• Locked
Review - Canon EF 50mm f/1.4

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/2013/09/review-canon-ef-50mm-f1-4/"></g:plusone></div><div style="float: right; margin:0 0 70px 70px;"><a href="https://twitter.com/share" class="twitter-share-button" data-count="vertical" data-url="http://www.canonrumors.com/2013/09/review-canon-ef-50mm-f1-4/">Tweet</a></div>
<p><strong>New review

</strong>Justin has completed his review of the old Canon EF 50mm f/1.4 USM. The lens is about 20 years old now, yet still finds its way into a lot of people’s camera bags.</p>
<p>It’s a good lens optically, the AF and reliability of the focus motor can be a bit of an issue. However, for a mere $400, it’s well worth the money.</p>
<p><strong><a href="http://www.canonrumors.com/reviews/review-canon-ef-50mm-f1-4/" target="_blank">Read the full review</a> | <a href="http://www.bhphotovideo.com/c/product/12140-USA/Canon_2515A003_50mm_f_1_4_USM_Autofocus.html/bi/2466/kbid/3296/kwid/justin" target="_blank">Canon EF 50 f/1.4 at B&H Photo</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Locked
70D @ Dpreview

Dpreview:

http://www.dpreview.com/news/2013/09/12/canon-eos-70d-review-gains-test-scene-samples?utm_campaign=internal-link&utm_source=mainmenu&utm_medium=text&ref=mainmenu


"We're working towards completing our review of the Canon EOS 70D and have been shooting our test scene with a production camera. We've published the test shots, including downloadable Raw files of both the daylight and low light scene. The EOS 70D review will also be one of the few chances to see our outgoing test scene and our new, more challenging, more informative scene alongside one another. Click through to see how it performs.

Now we have a production-standard EOS 70D we'll be forging ahead to get the review completed as soon as we can. In the meantime, here's a chance to see in close detail and in challenging lighting, how Canon's Dual AF Pixel sensor behaves."



For me, the D7100 is a little bit better in sharpness.
But interrestingly, the Fujifil X-Pro 1 has an quite better IQ at higher Isos in Raw. And the 5D III is superior.

  • Locked
Have a 7D, add a 6D or go for 5D Mkiii?

Hi there,

I've read lots of posts/reviews but still don't know what to do. I currently have a 7D for shooting airshows/wildlife which have been my main subjects for years. My current lenses are 70-200 f2.8 IS and 100-400L, Sigma 10-20, Canon 50 f1.8.

Recently i'm starting to get more into landscape photography, but the main change has come with the birth of my son, I love taking pics of him and the dog playing together. Would you sell the 7D and go for 5D mkiii or keep the 7D and get a 6D as an addition? I quite like the idea of setting up the 6D over wi-fi for remote wildlife pics and it's obvious landscape capabilities, but will the 6D be good enough on A/F for family photo's?

  • Locked
70-300mm IS due for update

I'm sure I'm not the only one with this opinion, but don't you think the 70-300mm IS is embarrassingly outdated, especially considering its Nikon equivalent?:

Canon 70-300mm IS USM Nikon AF-S 70-300mm VR
Focusing Design Front focus, extending, rotating, no FTM Internal focus, FTM
Focusing Motor Micro USM, noisy, slow Ring-type SWM, silent, fairly fast
Stabilization 3 stops 4 stops
Year 2005 2006
MSRP $650 US $590 US
Street Price $360 US eBay / $650 US B&H $420 US eBay / $587 B&H

One could say that Canon did upgrade it by releasing the 70-300mm L, but that is in a whole different price bracket, and shouldn't be compared. It would be like comparing the Canon vs. Nikon 28-300mm lenses; they are clearly in different classes. How has Canon not updated this lens in the past 7 years?

I must say, I miss the fast, quiet and accurate focusing my old 100-300mm USM and 70-210mm USM lenses had; and they were small and light, too. If either of those lenses had IS I would not have considered 'upgrading' to the 70-300mm. I wish Canon would up date this lens to be on par with Nikon and stay in the same price bracket.

I also find it funny that Canon announced this lens alongside the crowd-pleaser 24-105mm L.

By the way, I have used both, as I own the Canon and my dad owned the Nikon (on a D600). The Nikon wins hands-down in overall feel, responsiveness, build quality, etc.

  • Locked
Rare opportunity to get some nice L glass which would you pick

I have had some issues with my 5d and as a concession I can get some lenses I could use to fill my line up.

Here they are
24-105 $400
24-70 f4 is $400
100mm 2.8l $400
16-35 2.8 ii $800
85mm 1.2 ii $800
600ex $375
6d body $1100
5d3 $1500

all are canon refurbs. I only have $1650 to spend. I like portraits, travel and event photography. My current line up is in my sign. I was thinking 851.2, 24-70, 100mm but the 16-35 is tempting and the practical side says get the body but a new 6d is like $1700 so not much of a savings. Any suggestions?

  • Locked
Still haven't sent in my 1D X for the Product Advisory check/repair.

I have not sent my EOS-1D X to Canon yet for the Product Advisory check/repair. When I called Canon CPS, the Tech on the phone told me to wait to send it in, until I actually experienced problems? He made it sound like not all of the affected bodies will ever experience problems? I am curious how many others are waiting to see if they actuall experience problems with their cameras before sending them to Canon. Also, are there any more horror stories of shipping problems (poor packaging), repair problems (parts form someone else's body), or any other problems associated with the check/repair out there?

5D Mark III Firmware Update 1.2.1 Battery Fault

Hi, after I upgraded my 5D mkiii to 1.2.1 my camera does not recognise my batteries which are original canon batteries. I even bought new ones just to be sure. I am certain it happened straight after the update and can find no cure at the moment except canon asking me to return the camera to them for repair. I know the update is supposed to do this for 3rd party batteries but not original canon batteries.. Has anyone come across this ? Cheers....

  • Locked
Which would be better to rent to try for video on 5D3: 50L or 85L f/1.2??

I've got a video shoot coming up in about 2x weeks.

Some of the footage is going to be at night, in some bars here in the New Orleans area.

I was thinking that one of these fast lenses might be good to try out and use.

I've never tried either of them before for stills or video.

I was looking at lensrental come....4x day rental is comparable in rate between the two.

Since this is video primarily, I'll be doing manual focus.

But the shoot is only one day/night, and I'll be playing with it for stills too before I send it back, but I was wondering which might be best to try to video in a dark room and why?

Would the 85L be a little too long for small bars?

Since it is manual focus, I'd not have a problem with the 50L with any backfocus, right?

Also, is lensrental one of the good places to rent? Other suggestions?

This will be my first time to rent a lens.

Thanks in advance,

cayenne

  • Locked
A New Zoom Macro Coming? [CR1]

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/2013/09/a-new-zoom-macro-coming-cr1/"></g:plusone></div><div style="float: right; margin:0 0 70px 70px;"><a href="https://twitter.com/share" class="twitter-share-button" data-count="vertical" data-url="http://www.canonrumors.com/2013/09/a-new-zoom-macro-coming-cr1/">Tweet</a></div>
<p><strong>From the land of weird

</strong>I received an email today outlining a new macro lens that Canon has in the pipeline and could be released in the next year.</p>
<p>It will be a 1:1 zoom macro, with an aperture of f/4 and IS. No mention of the focal length for the lens. I’m reminded of the now discontinued Nikkor 70-170mm f/4.5-5.6D as a zoom 1:1 macro we’ve seen in the past. A replacement to the 180 f/3.5L perhaps?</p>
<p>A huge grain of salt with this one.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Locked
Review: Canon EOS 70D

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/?p=14347"></g:plusone></div><div style="float: right; margin:0 0 70px 70px;"><a href="https://twitter.com/share" class="twitter-share-button" data-count="vertical" data-url="http://www.canonrumors.com/?p=14347">Tweet</a></div>
<p><strong>From The Digital Picture

</strong>Bryan at The Digital Picture has completed his review of the very good Canon EOS 70D.</p>
<p><strong>Says Bryan about the EOS 70D

</strong><em>“In addition to a feature roll-up, the 70D gets brand new technology and becomes what is arguably now the best all-purpose Canon DSLR camera available without facing the much bigger price required to step up to the full frame models which currently start at $1,999.00 USD. The 70D’s reasonable price will have a big influence on its selection by many.”</em><strong>

</strong></p>
<p><a href="http://www.bhphotovideo.com/c/search?Ntt=eos+70D&N=0&InitialSearch=yes&sts=ma&Top+Nav-Search=/bi/2466/kbid/3296" target="_blank">Canon EOS 70D at B&H Photo</a> | <a href="http://www.the-digital-picture.com/Reviews/Canon-EOS-70D.aspx" target="_blank">Read the complete review</a></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Locked
So the 70-200 f2.8 IS-II zooms only to 180mm?

Yup, that is the question. Both, the EXIF of pictures taken at 200mm on the lens and later on doing AFMA, FoCal also recorded the 200mm setting on the lens to be 180mm. So what is the deal? Is it a 70-180mm lens? Or if I were to do the arithmetic on the 70mm side, it ends up being a 63-180mm lens. So what am I missing? I mean why does it report a 10% lower focal length?

  • Locked
Review: EOS M System

I have just completed a thorough review of the EOS M and a lot of its components:

http://www.dustinabbott.net/2013/09/canon-eos-m-review/

The review includes an examination of the EF - EF-M adapter and EF lenses on the M, the 90EX Speedlite, and the use of multiple adapters for Legacy Lenses like M42 and Konica mounts. The EF-M 22mm f/2 is only native lens included in the review at the moment, but I will be updating it later this week after the EF-M 18-55mm STM lens arrives.

  • Locked
Canon USA Changes the CPS Program

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/?p=14344"></g:plusone></div><div style="float: right; margin:0 0 70px 70px;"><a href="https://twitter.com/share" class="twitter-share-button" data-count="vertical" data-url="http://www.canonrumors.com/?p=14344">Tweet</a></div>
<p><strong>From Canon USA</strong>

The staff of CPS strives to provide imaging professionals like you with comprehensive service and support benefits. And we are always looking for opportunities to make the CPS program even better. After careful study and consideration, and with your valuable feedback, we are planning to roll out a number of enhancements and updates to the CPS program. The purpose of this email is to give you a summary of these enhancements and updates, which we anticipate will be effective for all members in two phases: the 4th quarter of 2013 and early 2014 with the introduction of a new CPS Cinema level. Details will be available on the CPS website as these enhancements and updates become available.</p>
<p><!--more--></p>
<p>The program updates and enhancements are as follows:</p>
<p>We are renaming the Clean & Check process to Canon Maintenance Service (CMS) and eliminating the paper voucher. The number of items that may be sent in for CMS is being increased for eligible CPS members. Platinum members will be able to send 10 eligible items and Gold members will be able to send 5 eligible items, during each membership year. The number of items sent in for CMS will be tracked by Canon internally.</p>
<p>Based on your feedback, we are shortening the period for each evaluation loan from two weeks to one week. This will also have the effect of increasing the total amount of equipment available for evaluation loans to eligible members.</p>
<p>In an effort to concentrate our efforts on our core professional members, we will no longer include the EOS 60D camera and future successor model cameras as qualifying equipment for any level. However, owners of such equipment will still be eligible to receive repair benefits covered by the program.</p>
<p>In early 2014, the Cinema EOS C100 camera and all Cinema Prime Lenses will be added as qualifying equipment to the CPS Gold and Platinum membership levels. And we are planning to launch a new CPS Cinema level tailored to owners of other Cinema EOS cameras and lenses.</p>
<p>In an effort to balance program benefits, we are adjusting the repair discounts from their current levels. Therefore, repair discounts are being changed to 30% for Platinum level members and 20% for Gold level members. Also, there will be a cap on the number of annual repairs to which the discount can be applied, Gold level members can receive the repair discount on a maximum of 10 eligible items and Platinum level members can receive the repair discount on a maximum of 15 eligible items.</p>
<p>The annual fee for Platinum membership will be reduced from $500 to $300. All current Platinum members will automatically receive a free six-month membership extension compliments of Canon (eligible members will be contacted with further details separately at a later date). The annual fee for the Gold membership level will remain at $100, and the Silver membership level will remain free to qualified professionals.</p>
<p>For organizations with large amounts of eligible Canon equipment and/or large photography staff, we are launching Enterprise CPS, which is designed to suit the needs of medium to large size organizations like newspapers, photo studios, rental houses, etc. In addition to some of the traditional CPS benefits, Enterprise CPS clients can receive benefits like on-site equipment maintenance, higher repair caps and streamlined billing. The details of this new program will be provided at a later date.</p>
<p>We have also increased our support of the professional imaging market in less direct, but significant ways. For example, you may have noticed that, during 2013, CPS increased the number of major sporting events, training workshops, and trade shows where on-site support is provided to eligible CPS members. These events are an important way for us to support and communicate with our members.</p>
<p>We recently opened two new service facilities, one in Hollywood, CA and another in Ridgefield Park, NJ just outside of New York City. These two new facilities are available to CPS Gold and Platinum level members (as well as our broadcast/cinema professionals). An advance reservation is required for all service and support requests handled by the Hollywood and Ridgefield Park facilities. CPS Gold and Platinum members requesting support should call the CPS hotline at 1 (888) CPS-4540 to make a reservation. And we are currently planning to open a third service facility that will support the Chicago market later this year. All with the goal of bringing Canon’s award-winning repair and maintenance services closer to our CPS members.</p>
<p>Although the CPS program is changing in some significant ways, some aspects of CPS member support are not going to change: our unwavering commitment to speed and quality, as well as acting on your repair and maintenance requests with repair turnaround times of two business days for Platinum members and three business days for Gold members, as more fully described in the program terms and conditions. Temporary loaners while products are in for repair will continue to be available per the terms and conditions of the various membership levels. And dedicated, priority support will still be available for CPS members via phone or email, 24 hours a day, 7 days a week.</p>
<p>These enhancements will be rolled out via e-mail communications to our members, detailing the specific changes by membership level, effective date and describing new programs like Enterprise CPS and CPS Cinema. Ensuring your smooth transition to these new benefits is very important so we want to hear from you if you have any questions.</p>
<p>We are honored to have the opportunity to help you achieve success in your imaging pursuits and to support your passion for image-making. Thank you again for trusting Canon with supporting your business.</p>

  • Locked
Elinchrom PolyStand versus Manfrotto 024B Black Light Boom

I need a good sturdy boom arm to support an Elinchrom RS600 monobloc head with 70cm softbox.
The Elinchrom PolyStand seems the obvious choice http://www.theflashcentre.com/polystand-i43.html?category_id=692 but I'm also considering the Manfrotto 024B Black Light Boom as a cheaper alternative http://www.wexphotographic.com/buy-manfrotto-024b-black-light-boom/p1540584

I'll be grateful for any feedback from anyone who owns and/or has used either of these products, or suggestions as to any viable alternatives.

  • Locked
Did I get a bad copy of the EF-S 17-55 f2.8?

I just received my “new” refurbished EF-S 17-55 f2.8 from Canon.
Really excited, until I began testing the lens and comparing it to my 18-55 kit lens.

The 17-55 is touted as being a great lens, please tell me if the one I got is merely lousy
or if this is typical.

I've done a bunch of boring tests, but here are some comparisons of the 17-55 compared to the kit lens at f5.6.

The 17-55 is sharper in the center.

The 17-55 has less CAs

The kit lens is sharper with less distortion on the edges at all focal lengths.

Is this a bad copy? If so I'll see if Canon will exchange it.
What is other people's experience?

Attachments

  • Lens comparison.jpg
    Lens comparison.jpg
    281.3 KB · Views: 486

  • Locked
New iPhone: Final Nail in the Coffin

I don't really get that excited about these sorts of things, but I thought it would be an interesting conversation starter, especially since there is ZERO going on with Canon products these days.

New iPhone:
10 frames per second; in-camera stabilization, white and amber flashes that can be balanced with ambient light, f2.2 lens, larger sensor, slow-motion video. (If I got the specs right)

Announcement was accompanied by a slide showing a DSLR and a boatload of equipment, apparently implying that instead of all that, you can use your iPhone and get the same shots.

Is this the final nail in the coffin for Powershots and other Point and Shoots? Should Canon and Nikon worry about their DSLR sales? Try to think outside your own personal prejudices and look at it objectively. What do you think?

  • Locked
Tamron 24-70 VC and 5d3

So...I've been wanting to buy the Tamron 24-70 f/2.8 VC for a while, but had other priorities. I've rented it for the couple of times I need a 2.8 standard zoom and it was fine, but I didn't really have time to use it extensively and of course there is copy-to-copy variation. But, I've been seeing some reports of the 5d3 outer AF points not working as well with the Tamron (vs Canon 24-70 v2), and have experienced myself that AF Servo sometimes doesn't track so well near the edge of the frame. That, however, was in crappy (and changing) lighting conditions inside where any camera (well, maybe not the 1DX) would struggle.

So, I'm probably going to be renting the Canon 24-70 v2 for next week for comparison, but I'm interested in hearing from those who own the Tamron and 5d3 to tell me about their experiences since there's currently a $100 MIR going on for it for Sept, which with my CC points back I can get for just under $1K. Less if I sell off my 2nd 24-105 which I might just do.

So has the outer AF points been a problem on the 5d3? Performance otherwise been good?

  • Locked
CPS Changes

I received the following via email just now:

Thank you for your continued Canon Professional Services membership, Canon loyalty and for trusting Canon products for use in your business.

The staff of CPS strives to provide imaging professionals like you with comprehensive service and support benefits. And we are always looking for opportunities to make the CPS program even better. After careful study and consideration, and with your valuable feedback, we are planning to roll out a number of enhancements and updates to the CPS program. The purpose of this email is to give you a summary of these enhancements and updates, which we anticipate will be effective for all members in two phases: the 4th quarter of 2013 and early 2014 with the introduction of a new CPS Cinema level. Details will be available on the CPS website as these enhancements and updates become available.

The program updates and enhancements are as follows:

We are renaming the Clean & Check process to Canon Maintenance Service (CMS) and eliminating the paper voucher. The number of items that may be sent in for CMS is being increased for eligible CPS members. Platinum members will be able to send 10 eligible items, and Gold members will be able to send 5 eligible items, during each membership year. The number of items sent in for CMS will be tracked by Canon internally.

Based on your feedback, we are shortening the period for each evaluation loan from two weeks to one week. This will also have the effect of increasing the total amount of equipment available for evaluation loans to eligible members.

In an effort to concentrate our efforts on our core professional members, we will no longer include the EOS 60D camera, and future successor model cameras, as qualifying equipment for any level. However, owners of such equipment will still be eligible to receive repair benefits covered by the program.

In early 2014, the Cinema EOS C100 camera and all Cinema Prime Lenses will be added as qualifying equipment to the CPS Gold and Platinum membership levels. And we are planning to launch a new CPS Cinema level tailored to owners of other Cinema EOS cameras and lenses.

In an effort to balance program benefits, we are adjusting the repair discounts from their current levels. Therefore, repair discounts are being changed to 30% for Platinum level members and 20% for Gold level members. Also, there will be a cap on the number of annual repairs to which the discount can be applied, Gold level members can receive the repair discount on a maximum of 10 eligible items and Platinum level members can receive the repair discount on a maximum of 15 eligible items.

The annual fee for Platinum membership will be reduced from $500 to $300. The annual fee for the Gold membership level will remain at $100, and the Silver membership level will remain free to qualified professionals.

For organizations with large amounts of eligible Canon equipment and/or large photography staff, we are launching Enterprise CPS, which is designed to suit the needs of medium to large size organizations like newspapers, photo studios, rental houses, etc. In addition to some of the traditional CPS benefits, Enterprise CPS clients can receive benefits like on-site equipment maintenance, higher repair caps and streamlined billing. The details of this new program will be provided at a later date.

We have also increased our support of the professional imaging market in less direct, but significant, ways. For example, you may have noticed that, during 2013, CPS increased the number of major sporting events, training workshops, and trade shows where on-site support is provided to eligible CPS members. These events are an important way for us to support and communicate with our members.

We recently opened two new service facilities, one in Hollywood, CA and another in Ridgefield Park, NJ just outside of New York City. These two new facilities are available to CPS Gold and Platinum level members (as well as our broadcast/cinema professionals). An advance reservation is required for all service and support requests handled by the Hollywood and Ridgefield Park facilities. CPS Gold and Platinum members requesting support should call the CPS hotline at 1 (888) CPS-4540 to make a reservation. And we are currently planning to open a third service facility that will support the Chicago market later this year. All with the goal of bringing Canon's award-winning repair and maintenance services closer to our CPS members.

Although the CPS program is changing in some significant ways, some aspects of CPS member support are not going to change: our unwavering commitment to speed and quality, as well as acting on your repair and maintenance requests with repair turnaround times of two business days for Platinum members and three business days for Gold members, as more fully described in the program terms and conditions. Temporary loaners while products are in for repair will continue to be available per the terms and conditions of the various membership levels. And dedicated, priority support will still be available for CPS members via phone or email, 24 hours a day, 7 days a week.

These enhancements will be rolled out via e-mail communications to our members, detailing the specific changes by membership level, effective date and describing new programs like Enterprise CPS and CPS Cinema. Ensuring your smooth transition to these new benefits is very important, so we want to hear from you if you have any questions.

We are honored to have the opportunity to help you achieve success in your imaging pursuits and to support your passion for image-making. Thank you again for trusting Canon with supporting your business.

Kind Regards,

The Canon Professional Services Team, Canon U.S.A., Inc.
cps.usa.canon.com

Attachments

  • cps.jpg
    cps.jpg
    39.5 KB · Views: 989

Filter

Forum statistics

Threads
37,435
Messages
973,438
Members
24,799
Latest member
EDCRotation

Gallery statistics

Categories
1
Albums
29
Uploaded media
372
Embedded media
1
Comments
25
Disk usage
1 GB