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Sony Exploring a Split of Imaging Product Division

HTML:
<strong>Tokyo, Japan</strong> – Sony Corporation (“Sony” or the Company”) has been engaged in the sequential splitting out of business units across the Sony Group, in order to reinforce the competitiveness of each business, and ensure clearly attributable accountability and responsibility.</p>
<p>In addition to Game & Network Services, Mobile Communications, Pictures, Music and certain other Sony Group businesses that were already operating autonomously as subsidiaries, in July 2014 Sony split out its TV business, followed by its Video & Sound business in October 2015. The Company also plans to split out and establish its semiconductor business as a wholly owned subsidiary in April 2016. Sony is also exploring the split out of its Imaging Products and Solutions Sector.</p>
<p>Concurrently, Sony has also been proceeding to realign the platform functions that support each of its business units in order to enhance the effectiveness and efficiency of these operations.

As previously announced, operations that until now have resided within Sony Corporation, including the Consumer AV Sales Platform, the Manufacturing, Logistics, Procurement, Quality and Environmental Platform for Sony’s electronics business, as well as certain cloud-based platforms and service-related businesses, will each be transferred to the related Sony Group companies. This transition is scheduled to be made sequentially from April 1 2016.</p>
<p>Once the splitting out of these functions has been completed, Sony Corporation will focus on the following Group headquarters functions:</p>
<ul>
<li>Headquarters: Responsibility for the Sony Group’s overall strategy and governance, and oversight of their execution</li>
<li>R&D: Leadership of Sony’s differentiation and creativity through technological innovation</li>
<li>New Business: Incubation of new businesses in areas beyond Sony’s current business domains</li>
<li>Brand Design: To enhance Sony’s brand value and implement horizontal Group-wide initiatives</li>
<li>Professional Services: To support the operations of the Sony Group following the completion of the splitting out process</li>
</ul>
<p>In conjunction with this structural realignment, certain changes will also be made to Sony’s executive assignments and system effective April 1, 2016, in order to further clarify lines of responsibility and assignments within each business and the headquarters organization.</p>
<p>The Company will newly appoint four executives, currently in charge of four of the Sony Group’s business segments, as “Corporate Executive Officers” of Sony Corporation. They, together with the six existing Corporate Executive Officers, will assume ultimate responsibility for the Sony Group’s management within the scope assigned to them by the Company’s Board of Directors. Sony will also re-classify its other executives. The executives responsible for executing their assigned business operations under the oversight of the relevant Corporate Executive Officers will be named “Business Executives” of Sony Corporation, while the executives responsible for the headquarters functions assigned to them under the oversight of relevant Corporate Executive Officers will be named “Corporate Executives” of Sony Corporation.</p>
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EOS 80D first impressions

Got my 80D on Thursday

Sometimes I wonder why I read reviews on Dpreview and other pages wben they miss kr skip the things essential to me.

I had sold my 60 a while ago,holding out with my 5D3. So the question was giving in on the 80 after skipping the 70 or wait for the 90...

Went into an expensive Pro Store to buy an Interval Timer. Made a joke that they finally had recieved an 80D Poster for their wall when they told me they have the camera as well.

Tried it for 5 Minutes than handed over the cash.

Ok.. The 80D

Feels very, very plastic. When gripping it my fingernails made a sound like drumming on a blister package.
Coming from the 5D3 it was a DejaVu like changing from the 30D to the 60D: No joystick, this excuse of a control wheel and no magnesium to touch nowhere.

Well so you feel you spen 1300 for a Rebel until...
You look through the viewer and fall in love.
Afterwards you go through the setup and the love deepens.
It is no more the 5D menu but better. All the things on the 5D which might make sense for Some Pro but never for me are now sorted proper. And there is a lot of power behind the button.
So switch on anti flicker, reduce focus options to three, switch on level view. Switch on grid but leave focus highlighting on standard.
Now look again through the viewer and as long as you are not in to buy a 1DX2 this is the best Canon you held so far.

The picture quality is awesome. All my 5D can offer except the shallow dept of field is there, all I want from a crop camera except build in GPS as well.

The viewer overlay is brilliant. If the 5D with its dark AF display or its strange later fixes frustrated you.. Canon has learned. If you are in need of an electronic level...This time it is displayed in a usefull way.

Seldom used functions? This time you find them fast and where you expect
Them to be.

Few 1DXII samples

Mostly at higher ISO, converted with DPP4.4.20.0, no noise reduction, no sharpening. ISO25600 looks truly amazing to me! EXIF is preserved.

https://www.mediafire.com/folder/wbmdol71rqeqr/1DXII

UPDATE: After playing little bit more with the files, I've added files with color NR applied (filename starts with NR). I wouldn't hesitate to use ISO25600 with this camera!

.zip file download from another site, in case of hassle with ads on mediafire:
- no NR applied - http://ulozto.net/x8HkLqQp/1dxiijpg-zip
- color NR applied - http://ulozto.net/xgAjsoQo/1dxiinr-zip

1DX mark II pushed 6EV - comparison to other cameras

I had an opportunity to briefly play with preproduction 1DX mark II and get some RAW images with me home...

So, here is it! The most anticipated photo taken with the 1DX mark II - THE REAR CAP PHOTO at ISO100! :o

Anyway on slightly more serious note, I compared it to my little collection of rear cap photos, namely 1D mark III, 1D mark IV, 1Ds mark III, 1DX and Sony A7.

First the good news, 1DXII is best Canon camera I've tested till this time, in this demanding discipline, hurray!

Well, time for the bad news, it's still worse than Sony A7 < ISO400...

My observations:
- 1DXII is finally able to beat my long time Canon ISO100 favorite, the 1D mark III from 2007
- It's interesting to examine the "full" images, which when resized, nicely shows the different noise patterns
- at ISO100, A7 noise is lower than 1DXII, but Canon noise is slightly "finer" in my eyes
- in "full" images is interesting to look at current leaks (I hope it's the right designation). 1DsIII starts at ISO200, 1DIII and A7 starts at ISO400, 1DIV at ISO800 and 1DX shows some at ISO3200
- 1DXII shows absolutely NO PATTERN at any ISO
- at ISO3200 1DX looks cleaner at 100%, but 1DXII is free of the pattern...after seeing this, I really regret, that I didn't take the images at higher ISOs too with 1DXII

Some technical points:
- I've used CaptureOne 9.1, which unfortunately doesn't support 1DXII, so I've converted the files with Adobe DNG converter and opened them in C1.
- as you can see from screenshots, exposure was pushed 4 stops and shadows to 100%, this roughly equals 6EV push
- noise reduction and sharpening was set to 0
- 1DsIII ISO400 file is missing
- 1DsIII highest native ISO is 1600, this settings was used in ISO3200 comparison

Please keep in mind, those are images from preproductin 1DXII, the performance can change, but I don't expect this happen... And secondly, this is very narrow test of many aspects of camera and sensor performance, so please don't judge entire camera according this one very specific and in real live not so important discipline!

If you are interested doing more in-depth analysis, feel free to PM me, I will share the original RAW files with you, but please send me links to your previous analysis, I was asked not to share the files publicly and I want them go to the right hands!

And finally the images (Let's DRoll! 8)):

ISO100 Full

ISO100 100%

ISO200 Full

ISO200 100%

ISO400 Full

ISO400 100%

ISO800 Full

ISO800 100%

ISO3200 Full

ISO3200 100%

Hard resetting 7D fixed loads of issues

Hello,

Just created this topic with the intention that, this information could help somebody with similar problem.
I own 7D for more than 4 years now. In the first year, once in a while it used to hang - need to remove the battery and re-insert. After the 7D FW update, the problem was more prominent. I showed to Canon TS and they said it has motherboard problem and it needs replacement. The cost of replacement was 500$+. So instead of replacing I decided to stay with the problem and started drooling over 7D2 5DMKIII. After some more time, the live view was unusable - as soon as I start live view, the camera just hangs. If not in LV, buttons just wont work. Some more time passed with these hassles and the files started corrupting recently. I seriously started looking at 7DMK II, 5DMK III or 6D. From last couple of weeks, every raw file was corrupted. So thought its time to move on.
It just came to my mind that I never tried factory reset of 7D and searched google. Few folks have reported that to fix autofocus issues. So I tried that - removed CR1313 battery, re-inserted, cleared all custom settings and to my surprise, 7D is back in life just like when I originally bought. None of the problems I had faced for years were seen. So 7DII, 5Ds or 6D are out of question. Will stay with 7D till it gives up.

In summary:
Fixed hanging issue
Fixed Live view issue
Fixed file IO issue
Fixed file corruption issue.

Hope this helps somebody.

Thanks
Naveena

Irix **11mm** f/4 on the way

Good gravy, these guys are brand new and a second lens is already in the works:

http://www.photographyblog.com/news/irix_15mm_f_2.4_hands_on_photos/ (see 11mm comment and pics at bottom)

http://photorumors.com/2016/03/24/irix-11mm-f4-lens-is-coming-next/

It's not clear if the 11mm is for FF or crop, but we will find out.

Comment #1: For all those who thought they had to buy a $3k 11mm prime 11-24mm zoom from Canon! :P

Comment #2: If that second lens is front filterable *and* it's for FF mounts, I don't want know what diameter filters it takes.

- A

Attachments

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Canon EF 16-35 f/2.8 mkiii & The Blue Goo

Hi everybody :)

I have a strong suspicion that a 3rd generation 16-35mm f/2.8 will be announced soon and I believe certain aspects of it's design may be similar to the current iteration. Here's some of my guesses:

• f/2.8 - f/22
• 9 aperture blades
• MFD 25-30cm
• Length 110-115mm
• filter size 82mm
• Image Stabilization - No
• 650g - 750g
• $1600-$1800

Although the mechanics are going to be rather similar, I imagine the image quality will be vastly superior to that of the current version and I dare wonder if Canon's Blue Goo will give it an IQ superiority over the f/4.0 version too.

A wide angle with minimal to no chromatic aberrations will be a machine of beauty!

Well, that's me just thinking out loud :)

tips for Europe trip

Hi all

I will be in Europe next month - Paris, Vienna, a few locations in northern Italy, then London for a few days on the way home. It is not a photography trip - it is a mixture of work and holiday - but of course I would like to come back with some good photos if possible.

For photography gear, I plan to take my 6D, 24-70/4 IS, 35 Art, 70-200/4 IS, and a couple of filters. I do not plan to take a tripod. I don't have a good, light, travel tripod, but to be honest even if I did I am not sure I would take it on this trip. I doubt I would get to use it very often, and we will be moving from place to place fairly often so I don't think it would be worth carrying.

Any thoughts on whether I should just leave the 70-200 at home? Will I miss an UWA and/or a faster telephoto?

Should I take a flash? My thinking is I am unlikely to use it very much really so it is not worth carrying. Maybe it would be more useful in places like churches though than I am allowing?

More generally (ie not necessarily specifically related to photography), any advice on places to go / things to do / things to watch out for, while I am on the trip?

I know these sorts of questions get asked all the time, and I have had a look through some old threads, but I thought I'd throw it out there and see if anyone had any comments or ideas to suggest.

thanks!

Patent: Hybrid Viewfinder

HTML:
<p>Canon has filed a patent for what appears to be a hybrid viewfinder.</p>
<p>Patent Publication No. 2016-35525 (Google Translated)</p>
<ul>
<li>Published 2016.3.17</li>
<li>Filing date 2014.8.4</li>
<li>During the pentagonal prism and the eyepiece optical system, providing two optical surface inclined</li>
<li>Since the light from the objective optical system is transmitted through the two optical surfaces, the photographer can observe the object</li>
<li>Since the light from the display optical system reflects the second optical surface and the first optical surface, the photographer can observe the</li>
<li>Display information</li>
<li>Display panel, display the shooting information at the time of the mirror-down, to display a live view image at the time of the mirror-up</li>
</ul>
<p>An english explanation from <a href="http://www.northlight-images.co.uk/cameras/Canon_rumours.html" target="_blank">Northlight</a></p>
<blockquote><p>The light from the EVF (top centre) is reflected left and then right to the eye. The split prism below the EVF combines this info with the normal view</p></blockquote>
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f4 needed for birds if only shooting in full sun?

This may seem like an odd question, but I recently purchased a 500f4 ii to be used for bird photography. I love the lens. Image quality is fantastic. Auto focus is fast and it is built like a tank. But it is expensive, heavy, big and not so easy to lug around (obvious for such a big lens but just wanted to get it out there).

The real issue is, do I really need an f4 lens if shooting under full sun conditions? Most times would not really be taking advantage of the f4. Is there another option that gives the same image quality that I am not considering? I also own the 100-400 ii and a 1.4x, plus the Sigma 150-600C as well. Plan on using the 1.4x with the 500 as well.

Really looking for advice from people that currently own this lens or others like it.

Firmware update Custom Controls for the Canon 5D mk III? (Wishlist)

Been using the 1Dx and the 5Dsr for a while now, and my 5D III was not getting attention as of late. Luckily it is not an useless camera and recently on a trip and on an assignment I got to use the 1Dx and the 5D III combo again. But I missed a few controls that I got used to on the other bodies.

I really hope Canon adds a (final) firmware update to the 5D mark III to add controls that is present in the 1Dx and the 5Dsr.
The two features I really like and are missing on the 5D III are:
-Switch from ONE SHOT to AI SERVO assigned to the AF-ON button (Both 1Dx and 5Ds have this).
-Flash Control Settings assigned to the SET Button (currently only on the 5Ds).

Do you guys expect an update like this in the near future for the Mark III's out there?

Silent Mode 1DX II VS 5DSR

After someone made me "an offer which I cannot reject" - I am planning to switch from my 1DX & 5D III to 2x 1DX II bodies (90% nature and wildlife).

The main reason is the high milage of my 1DX (shutter replaced once) and the ability of the 1DX II to use all AF points with my current tele lenses with an f8 setup.

The 5D III is mainly used in silent mode for sensitive subjects or when I am really close. Other than that I always use the 1DX.

I worried about continuous silent shutter of the 1DX II and was not sure if it will meet my demands.

Here is a comparison of continous silent shutter mode of the 1DX II VS the 5DSR (German). It helped me to make my decision easier:

https://www.youtube.com/watch?v=k-cZYrdNldo

5DS R vs 7DII

I have been toying with getting a 5DS R for my bird photography as well as being an upgrade for my 5DIII. There has been debate in various forums about Moire and colour artefacts, but they are minimal, a consensus that the 5DS R is about 10% sharper than he 5DS, but the difference gets less after sharpening, a huge plus that it has the same reach as an APS-C and the field of view of an FF, but the files are huge and the fps slow. Arthur Morris raves about the 5DS R for bird photography whereas Glenn Bartley considers it just a studio camera.

On Thursday, Canon announced a £250 cashback on the 5DS R and an official Canon retailer in the UK was selling one at a 20% discount. I couldn't resist the overall 28% discount and ordered one immediately to test for myself.

My first tests just using iso 12233 charts have indeed shown that before sharpening the 5DS R gives images distinctly sharper than from my 7DII, using the 300mm f/2.8 II and 100-400mm II with or without 1.4x and 2cxTCs. On sharpening, the difference is indeed lowered, but is still there. So, my 5DIII is about to be sold and I'll be using the 7DII and 5DS R as my stock cameras. By the way, the 100-400mm II, with or without the 1.4xTC stands up well against the 300mm f/2.8 II with the 1.4 or 2xTC on the 5DS R. I am going to enjoy the 5DS R. OK, the files will be huge and the fps lower, but the larger field of view with its easier locating of small birds and less clipping of large ones will be a serious compensation.

Looks like Canon's boat is sinking in Thailand

Excerpts from IR interview w Fuji execs:

BOLD is my addition.

TI: Yes. In Thailand the size of the mirrorless market has already exceeded that of DSLR. So we exceeded the share of Canon...and became the number one within the whole category. I think it seems the young females started buying mirrorless cameras. The number one reason is because of the skin tone. So the selfies are very popular.

snip

DE: That's very good. Boy, that's so interesting about Thailand, it's fascinating to me. It's a case where pure consumers are seeing a real difference in image quality, and that's affecting their product choices. I wonder if you can extend that into other parts of the world, too?

snip

TI: About $550 as a price range, but bear in mind that was the price for Thailand. It's probably worth three months' salary or so [for customers in that market].

DE: Wow. And they're still buying them in huge quantities.
[Ed. Note: This is really incredible, that mass-market consumers are buying cameras that cost three months' salary!]


Looks like when they're choosing to spend that much of their income on a camera, Canon is not a top choice.
Very interesting.

Anyone have all the CIPA numbers for Thailand and other asian markets they can share?

1DX II Noise test form Raymond Phang

http://webcache.googleusercontent.com/search?q=cache:QImE5wfnkqcJ:www.raymondphang.com/blog/2016/canon-1dx-mk2-versus-canon-1dx-dynamic-range-and-high-iso-comparison/+&cd=1&hl=en&ct=clnk&gl=au

Noise comparison: 1DX II vs. 1DX.

Photorumors.com said it was taken down but the cached site is still visible.

Question: if it's arriving to buyers this week, why would Canon ask these to come down? I thought the product NDAs were tied to announcement date, not shipping dates.

- A

New 50mm On Coming Soon? [CR2]

HTML:
We’re told that a new 50mm lens was coming fairly soon. We weren’t told if it was a replacement for the f/1.4 version or the f/1.2L version.</p>
<p>I think a lot of us would assume that the 30+ year old EF 50mm f/1.4 is the likely candidate, but that’s been talked about for years. The EF 50mm f/1.2L could use an update as well and would really benefit from a floating element design.</p>
<p>The EF 50mm f/1.8 was updated last year.</p>
<p><em>More to come…</em></p>
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70D triggering flash too early on second curtain sync

I tried to use second curtain sync flash on my 70D for the first time yesterday. I noticed, that it seems to fire too early. I'm using 1/10 s shutter speed with a moving light source in the image (to test this some more I just moved the camera with a static light source).
When I'm using first curtain sync, I get an image with the light trail starting directly at the position where the light source was at the time of the flash. When I'm using second curtain sync, the position of the light source at the time of the flash is at about 90% of the total trail length. This means that the flash happens about 10ms (10% of 1/10 s=100ms) before the shutter closes and makes the image look strange. This happens with both my 600EX-RTs as well as my 430EXIII-RT and also with the internal flash of my 70D.
Is this expected, or is there something wrong with my camera?

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