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Canon Announces Full-Frame Digital SLR Camera 6D Mark II

The EOS 6D Mark II Digital SLR Camera Includes a New Full-Frame Sensor, Built-in Wireless and GPS, Intervalometer, Articulating Touch-Screen, Dual-Pixel AutoFocus, 8K video recording, and 16-Bit sensor yielding 15.8 stops of Dynamic Range

LAKE SUCCESS, N.Y., April 1, 2015 – Canon U.S.A., Inc., a leader in digital imaging solutions, today introduced the EOS 6D Mark II Digital SLR Camera, a versatile mid-range full-frame camera with the durability and performance professionals require and the creative imaging options serious photographers crave. Canon has coupled the incredible image quality of a newly designed 39.3-megapixel full-frame CMOS sensor capable of 8K video with no line skipping and Dual DIGIC 6+ Image Processor with the creative potential of built-in Wireless and GPS features. The camera also includes a 31-point AF array and the EOS Scene Detection system features the 150,000-pixel RGB+IR 252-zone metering sensor for enhanced precision originally introduced on the 7D Mark II, all in an affordable camera body. Building upon the qualities that made the EOS 5D Mark III camera so successful, the EOS 6D Mark II bridges the gap for budget-minded photographers, videographers and cinematographers who are eager to step up into the world of full-frame imaging.

"The introduction of this camera completes a well-rounded ecosystem from input through output for Canon, allowing us to provide the right combination of features for every level of photographer. We believe the EOS 6D Mark II Digital SLR Camera along with our new PIXMA Pro printers will help unlock the creative vision of so many who aspire to capture and display their artistic abilities," stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.

Designed for advanced amateurs and videographers making the move to a full-frame Digital SLR, the EOS 6D Mark II fits neatly into Canon's professional imaging system with an advanced feature set including full manual options for creative control in addition to new and intuitive automatic settings to help even novice photographers capture great images. The camera's construction helps meet the needs of professionals with a 150,000-cycle shutter durability and EOS Integrated Cleaning System for high-quality vibration-based dust removal. Among the many advancements in Canon's new EOS 6D Mark II is the Company's proprietary Dual DIGIC 6+ Image Processor that powers the camera's fast 16-bit analog-to-digital conversion for exceptionally smooth color tones and gradation. The camera offers a full-frame, 39.3-megapixel CMOS sensor and continuous shooting up to 7.5 frames per second (fps).

Thanks to the combination of its new CMOS image sensor and the powerful Dual DIGIC 6+ image processor, the EOS 6D Mark II provides a wide ISO range from 50-51200 two high settings, H1: 102400 and H2: 204800. These outstanding low-light capabilities allow the EOS 6D to easily capture dimly lit scenes such as wedding ceremonies, indoor corporate events, or landscapes at dusk. To support the ample sensitivity of the new camera's sensor, the EOS 6D Mark II camera's Auto Focus (AF) system includes a newly-developed 31-point AF sensor featuring 11 high-precision dual cross-type points with an exceptional EV -4 sensitivity rating and 20 cross-type points with EV -2 for accurate focusing even in extremely low-light conditions and compositions.

The EOS 6D Mark II has a 7.7cm (3.0”) Vari-angle Clear View LCD II Touch screen with a sharp 1,040k dot resolution and is ideal for video shooting, or composing images from unusual and creative angles. The screen is a capacitive type, which supports a series of multi-touch gestures including swiping and pinch-zooming – perfect for navigating menus, amending settings or flicking through images.

Full-Frame 8K Ultra HD Video

Videographers, student filmmakers, and creative independent spirits will appreciate the full-frame video capabilities of the EOS 6D Mark II in an affordable and compact body. Borrowing from the best of the entire EOS series and breaking new ground in the DSLR world, the EOS 6D Mark II provides full manual control over exposure and audio levels while recording video. The camera features NTSC and PAL video modes at multiple frame rates, recording 8K at 30 (29.97), 24 (23.976) and 25 fps, 4K at 60 (59.94) and 50 fps and standard video at 30 (29.97) and 25 fps. The camera provides up to 29 minutes and 59 seconds of continuous recording (with 4GB automatic file partitioning) in selectable All i-framei or IPB compressions with embedded timecode. Especially when used with large aperture lenses, the EOS 6D Mark II camera's full-frame sensor offers a tremendous degree of creative control over depth-of-field, helping users to achieve pro-quality cinematic effects in Ultra HD video recordings.

Built-in Wireless and GPS

For the ultimate in DSLR connectivity and control, the EOS 6D Mark II features a built-in wireless transmitter which allows the camera to share images and video with the user's choice of wireless devices such as select PowerShot cameras, smartphones, or tablets, as well as cloud-based destinations including social networking sites through the Canon iMAGE GATEWAYii. A very intuitive and useful wireless feature is the new, free Canon EOS Remote app available for iOS and Android systems which will allow a smartphone or wireless device such as a tablet to remotely connect, control and operate the connected EOS 6D Mark II, even when shooting 8K video. This seamless connection and control will open new opportunities for professional photographers shooting weddings or remote wildlife, without the need for tethered operation or accessories.

For on-location shooters, landscape photographers or enthusiast photo travelers, the EOS 6D Mark II features a built-in GPS receiver to record longitude, latitude, elevation and Coordinated Universal Time (UTC) as EXIF data for seamless geo-tagging while shooting. The GPS coordinates are appended to each image and easily syncs with Canon software or mapping apps on social network sites to show image locations. Use of UTC data allows images to be chronologically mapped and trails plotted and recorded.

A built-in GPSiv Receiver provides a digital compass and can record location information including longitude, latitude, elevation, camera direction and universal coordinated time (UTC) as EXIF data for geotagging both images and movie files in real time. The built-in pop-up flash is convenient for many applications and can also act as an optical controller with compatible off-camera EX-series Speedlites for enhanced pro-quality lighting effects.

Boundless Creativity

To help photographers unlock their full creative potential and explore all the different avenues of digital photography, the EOS 6D Mark II includes several creative modes for image capture. First is the HDR (High Dynamic Range) mode allowing the camera to capture three separate exposures and combine them in-camera for a stunning image capturing both enhanced shadow detail and bright highlights. Next is the camera's Multiple Exposure mode where users can combine up to nine individual images into a single composite image, with no need for later computer post-processing. Two different compositing methods are provided, Additive and Average. Compositing results can be viewed in real time on the camera's LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS 6D Mark II will even allow photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image. In addition to HDR and Multiple Exposure modes are Canon's standard Scene Intelligent Auto and special scene modes to capture great images with ease. The EOS 6D Mark II camera features dual card slots for SD/SDHC/SDXC, including Ultra High Speed (UHS-1) SD cards. Data transfer speeds from the camera to a personal computer are enhanced with the addition of a SuperSpeed USB 3.0 port.
Pricing and Availability

The EOS 6D Mark II Digital SLR Camera will be sold in a body-only configuration at an estimated retail price of $2,399.00 and it will additionally be offered in a kit version with Canon's EF 24-105mm f/4-5.6 IS STM zoom lens at an estimated retail price of $2,799.00. Both configurations are expected to be available in August 2015.

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With approximately $45.6 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in U.S. patents registered in 2014† and is one of Fortune Magazine's World’s Most Admired Companies in 2014. In 2014, for the eleventh consecutive year, Canon U.S.A. has received the PCMag.com Readers' Choice Award for Service and Reliability. Committed to the highest level of customer satisfaction and loyalty, Canon U.S.A. provides 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.

Should I place pre-order for 5DSr or wait?

I am ready to push the button at B and H but I am wondering if the first copies of a new camera is a smart move? Anyone heard of bad first copies of Canon Bodies. I am thinking that I will probably get a firmware update pretty quick which I can live with. I am just chomping at the bit to get my hands on this camera.

FYI, I bought my 5dM2 about a year before the 5dm3 and just couldn't justify buying the next model since I do scenery and shoot tripod and manual focus most of the time. This is a big enough change and I am ready to move up. All my friends have switch to the Nikon 810 or the Sony's. I have too much high end glass to switch.

Sigma 150-600mm C Reviews

The first reviews of the C have appeared in the last day. slrgear gives it a good review

http://slrgear.com/reviews/showproduct.php?product=1736

as does ePhotozine

http://www.ephotozine.com/article/sigma-150-600mm-f-5-6-3-dg-os-hsm-contemporary-review-27247

It's very, very good at short focal lengths, better than the Tamron. However, it is weakest at 600mm, where it seems to be weaker than the Tammy. At 403mm, it appears to have dropped to f/6.3.

New Canon Tilt-Shift Lenses Finally Coming? [CR1]

HTML:
<p>A new report at Northlight suggests that Canon has prioritized the replacement of their “old” tilt-shift lenses, the TS-E 45mm and TS-E 90mm. These upgrades could match up wellwith the EOS 5DS & EOS 5DS R.</p>
<p>It’s also suggested that higher end glass supplies is limiting the introduction of more top end lenses being added to the Canon lineup. Canon does have new manufacturing capabilities, but the increase in production is a gradual one.</p>
<p>I agree with Northlight, and don’t think we’ll see these redone this year, but an advanced announcement is always possible.</p>
<p>Source: [<a href="http://www.northlight-images.co.uk/Canon_new_lenses.html" target="_blank">Northlight</a>]</p>

EF 11-24mm f/4L: Our First Impressions

HTML:
I’ve been in Scotland for the last 10 days or so and doing a lot of shooting with Canon’s brand new EF 11-24mm f/4L. The main purpose of the trip was for landscape photography, which I figured was a good place to start for our review.</p>
<p>There are a lot of things that make the EF 11-24mm f/4L a challenging lens to use for landscape. First and foremost is not being able to use filters. A lot of the time, especially scenes with wet rocks and water, a polarizer is sorely missed. In Scotland, with the ever changing skies and varied foregrounds, the inability to use graduated neutral density filters is also difficult. A lot of people are fine to do exposure blending, which is not something I’m all that keen on. I prefer one frame for exposure. Currently there is no filter holder available for this lens, but hopefully the folks at Lee Filters are working on a solution for grads and stoppers.</p>
<p><!--more--></p>
<p>11mm is wide, and in a lot of cases too wide for landscape photography if you don’t have a bold object in the foreground. You really do get the whole world in the frame, and the difference between 11mm and 15mm is quite substantial, as that is what I’m used to shooting at with the Zeiss 15mm f/2.8.</p>
<p>The build quality and optics are top notch, everyone that has used this lens says the same thing. I have found the distortion to be very well controlled and I haven’t done any correction in post. There’s currently no profile for the lens in Lightroom, but I haven’t felt I needed one either.</p>
<p>I return home this week, so I’ll be going through all the images captured with the lens and we’ll get a review up soon after.</p>
<p>Canon EF 11-24mm f/4L USM $2999: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/CA11244.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1119028-REG/canon_9520b002_ef_11_24mm_f_4l_usm.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.amazon.com/gp/product/B00T3ERXKE/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00T3ERXKE&linkCode=as2&tag=canorumo-20&linkId=SKIW33AKPAGADHBN" target="_blank">Amazon</a></p>

The Great 200mm Shootout

HTML:
Roger and Aaron at LensRentals.com decided it was time to test all the 200mm options for Canon and Nikon to find out which ones are the best.</p>
<p>It shouldn’t come as a surprise that the more you spend on a 200mm lens, the better it gets. Especially in the case of the <a href="http://www.bhphotovideo.com/c/product/542292-REG/Canon_2297B002_Telephoto_EF_200mm_f_2L.html/bi/2466/kbid/3296" target="_blank">EF 200mm f/2L IS</a> and <a href="http://www.bhphotovideo.com/c/product/680103-USA/Canon_2751B002_EF_70_200mm_f_2_8L_IS.html/bi/2466/kbid/3296" target="_blank">EF 70-200 f/2.8L IS II</a>.</p>
<blockquote><p>My opinion, though, is that the extra cost involved in getting the brand-name zoom lens in this category is probably worth it if you can possibly manage it. The Canon and Nikon f2.8 stabilized zooms are amazing optics. The f/2.0 primes, while wonderful lenses and even better optically than the zooms, are priced like the specialty items they are. The third-party lenses and Canon Non IS are cheaper, and probably good enough for many uses. But don’t kid yourself; they aren’t as good.</p></blockquote>
<p><a href="http://www.lensrentals.com/blog/2015/03/just-the-lenses-the-great-200mm-shoot-out" target="_blank">Head to LensRentals.com for the shootout</a></p>

PowerShot G17 Mentioned Again [CR2]

HTML:
We received another mention about the Canon PowerShot G17, which we’re told will come before the end of June.</p>
<p>SPECIFICATIONS</p>
<ul>
<li>PowerShot G17</li>
<li>24-168mm</li>
<li>7x Zoom</li>
<li>f/1.2 – f/2.0 Lens</li>
<li>DIGIC 6+</li>
<li>Larger Sensor</li>
<li>All Magnesium Body</li>
</ul>
<p>The fast lens would be very welcomed in the PowerShot line, so I suspect the camera will be a bit bigger if these specs are the real deal. We’ve seen most of these specs multiple times, we’re just waiting for the announcement.</p>

Canon 5DSR or 5DS for serious macro?

Hey Folks!

Which is the better choice for insect macro photography? Stacked shots and such. I'm asking since I can't really find a reference on the Nikon 800E-s if that struggles with moire on the fine structured skin of an insect, I hope you get my dilemma. I would surely buy the 5DSR for the better details, tho I'm interested in your opinion if that would be a bottleneck on the moire side during my application.

My current gear is a 6D and Zeiss100MP, tripod, lights. I'm into this stuff all the way, so I eagerly wait for your responses on which to prepurchase. Thanks in advance!

Samyang Teases 100mm f/2.8 Macro

HTML:
Samyang has begun their usual teasing of  a new lens on their <a href="https://www.facebook.com/SAMYANGOPTICS/photos/a.253977127947864.74886.251090761569834/962876513724585/?type=1" target="_blank">Facebook page</a>. This time it’s the 100mm macro.</p>
<blockquote><p>With immense focus and unparalleled features, <a class="_58cn" href="https://www.facebook.com/hashtag/samyangoptics" data-ft="{"tn":"*N","type":104}">#Samyangoptics</a> will introduce the latest product. Stay tuned.</p></blockquote>
<p>How many of you own Samyang lenses? Sound off on the forum.</p>

EF 16-35mm f/2.8 II Replacement [CR1]

HTML:
We reported previously that the next “L” lens from Canon would be a prime. We don’t know the focal length, but the 35mm f/1.4 is the likeliest candidate for replacement.</p>
<p>Canon hasn’t released an f/2.8 zoom since the EF 24-70 f/2.8L II, but that could be changing some time in the next year. We’re told An f/2.8 replacement for the EF 16-35mm f/2.8L II is likely and that the focal length could change slightly, something like an EF 15-35 f/2.8L was suggested.</p>
<p>If you look at the lineage of the current lens, it has changed focal lengths a couple of times. The first in the line was the EF 20-35 f/2.8L and then the EF 17-35 f/2.8L and most recently two version of the EF 16-35mm f/2.8L</p>
<p>Event photographers still crave the fastest lens possible for the job, and the EF 16-35mm f/2.8L II could use a performance refresh.</p>
<p>I don’t expect such a lens to arrive any time soon, as the manufacturing demands of the EF 100-400mm f/4.5-5.6L IS II and EF 11-24 f/4L probably won’t be quelled for quite some time yet.</p>

Need lens advice mostly for landscape

I would like some help in deciding which lens to purchase next. I am an enthusiast who shoots mostly landscape/nature and travel (6D). I don't shoot indoors or portraits much and use a tripod much of the time and weight is a consideration. The main lenses I use are the 16-35 f4 and the 70-300L and they are always in my backpack. I recently sold my 24-105L as I have hardly used it since getting the 16-35 f4 and have a budget of around $2K.

I thought I would need something to fill the gap so I rented the 24-70 2.8 II but quickly realized I wasn't going to get the most out of this lens for what I shoot and think my money could be spent better elsewhere. 50-70mm is kind of no mans land for me so the gap seems manageable, especially if I throw the 40mm in the bag. I thought about selling the 70-300L for the 100-400 II for the reach but then I have a bigger gap/more weight and I love the 70-300L for the size and I can borrow the wife's SL1 to extend it if need be.

I don't have much faster than f4 so I am thinking a couple primes for creativity might be the most useful. The 100L macro seems like the next logical step and a very fun/versatile lens. I am thinking also the 35 f2. Sharpness is important but not sure the weight of the Sigma 35 Art is worth it. Is 35 too redundant and maybe I should consider something else? Filter capacity is needed.

Any other ideas or thoughts would be greatly appreciated.

Thanks

Kirk

Import 1Dx worth the risk?

I'm finding the recent 1Dx price drops to be very tempting, especially on imports from places like GetItDigital. CanonPriceWatch currently shows a low price of $4500 for apparent import models and the best authorized dealer price (via the CPW Street Price) is $5400. Is it worth the $900 to stay with an authorized dealer?

http://www.canonpricewatch.com/product/03792/Canon-EOS-1D-X-price.html

I understand that during the first year, warranty would be through the dealer and not Canon. Based on past experience, I tend to think it's a safe bet that I won't need either. What about after the warranty period? Is there any truth that Canon USA won't service it at all?

Is there anything different with the import model versus the USA model? What about included items like the charger? Do imports come with the same charger?

Anyone have experience buying import 1Dx's from GetItDigital?

For what it's worth, I have seriously considered the 7D2. But, I shoot a lot of sports in poorly lit gyms and ice arenas -- including figure skating ice shows. I live between ISO 3200 and 6400. I'm currently using a 5D3 and love the high ISO performance. I have also had very good results as a sports body. But, there are limits with FPS, buffer, and focus tracking that I occasionally challenge. While the 7D2 is tempting, the extra benefit of the high ISO noise performance with the 1Dx and the extra 2 FPS could make a big difference in upping the bar for me with action shots.

Lens cleaning fluid & cloths recommendation?

I was trying to clean a lens today, and while it superficially looks clean, shining a light on the surface reveals what looks like smudges. It was getting very annoying.

I think my cloth has absorbed my skin oil and is depositing it on the surface of the lens now, defeating my efforts.

I was reading the B&H catalog cleaning section and it really opened my eyes to how much stuff is out there.

I'm looking for a good quality fluid (what I use now doesn't seem to be 100% alcohol) and good soft lint-free optical quality cloths (I'm going to try to buy a bunch this time, should keep me going for a few years). Maybe tissues too (Rosco or Kimwipes maybe?). I sometimes use tissues, sometimes when I'm just removing a fingerprint or something I skip this step.

Last, a better brush would be nice. The one I use is sort of crummy. I hear camel hair is the standard.

If there's something else I should also use, feel free to recommend it. Like fluid saturated wipes, I know nothing about these.


You guys have recommendations for good stuff? Is wood grain alcohol based fluid preferable to isopropyl alcohol based fluid?

Basically recommendations from each category (fluid, cloth, tissues, brush) would be useful. I know some of you use eye glass fluid and wipes. I'm looking more for products intended for camera lenses. It's a peace of mind thing.

Thanks. :)

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