Which converter, 1.4X or 2X, based on these lenses bodies

I have acquired numerous lenses over the years. I am in the process of switching (but maybe not completely) to full-frame.

Should I get the 1.4X or 2X converter (no more money for lenses for at least 2 years)?
Which of these lenses should I let go of, if any, based on the converter choice?

135/2L (still my favourite, though probably on the crop format)
70-200/2.8L IS
300/4L

Which bodies should I let go of?

7D
7D2
6D

My two 'dream' lenses on my wish list are:
200/2L &
200-400/4L with 1.4X

Both are probably 3-5 years away, if ever...

Thank you for any advice, comments or consideration that might give me an alternative look at the issue.

2nd curtain sync with cable -> camera

Hi all,

I'm wondering if its possible to use 2nd curtain sync (or HSS as well for that matter) when my flash (600ex) is connected to 5d3 via a cable? Heres the set up:

Camera water housing + flash water housing. 5d3 in cam housing with an adapter sliding into hotshoe with cable going from that to a dock inside of housing, which goes to dock on outside of housing, which is where another cable connects from there to the dock on the flash housing, ultimately connecting the flash & camera. Hopefully that made sense and you can picture that.

Currently, neither 2nd curtain sync or HSS work. If I set the flash to them, the flash simply fires as if they're both off. So I guess I'm looking to see if there is some sort of hack to get them to work. I am more interested in 2nd curtain sync.

Appreciate any input

Replacement Kit Lens <$300

The autofocus on my kit lens 18-55 IS ii has died and I am in the market for a replacement. However as a starving student, my upgrade/replacement budget is only about $300. I am currently looking at either the 17-85 IS USM, or the 18-55 IS STM lenses as replacements. I have several primes and a couple of telephoto lenses, so I am not as worried about the range differences, as I am about the image quality, and focus accuracy between these two lenses.

Does anybody have experience with both these lenses and can share their experience and recommendations?

Sony Announces a68 A-mount Camera for US and Canada Markets

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<em>New Model Features Ultra-Fast 4D FOCUS, Translucent Mirror Technology and more</em></p>
<p><strong>SAN DIEGO, Dec. 17, 2015</strong> – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced the α68 (model ILCA-68) camera with ultra-fast 4D autofocus to the US and Canada markets.</p>
<p>The new camera, which was announced for the European market last month, is the latest model to feature native compatibility with Sony’s extensive collection of A-mount lenses.  Inheriting many pro-style features from the acclaimed α77 II, the α68 features Sony’s unique 4D FOCUS system that delivers extraordinary AF performance under any shooting conditions – even in lighting as low as EV-2 where many other cameras struggle.</p>
<p><!--more--></p>
<p>This system utilizes 79 autofocus points – the most AF points on any interchangeable lens camera with a dedicated phase-detection AF sensor<sup>1</sup>.  Included are 15 cross points as well as a dedicated F2.8 AF sensor point for dimly-lit scenes.  This all adds up to extremely fast, wide area AF with predictive tracking that locks faithfully onto fast-moving subjects.  Additionally, the camera utilizes Sony’s unique Translucent Mirror Technology to deliver constant AF tracking at up to 8 fps<sup>2</sup>.</p>
<p>The camera features a 24 MP<sup>3</sup> APS-C Exmor CMOS sensor with a wide ISO 100 – 25,600 sensitivity range<sup>4</sup>, allowing it to produce outstanding image quality for both still images and video.  The sensor is teamed with a powerful BIONZ X image processor that uses Detail Reproduction and Diffraction-reducing Technologies plus Area-specific Noise Reduction, resulting in pristine, finely detailed shots every time.</p>
<p>Full HD movies use the efficient XAVC S<sup>5</sup> format, enabling high bit rate recordings at up to 50 Mbps with outstanding detail and low noise. With Translucent Mirror Technology, shooters can enjoy non-stop continuous autofocus with accurate subject tracking during video shooting, producing crisp, professional looking footage.  With a powerful array of advanced controls and capabilities, the α68 has plenty to offer experienced amateurs as well as step-up photographers and first time interchangeable lens camera customers.</p>
<p>Framing stills and movies is a pleasure through the clear, bright OLED Tru-Finder, which features 100% frame coverage with high contrast and accurate color reproduction.  Complementing the Tru-Finder, the 2.7-type LCD monitor tilts up to 135 degrees upwards or 55 degrees downwards for comfortable composition from a wide variety of shooting angles. Serious photo enthusiasts will also value the backlit top display that allows quick confirmation of camera settings, whether shooting handheld or on a tripod.</p>
<p>As found on the critically acclaimed α7 series, the α68 has a control wheel on the camera’s rear that allows quick fingertip adjustment of camera settings, as well as 10 customizable buttons<sup>6</sup> that frequently-used functions can be assigned to.  There is also a front control dial for quick adjustments of settings and a sturdy grip to ensure a balanced shooting experience, even when using heavyweight prime or telephoto lenses.</p>
<p>The new camera features SteadyShot INSIDE stabilization to reduce the effects of camera shake and allow for blur-free handheld shooting at all focal lengths, with any compatible lens.  Additionally, the inclusion of a Multi Interface Shoe and Multi Terminal lets users expand their creative options with a wide range of optional accessories, including flashes, lights, microphones and remote commanders.</p>
<p><strong>Pricing and Availability

</strong>The Sony α68 interchangeable lens camera will be available in April at authorized Sony retailers in the US for about $600 body only or about $700 in a kit along with the DT 18-55mm F3.5-5.6 SAM II lens.  In Canada, the body and kit will also be available in April and will be sold for about $800 and $950 CAD, respectively.</p>

DxOmark does it again

In “Best lenses for the Canon EOS 5DS R: Optics for travel, wildlife & portrait photography“, DxOmark recommends the 70-300mm L f/4-5.6L and omits the 100-400mm II

http://www.dxomark.com/Reviews/Best-lenses-for-the-Canon-EOS-5DS-R-Optics-for-travel-wildlife-portrait-photography

Apart from apparently realising the huge advantage of 400mm vs 300mm for wild life, all else being equal, they can’t even read their own scores.

On 5DS R
100-400mm II: score 26; sharpness 24 P-Mpix.
70-300mm L: score 25; sharpness 17 P-Mpix.

http://www.dxomark.com/Lenses/Compare/Side-by-side/Canon-EF-100-400mm-F45-56L-IS-II-USM-on-Canon-EOS-5DS-R-versus-EF70-300mm-f-4-5.6L-IS-USM-on-Canon-EOS-5DS-R__1469_1009_368_1009

Canon EOS-1D X Mark II Rumored Features [CR1]

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<p>We received the following information about the Canon EOS-1D X Mark II, this comes from a new source and we are unable to confirm the information at this time.</p>
<p>Canon EOS-1D X Mark II Features:</p>
<ul>
<li>Meant to replace both the EOS-1D X and EOS-1D C</li>
<li>Max video frame rate: 4K @ 60fps, 120fps @ 1080p</li>
<li>Touch panel for AF point selection (We’re not sure if this means touchscreen or something else)</li>
<li>Much talked about new sensor technology</li>
<li>A “learning mode” for AI Servo (This wasn’t explained)</li>
<li>Completely new autofocus system</li>
<li>GPS built-in (no mention of Wifi)</li>
<li>New LCD screen type/technology</li>
</ul>
<p>Until we receive some confirmation and explanation of the information above, please treat this information accordingly.</p>

Canon EOS 5D Mark IV & 5DS Talk [CR2]

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<p>We’re told that Canon is aiming for a March 2016 announcement for the Canon EOS 5D Mark IV. Which will be just before the NAB show in Las Vegas in April.</p>
<p>We’re told that once the EOS 5D Mark IV is announced and shipping, that the EOS 5DS, and EOS 5DS R will get a relatively quick update by Canon standards. The new 5DS series camera(s) will get the new 5D4 body ergonomics as well as an updated image sensor, maybe a <a href="http://www.canonrumors.com/canon-develops-aps-h-size-cmos-sensor-with-approximately-250-megapixels/">version of this one</a>? . Yes, “quick” is a relative term, but it does make sense.</p>
<p>We keep hearing about an 18mp sensor we <a href="http://www.canonrumors.com/canons-full-frame-future-cr2/">originally reported back in the spring</a>, though we’re not sure what camera such a sensor could appear in, or if it’ll be a consumer product at all. With <a href="http://www.canonrumors.com/the-nikon-d5-has-leaked/">Nikon putting a 20mp sensor into the D5</a>, I guess anything is possible for the EOS-1D X Mark II or a version of the EOS 5D Mark IV. It could potentially appear an upcoming full frame mirrorless camera from Canon as well.</p>
<p>We’ve received a few other bits of information about the EOS 5D Mark IV, but we’re waiting to hear more before we publish them.</p>

5D mk3 at higher ISO vs 7D mk2 at lower ISO

Hello everyone, I currently own a 5D mk3 which I use for just about everything: landscapes, portraits, motorsports, street photography...
I've been shooting more and more motorsports for magazines lately, and for the upcoming season I'll be shooting some MotoGP and F1 races.
I can't afford any of the beautiful super tele primes, but I'm willing to pay around £2000 for some new gear.
Now I'm using my 70-200 2.8 IS II for sports, and since I've always been able to be on the side of the racetrack it's been more than ok, plus at tracks like Imola and Misano you can get very close. But with tracks like Mugello and Circuit of the Americas coming up, I need a lot more range.
I've narrowed it down to 2 options: stick a Sigma 150-600 S on my 5D but shoot at at least f6.3, or buy a Canon 100-400 IS II and a 7D mk2, that way I get a similar focal range as the sigma but an aperture of 5.6, plus a second camera.
Now, I haven't used a crop sensor in years, so my question is this: would the 7D mk2 at a slightly lower ISO and the 100-400 be comparable quality-wise to the 5D mk3 with the 150-600 at a slightly higher ISO?
What do you recommend?
I've attached a few photos I took with the 5D and 70-200 recently in Misano.

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Canon refurb quality question.

Reposting as new thread, this was in a refurb thread.

This is my second refurb purchase and I have a question about what condition you would accept for a refurbed product. i bought a 70-200mm 2.8 IS II on the Black Friday sale, a unicorn, and i know i am lucky. It arrived, i unpacked it, and all looks okay except for the black hood mount ring. It was clearly scratched and the scratches had been painted over in a less than elegant fashion. i will try for pics later, but black on black aint easy to show up. The painting is not obvious, and from a few feet it is not noticeable.
It occurred to me that i should try to mount a filter. i haven't really used the lens yet, AFMA checks out fine and a few test pattern shots show improved performance over the non-IS version i have, so it seems to be good.

Would you accept this re-painting as a refurbed product?

Desire to Dream (Short film with the 60D)

Hi guys,
Been a while since I last posted. Having said that I've worked on another short film and just wanted to share it here :P

Named it "Desire to Dream" and its about a recent high school graduate, Galante Gao, who deals with an accident that caused him to become deaf and aphonic (unable to speak). He struggles with his transition to university, as he can no longer study music and believes that his friends have abandoned him due to his disabilities.

Looking back, the story could have been so much better.. But eh, guess its all about just giving it a shot and improving next time? Most of the shots were made with the 24-105mm and the 60D, though the 70-200mm 2.8 (non-is) was used for shots like the fight scene.. You really need IS or a stabiliser rig to make the shots usable from non-is lenses.. (though if you wanna see some decent looking shots with the 70-200 2.8 non-is, check out this trailer i made: https://www.youtube.com/watch?v=l8npwcSshKs"

Anyways, heres the link to the short film: https://www.youtube.com/watch?v=dQT8rt5QcA8

Would love to get some feedback in terms of cinematography and story in general!

Rockhopper Penguin vs. Giant Petrel

It's not all fun and games out there in nature is it?

As the Rockhopper Penguins emerged from the sea to return to their colony this Giant Petrel seized his opportunity...

If anyone is interested in a video from my trip to South Georgia - https://youtu.be/1GiQVVhqmnY

Rockhopper%20Penguin%20-%2003.jpg


Camera Model: Canon EOS 7D Mark II
Shutter speed: 1/2000 sec
Aperture: 7.1
ISO: 400
Lens: EF600mm f/4L IS II USM +1.4x III

Canon Billboards Offer Up #RealtimeTips for The Perfect Shot

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Canon has launched a realtime live billboard campaign in New York City. These live billboards are placed at some of New York City’s most photographed locations and gives real time tips on how to capture the “perfect shot”.</p>
<p>Each billboard knows weather conditions, time of day, traffic and other variables so it can give up to 200 different tips for to help you capture a better photograph. Canon has staffed each billboard location with “photo experts” to help you if you need it.</p>
<p>I personally think the perfect shot can only be captured by an EOS-1D X Mark II or EOS 5D Mark IV.</p>
<p>You can <a href="http://www.adweek.com/news/technology/canons-digital-billboards-help-new-yorkers-take-perfect-instagram-picture-168610" target="_blank">read more at Adweek</a>.</p>

Canon U.S.A. Further Strengthens And Expands Line Of Interchangeable Lens LCOS And Fixed Lens DLP Pr

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<p><em>Four New Models offer a range of Impressive Performance and Flexibility</em></p>
<p><strong>MELVILLE, N.Y.</strong> — The REALiS WUX6010 Pro AV LCOS Projector, introduced today by Canon U.S.A., Inc., a leader in digital imaging solutions, combines outstanding WUXGA resolution (1920 x 1200), 6000 Lumens, compatibility with a choice of five optional Canon projection lenses, and Canon’s LCOS technology with AISYS-enhancement to help reproduce images with incredible detail and color accuracy.  Built to include all of the same features as Canon’s award-winning WUX6000 Projector, the REALiS WUX6010 Projector also features a built-in HDBaseT receiver<sup>1</sup> to help reduce complex wiring by allowing uncompressed HD video, audio and control signals to be transmitted over one single Ethernet cable. In addition to the enhancements of the WUX6010 LCOS Projector, Canon has expanded its LX-Series of high-brightness DLP Projectors with two new 5000 Lumen models, the LX-MU500 (WUXGA resolution 1920 x 1200) and LX-MW500 (WXGA resolution 1280 x 800) projectors.</p>
<p><!--more--></p>
<p>“Canon’s new projectors showcase the company’s commitment to meet the needs of an expanding range of professional customers and applications,” explained Yuichi Ishizuka, president and chief operating officer, Canon U.S.A., Inc. “The advanced technology and impressive features found in our REALiS LCOS Projector models and our LX Series of high-brightness DLP Projectors address the requirements of many markets by providing superb user benefits, convenience and affordability.”</p>
<p><strong>Canon REALiS WUX6010 </strong>

The REALiS WUX6010 Projector is built with Canon’s LCOS (Liquid Crystal on Silicon) Technology with AISYS-enhancement, an advanced technology also found within all other models in the REALiS series that deliver virtually seamless images with outstanding color reproduction and low-latency playback for “life-like” display of video content. The REALiS WUX6010 Projector offers 6000 lumens of brightness, WUXGA resolution and a wide range of optional Canon projection lenses to match a variety of installation environments and applications (see chart below for complete list of optional compatible lenses).</p>
<table class="table table-bordered table table-striped">
<thead>
<tr>
<th><strong>LENS NAME</strong></th>
<th><strong>THROW RATIO</strong></th>
</tr>
</thead>
<tbody>
<tr>
<td>Ultra Wide Angle Lens RS-IL03WF</td>
<td>0.80:1</td>
</tr>
<tr>
<td>Short Focus Zoom Lens RS-IL05WZ</td>
<td>1.00 – 1.50:1</td>
</tr>
<tr>
<td>Standard Zoom Lens RS-IL01ST</td>
<td>1.49 – 2.24:1</td>
</tr>
<tr>
<td>Long Focus Zoom Lens RS-IL02LZ</td>
<td>2.19 – 3.74:1</td>
</tr>
<tr>
<td>Ultra Long Focus Zoom Lens RS-IL04UL</td>
<td>3.55 – 6.94:1</td>
</tr>
</tbody>
</table>
<p>For enhanced installation flexibility the REALiS WUX6010 LCOS Projector offers a Motorized Vertical/Horizontal Lens Shift (and Zoom and Focus) function which allows for easy positioning and an additional selection of advanced professional settings including Four-Point Keystone Correction and Edge Blending. To help optimize image reproduction based on the environment/application and type of content, the REALiS WUX6010 Projector also features a suite of advanced image adjustments including Six-Axis Color Adjustment, Dynamic Gamma, Memory Color Correction and Motion Blur Reduction.</p>
<p>Extensive connectivity for the REALiS WUX6010 LCOS Projector is provided via HDMI, DVI-I and other leading network interfaces. The WUX6010 Projector also features a built-in HDBaseT receiver<sup>1</sup> which allows uncompressed HD video, audio and control signals to be transmitted over one single Ethernet cable with a maximum distance of 328 feet (100m), helping to reduce complex wiring schemes used for a typical setup and helping to maximize long cable runs with minimal image quality degradation. A Picture-by-Picture feature enables two high-quality images from two digital inputs (via DVI and HDMI) to be projected simultaneously side-by-side in one letterboxed image.</p>
<p><strong>Medical Imaging REALiS WUX6010 D LCOS Projector </strong>

For those in the medical education and training fields, a separate model, the REALiS WUX6010 D, is also available with all the same features as the REALiS WUX6010 LCOS Projector, but includes a special DICOM® Simulation Mode<sup>2</sup> for displaying monochrome digital X-rays, CAT scans, and MRIs with superb grayscale gradation. This mode, which simulates the results of devices compliant with the Digital Imaging and Communications in Medicine (DICOM) Part 14 standard, offers both clear and blue base color temperature presets. To further enhance the learning experience, the WUX6010 D Projector users can employ the Picture-by-Picture feature and choose between viewing DICOM SIM monochrome images and sRGB color images side-by-side.</p>
<p><strong>Canon LX-MU500 and LX-MW500 DLP Projectors</strong>

Balancing excellent image quality and versatility, the compact LX-MU500 and LX-MW500 Projector models can be ideal for a range of markets including education, corporate and houses of worship. The LX-MU500 and LX-MW500 projectors boast 5000 Lumens and a high-contrast ratio to help ensure that images will display deep blacks with depth and dimension. Advanced optical functions including the wide throw ratios of each model (1.12-1.8:1 for the LX-MW500, and 1.07-1.71:1 for the LX-MU500), Manual Vertical Lens Shift and Corner Adjustment offer additional installation flexibility. A range of image quality adjustments including the BrilliantColorÔ system, which uses advanced color processing algorithms, and Six-Axis Color Adjust, help produce realistic rich colors with enhanced brightness.</p>
<p>The LX-MU500 and LX-MW500 Projectors feature a built-in HDBaseT receiver<sup>1</sup> and each model is equipped with two HDMI inputs, one of which is equipped with Mobile High-Definition Link (MHL) – an industry standard for mobile audio and video interfaces. This function allows users to connect a portable device such as a compatible phone or tablet to the projector without the need of a computer. Both models are also capable of displaying 3D content via a DLP-Link System, and include a built-in high-powered 10W speaker.</p>
<p>For those in the medical education and training fields, both models include a special DICOM® Simulation Mode<sup>2</sup>for displaying monochrome digital X-rays, CAT scans, and MRIs.</p>
<p><strong>Pricing, Availability and Warranty </strong>The chart below provides the suggested list prices for all four models, as well as when they are scheduled to be available through authorized Canon dealers. All four models are backed by the Canon Three-Year Projector and Lamp Limited Warranty (120 day lamp coverage), and the Company’s award-winning Professional Service & Support, which includes both a Three-Year Advanced Warranty Service Exchange Program and a Service Loaner Program.</p>
<table class="table table-bordered table table-striped">
<thead>
<tr>
<th><strong>MODEL NAME</strong></th>
<th><strong>SUGGESTED LIST PRICE</strong></th>
<th><strong>SHIPPING</strong></th>
</tr>
</thead>
<tbody>
<tr>
<td width="308">REALiS WUX6010 Pro AV LCOS Projector</td>
<td width="138">$5,499</td>
<td width="126">January 2016</td>
</tr>
<tr>
<td width="308">REALiS WUX6010 D Pro AV LCOS Projector</td>
<td width="138">$6,149</td>
<td width="126">January 2016</td>
</tr>
<tr>
<td width="308">LX-MU500 DLP Projector</td>
<td width="138">$2,499</td>
<td width="126">March 2016</td>
</tr>
<tr>
<td width="308">LX-MW500 DLP Projector</td>
<td width="138">$2,129</td>
<td width="126">March 2016</td>
</tr>
</tbody>
</table>
<p>For more information please visit <a href="http://www.usa.canon.com/" target="_self">usa.canon.com</a></p>

Sigma Corporation Announces World’s First Protective Lens Made of Clear Glass Ceramic

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<p class="newsLink"><em>New scratch- and shock-resistant material provides protection for investment</em></p>
<p><strong>RONKONKOMA, NY — December 16, 2015</strong> – Sigma Corporation of America, a leading DSLR lens and camera manufacturer, today announced the new Sigma Water Repellent (WR) Ceramic Protector, a lens filter that features new Clear Glass Ceramic material and provides enhanced protective qualities. Pricing and availability is not yet available.</p>
<p>This shock- and scratch-resistant Clear Glass Ceramic was developed specifically for Sigma in partnership with a glass manufacturer. Made with a special heat treatment that evenly precipitates microcrystalline spinel throughout the materials, the Clear Glass Ceramic is 10 times stronger than a conventional protective filter and three times the strength of a chemically strengthened filter. The lens protector also contains WR coating, which repels water, dust and oil, and allows fingerprints to be easily removed. This enhanced protection helps to preserve the lens and ensure long-term, top-notch image quality.</p>
<p><!--more--></p>
<p><iframe src="https://www.youtube.com/embed/_g3J-YpwzHw" width="728" height="409" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>“The Sigma WR Ceramic Protector is the latest example of Sigma’s dedication to innovative and first-to-market photography equipment,” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “The new Clear Glass Ceramic protector is the first of its kind and the strongest material used in the industry. It will enable photographers to safeguard their lenses, while maintaining the impressive sharpness offered by high-quality glass, like our Global Vision line of lenses.”

Key features of the Ceramic Protector include:</p>
<ul>
<li><strong>Scratch-resistant</strong> – Sigma’s Clear Glass Ceramic offers a Vickers hardness number of 700HV. The strength of the Clear Glass Ceramic is much stronger than chemically strengthen glass and is; 10 times stronger than conventional filters</li>
<li><strong>Thinner and lighter</strong> – This new protector is up to 50 percent thinner and is up to 30% lighter than previous Sigma filters</li>
<li><strong>High transmittance</strong> – Sigma’s Clear Glass Ceramic offers very high transmittance, making it ideal for use as optical glass</li>
<li><strong>Water- and oil-repellent coating</strong> – The water repellent coating reflects only 0.24 percent of visible light, thereby minimizing flare and ghosting. Its ability to repel both water and oil is also excellent, with water drops bouncing right off, and fingerprints easily to remove</li>
</ul>
<p>This filter is offered in the most popular filter thread sizes, and is compatible with all Sigma lenses and other lenses that accept front filter threads that are 67mm-105mm diameters. Compatible lenses in Sigma’s Art line include: 35mm F1.4 DG HSM, 30mm F1.4 DC HSM, 18-35mm F1.8 DC HSM, 24-35mm F2 DG HSM, 24-105mm F4 DG OS HSM, 50mm F1.4 DG HSM, 24mm F1.4 DG HSM, 19mm F2.8 DN, 30mm F2.8 DN and 60mm F2.8 DN. Compatible lenses in the Sports line include the 120-300mm F2.8 DG OS HSM and 150-600mm F5-6.3 DG OS HSM. Compatible lenses in the Contemporary line include the 17-70mm F2.8-4.0 DC OS HSM, 18-200mm F3.5-6.3 DC OS HSM, 18-300mm F3.5-6.3 DC OS HSM and the 150-600mm F5-6.3 DG OS HSM. As with all of Sigma’s lenses, the filter is checked with Sigma’s own Modulation Transfer Function (MTF) measuring system, “A1,” in the company’s factory in Japan.</p>

Digital Large Format

I know there are some few high-end digital medium format cameras, and probably Canon will produce their own MF cameras someday.

The real question is; Will we ever see a bigger sensor format for digital photography, even bigger than medium format? What's the problem with digital large format? It'd offer so much more quality for those who don't ask for the price but want the highest possible quality.

There is one interesting exception; Largesense will offer a digital large format mirrorless camera body in 2016:

Here are the features:
-The first single shot large format digital back camera for sale
-8x10 (10x8) inch high sensitivity, large pixel (fat pixel) digital sensor
-CMOS and single shot sensor
-Live view for easy focusing. No more ground glass!
-WiFi for remote viewing and control
-Large format 4k movie mode
-Video through large format lenses, such as Petzval! Plus all kinds of tilting and shifting
-Sheet film work flow is slow. Worried about getting the shot? Try taking 24 shots a second, and not letting up! (with fast external drive connection)
-Shuttered and non shuttered operation.
-Memory card and external hard drive support.
-Mirrorless - being a mirrorless camera is popular now

You guys think that Canon will be ever up to something like this?

Canon 28mm 1.4 EF BR development? or 35mm 1.4 II price drop soon?

Anyone think there would be a chance of a Canon 28mm 1.4 EF BR being developed one day? ;D I'm kinda guessing no since they have a new 35mm 1.4 and great 24mm 1.4.

Also do you think there would be a price drop on the new 35mm 1.4 BR ii soon? I have gone over a TON of price charts trying to get a feel for Canon's pricing timeline but I can not figure out a pattern to give any clues. Some lower end primes dropped quickly in price with zooms, while some L primes went UP in price a ton, some stayed the same and some dropped a little (not counting discounts).

Currently I am using mainly my 85Lii and 50mmL for my weddings but find the 50mm isn't wide enough and have trouble justifying the new 35mm since it is so close in focal length. For my main super wide I use the Tokina 16-28mm but have to stop it down to 3.3-3.5 to get good results.
24mm is a bit too wide for me and portraits.
28mm is a fun portrait look I like to use. (I know people say even a 50mm isn't a portrait lens ha ha! I like it...)
I had the 34mmL i but sold it for a Leica 80mm which I soon regretted. My sigma 85mm 1.4 killed it. Soon sold both for the 85mm Lii.

In the end I think I might end with a 35mmii but was hoping it would come down a little. What do you think?
Or better yet a 28mm 1.4 BR EF ;D

I just have trouble justifying too many lenses that are so close in focal length. I work hard to use what I have and just move around more.

And We Wait for the Sleeping Giant...

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With the recent <a href="http://www.canonrumors.com/the-nikon-d5-has-leaked/">leaks of Nikon’s new flagship D5 DSLR body</a>, the Canon community is starting to twitch with anticipation for the camera giant to unleash what it sure to be their finest DSLR ever (sorry for the bravado).</p>
<p>Sadly, we do not have any images of the upcoming Canon EOS-1D X Mark II (if that’s what it’s called), but we are hearing an announcement may come before the end of January 2016. We have confirmed that production of the EOS-1D X ceased “months ago”, which is a great sign for a new release being around the corner.</p>
<p>We have been told marketing projects for “multiple new products” are underway.</p>
<p><em>More to come…</em></p>

Registration Rules and Dates for Drones Announced

December 14, 2015 – Washington, DC – The U.S. Department of Transportation’s Federal Aviation Administration (FAA) today announced a streamlined and user-friendly web-based aircraft registration process for owners of small unmanned aircraft (UAS) weighing more than 0.55 pounds (250 grams) and less than 55 pounds (approx. 25 kilograms) including payloads such as on-board cameras.

See the entire article at The Digital Picture.

http://www.the-digital-picture.com/News/News-Post.aspx?News=17346

Patent: Sigma 11-22mm f/4.5-5.6 Art Lens

HTML:
Sigma has filed an optical formula patent for an 11-22 f/4.5-5.6 Art series lens for full frame DSLRs.</p>
<p>Patent Publication No. 2015-203734 (Google Translated)</p>
<ul>
<li>Published 2015.11.16</li>
<li>Filing date 2014.4.11</li>
<li>Zoom ratio 1.88</li>
<li>Wide-angle intermediate telephoto</li>
<li>Focal length 11.33 15.33 21.30</li>
<li>F-number 4.50 5.00 5.86</li>
<li>Total angle of view 2ω 126.85 108.80 87.93</li>
<li>Image height Y 21.63 21.63 21.63</li>
<li>Overall length of the lens 163.42 156.24 156.59</li>
</ul>
<p>An ultra wide angle full frame Art series lens from Sigma has been rumored for quite some time and is a logical addition to their Art series lineup.</p>

Get It Digital LLC Responds to Canon USA

HTML:
<p>Get It Digital LLC has responded with it’s Answer to Canon USA’s lawsuit, and have esentially denied all alleged wrongdoing in Canon’s complaint.</p>
<p>Photography Bay has continued their thorough breakdown of the legal documents. Get It Digital LLC is using 3 defenses to Canon USA’s allegations.</p>
<ul>
<li>First Sale Doctrine
<ul>
<li>Citing the First Sale Doctrine</li>
</ul>
</li>
<li>Laches
<ul>
<li>Laches is a trusty common law defense, which Get It Digital is attempting to invoke as a second layer defense</li>
</ul>
</li>
<li>Acquiescence/Estoppel
<ul>
<li>Similar to laches, estoppel is another old common law defense.</li>
</ul>
</li>
</ul>
<p>It’s nice to see Get It Digital LLC is going to fight Canon USA’s allegations, as we do not support MAP in any form and welcome competition in pricing from all retailers.</p>
<p>You can <a href="http://www.photographybay.com/2015/12/14/canon-v-gray-market-retailers-get-it-digital-responds/" target="_blank">read the full report at Photography Bay</a>.</p>
<p><em>image credit // Photography Bay</em></p>

My first Wedding Video attempt ML RAW 1080p 60FPS



Hello. Back in October I had a chance to visit my friends Aylin and Denis wedding in Bulgaria, city named Ruse. For me was pleasure to see them, other friends, to meet new people and opportunity to increase my wedding photo / video experience. It will sound strange, but it is my fist visit at wedding. I learn something new and received plenty advices from from other photographers I met.

Wedding was very fun and interesting to meet new traditions. For me was very difficult to film, because my friends hired professional team to film all wedding. Did not had enough freedom, time, sometimes I was not confident enough and was afraid to be on their way, like this loosing a lot of nice moments.


That was my first attempt at wedding. If somebody will have time to watch and give some advices, I will very appreciated. Thank you for watching and your time ;-)

Filmed wit 5D mark III + Magic Lantern RAW 60fps 1080p.
0:42 – 01:10min. filmed with a7s. To be honest, despite good low light abilities, great electronic viewfinder and swivel screens of a7s, I enjoyed more to film with 5D mark III ML RAW and footage was also much more flexible.



Thank you for watching ;-)​


Music:
Bob Marley & The Wailers - Is This Love (Montmartre Remix)

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