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The IS of Canon 70-300l

Was going to get the 17-40mm for $699 at BH for myself for Xmas but am stumped now that Adorama has the 70-300l is for $1099. I could probably get $350 for my non-l 70-300is on ebay so the lenses would in essence cost the same amount.

question about the description of the 70-300l - note below in red

Designed to deliver ultra-high quality images along with lightning fast operation, the new Canon EF 70-300 f/4-5.6L IS USM telephoto zoom lens brings a favorite zoom range to the celebrated Canon L-series of lenses.

It features two Ultra Low Dispersion (UD) elements for improved image quality and reduced chromatic aberration, incorporates a floating focusing mechanism for sharpness from close up to infinity, plus an IS system that increases usability by approximately four stops.

The EF 70-300 f/4-5.6L IS USM features a function that prevents erroneous operation when the lens is mounted on a tripod or monopod. Gleaming white, with an optional removable tripod collar, dust and water resistant construction, and a newly developed Fluorine coating that keeps soiling, smears and fingerprints to a minimum, its phenomenal performance and flexibility is assured.
---------------------------------------------

what does that mean? it auto detects when the 70-300l is on a monopod. I use my 100-400 on a monopod and keep the IS on all the time? does this have anything to do with the 70-300 not having a tripod collar? sorry if this has been discussed before, I haven't had time to look at past postings about this lens and have to order by Jan 5.

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Need a little help with 300mm 2.8 IS that I just bought used...

I just received the lens and started playing around with it and immediately noticed that when the IS is turned on, it makes a clearly audible "whirring" sound while focusing and for 2-3 seconds after focus is locked. When IS is off, no "whirring" sound.

I have several lenses with IS and I've never heard anything like this. Is 2-3 seconds of "whirring" normal for the 300mm 2.8 IS?

Would appreciate any feedback since I'm in the return window....thanks.

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A New Cinema EOS DSLR Body in 2013? [CR1]

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<strong>Not just the EOS-1D C


</strong>There have been a few mentions of a new Cinema EOS DSLR body being announced in 2013. It would take on a smaller form factor than the EOS-1D C and would not shoot 4K video.</p>
<p>It wasn’t mentioned which DSLR it would be built around, but I think an APS-C Cinema EOS based around the upcoming EOS 7D replacement would be a good place to start.</p>
<p>The EOS-1D C has yet to reach the retail chain at the time of writing this, but it’s said to be arriving “very soon”.</p>
<p>From a new source, so take this with a grain of salt.</p>
<p><em><a href="http://www.bhphotovideo.com/c/product/855962-REG/Canon_EOS_1D_C_EOS_1D_C_4K_Cinema.html/bi/2466/kbid/3296" target="_blank"><strong>Preorder Canon EOS-1D C at B&H Photo $11,999</strong></a></em></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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What lenses should I take to India?

Hello there folks! This is my first post so go easy on me, okay :) I'm heading to S.India at the end of Jan for six weeks and was just wondering if you think a 16-35mm f2.8 II and 50mm f1.4 are enough to capture most scenes(street, portraits, landscape etc...) Traveling light is a priority so can't really take a big tele and to be honest I don't really shoot over 100mm that often(not yet anyway). Also should 3 batteries get my 5D mkii through a whole day or two of heavy shooting as I'll be away from charging points quite often? Thanking you all kindly and happy to be here! Merry Christmas :)

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Canon 580 EX ii Lock-Release not working

Hi... I have a two years old 580 EX ii... Over the weekend, I was taking pictures and when done, I tried taking it off the camera. Press the release button and normally, then I can slide it to the left to release it so that I can smoothly pull it out of the camera hot shoe. I pressed the button and then noticed that the lock release slider wasn't moving. Normally, I hold the camera on my right hand and then use the left hand to do it. I noticed a tension. I tried again... What? It wouldn't move. I then hold down the camera against the floor, left hand on the flash, right hand on pressing the release button. Still didn't move. After a while, I was able to get it off. I was confused. I put it away.

10 minutes later, my wife wanted additional pictures. I put it back on. Putting it goes fine. When done, I couldn't take it off again. I struggled with it after some times, and managed to take it off. That was on a 5D3.

Next day, I tried the flash on my 7D. Took two shots with it. Then tried taking it off. This was worse. It was like it was super glue onto my 7D. After numerous attempt, I got it off.

Anyone has experienced this behavior? Up unitl now, I have no issue with it and it performs flawlessly.

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Second lens for first time FF user

I've just ordered a Canon 5d classic and 50mm EF lens as a first try at full frame. I've no other compatible lenses and was wondering what I should buy next. I'm mostly interested in landscapes with some portrait work as well, and I wouldn't mind macro capability for flowers etc. I was looking to spend up to £300 for my next lens, or maybe £500 or a couple of lenses.

What would your first choices be?

Thanks in advance

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Any update to the 60D in next 6months?

This is my first post, be gentle.

The time to sell my t1i with accessories and a lens or two is quickly passing me by. My question is what to upgrade to. 60D seems like a great deal, and even if it was updated this would fall out of my $1000 price range(body only).

It seems like I should go for the 60D while its still around unless the t5i would be better or the 7D will fall under $1000 after an update in the next 6 months.

Which of these scenarios seem likely? Thanks for your help.

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Bokeh confusion.

Hello learned friends.
I recently did a job for a client who wanted me to take pictures to sell land/second homes in his farmland.
I am attaching two photos: Bath Tub and Glasses.
I like the bokah on the shot with the glasses but somehow do not like the way the sand is going out of focus in the bath tub shot.
Is it me of does anyone else also find it unpleasant?
Tech info (same for both shots!) 70-200 II f2.8 @200mm.
Thx,
Sanjay

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Yongnuo flash sync

Hi, I currently have a 600EX-RT that I use with my yongnuo YN-622C triggers and they work great. I am wondering if the YN 560 II flashes will be controllable from my 5D2 through more YN-622C units (I still work on full manual), or is it only the twice as expensive YN-565EX that work that way. Also, is it just worth it to pay half the money and go full manual with YN-560 II and YN-RF603 and go up to the flashes to change their output?

If anyone has experience with the YN-560-IIs and the YN-622Cs help would be appreciated :)

Thanks

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  • Poll Poll
What 2nd lens for a designer

Best allaround lens for sharpness, bokeh (creative art photography, product, food studio work)

  • Canon 85 f1.8

    Votes: 2 18.2%
  • Canon 100 f2

    Votes: 1 9.1%
  • Canon 100L 2.8 IS

    Votes: 7 63.6%
  • Canon 100 2.

    Votes: 0 0.0%
  • Sigma 35 1.4 (not in the same lenght but very good test results)

    Votes: 0 0.0%
  • Sigma 85 1.4 (a lot of lemons out there but if you're lucky it can be great)

    Votes: 1 9.1%

Helo,

i just upgraded my gear to a 5dmk III with a 24-105...i used to have a pentax k20d since 2008..
I am a graphic designer and work mostly with posters, logos, catalogues, advertising, and ofcourse photographs i need for my work (product, scene, urban, portrait...) Im on a tight budget since i paid 3699 euros for my new canon kit.
Im looking for a very sharp versatile lens that would give me the best results in an allaround kind of way, the 24-105 is sweet but not enough as i really miss extra crispynes and bokeh for art shots. I would like to have a secnod lens in my kit and not spend any money for at least a year or two.

I am definetly thinking about buying a prime, these are my choices:

- Canon 135L 2.0 ( to expensive)
- Canon 85 1.8
- Sigma 35 1.4
- Sigma 85 1.4 (mixed feelings)
- Canon 35L 1.4 ( to expensive)
-Canon 100L macro 2.8
- Canon 40 2.8 pancake

Or maybe the budget L lenses the 17-40L or 70-200 f4

Please help im a bit lost

thank you

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3rd party/generic ink for Canon Pixma Pro9000 MK II

I been using the Canon Pixma Pro9000 MK II for about 1.5 years now and never thought of using generic ink such as the ones listed in the link below. What are your experiences and thoughts on it? I know the rule of always using the printer manufacturer's branded ink, but at $15-$17/cartridge, it racks up alot of money quick. Thinking about buying these ink cartridges since you save alot more money and even if the printer breaks down, it would easily be replaced for about $150-200 for a new printer. Thoughts?

http://www.supermediastore.com/product/u/ink-cli8bk-cli8c-cli8m-cli8y-canon-pixma-ip4200-ip5200-mp950-chip-12pk

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What photo/video gear did Santa bring you this year?

I asked the same question last year so figured why not make it an annual thing? List isn't as long as last year, but it was still a good year:

I got a 600EX-RT, my first flash and I'm looking forward to experimenting with it.
And my Blackmagic Design camera is supposed to turn up tomorrow hopefully, super pumped about that.
Gopro Hero 3 Black Edition

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Do other lenses compete with the "look" of L primes?

I know that there are countless reviews across the internet comparing sharpness, resolution, IQ at different aperture settings, flare control, etc, but I feel that in spite of any amount of numbers, it's the overall look and feel of the image that convinces me.

I'm a portrait photographer on and off the clock, so I'm going to be shooting f/2.0 and below all the time unless it's a large group of people. I could care less if a lens is 2x sharper at 2.8 than it is at 1.4 because the look of that wide aperture sets an image apart more than a little sharpness in my opinion and style.

Ultimately I know this is a matter of personal preference, but I'm really looking for opinions from those of you who have used both cheap and expensive lenses and can vouch for that "look" that Canon glass is famous for. My wife and I are about to make a huge purchase for our business and upgrade a lot of equipment, and I'd like to know if some of those fancy lenses are unmatched in their feel for portraiture of if I can save some money initially by sticking with the cheaper options.

Does the 85L shot at f/1.8 stand out from the lesser 85 at f/1.8? If any of you have started using the Sigma 35mm f/1.4, does it compete with the contrast and OOF effect of Canon's 35mm?

So far I've always loved the look of Canon's lenses, but comparisons like these make me think I can save hundreds of dollars and still have the look I'm going for:

http://www.flickr.com/photos/8913259@N03/8290157365/#in/set-72157632294925060/

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Patent: Integrated Lens for an APS-C Compact Camera?

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<strong>Camera Lens 18-70 f/2.8-6


</strong>A patent has shown up for a lens that is an 18-70 f/2.8-6. It looks like the lens could possibly be for a fixed lens APS-C camera. The <a href="http://www.bhphotovideo.com/c/product/838600-REG/Canon_G1X_PowerShot_G1_X_Digital.html/bi/2466/kbid/3296" target="_blank">PowerShot G1X</a>, while a cool enough camera, didn’t catch on. Canon may not be done exploring a large sensor fixed lens camera.</p>
<p>Personally, I’d be more into a <a href="http://www.bhphotovideo.com/c/product/891105-REG/Sony_dscrx1_DSC_RX1_Full_Frame_Point.html/bi/2466/kbid/3296" target="_blank">Sony RX1</a> style camera for a few dollars less.</p>
<p>As a side note, the G1X was announced last year for CES, and that’s coming up in January.</p>
<p><a href="http://egami.blog.so-net.ne.jp/2012-12-26" target="_blank"><strong>Read the full patent</strong></a></p>
<p> </p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Which extension tubes to buy?

Anyone have suggestions? I'm thinking extension tubes would be better for me than a dedicated macro simply because I don't foresee myself doing a lot of macro, and figure id be more inclined to throw a tube or two in the bag than actually a separate lens. Open to anything really, but ideally something that also offers electronic contacts etc. Also if you think a used macro is just a better bet overall let me know

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EOY perspective: Past cameras you miss the most

Just thinkin', on a cool Christmas morning.... After reading the "progression of cameras" thread, I got a little wistful for past hardware, wished I still had it.

My top three

1. Nikkormat FT2 with 50/2.0 Nikkor - my first good quality SLR, and I had it for years, took a lot of great pictures with it. It was all I had, one body, one lens, so I learned to make do with what I had, and it taught me to see better, be more creative, take more photographic chances.

2. Not on my "progression" list through oversight, but I had a little Rollei 35 with the Zeiss Tessar. Just a fun camera. Had a little meter battery powered meter built in, made in Germany, black... pseudo James Bond stuff. And the imaging was VERY good... amazingly good in fact.

3. Nikonos III with the 35/2.5 W-Nikkor. I loved that lens. The camera was good, with limited shutter speeds and such, but the lens was fantastic. One of the most detailed photographs I ever took was of a local hospital building, on Panatomic-X film, under-rated by about a stop and a half. That picture really defined "detail" on the 35mm format. I took it with a Nikon S2, with a 35/2.5 W-Nikkor. Take that lens, put some more modern and decent coatings on it (improving it!), and you had the standard lens for the Nikonos.

And runner up - either of the Canon A-1's I owned. Canon's entry into the digital age, first 35 SLR with "program" mode, also had 5fps drive and a nice little grip that could be detached. Most of the FD lenses were "ok", but I never really liked their color rendition compared to the Nikkors of the day... I still liked all my FD system and abused it well, and it never let me down.

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anger at 1 dx review on professional photographer magazine

So i bought professional photographer magazine here in the uk and there is a review from professional photographer mark rawlings.Now i am going to get straight to it he mention's 3 times his annoyance at having to press a button then the controller to move af point's 3 times he mentions this at its one of his major gripes with the camera!a simple custom function fix!so i contacted him on twitter and let him know how to fix it and my disgust twitter name (rawlimark) and his reply to me " i didn't go into custom functions as didn't have the space to,idea was to talk about design and using it out of the box.otherwise a review would read like an instruction manual which would be pretty boring read".
this is absolute rubbish he took time to mention 3 times his annoyance at it he just had to write a simple custom function fix.anyway if you guys feel the same get in touch with him on twitter.
rant over.
merry xmas :-)

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