• UPDATE



    The forum will be moving to a new domain in the near future (canonrumorsforum.com). I have turned off "read-only", but I will only leave the two forum nodes you see active for the time being.

    I don't know at this time how quickly the change will happen, but that will move at a good pace I am sure.

    ------------------------------------------------------------

  • Locked
looking for camera backpack/sling for upcoming vacation

Hello,
I am going to San Diego and disneyland soon and want to carry my gear on my trip. I have the following:
Canon 5d3
24-105 with hood
50mm 1.4 hood
70-200 f4 is with hood (buying soon)
extra battery
430 ex ii
270 ex ii

I was used to the lowe pro sling shot 102AW but since going full frame now everything is bigger. I need to be able to stash the camera and grab it when a photo op comes up quickly so I would need to be able to stow the worst case scenario 5d3 with 70-200. The only ones I have found are the lowe pro 302aw which seems so big for a sling or the fastpack 350 but does not seem so well received. I have looked at the flipside but it seems so hard to spin the bag around just to take out the camera.

Any suggestions would be greatly appreciated

  • Locked
5D2 Battery Grip with Joystick

I'm a photographer who's always interested in creating/innovating technology to work better for the user.

Why hasn't anyone re-engineered the BG-E6 (an after mark version) to include a joystick?


If they have... can someone please post a link?


Phil




5D MKII, 5D Classic
EF 70-200mm f/2.8L IS USM MKII; EF 100mm f/2.8L Macro IS USM; EF 24-105mm f/4L IS USM; EF 20-35mm f/2.8L

  • Locked
Compensation: Big appature lens or Full-frame camera?

All righty than,
So my friend recently acquired a full frame camera and he loves how he can bump the ISO higher than on his cropped sensor camera and have little noise (Nikon D800).

Of course I know that bumping the ISO higher on a full frame is not always the way to get better photos, but it compensates for a big f.
I am now using a Rebel T1i, however I have saved almost 80% for a 24-70 f2.8L II lens. I have a f4 24-105L but sometimes shooting indoor sports is a pain ( recreational sports).
So what would you guys do? buy the f2.8 or buy the full frame and bump the ISO (5D MKII)?
what would give you better pictures?

Thanks,

Tamron 200-500mm f/5.0-6.3 Di LD SP

So I was on a quest for more reach - my trusty 70-300 non-L wasnt enough for too many situations anymore. Realizing my budgetary contraints I did some research - and settled on a Tamron SP 200-500. Mounted on my T3i the equivalent 320-800mm is the reach I wanted. A bit sad to loose IS, and have found that using a tripod and remote release is pretty essential.

Unsurprisingly I've struggled a bit to get the shutter speeds I'd like without sacrificing ISO, but heres a few samples I shot recently of a heron and swan - included are 100% crops. Heron is shot at 1/640, F/6.3 (wide open) and ISO 200. Swan is 1/250, F/8 and ISO 400. Both are tripod shots with remote release.

Not as sharp as some more expensive "L" glass, but better than anything I had!

Attachments

  • Swan.JPG
    Swan.JPG
    400.7 KB · Views: 801
  • Swan 100%.jpg
    Swan 100%.jpg
    327.6 KB · Views: 754
  • Heron.JPG
    Heron.JPG
    221.2 KB · Views: 823
  • Heron 100%.jpg
    Heron 100%.jpg
    213.7 KB · Views: 856

  • Locked
Quick Tests for Canon 5D MKIII

So after a year plus of waiting, I'm finally getting my hands on a 5D3 in two weeks time. I'm from the UK but to save some cash I'm picking it up when I have a trip over to Germany to see a friend - customs are fine with the import as it's purchased within the EU for personal use so no issues there.

My question for you guys is, I've basically got one day with the camera in Germany before I head back to the UK so I want to make sure I've got a good copy while I'm over there. I don't know if I've spent too long in this forum to get a bit paranoid about bad copies but what kind of tests can I do to make sure I've not got any of the issues people have been sending dud copies back for? High ISO shots to check noise levels? Long exposures of light and dark scenes to check for dead/hot pixels etc? Is there a way of mapping out hot pixels?

I'm guessing my copy is a post-light-leak model as it has only come into stock this week but I'll check for the xxxxx1xxxxxx or xxxxx2xxxxxx serial numbers.

Any tips would be gratefully received!

Oh and if it helps, although I'm getting body only, I'll be taking my Canon 24-70mm f2.8 L for the tests.

english Lakeland sheep and lambs

The Lake District in England has some hardy sheep, mainly of the Herdwick breed. They are an inquisitive sheep and it was amusing watching the young spring lambs chasing each other across the fields at 9pm running into each other and jumping over each other. Here are some shots of some of the sheep and lambs that I encountered.

Canon 5D mk III EF 180 f/3.5L macro at f/5 1/160 ISO 1600


inquisitive-rydal-lamb by singingsnapper, on Flickr

Earlier that day I passed this lamb and its mother relaxing in the fields below Loughrigg:

Canon 5D mk III EF 180 f/3.5L macro at f/9 1/160 ISO 500


spring-lamb-relaxes-with-mum by singingsnapper, on Flickr

Same camera and lens f/10 1/160 ISO 500


_..and-so-to-sleep by singingsnapper, on Flickr

Further around the area called Under Loughrigg this lamb introduced himself to another herdwick lamb

Canon 5D mk III EF 180 f/3.5L at f/20 1/200 ISO 200


why-hello-there-fellow-lamb by singingsnapper, on Flickr

The previous day I had been in Langdale and this black lamb caught my eye - I obviously caught his too!

Canon 5D mk III EF 180 f/3.5L at f/8 1/80 ISO 800


Baa-baa-black-sheep-have-you-any-wool by singingsnapper, on Flickr

This sheep had an interesting way of eating grass - by kneeling down:

Canon 5D mk III EF 180 f/3.5L at f/7.1 and 1/320 ISO 800


kneeling-down-to-get-to-the-grass by singingsnapper, on Flickr

Canon 5D mk III EF 180 f/3.5L macro at f/5.6 and 1/320 ISO 800


getting-down-to-it! by singingsnapper, on Flickr

  • Locked
Outdoor lighting solutions for video - help.

Hi everyone,

Im wondering what the best solution for outdoor lighting is at the moment in regards to a few different aspects. Are LEDS and other cool lighst best, or traditional hot lights?

Also, how do you power lights outside? Car battery or something similar?

Please imagine the two following situations and suggest what you would do.

1. A night time shoot with a band in some woods to give an eerie atmosphere. Enough lighting is need for the whole band. How many lights, what type, how would you power it? Cost?

2. Following a vocalist around a city with close up shots as they sing for a music video. You want the pretty brokeh in the backround but also want a bit of soft light on the face and maybe something from behind to catch the highlights in the hair.
How many lights, what type, how would you power it? Cost?

I am mainly interested in music promo but im sure these situations can be closley related to many other types of videos.


I look forward to a few responses hopefully :) I dont have much money to spend on lights (£500 - £1000) and everytime ive looked i can only find batteries that costs that much alone. I hope im looking in the wrong places and some can help me here.

Thanks!

Craig

  • Locked
New 5DMKIII with a problem, help.

Hi all,

I bought this camera yesterday with the new 3 S/N and i thing with a problem in dial selector. Is imposible to select [A+] intelligent scene, in this mode continues displaying P in display, and modes C1,C2 and C3 are blocked, cant program and delete them. In C1 mode P are displayed too and in modes C2 and C3, C3p are displayed. :'(

Is the dial selector broken?? the " clicks" of the dial sounds good.


Thanks all.

  • Locked
Canon 1D MKIV VS 5D MKIII Cameras(Sports Photography)

For sports photography,which between the Canon 1D MKIV or 5D MKIII is the better camera to use?And why?Also,I've heard that the 5D MKIII is the better camera for low light shoting.If true,how much better is it as compared to the 1D MKIV in low light shooting?Is there a big difference?How about in brighter light,which between the two focuses faster and has quicker subject acquisition?By the way,for your information,I mostly shoot outdoors.
Thanks.

  • Locked
Canon EOS-1D X Delays [CR2]

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/2012/05/canon-eos-1d-x-delays-cr2/"></g:plusone></div><div id="fb_share_1" style="float: right; margin: 0 0px 0 10px;"><a name="fb_share" type="box_count" share_url="http://www.canonrumors.com/2012/05/canon-eos-1d-x-delays-cr2/" href="http://www.facebook.com/sharer.php">Share</a></div><div><script src="http://static.ak.fbcdn.net/connect.php/js/FB.Share" type="text/javascript"></script></div><div class="tweetmeme_button" style="float: right; margin-left: 10px; margin-bottom: 70px;"><a class="tm_button" rel="&style=normal&b=2" href="http://www.canonrumors.com/2012/05/canon-eos-1d-x-delays-cr2/"></a></div>
<strong>What’s going on?


</strong>I have heard just about everything as to why the Canon EOS-1D X has been delayed for almost 3-4 months. I’ve heard blame being placed on battery approval in Japan, FCC approval in the United States, production issues with certain parts of the camera, serious firmware issues that had to be resolved to name a few. Canon has kept the issues very close to the vest and very few people know the exact reasons.</p>
<p><strong>So?…..


</strong>Recently I have been told by a couple of people that the version of the 1DX that has reached select AP and CPS photographers are not in fact production cameras, they are preproduction. Canon felt it was important to have the new camera out for Euro 2012 and the Olympics in London. It’s suggested that the cameras that are in the hands of these photographers will infact have to go back to Canon and will be replaced with the production model whenever they are ready.</p>
<p>That seems strange, no?</p>
<p>If anyone with a 1D X can confirm this, I’d love to hear it.</p>
<p><strong>CRs Take


</strong>The above may be untrue, however a 3-4 month delay in this day and age is a pretty unique thing (for anything other than big lenses). It tells me, and others, that something at the hardware level with the camera is being addressed and has required additional R&D and manufacturing considerations. If the issue was something like a battery or FCC approval, I don’t see the harm in just saying that in a press release and getting on with things.</p>
<p>Will the camera hit retailers in June? For the moment I don’t have an answer, I haven’t heard anything from major retailers about availability in a long time.</p>
<p>Food for thought….</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Locked
28-300 L lens- thoughts?

Hey all,

Just wanted to ask what people's thoughts on this lens were. They don't have this lens at my local camera store (I think when I asked them why, they said something along the lines of "we don't like it" or "it doesn't sell"), and internet reviews seem to be rather sparse. I really want to try out this lens for size but can't really seem to do so.

I've heard mixed thoughts about the image quality- some say it can hold its own with the more specialized lenses, others complain about softness at various focal lengths, so I just wanted to see if there are any owners (or former owners) here and see what they think.

  • Locked
Patent: 24-1060mm Zoom Lens

HTML:
<div name="googleone_share_1" style="position:relative;z-index:5;float: right; /*margin: 70px 0 0 0;*/ top:70px; right:120px; width:0;"><g:plusone size="tall" count="1" href="http://www.canonrumors.com/2012/05/patent-24-1060-zoom-lens/"></g:plusone></div><div id="fb_share_1" style="float: right; margin: 0 0px 0 10px;"><a name="fb_share" type="box_count" share_url="http://www.canonrumors.com/2012/05/patent-24-1060-zoom-lens/" href="http://www.facebook.com/sharer.php">Share</a></div><div><script src="http://static.ak.fbcdn.net/connect.php/js/FB.Share" type="text/javascript"></script></div><div class="tweetmeme_button" style="float: right; margin-left: 10px; margin-bottom: 70px;"><a class="tm_button" rel="&style=normal&b=2" href="http://www.canonrumors.com/2012/05/patent-24-1060-zoom-lens/"></a></div>
<strong>That’s a 44x Zoom


</strong>Canon has published a patent for a zoom lens with an equivalent focal length of 24-1060. That’s a 44x zoom for those that are counting. Could we see this in the next SX PowerShot camera? A good possibility.</p>
<p><strong>Patent Publication No. 2012-98699</strong></p>

<ul>
<li>2012.5.24 Release Date</li>
<li>2010.10.7 filing date</li>
</ul>
<p><strong>Example 7</strong></p>
<ul>
<li>Zoom ratio 44.28</li>
<li>13.08 – - 190.43mm f = 4.30 focal length</li>
<li>Fno 2.87 – 5.00 – 7.07</li>
<li>16.50 – - 1.17 deg 37.77 a half angle of view.</li>
<li>3.88 – - 3.88mm 3.33 image height</li>
<li>93.62 – - 137.94mm 94.49 lens length</li>
<li>BF 1.00mm</li>
<li>13 pieces in 10 groups Lens Construction</li>
<li>Two four-sided aspherical</li>
<li>3 UD glass sheet</li>
<li>One fluorite</li>
<li>Group 4 consists of positive and negative positive positive</li>
<li>(For Focusing the fourth lens group) Rear focus</li>
</ul>
<p>Source: [<a href="http://egami.blog.so-net.ne.jp/2012-05-30" target="_blank">EG</a>]</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Locked
5D mk II AF problem

I think one of my sensors is bad/broken, specifically the lower left. Every other sensor grabs focus pretty quickly in good light. Almost exclusively, the lower left will go to infinity and back before stopping, sometimes in focus, sometimes not.

This is a recent thing; I've used the sensor in the past. Any ideas what could cause it and how to go about fixing it?

A few days in the Cotswolds, England UK

My wife and I celebrated our 9th wedding anniversary last week and we spent a few days in the very pretty little village of Painswick. It is a very quiet place indeed - it felt like a Sunday on both Thursday and Friday!

This is Painswick's pretty church - quite contrasty so decided to convert to black and white in Silver efex pro 2

Canon 5D mk III EF 16 - 35mm L II at f/16 and 16mm 1/30 ISO 200


Painswick-church-and-its-yew-Trees by singingsnapper, on Flickr

Another one late that evening - I remarked to my wife after we had eaten our main course (we were sat down outside for dinner) that the way the sun was hitting the church was beautiful - at this point she sighed and said :"Go on then, get your camera - but don't be long" I asked her if she was sure, and then grabbed my camera from our room and then quickly took a few shots. I hsten to add that this wasn't on our anniversary night - even I wouldn't have dared even raise the subject on the anniversary dinner - even though there was a perfect crescent of the moon right by the steeple of the church as we walked around the church the previous evening after our anniversary dinner.

Canon 5D mk III EF 16 - 35L II at f/13 and 20mm 1/25 ISO 400


Painswick-church-at-sunset by singingsnapper, on Flickr

Earlier in the day we had walked around the slightly underwhelming Rococo Gardens which while not cheap to enter (£7.15 each) weren't very dramatic. We just used the time to chill on the grass in and out of the shade.

This is looking down the avenues of food gardens towards a sculpture wall

Canon 5D mk III EF 24 - 70L @ f/16 and 24mm 1/100 ISO 160


rococo-garden by singingsnapper, on Flickr

And a shot of the sculpture at the end

Canon 5D mk III EF 24 - 70L at f/16 and 24mm 1/125 ISO 160


rococo-2 by singingsnapper, on Flickr

  • Locked
Italy Trip Lens Advice - wide angle

I will be taking my first trip to Italy late this summer and will be visiting Rome, Florance, Chique Terre, and Venice. I'm hoping to pack light and will be traveling with my 5Diii and 24-105L at a minimum. I'm looking for some advice on a wide angle lens choice for the trip.

I would like to be able to capture good pics inside churches and in the small to large squares as well as the grand vistas like inside the coliseum. I will not be traveling with a tripod so that will make panos much more difficult.

I currently have the Canon 16-35L ii but I'm curious if this is the right choice. I've been eyeing the sigma 15mm fisheye for some time and thought that this might be a better choice?

My experience with the 16-35 with indoor and architecture shots is that perspective usually causes slanted walls and other distractions. Would I really be much worse off with a fisheye?

Thanks in advance for the advice!

  • Locked
new 600mm f/4L and 500mm f/4L have started shipping

i just recieved a message from CPS that "Canon has revealed that two new L-series super telephoto lenses - the EF500mm f/4L IS II USM and the EF600mm f/4L IS II USM - have started shipping to selected Canon Pro Dealers across Europe.". finally!

check their website http://cpn.canon-europe.com/content/news/l-series_super_telephotos_available.do for more info :)

  • Locked
Need a Back up Body

I recently sold my 7d to buy a 5D Mk3. I need to have a backup body with the type of photography i am doing (I do more event, journalistic and people type photography with some nature), and i dont know what to do. I want another FF body buy i cannot afford another 5D M3, Besides i feel canon ripped us off in terms of how expensive the 5D Mk3 is. The 5D Mk2 is an option, but i have heard so many horror stories about the focusing is that i wonder whether to wait for one of the new FF bodies we are talking about. I absolutely hate the 7D, i think it is tantamount to a 'pig' with lipstick. With the 7D i dislike its ISO performance in low light and the overall IQ and i refuse to go that rout again with a body with that particular APC sensor for 1700$. Maybe a Rebel 2ti or 3ti? It is really a difficult time to be the owner of Canon Glass.

  • Locked
Proper way to set down gripped camera

I am getting back into photography here and doing well with some local clients, but today received my new 70-200mm f/2.8 II lens, and have it mounted on a 5DMK3 with a grip. When the camera+lens is not is use or I am adjusting a set, I just set it down, but with this longer lens it puts alot of pressure on the joint between the camera and lens. Is this ok to do or should I set the camera up vertical on the lens? I appreciate any and all answers here.

I did look in all my Canon manuals and did not see it, and also did some searches on the forum, so I apologize if this is a duplicate post topic, thanks again!

Regards,

Shane

Night Street Photography

Aripita Avenue, Port of Spain, Trinidad, West Indies, The liming (partying) Capital of the Southern Caribbean

http://www.wilmark.johnatty.com/p504616586

These pictures were taken with a 5D Mk3 with no flash with the 70-200 II.

I am amazed at the ISO on these and their 'usability', and relate it to the recent review on DPR that the 5D has less than expected low light performance.

Filter

Forum statistics

Threads
37,179
Messages
964,133
Members
24,545
Latest member
shotbyfoxtrot

Gallery statistics

Categories
1
Albums
29
Uploaded media
353
Embedded media
1
Comments
25
Disk usage
982.4 MB