<p>Further details relating to this service such as service start date and pricing will be added to this article at a later date.</p>
<p>* Changing to a Global Shutter sensor loses autofocus capability.</p>
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