• The Canon Rumors Forum has officially been shut down as of July 10, 2026.

    All data will be deleted on September 16, 2026.

    the ad free experience will return by July 17, 2026.

  • Locked
Canon 50D vs 7D

I currently own

Canon 50D
Canon 70-300L is
Sigma 17-50 2.8
Canon 50 1.8
Canon 580 EX II

I am thinking of upgrading to a Canon 7D. Part of the reason is for the much better focusing system for action shots of wildlife.

I am also wondering if there will be any significant improvement in ISO performance from the 50D, or would a better option would be to invest in glass.

Thank you for any advice.

  • Locked
How to proceed?

I am very satisfied with my 60D, but I want to go full frame.

I want the (relative) best picture quality, and while my five lenses 15mm Fisheye, 24mm 1.4L, FD 55mm 1.2 converted to EF mount, 100L Macro and a 200 2.8L (with a 1.4 TC) can/could give me that quality, the 60D can't.

I am shooting a lot of people, as well as getting more and more into landscapes, I am discovering macro photography, doing a fair amount of street photography. Very rarely animals and where it's possible, architecture.

On my lens wishlist remains the 135mm 2L and probably also a Sigma 85mm 1.4. More forward in the future I would like to trade my old Canon Fisheye with the new one, get a TS-E 17mm, and if I feel I could need it, get the 70-200 2.8L II as well.

However, I make no money with my photography, so I have to think twice if I want to spend a bigger amount for a new camera. I was thinking a lot about getting the 5D Mark II used for 1500$, but I don't know if I would be satisfied with the camera. It's getting old and it's still expensive for my taste.

The 5D Mark III? Sure I could buy it, and I am sure I would love it, but 3300$ for a new camera? I don't know. For this I could get the two before mentioned wishlist lenses (~1600$) and as well trade the fisheye (~450$) and still have a spare 1300$ for, well, traveling ;-). The TS-E 17mm is only a option with a full frame camera. Although I would need higher ISO (a major thing I don't like about the 60D) for shooting f/4 with the 8-15mm Fisheye, as I prefer to shooting during the blue hour(s), and also at night. As well, what meaning has it to get a 8-15mm on a crop?

What did I forgot to mention? I like my gear light (but not all the time), sometimes just mounting one lens on the camera and use this combo all day/on a trip. If I feel like not carrying anything heavy with me, I take my Fuji X100 only.


Soo, If you read all above, you may think, WTF just go outside and shoot some pictures. That's what I am telling myself, and I know I thought a bit too much about my gear future, and anyway, my current path is to shoot the 60D to death and then I will have to get a new camera. 8)

But still, I am curious about your opinion! Am I in some dead end with my gear thoughts, and where is the way out? Or should I just get the 5DIII and enjoy my 5 prime lenses even more? What would you do? Thank you for your answer.


PS Some of you may think, this is a get a new camera or buy more lenses matter, but I would like to improve my photography on all levels, and currently I feel like my camera is the limiting factor (besides taking the time for photography at all).

  • Locked
Old Nikon Lenses with Adaptor

So I often hear people talk about using old Nikon lenses on a Canon with an adapter. I never actually see what lenses they use it with though and what they are comparable to performance wise of a current Canon lens. Is this one of those urban myths or can you actually get a nicer picture for less money going this way? I realize the limitations and so of course that has to be factored in but if we're just talking strictly image quality is this a good option?

  • Locked
Multiple Flashes During Wedding Ceremony

I currently shoot with a single 430 or 580 flash during wedding ceremony's. For the stuff closer up where I can bounce it up it's pretty decent but for longer distance shots where I have it running straight through a gary fong lightsphere to soften it up some but still straight at them it's not as nice an effect. I've been thinking of getting a third flash (we shoot with 2 cameras) and I'm wondering if it would be weird to have another slave flash off camera just bringing up the ambient light in the room or if that's too distracting. Anybody have thoughts on this or done something like that before?

  • Locked
Patent - EF 135 f/2.8 & 180 f/3.5 with Apodization Filter

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/?p=10634"></g:plusone></div><div id="fb_share_1" style="float: right; margin: 0 0px 0 10px;"><a name="fb_share" type="box_count" share_url="http://www.canonrumors.com/?p=10634" href="http://www.facebook.com/sharer.php">Share</a></div><div><script src="http://static.ak.fbcdn.net/connect.php/js/FB.Share" type="text/javascript"></script></div><div class="tweetmeme_button" style="float: right; margin-left: 10px; margin-bottom: 70px;"><a class="tm_button" rel="&style=normal&b=2" href="http://www.canonrumors.com/?p=10634"></a></div>
<strong>New lens patents


</strong>A new patent showing two lenses, the 135 f/2.8 and 180 f/3.5 has appeared. The interesting part of these patents is something called a apodization filter on the lenses. This improves the bokeh performance of the lenses.</p>
<div id="attachment_10635" class="wp-caption alignnone" style="width: 422px"><a href="http://www.canonrumors.com/wp-content/uploads/2012/07/135apo.png"><img class="size-full wp-image-10635" title="135apo" src="http://www.canonrumors.com/wp-content/uploads/2012/07/135apo.png" alt="" width="412" height="146" /></a><p class="wp-caption-text">EF 135 f/2.8</p></div>
<p>Could either of these lens patents translate into a new 135 f/2L or 180 f/3.5L Macro? Only time will tell.</p>
<p>Read more after the break…</p>
<p><!--more--></p>
<p><strong>Patent Publication No. 2012-128151</strong></p>
<ul>
<li>2012.7.5 Release Date</li>
<li>2010.12.15 filing date</li>
</ul>
<p><strong>Example 1</strong></p>
<ul>
<li>137.2mm – f = 135.0 focal length</li>
<li>Fno 2.83 -. 3.90</li>
<li>9.1 deg half each painting.</li>
<li>Image height 21.60mm</li>
<li>186.7mm – 150.0 full-length lens</li>
<li>BF 47.4 – 80.7mm</li>
<li>Lens Construction 10 elements in 7 groups sheet</li>
<li>1 UD glass sheet</li>
<li>0.25 times the maximum magnification ratio</li>
</ul>
<p><strong>Example 6</strong></p>
<ul>
<li>179.1mm – f = 180.0 focal length</li>
<li>Fno 3.50 -. 4.00</li>
<li>6.9 deg half each painting.</li>
<li>Image height 21.60mm</li>
<li>218.0mm – 199.8 full-length lens</li>
<li>BF 70.0 – 89.8mm</li>
<li>Lens Construction 11 elements in 7 groups sheet</li>
<li>1 UD glass sheet</li>
<li>0.11 times the maximum magnification ratio</li>
</ul>
<p><strong>Appearance of (Bokeh) is important out of focus</strong></p>
<p><strong>Apodization filter</strong></p>
<ul>
<li>The periphery of the filter transmittance is reduced</li>
<li>Added to the luminous flux intensity distribution</li>
<li>Bokeh is beautiful and the outline of the</li>
</ul>
<p><strong>Apodization element variable</strong></p>
<ul>
<li>If the liquid of same refractive index as the shape of the interface, no variation occurs in aberration</li>
<li>To be the same refractive power of the two liquids, the Abbe number is difficult</li>
</ul>
<p><strong>Canon ‘s patented</strong></p>
<ul>
<li>Variable element shape</li>
<li>Voltage is applied, changing the shape of the interface</li>
<li>Obtain the effect of apodization</li>
<li>Varying refractive power, the Abbe number</li>
<li>To reduce the time variable aberrations of shape</li>
<li>By a twist of the material performed, to optimize the absorption coefficient, to suppress the generation of aberration to moderate the curvature of the interface</li>
<li>To reverse the two materials (such as liquid), the amount of chromatic aberration, do the negation</li>
<li>Suppress the two materials (such as liquid), refractive index, the difference between the Abbe number</li>
<li>The entire feeding (with floating)</li>
</ul>
<div>Source: [<a href="http://egami.blog.so-net.ne.jp/2012-07-14" target="_blank">EG</a>]</div>
<div><strong><span style="color: #ff0000;">c</span>r</strong></div>
<p> </p>

  • Locked
What Lens to use/get for shooting bands, mini performances...

Hi All,

I was wondering if any of you have any experiences or suggestions on which lenses to use for shooting bands while they perform mini performances (mostly indoors). I never shot in this situation. Quite frankly I really don't have much shooting experiences. I've shot in baby showers, a couple of weddings (but not as the paid prof, rather as an 'unofficial' assistant as I'm the friend of the BG), and informal events. But recently I've been approach to assist in shooting a friend's band (might not be a one time thing). Thanks for your advice in advance. Thanks!

MODIFIED: I apologize for failing to state I have a 5D Mark II and have only 2 lenses: 24-105L & 50 1.8 II. I am thinking on getting a new lens, thus asking for suggestions.

  • Locked
New Upgraders (to FF) - what is your experience

With all the cheap FF chatter I really started to think about upgrading from my crop sensor (T2i). However, being somewhat of a long time reader on these forums, I am well aware that waiting for a rumoured product can be futile.

So the question:
5DIII is out for me (price), and with many still thinking highly of the the II, I was hoping to get some honest feedback of newly upgraded users of the 5D II - as this cam is coming down nicely in price (used). I understand the advantages of FF, thats why I am considering upgrading, but I want to get a feeling about frustrations/concerns, my main ones being:

> Weight - The II and the 24-105 L will probably be my 90% combo. So when travelling and lugging this around the whole day (BlackRapid strap) what are those ex-crop users feeling about managing the extra weight and did this cam make a big difference in their normal family style travel photos?
> Flash - I love using the built in flash for fill. It sometimes just needed. Again when travelling and the light just demands you filling in those faces. SO, new upgraders, do you sometimes get frustrated that the mark II doesn't have a built in flash?

I know about that there are many many satisfied users of the II out there, but I am hoping to get some honest feedback from those hobbyists/amateurs that recently upgraded from being long time crop users about their true experiences and, if any, frustrations. Personally I expect that a cheap FF to be closer to a rebel than a xD which should address my 2 main concerns, but waiting is a b*tch

  • Locked
5D3 macro question (Possible Noobish)

Wondering if someone can help me here, I have only had my 5d3 for about three weeks. I tried to do a few macro shots today, (Close ups of flowers) using the kit lens.

Autofocus was spot on looking through the view finder but I could not get the camera to take the picture, nothing happened when pushing shutter. If I dropped to manual focus on lens or zoomed further out it worked fine. I haven't done much Macro before, is there something I am missing?

Or was the camera telling me I was too close even though it looked ok?

  • Locked
amazon cancelled my t4i 18-135mm kit order and now no t4i's can be found there

Just wanted to get this out there. My T4i 18-135mm pre-order just got cancelled by Amazon. On top of that, they sent me an email from their "Amazon Product Safety Team" stating that "We have recently learned that Canon USA is voluntarily recalling the EOS REBEL T4i Digital SLR camera."

From what I knew only the bodies with a "1" in the fourth or fifth number from the left of the serial were affected. However, I can't find *any* T4i stuff on Amazon now. No bodies. No kits. No nothing.

Anyone else seeing this?

  • Locked
Canon 1DX video overview and links to other reviews

I have been browsing around for more 1DX samples just to get an idea of what to expect with high ISO settings and dynamic range but I'm rather disappointed with the number of people who have claimed to have received the 1DX and haven't posted a single photo. Yeah I know you have your fancy new toy and are probably busy playing with it but when you get the time, remember those of us who are still waiting for our bodies and post a shot to show how well it handles skin tones and such.

While browsing Google I found a youtube video from Borrowlenses.com which gives a decent overview of the 1DX. They even do some comparisons with the 5D3 at high ISOs which was nice of them. Some AI Servo tracking comparisons would be killer if anyone out there has both cameras.

Focus On Canon EOS 1D X

Here are some other reviews and previews I have found. They aren't very in-depth, nor do they have a ton of samples (if any) but it's all we have for the moment.

Jeff Cable review (why no samples?)
http://jeffcable.blogspot.com/2012/07/canon-1dx-real-world-review-of-this-new.html

Chris Dodds (bird photog)
http://naturephotographyblog.squarespace.com/journal/2012/7/10/canon-1dx-first-impressions-mini-review.html

Martin Bailey (bird photog with high ISO samples)
http://blog.martinbaileyphotography.com/2012/06/27/podcast-341-canon-eos-1d-x-digital-slr-review/

Ivan Lackovic from Canon5Dtips.com (sports photog with tight crops)
http://www.canon5dtips.com/review/canon-1d-x-sample-shots/

Tom from Canon5Dtips.com
http://www.canon5dtips.com/review/canon-eos-1d-x-iso-review-raw-samples/

Reply if you find any others and I'll add them as we go.

  • Locked
AF Point Color on the 5D Mark III & 1D X Update [CR2]

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/?p=10632"></g:plusone></div><div id="fb_share_1" style="float: right; margin: 0 0px 0 10px;"><a name="fb_share" type="box_count" share_url="http://www.canonrumors.com/?p=10632" href="http://www.facebook.com/sharer.php">Share</a></div><div><script src="http://static.ak.fbcdn.net/connect.php/js/FB.Share" type="text/javascript"></script></div><div class="tweetmeme_button" style="float: right; margin-left: 10px; margin-bottom: 70px;"><a class="tm_button" rel="&style=normal&b=2" href="http://www.canonrumors.com/?p=10632"></a></div>
<strong>User preference known by Canon


</strong>I have been talking to various professionals about what they think about the black AF points on Canon’s new 61 point AF system. I have yet to find one that doesn’t have at least one issue with it.</p>
<p>A lot of people are finding it hard and/or impossible to see which AF point is selected when shooting in dark conditions, like a wedding reception. There are also people telling me they’re having trouble tracking birds in flight with the 1D X and the black AF points.</p>
<p><strong>Solution


</strong>I have been told that Canon is aware users aren’t particularly happy with the way the AF points are displayed to the shooter. I’m told there is a “solution coming” that “may not be ideal for everyone”. There is no timetable for any firmware update as of yet.</p>
<p>Most users want the AF system to operate like the previous 1D camera did, always lit red when AF is engaged.</p>
<p>I’m posting this to lend my vote to the growing number of people that want some kind of fix. I had trouble last weekend with the 1D X and tracking birds myself.</p>
<p>More to come.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Locked
canon eos 60d for sports and underwater pictures???

I'm planning to by a 60d, and would like to use it for taking kitesurfing, stand up paddle boarding and underwater pictures.

Could anyone please tell me if this camera is able to take decent pictures in these categories?
Or post any link where i could read some review regarding to this?

Your answers are much appreciated and Im glad for any help.

Thank you very much

Sylvia

  • Locked
1DX silent mode?

Does the 1DX have a silent shutter shooting mode similar to that implemented on the 5D III? Well, not completely silent that is. Although if you want to use silent mode with a big spanking 1D body pointed at someone during street shooting, no amount of silent shooting will cover what you are doing pointing such a tank at someone IMHO!

  • Locked
Voigtländer 28mm f/2.8 Color Skopar Pancake Lens in EF Mount

Just saw this listing on Canon Watch
http://www.canonwatch.com/voigtlander-28-mm-f2-8-colorskopar-sl-ii-n-comes-with-ef-mount
Does anyone know of any info or reviews about this lens.....Looks intriguing to me!
I would like to know if the lens is at least connected to the CPU on a Canon camera...ie...do you get focus confirmation. It is not definitely apparent in the stats...only for the Nikon does Voigtlander specify that.

  • Locked
5D2 & Strobe Light Question

Hey guys,
I'm hoping someone can give me some direction on what mode to set the white balance to when shooting with a 3 light strobe set-up? I typically leave it on auto WB and tweak it in post production; however, this time I'll have the editor, stylist, and publisher of the magazine at the shoot wanting to see every image sent to my iPad for review. I would like to hit the WB on the spot and not have to explain that we can fix in post..

I’m using a 5D MK2, 90mm TS lens, 50mm f1.4, and 24-70 f2.8. Firing with PW to a 3 light strobe set-up by Novatron with 1 large softbox and 2 umbrellas.

Thanks

  • Locked
430ex ii with 5d mark iii

i have 175$ credit at crutch field burning a hole in my pocket. figured why not get a flash? would the 430ex ii be a suitable flash for a somewhat beginner photographer in the flash game? I will be using it basically for recreational purposes. all around photo stuff. also can the flash stay lit up as an external light for video? is this recommended?

  • Locked
Packing list for trip of a lifetime

Travelling to the Galapagos Islands in a few short weeks with the wife and two teenagers, all de facto photo enthusiasts, and always love to hear how others would pick and pack our gear. In theory, there is a weight limit of 45 lbs + one 15 lb carry-on per person, which must include ALL our clothes AND gear.

We will each have our own camera body, and obviously sharing lenses, but I am curious to how the forum would change my proposed choices, and we must respect this limit of our weight (in order to get on the plane in Ecuador). Also which travel bags would get most recommended.

The trip will include a week of 2x/day zodiac boat rides with wet shore landings, so water/weatherproofing transport suggestions are encouraged.

For the plane, we use Think Tank International and Retrospective 30 shoulder carry-ons, and that takes up all our allotted carry-on weight (for the bodies, and 70-200, 100-400, 16-35 and 24-70 zooms Ipropose, laptop, external hard drives. & accessories we plan on sharing).

Which travel / day-use bags would provide easiest access for our daily on/off water taxi/shore landings? Not sure the Retrospective is waterproof / comfortable enough for this type of use.

Also, any suggestions/personal experiences on an underwater camera/housing for a small point and shoot possibly? We will have opportunities for snorkeling (sharks / seals are abundant photo ops) and would add a P/S if people like one enough to convince me. My 'old' P/s (Olympus 8080) has an underwater housing which is too heavy - looking for newer, lightweight options. Was debating about getting a housing for the 7d and shipping it but cost-prohibitive.

Always fun to hear others' travel experiences/gear selections, so if you have opinions on other essentials, please add those as well, especially opinions on Gorillapod tripods, lightweight tripod/monopod heads etc.

I am still debating the value (weight) of bringing my Induro GHB2 head (3+ lbs), Manfrotto 055 Carbon Fiber - Q90 - 4 Section tripod (another 3+ lbs) and /or monopod - versus lighter options.

Appreciate your ideas/reminders so I don't forget anything.

See profile for list of body/lens options - I am also CPS member who could 'evaluate' just about any lens for a week, but with trip overlapping with Olympics, selection/availability might not be great. Was thinking about 28-300, so if Neuro (or others) have experience with that, let me know. I am considering a trial of this lens to help limit my weight, but I love my 70-200 and 100-400, AND if I bring 3 white whales with me, not sure my wife will still want to be seen with me :)

  • Locked
lenses for my 7D - please help!

I've just taken delivery of a new Canon 7D (body only) for work. I've been recommended three lenses by the supplier who know what I'm going to be using the camera for:

70-200mm F/2.8L
50mm F/1.2L prime lens
15-85mm F/3.5-5.56

I'm going to be using it mostly for shooting videos in the mountains (in all weather types) in the UK, indoor/outdoor and under studio lights. I know that the lenses are just as important as the camera (or more important depending on what you have) but there seems to be a huge range in pricing for the range I've been recommended.

Unfortunately, the company I work for has a tight budget, but I don't want to get something cheaper and then find it's not going to get the best results.

I shoot a wide range of stuff, from a static shot of presenters in a podcast, to tracking someone skiing past me or with me skiing with them.

Could I ditch the prime lens and make do with the 70-200 and the 15-85?

Someone else recommended the Canon 50mm f1.8 which they said although a bit plasticy produced great results. Plus the Sigma 10-20mm F3.5 EX DC HSM as another option.

I haven't shot video with a DSLR before so please excuse my ignorance!

My budget is around £1500 (US$2300)

Thanks!

  • Locked
Help! Error 20, Canon 50d

Hi all,

I have a Canon 50d and during continuous shooting it stops and i get " error 20, turn on and off and reinsert battery"

This happens every time a try and shoot continuously and occasionally just trying to take 1 shot.

I'm panicking because i'm going on holiday in two days and i dont want a broken cam! I'm also doing 365 so it could well and truly mess things up!

does anyone have any suggestions? help me please!

James

  • Locked
What happened to this picture?

Anyone see anything like this before? My first thought is a flash sync problem but usually you see 1/4 of the frame dark not a dark line like that. Also if the shutter got stuck wouldn't the frame from that point on be darker? It was the only picture like that out of the entire wedding. I hate wired stuff like this that I can't explain. Also I have a 5D3 and it is like this on both cards so I don't think it is a card problem. Maybe a glitch when the camera wrote to the cards? So the other question is if the camera has two card slots does it write the image to both cards separately or does it write to one card and copy from one card to the other? I would hope they don't do that because it it would negate the usefulness of two card slots.

Attachments

  • Chrystian & Kurt Wedding-07-07-12-0403.jpg
    Chrystian & Kurt Wedding-07-07-12-0403.jpg
    216.6 KB · Views: 469

Filter

Forum statistics

Threads
37,480
Messages
975,426
Members
24,816
Latest member
GLBDD

Gallery statistics

Categories
1
Albums
29
Uploaded media
372
Embedded media
1
Comments
25
Disk usage
1 GB