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Speculate: How much noise improvement from 5D3 to 5D4?

I realise that the 5D4 hasn't been announced yet, but I'm curious on views about how much improvement in noise we might expect going from the 5D3 to the 5D4 (assuming it comes out in the first half of this year).

I note that the 7D2 has about 1/3 stop noise improvement (via increased sensitivity) from the 7D, which is disappointingly low.

I love low-light photography, and am really hoping for 1/2 to 1 stop improvement (although I appreciate 1 stop improvement would be a huge stretch). Getting ISO 25,600 to the point where it is seriously usable (like ISO 12,800) would be fantastic.

Many thanks!

Expect Higher End Products at CP+ in February

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<p>I have received a lot of emails, tweets, and Facebook messages about the lacklustre announcements from Canon today. Canon generally doesn’t make a big splash at CES, which is a very broad consumer electronics show. You get lost in TV’s, software, phones and every other gadget one can think of.</p>
<p>I’d expect we’re going to see higher end products announced for <a href="http://www.cpplus.jp/en/" target="_blank">CP+ in Japan</a>, which runs from February 12, 2015 until February 15, 2015. Announcements for different types of products may trickle out in the weeks prior to the show.</p>
<p><strong>What could we expect for CP+?

</strong>I expect we’re going to see the rumoured/confirmed large zoom, large sensor PowerShot. <a href="http://www.canonrumors.com/2015/01/new-powershots-for-ces-next-week-cr1/" target="_blank">The specs from the other day</a> could be this camera.</p>
<p>The <a href="http://www.canonrumors.com/2014/11/did-canon-leak-the-ef-11-24mm-f4l/" target="_blank">EF 11-24 f/4L</a> could also make an appearance, this lens has been all but confirmed. We will probably see a new Rebel in the next month or two, so that could appear for CP+.</p>
<p>As for the high megapixel camera? This could be a show we get at least a development announcement as I do expect an announcement for this camera to come before NAB in April.</p>
<p>More to come….</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Canon U.S.A. Announces Connect Station CS100: The Centerpiece That Unites Your Canon Imaging Devices

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<p><i>New CS100 Provides Convenient Ways to Store, View, Share and Manage your Photos and Videos on One Device</i></p>
<p><b>MELVILLE, N.Y., January 5, 2015</b> – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the new Canon Connect Station CS100<sup>i</sup>, a photo and video storage device that has the capability to connect to multiple compatible imaging devices allowing users to easily store, view and share images and videos. First shown as a prototype at the 2010 Canon Expo in New York, the Canon Connect Station CS100 device provides up to 1TB of storage<sup>ii</sup> exclusively for photos and videos allowing users to free up space on media cards quickly, without the use of a computer. Featuring NFC<sup>™</sup> (Near Field Communication) capabilities and Wi-Fi<sup>®</sup> technology, users can simply tap the NFC icon on their compatible<sup>iii</sup> Canon digital camera or camcorder to automatically import new images and videos wirelessly to the CS100 making them ready to view and share on a connected HDTV.</p>
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<p>“Canon designed the Connect Station CS100 device to help consumers quickly and easily view, share and store their most valuable images and videos using Wi-Fi and NFC technologies,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Today’s imaging culture is passionate about photography and videography and our goal at Canon is to make it as easy as possible for everyone to protect and share all their precious memories.”</p>
<p>Once movies or photos are stored on the Connect Station CS100 device, users can view them in crystal clear Full HD via HDMI<sup>™</sup> connection to a compatible HDTV. With the Canon Connect Station CS100’s wireless remote control, users can easily navigate through the device’s stored images and video files while viewing them on a large screen. The user-friendly menus appear on the screen when interacting with your Connect Station CS100 device and will allow sorting and managing image and video files by albums, date taken or by device. Freeing the user from having to use a computer to manage their images, the Connect Station CS100 device also features SD and CF memory card slots and a USB connection for importing images from compatible devices that may not feature wireless capabilities or when wireless connectivity may not be available.<sup>iv</sup></p>
<p>Sure to be a hit at parties, the Connect Station CS100 device also wirelessly connects to select PIXMA and SELPHY printers<sup>v</sup> in the home to quickly print those favorite images, helping to make memories that will last for years to come.</p>
<p>The new Connect Station CS100 device will also allow users to view, upload, and download images from compatible smartphones, tablets or PCs using a web browser. Users can also send or receive images with other Connect Station CS100 units in different locations using the CANON IMAGE GATEWAY.<sup>vi</sup> The CANON IMAGE GATEWAY also allows users to share their images and videos to their favorite social networking sites.</p>
<p>File formats<sup>v</sup> supported include JPEG, RAW(CR2<sup>vii</sup>), MP4, MOV and AVCHD. Backup and restore functions are possible using the USB connection and an external hard drive (sold separately).</p>
<p>Attendees at the 2015 Consumer Electronics Show in Las Vegas, January 6th-9th will have the opportunity to see the Canon Connect CS100 device in action when they visit the Canon booth (#13304 in the Central Hall). The Connect Station CS100 device will be the centerpiece that pulls together and displays the input to output capabilities of Canon EOS, PowerShot, VIXIA and PIXMA products in the Home and Play Zone of the Canon booth. Demonstrations of the Connect Station CS100 device will occur in booth and there will be Canon product representatives on-site to answer questions regarding the Connect Station CS100 device, as well as the full line of Canon consumer digital imaging products.</p>
<div><b>Pricing and Availability

</b>The Canon Connect Station CS100 is scheduled to be available in April 2015 for an estimated retail price of $299.99. For more information, and full list of product specifications, visit<a class="bold_text underlink" href="http://www.usa.canon.com/connectstation" target="_self">http://www.usa.canon.com/connectstation</a>.</div>
<div><strong><span style="color: #ff0000;">c</span>r</strong></div>

Canon Updates Compact, Powerful VIXIA HF R-Series Camcorders

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<p><i>All Three New VIXIA HF R-Series Camcorders Provide Excellent Low-Light Shooting Performance and Enhanced Zoom</i></p>
<p><b>MELVILLE, N.Y., January 05, 2015</b> – Canon U.S.A., Inc. a leader in digital imaging solutions, has updated the VIXIA HF R-series lineup of camcorders with three new models announced today – the VIXIA HF R62, VIXIA HF R60 and VIXIA HF R600 camcorders. The VIXIA HF R-series camcorders all feature genuine Canon HD Video, a 57x (32.5-1853mm) Advanced Zoom lens, DIGIC DV 4 Image Processor, three-inch touch panel LCD, SuperRange Optical Image Stabilization, long battery life, and a Canon 3.28 Megapixel Full HD CMOS Image Sensor. The VIXIA HF R62 and VIXIA HF R60 camcorder models also feature Wi-Fi<sup>®</sup> and NFC<sup>™</sup> capabilities for sharing images and video on compatible mobile devices<sup>i</sup> including compatible Android devices, as well as by using the new Canon Connect Station CS100, a device for easy and safe image and video storage and access.</p>
<p>“For those who do not want to compromise on video quality, the Canon VIXIA line of camcorders is known for providing high-quality video, easy-to-use features and the optical and imaging technologies needed to create videos to be proud of,” said Yuichi Ishizuka, President and COO, Canon U.S.A., Inc. “Now, by adding NFC<sup>i</sup> capabilities to two VIXIA models, Canon is providing video enthusiasts with the tools they need to make recording and sharing their priceless memories easier than ever.”</p>
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<div><b>Image Quality and Recording Capabilities

</b>The new Canon VIXIA HF R62, VIXIA HF R60 and VIXIA HF R600 camcorders provide outstanding image quality using Canon’s 3.28 Megapixel Full HD CMOS Image Sensor, and the proprietary DIGIC DV 4 Image processor. These new VIXIA R-series camcorders provide users with the ability to capture brilliant, virtually blur-free 1920 x 1080 resolution Full HD video. For consumers looking to capture a variety of different types of activities, like their children’s soccer match or a high school graduation, the Full HD video together with the 57x Advanced Zoom lens and SuperRange Optical Image Stabilization offers smooth and steady video. The new VIXIA R-series camcorders also feature Intelligent IS which automatically chooses from four different modes to help reduce camera shake when capturing video or photographs.</div>
<p>Users have several options for storing their cherished memories when shooting with the Canon VIXIA HF r-Series camcorders. The VIXIA HF R62 camcorder can record up to 12 hours of video to a 32GB internal memory and the VIXIA HF R60 camcorder can record up-to three hours of video to an 8GB internal memory. In addition, all three of the new VIXIA HF R-series camcorders allow users to record to a removable SD, SDHC or SDXC memory card. Shooters can capture high-quality, sharp, 1080/60p imagery of moving subjects when recording in either MP4 (35 Mbps) or AVCHD Progressive (28 Mbps). When using the Dual Recording mode, users can record movies simultaneously in both MP4 and AVCHD Progressive, while the built-in down conversion feature creates MP4 files for easy sharing on the web to popular social networking sites.</p>
<p><img class="alignnone size-medium wp-image-18246" src="http://www.canonrumors.com/wp-content/uploads/2015/01/81d01vC5qWL._SL1500_-575x432.jpg" alt="81d01vC5qWL._SL1500_" width="575" height="432" /></p>
<div><b>Mobile Sharing, NFC<sup>™</sup>, and Wi-Fi<sup>®</sup> Connectivity

</b>Featuring built-in Wi-Fi and NFC capabilities, the VIXIA HF R62 and VIXIA HF R60 camcorders expand shooting options for filming important moments while simultaneously providing remote monitoring capabilities. Utilizing Wi-Fi and the free Canon CameraAccess Plus app<sup>ii</sup>, users can easily share recorded video or live stream remotely from a compatible Android or iOS device that allows the user to control certain camera functions like record and zooming. The optional Camera Pan Table CT-V1 base accessory can be attached to the bottom of both the VIXIA HF R62 camcorder and VIXIA HF R60 camcorder, allowing the products to act as baby monitors or security cameras. While using the Canon CameraAccess Plus app and Pan Table base together, users can rotate the camcorder left to right up to 200 degrees. The Pan Table can also be manually adjusted up or down for a tilt up to ± 20 degrees.</div>
<p>With the free Canon Movie Uploader app<sup>iii</sup>, sharing videos with family and friends is easy. Available on the iOS platform, this app allows users to send video directly to a compatible smartphone or tablet for online sharing. For Android devices, the free Remote Browse<sup>iii</sup> app allows users to preview or download files to a compatible smartphone, tablet, or PC when using a web browser. Once both devices are wirelessly connected, users can download or instantly playback their videos without the need for an application or other software.</p>
<p><img class="alignnone size-medium wp-image-18247" src="http://www.canonrumors.com/wp-content/uploads/2015/01/81rpKofEKLL._SL1500_-575x432.jpg" alt="81rpKofEKLL._SL1500_" width="575" height="432" /></p>
<div><b>Advanced Features

</b>The Framing Assist function featured on all three models provide users with the ability to readjust the zoom magnification to reacquire the subject after losing sight of it at extreme magnification – a useful tool for those recording a child’s activities such as a football game or piano recital. All three models also have a three-inch capacitive touch panel LCD that allows users to quickly switch between settings without impacting their ability to capture their desired images and video. Slow and fast motion recording is a fun feature that gives videos a professional look. Fast motion can be shot at up to 1,200x and slow motion down to 1/2x. In addition, the File Lock Function on all three models helps safeguard against mistakenly deleting files from the camcorder.</div>
<p>For more creative videos, these camcorders allow users to customize their video by selecting from seven Cinema Look filter effects which can be applied during or after filming. Additionally, while in Audio Scene Select mode, users can select from eight predetermined audio modes that adjust and optimize audio settings based on the shooting conditions. The built-in microphone/headphone terminal provides users with the flexibility to record using an auxiliary microphone or listen to what they’re recording with headphones.</p>
<p>The VIXIA HF R-series camcorders also feature a longer battery life than previous models, providing users with more than one hour of recording time on a full battery charge. The VIXIA HF R62 camcorder utilizes the high capacity B-727 battery pack, providing the longest VIXIA R series battery life, up to 180 minutes. The VIXIA HF R60 and VIXIA HF R600 both utilize the high capacity B-718 battery pack which records up-to-120 minutes of shooting time.</p>
<p><img class="alignnone size-medium wp-image-18248" src="http://www.canonrumors.com/wp-content/uploads/2015/01/81RYNds82BL._SL1500_-575x432.jpg" alt="81RYNds82BL._SL1500_" width="575" height="432" /></p>
<div><b>Pricing and Availability

</b>The VIXIA HF R62, VIXIA HF R60, and VIXIA HF R600 camcorders will be available in March 2015 for estimated retail prices of $449.99, $399.99, and $299.99, respectively.</div>

Five New PowerShot Digital Cameras From Canon U.S.A. Offer Functionality, Portability And Precision

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<p><i>Three New PowerShot SX Series Digital Cameras Feature Super-Zoom Lenses for High-Impact Imaging and Two New PowerShot ELPH Series Digital Cameras Offer Easy-to-Use Features in Sleek, Compact Bodies</i></p>
<p><b>MELVILLE, N.Y., January 5, 2015</b> – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the addition of three new super-zoom cameras to its PowerShot SX line up: the PowerShot SX530 HS, the PowerShot SX710 HS and the PowerShot SX610 HS digital cameras. The company also added two new stylish and compact cameras to its PowerShot ELPH series: the PowerShot ELPH 170 IS and PowerShot ELPH 160 cameras. The PowerShot SX models provide users with high-quality imaging, advanced features and fast focusing, while the PowerShot ELPH models have improved operability to help produce beautiful images and video housed within stylish, slim bodies that can easily fit in a pocket or purse.</p>
<p>“As our customers’ desire for superb imaging devices to help them create amazing images and video grows, Canon U.S.A. is dedicated to providing digital cameras that have the features and functions to easily capture their most important moments,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “With these five new PowerShot digital cameras, Canon hopes that users will capture and share their favorite moments, without compromising image quality.”</p>
<p>The three new PowerShot SX series cameras (the PowerShot SX530 HS, the PowerShot SX710 HS and the PowerShot SX610 HS) feature optical zoom ranges of 50x, 30x and 18x, respectively – making them powerful enough to capture images close-up as well as from a distance. The built-in Wi-Fi<sup>®</sup> and NFC<sup>™</sup> connectivity options in the new PowerShot SX cameras allow users to easily share beautiful images online with family and friends by connecting to a compatible smartphone<sup>i</sup>, tablet or Wi-Fi enabled computer. Experiencing the power of a printed image is also easy when users connect and print to a Canon wireless PictBridge certified printer, like the Canon PIXMA MG7520. And for even more convenience, the cameras are compatible with the new Canon Connect Station CS100 – a dedicated device for easy and safe image and video viewing, sharing and storage.</p>
<p>The new PowerShot ELPH 170 IS and PowerShot ELPH 160 digital cameras are easy to take along almost anywhere. Providing users with great imaging quality, the new PowerShot ELPH cameras feature 12x and 8x Optical Zoom lenses, respectively, and 720p HD video – making them perfect for busy parents or an on-the-go college student.</p>
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<div><b><img class="alignnone size-medium wp-image-18228" src="http://www.canonrumors.com/wp-content/uploads/2015/01/sx530HS-575x431.jpg" alt="sx530HS" width="575" height="431" />

The PowerShot SX530 HS

</b>The PowerShot SX530 HS digital camera builds on the features included in the PowerShot SX520 HS digital camera. With a 50x Optical Zoom lens (equivalent to 24-1200mm) and Canon’s Optical Image Stabilization, the camera is ideal for those with active lifestyles who want to take high-quality close-up shots of their travel adventures or weekend getaways. And with Wi-Fi and NFC capabilities, users can easily share and print their special images wirelessly. In addition to featuring a powerful optical zoom range and wireless options, the SX530 HS digital camera combines a16 Megapixel<sup>ii</sup>High-Sensitivity CMOS sensor and Canon’s DIGIC 4+ Image Processor to create the Canon HS System allowing for excellent low-light performance.</div>
<p>Giving users the ability to capture life in motion, the camera features a dedicated movie button so users can easily record 1080p Full HD video utilizing the camera’s full 50x Optical Zoom capability. In addition, Intelligent IS enables the camera to automatically choose the best settings to help optimize image stabilization for virtually shake-free images and video in various shooting conditions. The camera’s high-speed AF allows users to autofocus quickly to help capture every shot with ease. The PowerShot SX530 HS digital camera’s advanced Zoom Framing Assist feature intelligently controls the lens, making it easy to identify the main subject of the shot, even when the subject is moving.</p>
<p>The PowerShot SX530 HS also features Canon’s Creative Shot mode, Smart AUTO technology and Hybrid AUTO. The PowerShot SX530 HS digital camera is scheduled to be available in February 2015 for an estimated retail price of $429.99.</p>
<div><b><img class="alignnone size-medium wp-image-18229" src="http://www.canonrumors.com/wp-content/uploads/2015/01/SX710HS-575x431.jpg" alt="SX710HS" width="575" height="431" />

The PowerShot SX710 HS

</b>Based on the successful PowerShot SX700 HS model, the PowerShot SX710 HS digital camera features Wi-Fi and NFC connectivity with an impressive 30x Optical Zoom lens (equivalent to 25-750mm). The 20.3-Megapixel<sup>ii</sup> High-Sensitivity CMOS sensor and Canon’s DIGIC 6 Image Processor work together to create the Canon HS System allowing for excellent low-light performance. In addition, the camera’s Intelligent IS helps optimize image stabilization in a variety of shooting conditions whether shooting stills or video.</div>
<p>Zoom Framing Assist helps make it easier to keep distant subjects in the field of view, even if the subject is in motion. The camera also records high-quality 1080p Full HD video at up to 60 frames per second through a dedicated movie button. Hybrid AUTO automatically recognizes the scene and optimizes camera settings to capture the high image quality for still photos while simultaneously creating a great looking highlight reel in 720p HD video.</p>
<p>The PowerShot SX710 HS digital camera also features Creative Shot mode and Short Clip mode for artistic and creative photos and videos. Using Story Highlights mode, the camera creates a highlight reel of selected images using a range of optional special effects such as Fast Motion and Slow Speed, creating a unique imaging experience perfect for sharing with family and friends. The images can be selected automatically based on events, date, Face ID, or the selection can be customized based on photos hand-picked by the user. The result is an exciting highlight reel that can be accompanied by music options provided with the camera, without the use of external editing software.</p>
<p>The PowerShot SX710 HS digital camera is scheduled to be available in February 2015 for an estimated retail price of $349.99.</p>
<div><b><img class="alignnone size-medium wp-image-18230" src="http://www.canonrumors.com/wp-content/uploads/2015/01/SX610HS-575x431.jpg" alt="SX610HS" width="575" height="431" />

The PowerShot SX610 HS

</b>The PowerShot SX610 HS digital camera features Wi-Fi and NFC connectivity options as well as an impressive long-zoom range in a compact point-and-shoot body. The Power Shot SX610 HS camera’s powerful 18x Optical Zoom lens (equivalent to 25-450mm) provides users with high-quality optics in a pocket-sized camera body. The PowerShot SX610 HS camera combines a 20.2-Megapixel<sup>ii</sup> CMOS sensor and Canon’s DIGIC 4+ Image Processor to create the Canon HS System allowing for excellent low-light performance. With Auto Zoom mode enabled, the camera will automatically frame the subject of a shot by zooming in and out to produce a crisp, clear image with pin-sharp focus.</div>
<p>The PowerShot SX610 HS digital camera is scheduled to be available in February 2015 in red, white or black for an estimated retail price of $249.99.</p>
<div><b><img class="alignnone size-medium wp-image-18231" src="http://www.canonrumors.com/wp-content/uploads/2015/01/170IS-575x431.jpg" alt="170IS" width="575" height="431" />

The PowerShot ELPH 170 IS and PowerShot ELPH 160

</b>The PowerShot ELPH 170 IS digital camera is slim and stylish boasting a 12x Optical Zoom lens (equivalent to 25-300mm) and 20-Megapixel<sup>ii</sup> CCD sensor, enabling users to take photos and video that deliver a powerful and share-worthy story. With Intelligent IS, users have the ability to capture images that are virtually shake-free in a variety of shooting situations. The PowerShot ELPH 170 IS digital camera also captures crisp, smooth 720p HD video footage quickly and simply by pressing the dedicated movie button.</div>
<p>With Smart AUTO mode, the camera automatically chooses the optimal settings to help ensure the best possible image is taken, and with creative effects like Fisheye, Toy Camera and Monochrome users can take images to a new artistic level. For those who are constantly on the move, the camera is outfitted with ECO mode to help extend battery life allowing more photos to be taken over a longer period of time.</p>
<p>The PowerShot ELPH 160 digital camera also delivers high-quality imaging capabilities with a powerful 8x Optical Zoom lens (equivalent to 28-224mm) and 20-Megapixel<sup>ii</sup> CCD sensor. Like the PowerShot ELPH 170 IS, the PowerShot ELPH 160 digital camera features smooth 720p HD video capabilities with a dedicated movie button, Smart AUTO mode and ECO mode to preserve battery life.</p>
<p>The PowerShot ELPH 170 IS digital camera is scheduled to be available in February for an estimated retail price of $149.99 in a variety of colors – blue, silver and black.</p>
<p>The PowerShot ELPH 160 digital camera is also scheduled to be available in February for an estimated retail price of $119.99 in four colors – black, white, silver and red.</p>

24mm - Digital Photography's magical focal length?

Like the majority of us on this site, I tend to read something about photography on a daily basis and I try to absorb as much as possible.

One of the things that I've noted, is the popularity of the 24mm focal length.

It certainly is a focal length that is present in many different lenses and as I'm typing here, I can think of at least 8 lenses that have 24mm in it's range.

I have one lens which incorporates this focal length and that is my 24-70 mkii.

But I have a confession to make, I can't 'see' photography in 24mm and I think I'm losing out on what may be the most versatile focal length in digital photography. In fact, I would ask, is 24mm to digital photography what 35mm was to film?

What I mean by 'see' is that when I'm shooting with my 100mm macro or 400mm, I can envision what I want to capture and snap the shot.
I think a big reason for this is that I know what appeals to macro photography and bird/wildlife photography so I kinda have a feel for the 'psychology' of these focal lengths.

I am however stumped as to what I can do with the 24mm focal length.

Is it best as a people lens? What does it bring for landscapes? What other genres benefits from shooting at 24mm?

This may be somewhat of an odd question and I can imagine many wouldn't find this topic interesting but I fear I bought the 24-70 in a question to own the holy trinity but I never envisioned what to do with the lens.

I'm looking for that EUREKA moment where I get what this lens and specifically 24mm is about and will know instinctively to use this lens in a specific scenario.

Once again, I understand if this thread only returns a few replies (actually I'm hoping for just one :D) but I'm looking to explore different aspects of photography this year as opposed to being fixated on gear talk and tech babble.

What do you guys 'see' when you reach for your 24mm? What do you expect from the final image?

LuLa dudes really like the XT1 - and why shouldn't they?..

I'm not really surprised that they do.
I like shooting with my XT1 and the images OOC can be ready-to-go in many instances. When not, the raw files are very malleable and the stabilized lenses are very good indeed.
With the grip carrying an extra battery I can also do quite a bit of shooting in a day.

This review is for the mirrorless skeptics, the EVF skeptics, and the SLR die-hards.
As Kevin Raber states, it's all about the end result. And, spoiler-alert, he's quite pleased with it.
I have to concur, I often find myself just grabbing a tiny bag with 3 Fuji bodies with lenses and I'm good to go on pretty much any of my subjects. The full-frames and even my crop DSLRs are left on the shelf more and more.

www.luminous-landscape.com/essays/cameras/living_with_the_fuji_x_t1.shtml

Yongnuo 35mm f/2 Canon Clone on the Way

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<p>Yongnuo is continuing in their quest to make (clone) older Canon lenses and sell them for less. This 35mm f/2 has the same optical formula as Canon’s old 35mm f/2 non USM lens. Although the outside of the lens seems to resemble their 50mm f/1.8.</p>
<p><strong>First Chinese Made Wide-angle Fixed Auto Focus Lens YONGNUO YN 35mm F2  </strong></p>
<ul>
<li>The closest focusing distance up to 0.25 meter,when under close-up shooting,it is available to get the unique sense of depth of the wide-angle lens.</li>
<li>F2 large aperture,virtual background,which makes photography with more fun.</li>
<li>Support auto focus (AF) and manual focus (MF) mode.</li>
<li>The aperture blades up to 7 pieces,which allows you able to shoot the near-circular diffuse plaques,appropriately narrow the apertures can shoot the 14 astral effect.</li>
<li>Adopts chrome high precision metal bayonet,which effectively improve the goodness to fit the camera body and the bayonet strength, wear and corrosion resistance for durable use.</li>
<li>Full line of the products are glass lenses.</li>
<li>Supports full-frame and APS-C format cameras,supports M/AV/TV/P and other camera shooting modes,and can be displayed the aperture data in the EXIF Information.</li>
<li>Multi-coated lenses,effectively improve the transmittance and suppress the ghosting and flare when in backlit shooting .</li>
<li>Adopts gold plating for the metal contacts,effectively improve the signal conductivity and corrosion resistance.</li>
</ul>
<p>More pictures of the lens after the break…</p>
<p><!--more--></p>
<p><img class="alignnone size-medium wp-image-18219" src="http://www.canonrumors.com/wp-content/uploads/2015/01/yongnuo35_4-575x575.jpg" alt="yongnuo35_4" width="575" height="575" /></p>
<p><img class="alignnone size-medium wp-image-18220" src="http://www.canonrumors.com/wp-content/uploads/2015/01/yongnuo35_3-575x575.jpg" alt="yongnuo35_3" width="575" height="575" /></p>
<p><img class="alignnone size-medium wp-image-18221" src="http://www.canonrumors.com/wp-content/uploads/2015/01/yongnuo35_2-575x575.jpg" alt="yongnuo35_2" width="575" height="575" /></p>
<p><img class="alignnone size-medium wp-image-18222" src="http://www.canonrumors.com/wp-content/uploads/2015/01/yongnuo35_1.jpeg" alt="yongnuo35_1" width="550" height="550" /></p>
<p>Source: [<a href="http://www.hkyongnuo.com/e-detaily.php?ID=359" target="_blank">Yongnuo</a>] via [<a href="http://photorumors.com/2015/01/03/yongnuo-is-coming-with-a-35mm-f2-clone-lens-for-canon-dslr-cameras/" target="_blank">PR</a>]</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

HOW TO SHOOT THE BIG CANON ( CANNON)

Well, Dear Friends.
May be I load these Photos in the wrong Topic, Because I miss spell CANON from CANNON---Ha, Ha, Ha.
Well, BTW, I use my dear canon 5D MK II with Canon EF 600 mm with Monopod---Forgive me---Please.
Enjoy.
Have a happy new year 2015.
Surapon
Yes, In this Battle of Bentonville, North Carolina, USA. The lost of our Brave men---This Battlefield of American Civil War = from March 19, to March 21, 1865, General Joseph Jonston's Troup Launched Their Last offensive attack on the federals, = 80,000 Heros were dead, , and 60,000 of this heros were Union soldiers ( infor. from, Mr.Jerry Devine, The NC. chapter of Sons of Union Veterans).

http://www.newsobserver.com/2012/03/04/1899760_civil-war-history-near-goldsboro.html?rh=1

PS, Here are the Link that have more Photos

share.shutterfly.com/action/welcome?sid=0AZM2bNq1cuWjTAA

share.shutterfly.com/action/welcome?sid=0AZM2bNq1cuWjTIg

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Yellow bands - why so easy to encounter in video rather than still shots?

Just out of curiosity, why is it that when under flourescent lights, it's so easy to encounter yellow bands from the lower frequency of the light vs the shutter speed - yet in still photo mode, I encounter it much more rarely?

I was just tinkering with this question and shot a burst of photos under flourescent lighting. Of over 20, only 3 had any visible band, even though the shutter speed was very high.

Any idea on new 45 a and 90TSE

On July 11, of 2013, the Forum admin posted that updated 45 and 90mm tilt-shifts were likely in 2014 based on his source(s).

Has anyone heard ANYTHING about these updates? I am so wanting a 45 TSE updated and constructed like the my 24-TSE M2.

(There had been a post in CR late fall'of 2013 suggesting a 45Mk2 TSE was likely due by late spring of 2014. When no word of this lens surfaced by summer, I hoped it would unveil at Photokina. But no such luck.)

Thanks for any insights.

If you could only use one lens for landscape photography, which one and why?

Hi guys

For all you out there doing landscape photography; I'm very interested in hearing about what would be your choice if you could only use one lens for shooting landscapes. Whether it would be a super wide angle, telephoto, something in between, zoom, prime, or maybe a specialty lens such as a tilt shift or macro?

(One other point that is beneficial to note is what sensor size you would use that with; full frame, 1.3x crop, 1.6x crop.)

And to try to avoid this being just another thread where various people list all the lenses in Canon's lineup, I would be very interested in why you would choose that particular lens for your needs.

Hope this is not another dreadful repetition. I couldn't find anything like this in regards to landscape photography.

- Alex

7D Mii - Custom Settings Bug

I have found a software bug in the 7DII and I just want others to know about it, if they happen to stumble into it and not understand what is going on.

Background: In late Nov I finally got a change to shoot some basketball and in the first game I got back home and the WB in every other picture was off. Way off. Yellow, normal, yellow, normal etc.. I brought it up a few places and most pointed to flicker or setting the WB with an expo disk with a high shutter speed. None of this rang true with me, so I kept plodding on. The WB was not messed up all the time.
With the 7D I had only shot RAW, but with the 7DMii I wanted to get more comfortable with jpeg, so I was making several adjustments to the picture styles, and on another occasion I noticed that my jpeg info would change every other picture. (+1 to -1 Saturation for every other picture.)

I finally had enough and over the holidays spent a day tracking down what would cause it happen and what did not.

The bug is in Custom Modes while using User Def Picture Styles or Custom White Balances settings.
If any changes are made to those settings and re-registered or auto updated, the settings will alternate between the old and new settings with each picture - after a sleep cycle.

Basic Setup:

M or Av mode - Pick an accurate exposure

Auto Power Off - 1 Min

JPEG

User Def Picture Style (I set User Def. 1 to Faithful and left all other detail default)

Register those settings in a Custom Shooting Mode (C1)

Set the Dial to C1

Change the User Def Picture Style details to Monochrome

Re-Register the Custom Mode you were using. (C1)

Allow the camera to Sleep Cycle

Wake up the camera and fire off a burst.

For me ever other pic is in Monochrome

I am able to duplicate for any User Def Picture style setting detail and Custom WB as well.

All other settings do not seem to matter.

New Firmware Coming for EOS 5D Mark III

HTML:
<p>Over on the <a href="http://www.magiclantern.fm/forum/index.php?topic=14229" target="_blank">Magic Lantern forum</a> a user was trying to install the latest version of the third party software, but was unable to. Their camera has firmware 1.3.3, while Canon has only made version 1.2.3 available on their site. There is no word on what features or fixes have been made available in Canon’s official firmware version 1.3.3.</p>
<p><em>“Few weeks ago I bought a 5D M III. Today I tried to install Magic Latern, but I failed. The firmware version of my camera is 1.3.3, and there was no ML installation file for this version. Then I visited Cannon’s website to download firmware 1.2.3. I tried to install 1.2.3, but my camera said ‘Firmware older than Ver. 1.3.0 is on memory card. Delete old file and update using later version.’. One thing I was surprised about is that there is no firmware 1.3.3 on Cannon’s webpage. It is very strange that my camera is running 1.3.3 firmware.”</em></p>
<p>Source: [<a href="http://www.magiclantern.fm/forum/index.php?topic=14229" target="_blank">Magic Lantern</a>]</p>
<p><em>Image Credit // <a href="https://translate.google.co.uk/translate?hl=en&sl=zh-CN&tl=en&u=http%3A%2F%2Fforum.xitek.com%2Fthread-1401348-1-1-1.html" target="_blank">Xitek Forum</a></em></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

samyang 12mm / 16mm experiences. Ef-m generally.

Hi folks,

I'm looking for feedback from anybody WHO HAS ACTUALLY OWNED AND USED SPECIFICALLY. the Samyang 12mm f2.0 mirrorless or 16mm f2.0 APS-C lenses.

I know theres a lot of samyang bashing generally because some folk can only use af, I'm not talking to those people.

I'm talking to the other people who have got over that. I already use their 85 and 35's. I'm happy with iq, happy with manual iris, happy with stop down metering, happy with mf..

I want to hear from folk who are on that page, but have specific feedback good or bad about the 12mm f2 or 16mm f2.


On a more general subject (the slack-jawed belly rumblers may chip in here with something they read or even came up with themselves - it's a more conceptual question, so ill informed hypothesis is as welcome as any other...) do you think it is a waste of time buying ef-m lenses for the long ball game?

Here's my dilemma..

I shoot mainly video.

I am very happy to shoot on aps-c and have no issue buying dc dx ef-s etc lenses from canon or anybody else, as I'm not going full frame.

I have a 7d / 60d combo and 2x Ms.

I want a third manual lens, wide angle this time, for video work, especially timelapse, where the manual iris is a gift.
I do a lot of timelapse.

If I get the ef-m mount 12 then I can only ever use it on an m. Fine just now. But what about in 2 years when I'm being asked for 4k video?

If I get the 16 then I can use it on the m or on a 7d x0d class or rebel or cx00 class... but it's maybe just not as wide as I would wish after the 1.6x crop..

I already have the tokina 11-16 which I love for video, but I hate for timelapse (as I hate all the electronic aperture lenses that I sometimes forget to stop down and decouple) but then how viable is the M for timelapse anyway, no remote port, no internal intervalometer... and the extra stop would make a significan't difference for astro, big jump between iso 1600 and 3200...

So I guess the proposition is, getting a more vanilla 16mm that works with everything today and most probably tomorrow (including the duffer x0d bodies I buy cheap for knackering with timelapse) or get the more exciting 12mm which might never be any use for any other camera than one of the m's (or a third I may dedicate to ml timelapse) m's are so cheap just now, but will that be the case in 3 years? will they even be around in 3 years?

So, informed opinion on the first bit please, musings from anybody on the second point, if you will...

Gotta be patient...

Getting by with a crop sensor while I save up for full frame reminds me of a similar situation many years ago in my other "shooting" hobby...

My first pistol was a very capable 9mm, but after shooting a .45ACP for the first time, I was hooked. It took some time, but as soon as I had saved enough, I made the move. I still have the 9mm, and it has its uses, especially as a respectable backup, but the .45ACP gets the nod most of the time.

Anybody else have a similar experience? Maybe another hobby to relate it to?

PS: If 9mm is crop and .45ACP is full frame, what does that make .40S&W? APS-H? ;D For some, just the right balance of performance and capacity...

PPS: Having G.A.S with either of these hobbies alone is miserable enough, but both at the same time is driving me mad...

Patent: Plastic/Resin Mount for DSLRs

HTML:
<p>A patent showing a metal & plastic resin mount for DSLRs is available to view. The plastic part of the mount seems to be for a much smoother mounting and dismounting of lenses. There could also be some weight and cost savings for lower priced cameras like the EOS Rebel line.</p>
<p><strong>Patent Publication No. 2014-240858 (Google Translated)</strong></p>
<ul>
<li>Published 2014.12.25</li>
<li>Filing date 2013.6.11</li>
</ul>
<p><strong>Canon patent</strong></p>
<ul>
<li>Of bayonet mechanism mount</li>
<li>Mounting an inner peripheral portion of the body has a concave rail surfaces of metal</li>
<li>Mount the outer periphery of having a rail surface of the convex shape in the resin</li>
<li>That resin rail than the metal rail, I have a narrow width and high height</li>
</ul>
<p>Source: [<a href="http://egami.blog.so-net.ne.jp/2015-01-03" target="_blank">EG</a>]</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

New PowerShot(s) for CES Next Week [CR1]

HTML:
<p class="p1">With CES in Las Vegas starting next week, expect a few PowerShot cameras from Canon. Below is a specification list we were sent for a high end compact camera. We were told this will be the PowerShot G17, though it could be the previously rumoured large zoom compact that goes with the G1 X Mark II and the G7 X.</p>
<p class="p1"><strong>Specifications</strong></p>
<ul>
<li class="p1">1″ Sensor</li>
<li class="p1">24-200 f/1.4-2.0 IS Lens</li>
<li class="p1">All magnesium body</li>
<li class="p1">Bright 1.3mp 3.2″ LCD</li>
<li class="p1">GPS</li>
<li class="p1">Wifi</li>
</ul>
<p class="p1"><strong><span style="color: #ff0000;">c</span>r</strong></p>

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