• The Canon Rumors Forum has officially been shut down as of July 10, 2026.

    All data will be deleted on September 16, 2026.

    the ad free experience will return by July 17, 2026.

  • Locked
Sad Day...the 1V is no longer worth anything to CPS

I love my 1V-HS, lot's of great memories. I paid full price for it in 2001...back then dropping over two grand on a body very much out of the ordinary. Well anyway, fast forward to today. I was re-upping my CPS membership and I noticed the 1V/1V-HS no longer are worth anything (it had been worth a point). I guess canon really is done support film :(

Anyway Amazon still has stock of new ones...sadly they sell new for about ten times the rices of used on EBay.

  • Locked
canon 16-35ii or sigma 12-24 ii

I'm after a wide angle lens for FF 5d3.

I already have canon 24mm 1.4 so I'm not to concerned with low light shooting at wide apertures.

I'm after it to use pretty much at the wide end, although decent performance performance at the long end wouldn't be go unmixed.

Want to use for it landscapes, environ portraits and close up wacky wide abstracts.

ANyone done a comparison of the two lesnes? is there much difference between 12 and 16mm? is the canon worth the extra £ in terms of IQ?

  • Locked
Macro photography: lens+flash+diffuser?

Hi all!

I'm looking for a macro lens for my Canon 7D, after some research I've narrowed it down to these two:

-Canon 100mm f/2.8L Macro IS USM
-Canon 180mm f/3.5L Macro USM

I'm leaning towards the 100mm for a variety of reasons: IS, f/2.8, can be used for other purposes, newer and cheaper. The 180mm on the other hand is considered the "ultimate macro lens" (from what I read), because thanks to its extra reach it flattens the subject more (but it's old and pending an update).

Which one do you guys suggest?

I'm also going to purchase a flash, would the Canon Speedlite 600 EX-RT be a good choice? Which diffuser do you suggest?

Thanks for the advices!

  • Locked
Chipworks report says Canon and Nikon trade sensor fill-rate for video features

"Canon and Nikon released the 1D X and D4 FF DSLRs, respectively, both of which sacrificed fill factor to add transistors serving as floating diffusion (FD) node switches. These switches add the flexibility to perform charge-domain binning for video modes."

I'm not trying to restart the flameware against video in our cameras, but I do want to say that I am very disappointed that two flagship stills cameras are sacrificing stills performance for video.

http://www.chipworks.com/components/com_wordpress/wp/wp-content/uploads/2013/08/Fontaine_Innovative-Technology-Elements-for-Large-and-Small-Pixel-Imaging-Devices.pdf

  • Locked
I want to buy an 5D mk ii + 24-105 L IS kit over internet...

I was looking for a new camera for a while.
I have bought a canon 10-20 f3.5 and 70-200 F4 IS from B&H photo, but 5D mk ii is out of stock...
One of my friend is now in US. I want to buy it over internet and ship the kit to New Jersey.
I have checked canon us autorized dealers, but most of them don' t have it in stock.
I give an order to new york camera&video yesterday, but today they make a refund because it is out of stock :/

Could you plese help me to find a reliable dealer which has 5D mk ii + 24- 105 L kit?
Best regards,
Burak

  • Locked
Cheap sports camera

Hi guys,

I'm doing some sports photography. I love the 1Ds Mark2, which i possess, but 4 fps is way too little. So i'm looking for a replacement in sports photography. I like pro bodies, so i'm thinking about getting a used 1D Mark2 or a used 1Ds Mark2n. What do you think about that? I don't need high MPs, only a fast camera. Is it wasted money and i should go for the 7D? Or is it worth to give it a shot?

Thanks for your opinion

  • Locked
600ex as main lights

I have one 600ex and i am seriously considering getting another plus the st-e3. This would be used mainly for event photography and some portraits. Wedding parties etc. Are these bright enough to be used for the formal portraits and adding ambient light at a wedding? I feel like they are pretty powerful but every review i see they are using three on each light stand. I dont have 2500 to use on new speedlights.
I looking at getting stands and maybe using the gary fong for both since they are simple diffuser that works well. I know it wont be the same as having studio strobes but i also dont want to haul those around and have to set them up each time...
Any one have this type of setup?

  • Locked
How do I know what thread sizes are of my lens?

I've got:

- 50mm F1.8 Canon
- 18-55mm standard Canon lens
- 100mm Canon IS Macro lens

What are the thread sizes of these lenses?
Where is this documented? (I did a google search but couldn't find the answers - I didn't spend a lot of time searching though)
I recently purchased a macro light that I can use with my macro lens because it doesn't have the right size adapter

Thanks


Omar

  • Locked
Sigma to Introduce a 24mm f/1.4 DG HSM Art Lens Shortly? [CR1]

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/?p=14195"></g:plusone></div><div style="float: right; margin:0 0 70px 70px;"><a href="https://twitter.com/share" class="twitter-share-button" data-count="vertical" data-url="http://www.canonrumors.com/?p=14195">Tweet</a></div>
<p><strong>A new wide angle

</strong>We’re told that Sigma almost has a 24mm f/1.4 DG HSM Art lens ready.  An announcement could come this year or early next year. The build quality and performance will rival that of the <a href="http://www.bhphotovideo.com/c/product/898831-REG/Sigma_340_101_35mm_f_1_4_DG_HSM.html/bi/2466/kbid/3296" target="_blank">Sigma 35mm f/1.4 DG HSM</a> we’re told. The lens will be a little more expensive, but Sigma hopes to keep it under $1000 USD.</p>
<p>We were also told that Sigma is planning something “big” for Photokina 2014 a year from now. It was hinted that it could be new super telephoto lenses.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Locked
Tamron USA Introduces 3 Business Day Turnaround on Repairs

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/?p=14193"></g:plusone></div><div style="float: right; margin:0 0 70px 70px;"><a href="https://twitter.com/share" class="twitter-share-button" data-count="vertical" data-url="http://www.canonrumors.com/?p=14193">Tweet</a></div>
<p><strong>From Tamron USA</strong>

Expanded Tamron repair technician and customer service staff at Tamron USA’s Long Island Headquarters makes the dream a reality</p>
<p>August 14, 2013, Commack, N.Y.- Tamron USA announced that the company now offers 3-business day repair service turnaround for photographic lenses. This achievement works to alleviate customer concerns that when they send in a product for repair service, they may be left without that product for some time. Now, all lenses received in our system by noon EST are estimated the same day and moved onto the next stage. Lenses under warranty (Tamron USA offers a 6-year limited warranty on its photographic lenses) are repaired and shipped back to the customer within three business days. Out of warranty lenses are repaired and shipped back within three business days of the customer’s approval of the repair estimate.</p>
<p>“We are thrilled here at Tamron USA to supply our customers with a 3-business day turnaround time,” stated Pat Simonetti, Director Technical & Customer Service/Distribution. “With the support of our parent company, we were able to take the necessary action to build upon our staff and make this dream a reality. This accomplishment was and continues to be a real team endeavor. I truly appreciate the efforts from all of those involved in this project,” said Simonetti.</p>
<p><strong>The Background</strong>

Customers may anguish about sending a lens in for repair, expecting that they could be without their favorite or workhorse lens for some time. Tamron Co., Ltd. recognized this and challenged its subsidiaries to reach a standard 3-business day turnaround service to make customers feel more confident that, in the unlikely event their lens requires service, they would not be long without it. “By speeding up the repair turnaround time, we can alleviate our customers’ anxiety about repairs and thereby increase their satisfaction of and confidence in Tamron products,” stated Tak Inoue, President and CEO of Tamron USA. Tamron USA took dramatic steps over the past year to increase the number of repair technicians that work on photographic lenses as well as customer service staff. Internal systems were changed to accommodate the inspection of lenses received by noon of each day and route the lenses to the proper technician for expert repair. Repaired lenses are then given top priority in the distribution center to ensure the product is on its way back to the customer within the established guidelines.</p>
<p><strong><a href="http://www.bhphotovideo.com/c/search?Ntt=tamron+canon&N=0&InitialSearch=yes&sts=ma&Top+Nav-Search=/bi/2466/kbid/3296" target="_blank">Tamron at B&H Photo</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Locked
Canon Wins 3 EISA Awards

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/?p=14190"></g:plusone></div><div style="float: right; margin:0 0 70px 70px;"><a href="https://twitter.com/share" class="twitter-share-button" data-count="vertical" data-url="http://www.canonrumors.com/?p=14190">Tweet</a></div>
<p><strong>EISA 2013-2014 Photo Awards

</strong>The EISA awards for 2013-2014 have been announced and Canon won some awards.</p>
<p><strong>EUROPEAN PROFESSIONAL LENS 2013-2014

</strong><a href="http://www.bhphotovideo.com/c/product/973129-REG/canon_5176b002_ef_200_400mm_f_4l_is.html/bi/2466/kbid/3296" target="_blank">Canon EF 200-400mm F4L IS USM Extender 1.4x</a><strong></p>
<p>EUROPEAN SLR CAMERA 2013-2014

</strong><a href="http://www.bhphotovideo.com/c/product/945057-REG/canon_8575b001_eos_digital_rebel_sl1.html/bi/2466/kbid/3296" target="_blank">Canon EOS 100D/SL1</a><strong></p>
<p>EUROPEAN ADVANCED SLR CAMERA 2013-2014

</strong><a href="http://www.bhphotovideo.com/c/product/892349-REG/Canon_8035b002_EOS_6D_Digital_Camera.html/bi/2466/kbid/3296" target="_blank">Canon EOS 6D</a></p>
<p>As someone mentioned in our forums, it appears that “everyone is a winner”….. well, except for <a href="http://www.hasselblad-lunar.com/" target="_blank">Hasselblad</a>.</p>
<p><strong><a href="http://www.eisa.eu/awards/3/photo.html" target="_blank">See all the winners here</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Locked
New comparison chart @ dpreview

http://www.dpreview.com/articles/8599640731/panasonic-gx7-first-impressions-review/2

Well done. I hope they add those shots to all "good" cams they tested.

By the way: There is an old bank note in the lower part of the picture. It let me smile when I recognised, that this old bank note came from Austria in the mid of Europe. I wonder, how this came to the USA and jonied dpreview´s chart. ;-)

  • Locked
EISA Photo Awards 2013-2014

The EISA photo awards, http://www.eisa.eu/awards/3/photo.html, have now made public, Canon won three of the prices.


EUROPEAN PROFESSIONAL LENS 2013-2014
Canon EF 200-400mm F4L IS USM Extender 1.4x

EUROPEAN SLR CAMERA 2013-2014
Canon EOS 100D

EUROPEAN ADVANCED SLR CAMERA 2013-2014
Canon EOS 6D


EUROPEAN PHOTO SOFTWARE 2013-2014
DxO Optics Pro 8

EUROPEAN ADVANCED COMPACT CAMERA 2013-2014
Fujifilm X100S

EUROPEAN ACTION CAM 2013-2014
GoPro HERO3 Black Edition

EUROPEAN PHOTO-VIDEO ACCESSORY 2013-2014
Manfrotto MVH500AH

EUROPEAN CAMERA 2013-2014
Nikon D7100

EUROPEAN ADVANCED COMPACT SYSTEM CAMERA 2013-2014
Olympus PEN E-P5

EUROPEAN TRAVEL CAMERA 2013-2014
Olympus TOUGH TG-2

EUROPEAN PHOTO-VIDEO CAMERA 2013-2014
Panasonic LUMIX DMC-GH3

EUROPEAN COMPACT SYSTEM ZOOM LENS 2013-2014
Panasonic LUMIX G Vario 14-140 mm F3.5-5.6

EUROPEAN PHOTO INNOVATION 2013-2014
Samsung GALAXY NX

EUROPEAN COMPACT SYSTEM CAMERA 2013-2014
Samsung NX300

EUROPEAN ADVANCED CAMERA 2013-2014
Sony Alpha SLT-A99

EUROPEAN COMPACT CAMERA 2013-2014
Sony Cyber-shot DSC-HX50/HX50V

EUROPEAN ZOOM LENS 2013-2014
Tamron SP 70-200 mm F2.8 Di VC USD

EUROPEAN LENS 2013-2014
Tamron SP 90 mm F2.8 Di VC USD Macro 1:1

EUROPEAN COMPACT SYSTEM LENS 2013-2014
ZEISS Touit 2.8/12

  • Locked
TAMRON AIMING FOR 3 DAY SERVICE TURN-AROUND

Their latest lenses are IQ competitive with the best OEM and the performance/cost ratio is very good too.

I've never experienced tardy service from Canon Canada but if Tamron's trying to make 3 day turn-around service on their lenses that's gonna be a bit irksome to the likes of Canon and Nikon who will only expedite service for their paid-up pro members.

story found on I-R

www.imaging-resource.com/news/2013/08/14/tamron-puts-an-end-to-the-warranty-repair-blues-with-speedy-turnaround-pled

Has anyone else seen this announced anywhere?

  • Locked
5D3 for video-Need advice for shooting a pub crawl,evening, lrg. organized event

Hi Folks,

Ok, I need some advice.

I have this event I'm likely going to be doing video for. It is to set a world record for "the largest gathering of brides, in wedding dresses"...and then a pub crawl afterwards.

This is in Sept, starts at 4pm....goes through evening.

So, my main thought as the evening goes on....what do do about lights? and with me on foot for quite a bit of distance...I can't carry a ton of equipment by myself, and I'm likely to be a one man band here.

I have my manfroto monopod with fluid head...I'll be bringing that.

I have my sling bag...and figure I can carry my 70-200mm f/2.8.....my 17-40mm f/4. For ultrawides I'll maybe squeeze in for only a couple shots...my rokinon 14mm.

But I have no portable lights. Should I invest in some sort of small, portable LED lights?

I've not worked out any logistics....but mainly the record setting part is at one site about 4pm...once that is done, they all walk to various bars that are sponsoring this event, so, I'll need to follow along with them and shoot along the way.

This is in about a month and I just kinda found out I was volunteered for this, so, starting to sweat a bit early and try to figure out how best to try to pull this off.

I've got 2x batteries...I'll be buying at least a 3rd one, maybe 2 more. I need at least a couple more CF cards I'm thinking, I have about 4 x 32GB ones, along with a bunch of 32GB sd cards, but I don't trust those for video.

Thoughts, suggestions? I'm trying to see if I can get a friend to help me out a bit...but I'm planning now for it to just be me.


Thanks in advance!!!

Cayenne

  • Locked
6D logical upgrade from 7D?

Hello all, I'm considering an upgrade to the 6D and I've scoured the web for info on the body but can't find solid info on what concerns me: the outer AF points. Everyone raves about the center being more sensitive than apparently any other Canon body (or other manufacturers too apparently), but no one ever comments on the outer points or compares them to anything else. I've checked about a dozen youtube reviews, and read a couple threads on this site as well as a pair of other photography forums....no info on anything other than the center point.

A little bit of background info:
I've been a Nikon user since '05 when I got my D50, progressed through a variety of bodies (D100, 200, 300, 7000) before my D7000 for whatever reason started backfocusing horribly out of the blue. Had a high shutter count (~170k) and was already tired of the wonky AF in low light so I figured I'd sell it and wait until something else came along (have a NEX6 I used for fun in the meantime). D600 seemed perfect, except it shared the same AF system as the D7K, so I decided to switch over to Canon (I've long been a fan of the lens lineup). I'm currently using a 7D I got a month ago for what I think was a pretty good deal ($700 for body, grip, 2 batteries, and friend gave me her 70-200 f4), but I've known for a while that I've wanted to go full frame for the low light benefits and of course wider FOV. Whatever decision I plan to keep the 7D as a backup/inclement weather/location/beater body.

The 5DIII seems amazing, but a bit out of my price range...and if I were to save up as much I'd probably be tempted to go back to Nikon for the DR and resolution of the D800.

This leaves the 6D (or a 5DII, but from what I'm told and have read its AF outer points suck) so I'm wondering: while the center AF point is apparently amazing, can anyone compare the 6D to the 7D? I actually like the AF on the 7D, definite improvement over the Nikon D7K. I rarely ever use the center point, probably only 10% of the time at most. I tend to shoot in portrait orientation with the far right (outermost) point selected so that it lines up with the subjects eyes when in portrait. Does anyone have any insight as to the performance of these other points? Are they the same as the 5DII? Better? Same as the 7D? Better? Thanks for any insight!

  • Locked
Which lenses to buy for filming

Hey everyone. This is my second thread in this amazing forum. I am a newbie to the world of films and I just bought me a Canon 600D/T3i camera which came with 18-55mm lens which are pretty blind for filming. I asked people around here and they suggested to buy Tiffen 77mm Variable ND-Filter http://www.amazon.com/Tiffen-77VND-VARIABLE-FILTER-Camera/dp/B004Z55VP0/ref=sr_1_1?s=electronics&ie=UTF8&qid=1376463889&sr=1-1&keywords=Tiffen+77mm+Variable+ND-Filter is this it ?

Plus, what lenses do you guys recommend me to buy. My budget for the lenses is 100-150 USD. I will also buy an external microphone.

EDIT: My budget is 350 USD.

  • Locked
Yet another call for travel lens advice

Hi all
I have read good comments about the Tamron 24-70 and am wondering if anyone has any thoughts on the Tamron 28-300.

I have a 5D_III, Canon 16-35 II, 24-105 and 70-200L 2.8 IS.

I am leaving on a 6 week holiday in Nov from Perth Australia to Venice, then cruising the Med to Turkey & Miami via St Thomas and a few islands then 2 weeks in England.

I am interested in Landscape, old buildings inside & out anything else I see including hopefully the Duxford aircraft museum.

I am worried about the weight of the 24-105 and esp 70-200 so was thinking of just taking the 16-35 for wide angle and buying the Tamron 28-300 as a travelling lens. I have tried the Canon 28-300, great lens but heavy like the 70-200.

I would appreciate your thoughts and advice.

Michael

Filter

Forum statistics

Threads
37,480
Messages
975,426
Members
24,816
Latest member
GLBDD

Gallery statistics

Categories
1
Albums
29
Uploaded media
372
Embedded media
1
Comments
25
Disk usage
1 GB